00:00:00.000this is the culture study podcast and i'm ann helen peterson i'm maggie farrell and i'm very
00:00:13.460happy to be here i'm the author of several books including hamlet and my new book is called land
00:00:18.700maggie you have so many fans in our larger culture study newsletter podcast universe
00:00:26.000so before we talk about your new book i have to ask what has it been like to watch hamnet
00:00:32.500become what it has become and i know you were um a co-producer co-writer on the script like
00:00:37.800it's one of my favorite movies of the last year and not just because paul mescal is my boyfriend
00:00:43.860and i love his large thighs so much but yeah the last like and you're like you're you're like
00:00:53.080gearing up to release this new book but also like going through awards season like what has this
00:00:57.220been like well it's thighs aside um no it's been extremely surreal and really wonderful you know
00:01:07.700it's not something that i ever ever expected would happen to me i certainly have no thought at all
00:01:15.100that i would be invited to the oscars to go shopping for a frock so no it was all extremely
00:01:22.760surprising every kind of every um you know step on the way right when chloe chow asked me to write
00:01:29.220the screenplay with her every single step was a surprise so yeah yeah it's been a wild ride
00:01:35.840and it's been so fun to dip my toe into that world and just to see it all up close has been
00:01:42.140so interesting that just to give you some idea of how weird it was i was i'm just going to say
00:01:47.700this sentence it's a very weird sentence i was queuing for a limousine at the oscars
00:01:51.220as you do i'm just gonna say it and i was standing talking to my friend who's with me
00:01:57.580and i thought to myself that's really weird that man behind me sounds exactly like george
00:02:01.780clooney that's so weird and then i thought i turned around i thought that's because it is
00:02:06.940george clooney you know as a kind of civilian it took me a really long time to kind of catch up
00:02:13.200with that and i thought god he sounds so like it's really uncanny and then i thought well
00:02:17.560yeah of course it's him he strikes me as one of those people that is absolutely as handsome and
00:02:23.720stunning like just like movie star handsome in person yeah i think he is actually there are some
00:02:29.500people that you see him off screen you think oh they look a bit funny but no i can report safely
00:02:35.240from the front lines of the oscars that he is actually as handsome in real life as he is i can
00:02:39.960also tell you the safety that chase infinity is literally the most beautiful human being i've ever
00:02:44.440seen oh my gosh she's extraordinary gorgeous so gorgeous there's something i think she has an
00:02:50.940inner light bulb she kind of glows she's amazing i think she told me she liked my hair which i was
00:02:55.700so and i was so starstruck i was kind of oh thanks thanks very much so one of the reasons when i heard
00:03:01.620that chloe joe was attached to the film i automatically like i knew that it was in good
00:03:06.560hence the writer her movie from 2017 is one of my favorite movies of the last decade amazing film
00:03:12.400he just has such a sense of place that works like that it's just an incredible deft touch with it
00:03:21.520and i was thinking about this as i've been reading your new book which to me has like is so so deep
00:03:30.020in like a sense of place and it's about place it's about mapping it's about all of these things so
00:03:34.880Can you talk a little bit about the new book, which will have come out the day before this podcast comes out?
00:03:40.940With Land, I was setting out, I think, to do two things.
00:03:44.160Firstly, I wanted it to be a story about a family who is trying to or endeavoring to survive and thrive in the long shadow of the great hunger in Ireland in the middle of the 19th century.
00:03:56.360But I also wanted it to be, I wanted to write the story, the entire story of a country, the entire history of a country via one plot of land and all the different people who in waves come to live on that land.
