00:00:00.000All right, so today we are going to be talking about Deep Space Nine. This is my absolute
00:00:07.680favorite Star Trek series. It is just very near and dear to my heart. And today we're
00:00:14.520talking about how it fits in with this post-Cold War narrative of what the world looks like
00:00:21.180after the end of the Cold War. And it's really just a fascinating look at how these things
00:00:28.140can be talked about in fiction. So to give a little rundown, most of you guys know a lot about
00:00:35.540Star Trek, but just to give you a little rundown on this show, it started production in 1992. The
00:00:41.440series runs for seven seasons from 1993 to 1999. It's running concurrently with Star Trek Next
00:00:49.660Generation for the first two seasons and then also concurrently with Voyager for a few seasons as
00:00:55.500well, which made this show kind of the redheaded stepchild of the Star Trek genre. It was not
00:01:03.580really the most beloved. It was kind of a weird series that took an entirely different type of
00:01:09.980storytelling. Really, Deep Space Nine can be credited with sort of the birth of serialized
00:01:15.260storytelling, what we kind of take for granted now in television, which is that, you know,
00:01:21.020plots connect with each other from episode to episode and they're long running plot plot lines
00:01:27.020that had not really been done in a major show at that at this point in America so this is the first
00:01:32.700time this has happened and imagine that this you know imagine back in the day when we had to watch
00:01:38.080tv on you know week to week and if you missed an episode well that you're missing a huge chunk of
00:01:44.240the story that's not a problem today with streaming but it was a problem with Deep Space Nine which
00:01:50.280kind of gave it, made it a little more difficult for fans to connect to in many ways, because
00:01:54.900if you missed one episode in the middle of a major plot arc, you might be missing some really key
00:01:59.780information. On the other hand, we also have the first African-American lead, Commander Benjamin
00:02:06.760Sisko. He is eventually Captain Benjamin Sisko once they get the Defiant. I know that Ira Bear
00:02:13.000has often talked about the fact that he thought it was a mistake not making him a captain from
00:02:17.060the very beginning. It just didn't play well in the series. And Ira Bear really is the main
00:02:23.740central creative force behind this show. It was obviously co-created by Rick Berman in Boo. We
00:02:29.500don't like him. And Michael Piller. We do like him. But Michael Piller really kind of just handed
00:02:36.240the show over to Ira Stephen Bear eventually. And that's Ira there at the bottom on the bottom
00:02:42.440picture here. I love him just because, like, who dyes their beard and goatee, like, purple? Who
00:02:49.240does that? It's great. I think it's really interesting that all of this started at a
00:02:53.900baseball game, which is very fitting to anybody who knows the show. You can see that Cisco is
00:02:59.360kind of a big baseball fan there. He went to a base, Bear goes to a baseball game with Michael
00:03:05.140Pillar, and Pillar basically ambushes him with the idea of a new show. Bear had actually left
00:03:12.120the next generation. He felt like it wasn't a good fit for him. It didn't really work with the
00:03:16.440ideas that he wanted to put into storytelling. And he was actually really surprised that Pillar
00:03:22.320was going to give him another chance and try to get him on another show. He was a little skeptical
00:03:26.620about it. Pillar kind of hands him over the show Bible and he says, read it over. It's going to fit
00:03:32.540what your sensibilities more. This is the kind of show that you want to do. And he was like, okay,
00:03:37.480I'm going to take a look at it. And he read the show Bible and he says, I didn't fall in love with
00:03:42.720it at first sight, but I saw its potential. I knew that I could do something with this story
00:03:48.260that I could not and had not been allowed to do with the next generation. Another interesting
00:03:53.800factor about this is that this is the first Star Trek show to be made with essentially no input
00:04:00.060from Gene Roddenberry. We do know that Rick Bourbon and Michael Piller had talked about it
00:04:06.680with Roddenberry. Uh, but Roddenberry was extremely, in extremely bad health at this
00:04:11.720point, was basically at home constantly. And, uh, they went and talked to him about it and he was
00:04:18.280completely just, he wasn't against it. He wasn't for it. He just really had no reaction to the show
00:04:25.220at all. Uh, and that's really because he was coming to the end of his life. Uh, I don't,
00:04:29.080he may not have been all there really in many of these discussions. That's, that's my thought on
00:04:33.960the subject. And so he really had no, nothing to say, nothing to do with this. And Ira Baer gets
00:04:41.040a whole lot of creative autonomy as a result of that. So this is a completely big departure from
00:04:49.560the previous two series. It takes place on a space station rather than a starship. A lot of people
00:04:55.080said that it kind of had a Western vibe to it, which I think I really agree with. We have kind
00:05:00.160of the main street there on the promenade. You have Corks, which is the local saloon.
