00:01:24.340So we started in 2013 and the Mashup Americans, you know, today we would say it is an independent media company and a creative studio and all of our storytelling, whether it is original work, our podcast, our newsletter, our essays and pieces on our website, or work that we make for clients with our studio, whether that is working with Reese Witherspoon and Hello Sunshine or Peloton or HBO and Netflix is all about telling American stories and having conversations.
00:01:54.340that really frame any topic that we're kind of tackling through the lens of what it means
00:02:01.480to be American today, looking at hyphen identities, immigrant culture, and really trying to, in
00:02:08.320all of our work, center storytelling and on marginalized voices that typically are not
00:02:15.340and remain still in 2025, not central to the American conversation, and are really the
00:03:15.460Oh, this is, everything's making sense.
00:03:18.360I like things to be in order and to sort out the world.0.55
00:03:22.440And I would say one of the kind of impetuses of BKE and looking at what this cultural wave meant was born of that, like, trying to make sense as a very elder millennial.
00:10:48.040Which it actually does feel like that.
00:10:50.760And that's not, I would not say that that's an Orientalist way of being.
00:10:54.660That's a way of being when you are accustomed to American exceptionalism and you have been
00:10:58.900told that everything in America is the best way that it should be. And then you go to fucking0.99
00:11:03.600Seoul and you take the subway and you're like, this maybe is a techno-orientalist future that0.99
00:11:08.920we all want, right? Things are often better there in a way that seem very future-seeking because
00:11:17.160we simply don't have them here. And I would argue that a lot of that is because we in America grow
00:11:23.560up with this principle of like exceptionalism that simply is not true in many many ways right
00:11:29.580but like also americans don't have the opportunity to travel and we don't prioritize that so things
00:11:35.060that are different and better seem like they must be part of some utopian or dystopian future
00:11:39.560yeah and i do think that's also you see that in representations like whether it's on screen or
00:11:46.640like i don't know just like the stock imagery of seoul or singapore right or tokyo and it just like
00:11:54.040it that vibrates right it's like shiny and glittery and right organized and there's so
00:12:00.760many people and for many people who i would say most americans of any stripe being surrounded by
00:12:14.040in these examples like east asian faces is not something that you are ever that that's just
00:12:19.440simply not an experience that you ever have i mean frankly for most people right like when i took my
00:12:24.360kids to korea last year it was the first time they ever had other than when we're with explicitly
00:12:30.920like with family or doing a korean thing so there's there's a lot of like different dimensions
00:12:36.440i think just in that question the core question of like how do we make sense of the korean surge
00:12:43.880within all of those other elements i think i think there's a couple of things first you know
00:12:50.940like the broader question is who who is that meaning making for right like when we say how
00:12:55.440do we make sense of it is it as white americans is that korean americans are we thinking of trying
00:13:01.000to make meaning for it for like our own personal identity and understanding of self and our
00:13:05.760understanding of our culture and having a relationship to that or is about like how
00:13:10.220korea sits in relationship to all these other east asian powers and in their relationship to
00:13:15.980america right so there's like multiple dimensions to that some of which i'm better equipped to speak
00:13:21.580about than to others but i do think that thinking about okay so there's the piece of the question
00:13:26.260that was like now it seems like the korean halo of soft power is being taken by western or american
00:13:33.660capitalism to uh sell their own products right it's kind of being like usurped in some way
00:13:39.480and to that i'm like this is what happens in capitalism like to me that is less about like
00:13:45.780a concern of loss of culture or of appropriation or of like really deep meaning making to be done0.96
00:13:53.420there other than the fact that like korean shit sells and so of course other companies are going0.97
00:13:58.940to mimic that like that seems like a basic rule of capitalism it's like when barbie was a huge0.98
00:14:05.900success then every hollywood studio was like let's make movies about toys like they're taking the
00:14:10.980wrong lesson but but it's the same principle right yes yes what do you think about this argument
00:14:17.920about the legitimization of korean artistry yeah vis-a-vis this win because i think that that like
00:14:26.740This is something you talk about in the first episode with Phil, like how that is a moment and how a lot of this stuff, like Parasite's an exception, but how there's other components of Korean culture that have become super popular in the United States that back in Korea are just like, this is just like whatever television.