00:04:11.060my sense from reading the acknowledgements is that some of this story does like are some of
00:04:19.700the stories that are passed down you think i think your great great grandfather like is some
00:04:24.720of that family lineage interwoven into this yeah so i'm very interested in this novel in the idea
00:04:31.680of myth and what makes up myth so our family has a myth or had a myth that my great great
00:04:37.980grandfather worked on the very early maps of Ireland and I had always known this but I'd never
00:04:42.620really found out how much of it was true you know I think all myth you know folklore myth all has a
00:04:48.740grain at least a grain of truth in it so I went to find out whether or not this was true so I had
00:04:55.100searched through many many archives of the British Ordnance Survey which are on Ireland which are
00:05:00.860based in Dublin and I did find that actually yes it was true and that he'd started working for the
00:05:07.320British Ordnance Survey in 1848. And if anyone knows a lot about Irish history, they will know
00:05:13.080that that was two years into the Great Famine. And so that date just stopped me in my tracks,
00:05:19.320because I couldn't, for the life of me, imagine what that must have been like. So they were
00:05:23.440revising the maps because of this huge cataclysm that had hit the country, both, you know, natural
00:05:29.920disaster, political, social, you know, disaster. And, you know, the whole population had completely,
00:05:36.060so many people have died so many people have been forced to leave um the you know the physical and
00:05:41.880human geography of Ireland had completely changed because of this disaster I was just trying to
00:05:46.160imagine what it was like redrawing the maps doing those revisions to the maps what that must have
00:05:50.940been for somebody who lived through that um so that was kind of the spark for the novel I mean
00:05:55.320it is a novel I've used what little I can find out really about my great-great-grandfather and
00:06:00.240his son my great-grandfather as the kind of starting point for the book and his son my
00:06:05.400great-grandfather that had a very interesting trajectory in that he became a jesuit which
00:06:11.400isn't something that you just fall into you know it's something that you have to dedicate your life
00:06:16.160to and it's many many years of training um and then we know that he left being jesuit and he
00:06:22.240came full circle and became a mapper like his father and that's always really fascinated me
00:06:27.220why would someone do that? It's such a thing to become a Jesuit. And in Ireland, it's such a huge0.96
00:06:34.020thing to leave the church. So yeah, that really fascinated me. So on those kind of very bare
00:06:39.960bones of a narrative, I built the novel. I also think that The Great Hunger is something that,
00:06:46.200at least for American audiences, we all know about it. And oftentimes, if your family has
00:06:52.660some Irish heritage, you know that that's part of why they left Ireland for the United States.
00:06:57.220are for canada but don't know the textures of it and like reading the book you get such a sense of
00:07:04.000like the devastation how like just where bodies had to accumulate how entire like swaths of cabins
00:07:12.180like places where people lived in the tenements like how they were wiped out like they really
00:07:16.260did remap the landscape in a way that i hadn't considered and it's like that's part of what
00:07:21.900grips you I think in the novel is this new texture to the information to this history
00:07:27.380I mean that you know the statistics alone bald though they are speak volumes so between the
00:07:34.040years of 1846 and 1852 they think it's a conservative estimate to say that a million
00:07:40.080people died and a further million people were evicted and emigrated mostly quite a lot of them
00:07:49.500to canada and the united states as you say um i mean there are some historians that say it's far
00:07:54.960far larger than that it's quite difficult to know but those numbers alone are so bald but that's
00:08:00.240exactly that's roughly what happened but i think what what interested me in the novel is actually
00:08:05.760the people who survived and stayed i was trying to imagine what life was like in those years
00:08:13.700afterwards directly in those years afterwards how these people who were devastated and traumatized
00:08:19.940and had lost you know most of their families in a lot of cases um what they did you know how they
00:08:25.960continued to live how they picked themselves up and carried on and I think that was the major
00:08:30.860theme for me for writing the book and I wanted to also to write about the children so the workhouses
00:08:36.940were set up and it was a rule that you had to give up your land in order to go into the poor house
00:08:42.460the workhouse to get so-called relief um and you also you were all separate you were separated
00:08:49.080so children were separated from parents and vice versa and often the records that were kept were
00:08:55.180not very accurate so there was a whole generation of children who had real no real idea where they
00:09:01.620were from and who they belonged to they were completely dispossessed um so their homes no
00:09:06.180longer existed because they'd probably been evicted and they didn't really some of them
00:09:10.680didn't know who their parents were and there was one story that really haunted me was that a little
00:09:14.620girl who went in and it was she was from Killarney and the wardens of the poor house put her down as
00:09:22.060from Killarney and so her father who'd emigrated to America came back to Ireland and he knew that
00:09:28.560his family had died and he knew that there was one child who remained and he went to the poor
00:09:32.440house and he said I'm here for my daughter who's from Killarney and because they had made an
00:09:38.260administrative error they said no she's not here so he went back to the states and without her i
00:09:44.440just read the part of the book where you slightly alter that story yes to have it to do with a um
00:09:50.640the girl's name and like what devastation i know it's awful even thinking about it now it makes it
00:09:56.880it gives me a kind of horrible horrible shiver down my spine yeah that poor child that poor
00:10:02.680father and it's just so awful you know this kind of huge in the cauldron of north america you would
00:10:09.040never be able to find him again yeah we did an episode last year with carolina donahue that was
00:10:16.080about like the irishification of pop culture and just talking about like why there is so much
00:10:22.180irish pop culture that like seeps into the global atmosphere like why basically ireland
00:10:28.840punches way way way above its weight for a country of its size and i highly recommend that episode
00:10:34.520for anyone but listen it sounds amazing yeah and she's so funny um but we wanted to have you on to
00:10:42.960talk about something that i think our readers our listeners absolutely love irish lit i love irish
00:10:48.140lit i especially love irish cinema i have like a ton of i have a phd in media studies and took a
00:10:53.480bunch of irish lit and film classes but i also think that my exposure is still very much filtered
00:10:59.720through the like oh well this was nominated for the booker and then so this is what i'm reading
00:11:05.320um so we wanted to have someone who just much more uh panoramic knowledge exposure loves within
00:11:12.980irish lit as a whole so we have a bunch of questions from readers who say some of the
00:11:18.180the pieces that they love, like some of the types of work that they love, Irish and otherwise,
00:11:23.620and then we're going to come up with suggestions for them. Does that sound good? Okay. Sounds
00:11:28.460great. It sounds like a kind of game show. I like it. Oh, and also paid subscribers will get links
00:11:35.160to everything we recommend in the show notes. Okay, let's start with this question from Jacqueline.