00:05:05.320You've got the sheriff, Constable Odo. It's got a very kind of western frontier theme
00:05:11.820running through it. Giving the series a more fixed location was one of the big major differences
00:05:18.440in the show, but the show also has a lot of darker themes. It features a lot more conflict
00:05:23.260between the cast members and between the rest of the aliens that they're encountering in
00:05:29.580show as well uh and it was you know a really really interesting new attempt at storytelling
00:05:36.380uh robert hewitt wolf who's one of the writers on ds9 said that the entire premise of the show was
00:05:41.980come to this place take control of it and build it into something better rather than come to a
00:05:46.860planet have an adventure warp away so you had to kind of stay and and see how things developed in
00:05:53.420this one spot which changed the storytelling a lot. So we had to bring Star Trek into the real
00:06:03.18090s right? So I remember when we talked about TNG last week I said that it was kind of a commentary
00:06:08.860on the boredom that people like Francis Fukuyama had predicted was going to come from the end of
00:06:14.380the cold war and if that's true about TNG then consider DS9 the bleaker more conflicted 1990s
00:06:22.060of reality. Because some people might think that the 1990s was boring. And it was, culturally
00:06:27.180speaking. There was a lot of boredom in the 1990s culture. But on an international and domestic
00:06:33.760level, there's a lot of things going on. We're going to see the rise of right-wing domestic
00:06:39.700terrorism in America and things like that. Also, the rise of foreign terrorism in America with the
00:06:46.880first bombing of the World Trade Center. And so we're going to see a lot of changes going on in
00:06:51.860American society. So Ira Stephen Bear said that Roddenberry's view of the future in TNG was the
00:06:57.520Connecticut of the Star Trek series. Everything's clean, white, proper, nothing is messy. It isn't
00:07:03.900the world that I lived in. And Michael Piller said that Deep Space Nine was made up of conflict on
00:07:08.620every level that we could find it. They're conflicted with their environment. They're in
00:07:12.220conflict with each other. And we see that the creators are drawing from very gritty,
00:07:17.400real conflicts that are going on in the 1990s. Piller specifically said that he had trouble
00:07:23.120writing the pilot script. He said that in the first draft of the script, our guys essentially
00:07:27.920come to the Beverly Center Mall in Los Angeles and decide to stay. I thought that was great,
00:07:33.120and the studio said, we want to open with a shot of the promenade and people gambling.
00:07:37.080So I wrote it that way, and I realized it didn't work. Sadly though, while I was going through this
00:07:42.240agonizing process, we had the riots in Los Angeles, and both Rick and I wanted to somehow
00:07:46.840say something in our show about humanity coexisting and coming together. I had also
00:07:51.320started thinking that it was not a dramatic situation for a man to come to the Beverly Center.
00:07:55.940It's not a very dramatic for someone to go to their favorite mall and decide to stay. But for
00:08:00.820a man who goes to South Central Los Angeles and finds it in ruins and decides to stay, that's
00:08:06.260dramatic. So I'm going to play the opening, one of the early scenes in the pilot here for you.
00:08:12.320And just keeping in mind that Deep Space Nine, the station is supposed to be a stand in for LA after the riots.
00:08:21.320I'm in Station Deep Space Nine, Commander Benjamin Siskel, Stardate 46388.2.
00:08:34.220At the request of the Majoran Provisional Government, Starfleet has agreed to establish a Federation presence in this system following the withdrawal of the Cardassian Occupational Forces.
00:08:43.580The first contingent of officers, including my Chief of Operations, Miles O'Brien, arrived two days ago on the Enterprise.0.94
00:08:51.320I'm told the Cardassians decided to have some fun the day they left0.84
00:09:05.940Four Majorans were killed trying to protect their shops0.64
00:35:30.280those sublight smugglers were a potential source for great profit must i go to the 76th rule of0.98
00:35:36.020acquisition the 76th every once in a while the clappies it confuses the hell out of their enemies0.92
00:35:43.580all right so he's all about making money but he's also all about confusing people and creating
00:35:48.960you know conflict chaos uh by not letting people know where he's headed what he's doing
00:35:54.800uh and i like this particular scene as well that which also shows the conflict between people with
00:36:00.000the money and people who don't believe in money.