00:14:45.880yeah we spoke at length about this and phil you the angry asian man a incredible journalist and
00:14:53.920friend and community builder and organizer um phil you jenny yang and joanna lee they coined this0.98
00:15:00.080term rep sweats like this was years ago right this idea that like when you see another asian
00:15:05.240person anywhere out there in the world who has some sort of shine on them or spotlight and you
00:15:10.180immediately are like are they gonna embarrass us us all of us right all billions of us that are
00:15:16.480sitting here and the thing the reason i bring up rep sweats in relationship to parasite we actually0.64
00:15:21.820did uh with that episode a timeline of kind of big moments of koreans on the global stage and
00:15:29.860it was there was like the 1988 olympics there was the 2002 world cup um kim yuna winning the gold
00:15:36.460metal uh for figure skating parasite then like um you know there's a couple of different moments
00:15:43.160with like bts or k-pop that kind of shine and there's lots of other you know like smaller ones
00:15:48.340those are a lot of the big tentpole ones that come out and i think there is a complexity like
00:15:54.500a two truths about parasite for example which is bong joon ho famously was like who cares about
00:16:00.840the oscars they're just like a regional award show i know right and that is like a beautiful
00:16:06.940statement from a man who was very confident in his skill and his talent and his uh status as
00:16:12.920like a global auteur right he's just like it's just the oscars like it's whatever and also it's
00:16:19.400like a uh it is a sense of arrival or validation from a global stage now i think kind of like what
00:16:27.880we often think about at mashup and we joke about a lot is like and this gets to the rep sweats also0.83
00:16:35.040is that what a fucking joy what an arrival of real power it is to be allowed to be mediocre0.94
00:16:43.320like we talk in america all the time and are very proud of like black excellence queer excellence0.98
00:16:51.440like you want something to to like we were just earlier before we started to recording
00:16:57.600talking about Zoram Amdani and his incredible campaign which was entirely run by women you
00:17:03.320know and like all of these things like women are so excellent Asian excellence Korean excellence
00:17:08.920that is all true and should be celebrated and actually the real victory comes when like you0.89
00:17:15.860don't have to be fucking excellent to be dignified and appreciated as a human being and as a culture0.83
00:17:21.200so i really fucking applaud when people are like this drama on netflix is so amazing i have you0.97
00:17:29.500watched it yet i'm like no i i didn't like that one or like i think that actor's kind of mid like0.92
00:17:35.760i don't right you know like and that what a pleasure like what a gift to be like here's
00:17:41.980actually a whole array of things and that it turns out like i'm like a coastal elite like i love
00:17:49.200premium television or whatever and it turns out all the most popular shows in america the ones
00:17:54.940that are most watched regularly are things that like i have never actually watched ever because
00:17:59.360halfway stuff is actually what feeds most people and so when like uh somebody's like well can
00:18:07.960anybody ever possibly watch all like the 500 billion dollars worth of content that netflix
00:18:13.320has invested in in korean language television probably not is it all good no but like does it
00:18:19.240all have to be excellent to be validated in any way it shouldn't have to be right like
00:18:24.520not every movie gets a an academy award and they shouldn't have to so like i i actually think that
00:18:31.440like celebrating the fact that mediocre product can exist in the world or mid-tier if we're
00:18:41.160talking about beauty and how you know like accessible whatever like that that actually
00:18:45.960means that a celebration of koreanness or an acceptance or an understanding that korean
00:18:52.260products just simply exist in the world and they're an option and you can buy them
00:18:55.540is more exemplary of the power than not yes no that that absolutely makes sense like the fact0.72
00:19:04.020that it's not just parasite it's parasite plus squid game plus k-pop demon hunters plus all of
00:19:10.620k-pop which is a whole like breadth of music right like k-pop is not one band exactly you know like
00:19:18.100there's so much out there and i think that there's something i love uh trixie mattel and i love
00:19:24.220trixie and katya they are my like soothing every monday like trixie puts out a youtube video for
00:19:31.220free and that's like my my my get over my sunday scaries because i know like that video will be
00:19:36.220coming and i adore it and she's always like i'm like the wayne gretzky of drag like if you don't
00:19:43.800know anything about drag you probably know my name right i literally and when she said that i was like
00:19:49.780i do know a few other drag queens but do i literally know a name of a single other hockey
00:19:56.300player in the universe absolutely not and i think that that's like what a lot of people think about
00:20:03.700korean culture they're like k-pop is uh blackpink or bts right and stop and then they're like what
00:20:10.440are these two groups doing and what's the big deal that'd be like ah justin timberlake is pop music
00:20:17.300you know like american pop music like correct i hope and there's i hope not and also like
00:20:23.580but that's i think the way that that um it's a way of doing exactly like the work
00:35:20.140And I do think that that, you know, you said in your first episode and you said earlier in this episode that, like, there is this feeling that, like, in America, a lot of at least white Americans or people who aren't Asian American would, like, there just wasn't a visibility of Korean-ness.