00:11:41.760I am the Irish fiction super fan of my book club and was so excited to hear you are planning this
00:11:47.160episode. I have especially loved slow, beautiful literary fiction reads that are evocative of a
00:11:54.020specific time and place in history, like Trespasses by Louise Kennedy, These Days by Lucy
00:12:00.340Caldwell, and of course, anything by Claire Keegan. What else in this genre can you recommend?
00:12:06.460I also adored the funny and heartfelt memoir, Did You Hear Mammy Died by Seamus O'Reilly,
00:12:11.840and overall I feel like there is so much amazing art and writing being created right now by people
00:12:17.760who came of age at the end of the troubles what else am I missing well I've got to commend her
00:12:22.840on her taste that's amazing what a brilliant list um I would prescribe for her uh Donal Ryan
00:12:29.300who I really love he's a writer from Limerick and I think one his I think his earliest book
00:12:35.280is called The Spinning Heart I think that was his first book and it's an incredible
00:12:39.320brilliant evocation of modern island seen through a small community and if you like it which i know
00:12:46.680that you will there are lots he's written several other books all of which are slightly interlinked
00:12:51.600they're not really sequels but they are about the same community and you see the same characters
00:12:55.700pop up and you find a little bit what happens to them so his writing is so beautiful and deeply
00:13:00.640deeply satisfying and i think that'll be i think that's a perfect fit for you i would also say you
00:13:06.060should try John McGann he's passed on now but he wrote an amazing novel called Amongst Women I
00:13:12.140think that's his most brilliant book what is it about it's about a family and in particular a
00:13:17.640really terrifying father who kind of has a hold over his children and some of them kind of succumb
00:13:27.520to his charms and stay in his orbit and others have to rest themselves free he's a very very
00:13:34.180chilling anti-hero and it's a an incredible book the other one that i would suggest is uh nile
00:13:40.500williams's this is happiness um which is about a very small community in 1958 as electrification
00:13:49.660is coming and i think sometimes people forget that electrification did not like come everywhere in
00:13:55.720the world in like i don't know like sometime in the 1920s or something like it there's a very
00:14:03.140long spread it's still there's still not electrification in many places but 1958 like
00:14:08.420a really fascinating sort of hinge point in terms of like coming into modernity that sort of thing
00:14:15.740um and williams just writes about the land with an incredible evocativeness that i always
00:14:21.960appreciate and it's like it makes you feel very happy without being saccharine in any way
00:14:28.320i think that's how i would describe it yeah that's a nice one
00:14:33.000the culture study podcast is sponsored by zbiotics so i want to tell you about this
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00:15:11.640not a lot of sleep and more than 1.5 drinks was maybe not going to make me feel great the next
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00:15:53.760drink of the night, drink responsibly, and you'll feel your best tomorrow. Like a lot of people I
00:15:58.420know, I heard about pre-alcohol and I was like, uh, this sounds like, I don't know, the advice
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00:16:07.540after you've drank like a ton. But at this point, I've used it several times and it actually really
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00:16:27.800No questions asked. Remember to head to zbiotics.com slash culture study and use code culture
00:16:33.260study at checkout for 15% off. Today's episode is sponsored by Jones Road Beauty. So another thing
00:16:40.280that I used when I went to see Randy Carlisle at the Gorge was my Jones Road Miracle Balm.
00:16:46.100I love it. It just gives you this like very slight, like sun-kissed look. There are little
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00:17:02.020Melody, you use it for like, do you put it on your lips? I think you do. Yeah, lips and cheeks.
00:17:06.600I need to start using it on my lips because that's very and also I needed some for being
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00:17:47.940checkout after you purchase they will ask you where you heard about them please support our
00:17:52.040show and tell them that Culture Studies sent you. Okay, next question comes from Allison,
00:18:02.580and Melody's going to read it. Looking for fiction similar to Anne Cleaves and Tana French.
00:18:07.300Well-written, compelling stories, complex characters, strong sense of place. Bonus
00:18:11.600points for good audiobooks. Doesn't have to be mystery or crime fiction or a series,
00:18:16.140but the kind of book that you just have to stay up late or call in sick to finish.
00:18:20.580Clear would be an example that isn't genre fiction.