00:36:30.000philosophy we work to better ourselves and the rest of humanity what does that mean exactly it
00:36:36.060means it means we don't need money well if you don't need money then you certainly don't need
00:36:45.020mine right so he's not gonna he's not about to hand over his money to jake uh for a baseball
00:36:53.020card which is what he's trying to buy for his father's birthday i think i think it was a birthday
00:36:56.940present. So yes, this conflict, like I said, it's not as obvious. It doesn't run through the series
00:37:04.820themes quite as much as the other five things that Huntington lists off, but it is there.
00:37:11.120There is economic regionalism that is a conflict point in the show. I'm sure there would have been
00:37:17.940more of that if anyone in the writer's team really understood economics. There are so many
00:37:23.320questions I have about the economic system of the Starfleet, uh, Star Trek universe that I will
00:37:29.080probably never have answered, sadly. Uh, but this is one of those problems that pops up.
00:37:35.940So Alexander Siddick, who played Dr. Bashir in the show, said that DS9 was the true sci-fi baby
00:37:41.260of the Star Trek world because it explored difficult things that normally people don't
00:37:45.520want to talk about because they find it uncomfortable. Politics, religion. So in this
00:37:50.680section of the lecture pretty much I just want to do kind of a case study of individual episodes
00:37:55.080and how they dealt with major contemporary issues of the time. So the pilot is a key example of how
00:38:02.500the writing staff were taking their cues from world events because it is based on more or less
00:38:08.140the 1992 Los Angeles riots that were occurring and it was very important. It was doubly poignant
00:38:14.220to use the Los Angeles Rodney King riots as an inspiration for that episode because it was the
00:38:20.540first episode of Star Trek to have an African American lead in it. So it was a very important
00:38:25.520moment for that. And that issue of race is going to become kind of a key driving force for Sisko's
00:38:32.480character in many episodes. The casting of Avery Brooks as Captain Sisko was really going to bring
00:38:38.480the issue of race to the forefront in a way that had never been covered in Gene Roddenberry's reign.
00:38:43.380Now, obviously, Roddenberry was more egalitarian about this. He had Black characters who were doing important roles. But for Roddenberry, the issue of race was something that he thought would be inconsequential by the 24th century. In his opinion, the role of the Black man was no different from the role of anybody else.
00:39:03.420But Michael Piller, Ira Baer, and Avery Brooks took a very different look at this. They felt that it was very essential to talk about contemporary issues of race in America, especially given the ongoing racial climate in America in the 1990s.
00:39:17.400And so the most prominent example of this is the episode in season six called Far Beyond the Stars. It's directed by Avery Brooks himself. And in this episode, we have this kind of alternate universe where it's set in New York City in the 1950s.
00:39:35.260and it centers around the cast of Deep Space Nine, all being humans who are working at a science
00:39:41.160fiction magazine called Incredible Tales. You can't see it behind me. I have my background
00:39:45.740blacked out, but I actually have a poster that is the cover of the fictional magazine because I love
00:39:52.280this episode so much. And they are, Captain Sisko plays a character called Benny Russell,
00:39:57.980who is an African-American writer for the magazine. He writes a short story called Deep Space Nine,
00:40:03.040it's very meta, featuring a black captain on a space station. And this episode really centers
00:40:09.360around the struggle for civil rights, deals with issues of racism, police brutality,
00:40:14.880major topic, of course, on everybody's mind, even six years after the Rodney King incident.
00:40:21.680And Brooks says that this episode was the most important moment for me in the entire seven years
00:40:28.240of the series. He really, really loved this episode, and I also really love it. I clearly
00:40:35.100love it because I named my master's thesis, I titled my master's thesis after a quote from
00:40:41.240this episode, which was, you can pulp a story, but you cannot destroy an idea, which really fit what
00:40:47.500I was trying to do with my thesis here. I'm going to play you real quick this scene. If I disappear
00:40:54.280off screen it's because i needed a tissue the scene always really gets me um so here we go
00:54:29.900I really highly recommend, if you haven't watched the show, I highly doubt that any of you in this particular lecture haven't watched it.
00:54:36.280But The Siege of AR-558 and It's Only a Paper Moon are two fantastic episodes dealing with war and PTSD.
00:54:44.800Now I want to just go ahead and talk about some honorable mentions.