00:35:37.920And now I think there's just a lot more awareness of history.
00:35:41.480Does that feel right or does that feel like a surface level observation?
00:36:14.380And so any opportunity that I have to talk about her and her goddess-like qualities is wonderful.
00:36:21.520But she, Susan Choi, these are American women that are writing, right?
00:36:26.980So we're not talking about Korean writers in translation who are also making a splash.
00:36:33.780Like Han Kang just won the Nobel Prize last year.
00:36:36.560And I think, you know, we asked, we had many writers on the series, R.O. Kwan, we have had Min Jin as a guest on the Mashup Americans in the past. And it's interesting, we asked everybody to name kind of their big Korean energy reads. And almost everybody, all of the younger writers, even like 10 years younger, are naming Min Jin.
00:37:01.940Yeah. A lot of them are naming Susan Choi, the author of Flashlight. I have not read Isle of
00:37:09.240Sea Women, but that is written by a white Chinese woman. Yeah. You know, about Korean culture.
00:37:16.780And I think there's a way in which like the it's not quite the Overton window. Like things did
00:37:24.540shift a little, but it's also like publishers are doing the same thing that movie producers are
00:37:28.440doing right they're like oh there was a hit or like the incendiaries came out and won all these
00:37:33.820awards and R.O. Kwan is a genius so maybe we can also have another Korean American writer who writes
00:37:39.740about sex and religion and can get kind of in it and then there's a challenge also when there's also
00:37:45.400like oh but we already had our R.O. Kwan right so like all of that is all happening all at once
00:37:49.920and part of that is just like industry pressure and the book publishers being like just brave
00:37:56.000enough to like being like i'm gonna let this one extraordinary talent through the door yeah and now
00:38:00.980we've done one so like that's good enough and i mean i think the overton window point is good
00:38:06.140though because it also i think alongside the popularity of these books i just i remember a
00:38:12.560couple years ago there was this book that was super popular with culture study readers i read it
00:38:17.020it's called i think kim ji young born 1982 oh it's a book that was um written by a korean woman
00:38:24.300about her life in korea and about how stifling it was but i think a lot of people were like
00:38:28.540oh i'll read this yeah and it was in translation so and it offers a different window too and i
00:38:35.420think like a darker window right until like what contemporary korean culture is like for women in
00:38:40.900particular and thinking too about like yeah so so i think it i mean like how did it happen it
00:38:47.660happened the same way that all this other stuff happened which is that there was one
00:38:51.340yeah that paved the way and then the industry and popular appetite all of those things kind of come
00:38:57.660up paired with fucking excellence yeah that then you're like oh there's so many right like
00:39:03.620one thing that i want to say that is feels really important to emphasize is that and we talk about0.95
00:39:09.320this in the pod i think we'll get this um you know deeper into this conversation is that none of this
00:39:14.260is is by accident right the korean government yes for generations essentially since the recovery
00:39:20.940since they had democracy which by the way most people don't know that happened like in the late
00:39:26.96080s yeah very recent very recent all of this is very new but one of the big pushes was to say
00:39:33.260we are going to push culture around the world because we are a tiny nation like
00:39:40.220to put in the context of the xenophobia that we were talking about earlier like if you look at a0.62
00:39:45.180map of asia like abroad it's almost impossible to find korea because it just looks like a baby
00:39:51.280toe coming off of china honestly like this is a tiny little place coming off of china yeah
00:39:56.720and so like all of this stuff that has like that people call the hollywood wave like this korean
00:40:05.780wave it came from deep deep deep investments in korean soft power the same time that korea was0.94
00:40:13.320putting deep deep deep investments in simply rebuilding the country after fucking war0.69