00:54:48.360These are not, I'm not really going to play scenes necessarily from these episodes, but I just really like the way that they dealt with issues of society in them.
00:54:57.020duet is the 19th episode of uh of the show it's in the very first season it's uh deals with a
00:55:05.880man who is being is compelled to confront an apparent cardassian war criminal who might be
00:55:11.260lying about his identity uh it actually is based on uh it was originally titled the higher law and
00:55:17.700it resembled an actual existing dramatization based on the nuremberg trials it had reference
00:55:22.700to Robert Shaw as the man in the glass booth, which tells of a Jewish man who is accused of
00:55:27.080being a Nazi war criminal. But what I really love about this episode is how much it allowed Kira's
00:55:33.480character to evolve and kind of deal with her own emotions about the Cardassian occupation and all
00:55:41.160of the violence that had occurred there. She really has a chance to grow and it shows a lot
00:55:46.800nuance on the issues of what's going on in the conflict in the show. Another great honorable
00:55:54.480mention is, of course, Rejoined. This was season four, episode five. It is one of the first
00:56:00.240televised lesbian kisses to ever be on network television. So following up on the original0.99
00:56:09.200series, having one of the first interracial kisses to ever be televised, we get into this with
00:56:15.840Deep Space Nine. It was the 78th total episode of the show. It was aired in 1995. It received a
00:56:22.880record number, record volume of feedback from viewers both positive and negative. There were
00:56:28.560a lot of people that had problems with this episode. I believe one person who worked at the
00:56:33.280studio was quoted as saying that she got a call from somebody complaining about the episode.
00:56:38.640It was a father saying that he had trouble explaining this to his children and she
00:56:43.520specifically asked him would you have had a problem with it about this if one of the women
00:56:49.120had shot the other like it wasn't a kiss it was a shooting and he said no i wouldn't have had a
00:56:54.160problem with that and she was like i think you need to think about who's screwing up your kids
00:56:57.760because it's not us right uh you're the problem here buddy uh it's a great episode i am still a
00:57:04.240little bit you know peeved that we we got this kiss but we never got what we all wanted from
00:57:09.280the show, which was Garrick and Bashir. And yes, I know about the Lower Decks episode. It doesn't
00:57:14.080count. It's not the same characters. One of them is from an alternate universe. It doesn't count.
00:57:18.960That was a cop out on their part. But if you watch the entire documentary on Deep Space Nine,
00:57:25.840you will find out some things. Both Alexander and Andrew were totally in it. They were ready to go
00:57:34.800for it. Ira Baer wanted to make them a gay couple. We could have had Bashir and Garrick for real,
00:57:39.760but the 90s stopped us. And I will be salty about that for forever.
00:57:46.000And one more honorable mention that I want to talk about here is not just one episode,
00:57:51.280it is every episode that features Benjamin and Jake, father and son duo. I'm going to play you
00:57:57.600another scene here from the documentary because it really covers this issue.
00:58:03.040will what was your favorite mission been on in deep space nine my favorite mission
00:58:09.280my favorite mission was raising jake come on come on man
00:58:17.760blue light is on and it's fading away and it's fading away and it's fading away
00:58:22.480i realized the significance and importance of the small things that we did that
00:58:48.480avery was aware of i didn't realize it at the time but it was important for him to set the
00:58:54.240precedent for a black man raising a child being there being a father being involved in his child's
00:59:00.560life having that as his primary concern in life it was a reality of the disproportionate0.55
00:59:08.000disproportionate number of brown male children without father figures etc so it was very
00:59:16.560important to me that that relationship you know remains strong he was creating a role model for
00:59:23.920people to follow particularly african-american men in terms of how to treat your son i thought
00:59:31.680that he did such an outstanding job with the creation of his relationship with jake the bond
00:59:37.600that the two of them had off camera i thought for a moment that avery was his daddy because they had
00:59:46.080such a wonderful strength together when we weren't working he'd take me to a basketball game he took
00:59:52.400me to my first lakers game uh introduced me to jerry buss and magic johnson and introduced me as
00:59:58.800his son with his son you know this these are my children that's how he would you know introduce me
01:00:05.760and um i felt like part of his family i felt the love i still feel that way he hasn't let go at
01:00:13.440all. We still maintain a very close relationship. So it's a very special relationship. One of the
01:00:20.160things that Avery Brooks really insisted upon in the show, he wanted to make sure that he was
01:00:26.280portraying a very strong parent-child bond between the characters because he believed that the
01:00:33.620relationship was something important to be shown on television. He specifically said in an interview
01:00:39.140in 2012, that was something else you still don't often see on air, at least as it concerns black
01:00:44.340and brown men and their sons. We got to play complicated, emotional, and intricate scenes,
01:00:48.820and we got to have tender and fun moments. It wasn't a pat relationship or an easy one,
01:00:53.300but, and it was very realistic. Uh, and so Cyril Lofton who played Jake was actually the, he was,
01:00:58.820his parents were going through a divorce at the time that he began, began playing this role.
01:01:03.300And so Avery Rooks really stepped in as kind of a father figure for him in reality, as well as in
01:01:09.860the show, which was very important for him. So it's a great, great commentary that they were
01:01:16.020able to put into this. So I just want to talk a little bit about DS9's legacy. So while Gene
01:01:24.100Roddenberry's Star Trek vision was rooted in kind of this very far-flung utopian idea, DS9 wanted to
01:01:32.060ask harder questions. It delved into the grittier realities of what it meant to build and maintain
01:01:37.720a future like the one Roddenberry wanted. He was really challenging many of the idealistic
01:01:43.740assumptions that Roddenberry and some of the earlier writers had had because it really fit
01:01:49.680better into our very complex world that we actually live in. It's not some far-flung dream,
01:01:55.340it's how do we get there? So DS9, like I said, explores themes of compromise, manipulation,
01:02:02.300the cost of security, and it challenges the idea that Roddenberry had that humans will just
01:02:09.200unflinchingly progress morally into the future, right? It's going to take more work than Roddenberry
01:02:16.660really portrayed in his shows. So for many fans and critics, this willingness to depict the
01:02:22.120Federation's flaws made the series feel so much more relatable, especially to this kind of post
01:02:27.780Cold War period, which was full of so much uncertainty in the global world. So it really
01:02:37.000did amazing things for the entire story series of telling stories on television with serialized
01:02:45.420storytelling. It was very groundbreaking for its time. Shows like The Expanse, Game of Thrones,
01:02:50.500Battlestar Galactica owe a huge debt to DS9's trailblazing format because we would not really
01:02:56.980have gotten that kind of storytelling without this. This was really them taking a chance.
01:03:03.860DS9 also was not afraid to tackle deeply political issues like religion, nationalism,
01:03:10.100all things that we are still dealing with today that we have not solved yet. But they gave us
01:03:16.580kind of a blueprint for talking about it and using sci-fi to talk about these things in a very gritty
01:03:23.460realistic way and we also get to question a lot of things like the Federation's role as a benevolent
01:03:30.260force which was a question that really needed to be raised in the post-cold war era of what
01:03:35.380America's you know part in the world was and how we should be interacting with other countries it
01:03:42.180it was a question that really needed to be asked. So today, we still have these issues. We still
01:03:47.220have nationalism on a huge scale. We still have economic inequality on a huge scale.
01:03:52.260Religious fundamentalism is a hugely major issue in America right now, obviously, with Christian0.57
01:03:57.860nationalism on a upward growth as far as control is concerned in American society.
01:04:05.100The erosion of civil liberties, it's a big topic. And the series didn't offer any easy answers.
01:04:10.620but it addressed those issues and it willingly embraced kind of the gray areas and made it
01:04:17.360probably I think one of the most thought-provoking entries in the entire franchise. DS9 was really
01:04:23.620overshadowed by the next gen. It was overshadowed by Voyager. Like I said it was the red-headed
01:04:27.980stepchild. It was the middle kid. Gets ignored the entire time but it still was incredibly important0.81
01:04:34.700and I think it deserves a lot more than it got. It didn't get any movies. It didn't get anywhere
01:04:39.680near the acclaim that anybody else that any of the other shows got uh but ds9 really reminds us
01:04:45.520that even in the future starships warp drives all those amazing things that we can get out of the
01:04:51.200future with technological advancements we still have to keep a wary eye on these these negative
01:04:58.880parts of humanity uh our flaws and kind of keep those under control because if we just assume
01:05:05.760they'll go away, they'll sneak up on us. Okay, so now it is time for any questions. So I know
01:05:13.600everybody likes this series a lot. I did not cover nearly as many episodes as I probably would have
01:05:18.800liked to. But you know, I'm not going to keep you here for hours and hours. So if anybody has
01:05:23.520questions about particular episodes, feel free to put them in the chat or unmute and ask.