00:40:18.680occupation and a military junta you know so like all of this was happening at once it was it's0.89
00:40:25.300almost like being able to watch a modern culture build itself and luckily for all of us is that
00:40:33.940the culture was good the pro the output was good the art is good the food is good everything is
00:40:40.760delicious and wonderful and you want to take it in and so when all of these things both the
00:40:45.080intentionality the government investment meeting a hungry american market that is changing and again
00:40:52.880we're talking about all this from an american context and from an american seat people around
00:40:57.760the world receive this very differently and koreans in korea receive this all very differently
00:41:01.720is um you're going to get something that seems like a magical opening overnight of like all
00:41:07.460of these authors and the discovery is so beautiful to watch and i want everybody to know that i think
00:41:15.040a lot of people would say that and somehow be skeptical that therefore this art or this power
00:41:21.940is not i'm using air quotes for our listeners is not real because it was in part engineered
00:41:28.040by the government what do we think anything is and this all reminds me of like the production
00:41:34.740of so much hollywood content television radio like throughout the course of the post-world
00:41:43.020war ii period that was sent all over the world with a very specific purpose in mind and part
00:41:49.100of it was very explicitly tied to the cold war but some of it was just like ideological like
00:41:55.040exportation like triumph of democracy and like i don't know america is good like those sorts of
00:42:04.160ideas were very real marketing campaign i don't know i don't know i don't know if we lived up to0.75
00:42:08.780our promise on that one i feel like paris i lived up to its fucking promise yeah i mean the point
00:42:14.300here is that like soft power is not new in any way and it has been wielded in so many different0.71
00:42:20.500ways by so many different countries and sometimes for good and sometimes for yeah and i do think
00:42:26.660that you know we get into this in the bk series but that there's a reason why the investment in
00:42:34.120soft power is so important right there's a reason why koreans deep in our soul feel the need to like
00:42:42.080have public excellence and that is about being a colonized nation that is about being a nation
00:42:51.160in war with an occupying american military like that it is about staking a claim in the world
00:43:00.120stage and the world stage as we know is at its core a theater in which you need to be an actor
00:43:08.660that has all the lines right or a lot of the lines or at least a part to play and I think that that
00:43:13.840is what the build and the push was about in the 80s when this started and it has just snowballed
00:43:20.280and snowballed and I think like anything this is now where we're seeing a moment where it is
00:43:27.780happening at a level of cultural saturation that like people who are unexpected and have
00:43:34.180or aren't looking for it that it's arriving on their doorstep and they're having a discovery
00:43:40.200of it and now feeling like everything in Sephora is Korean everything in my book club is suddenly
00:43:45.120Korean I maybe don't have any Korean friends but what is happening and why is my child dressed up
00:43:49.680as Rumi this is a great setup to our next question so we're going to continue this conversation
00:43:54.640in our conversation about k-pop demon hunters so we're going to read the first question from
00:44:01.280natalie and then i'm going to summarize another question that we got afterwards okay i'm curious
00:44:06.100how koreans view the sudden global fascination with k-pop demon hunters k-pop has been popular
00:44:11.380for years but this definitely seems like a new level of mainstream attention and among people
00:44:15.940who aren't necessarily familiar with k-pop more broadly i swear half the halloween costumes i saw
00:44:20.700this year were inspired by the movie how is this trend perceived among koreans especially in terms
00:44:25.480of authenticity cultural representation and how connected or not it feels to actual k-pop or
00:44:30.200korean culture and then the second question we got and we got a couple variations on this was
00:44:34.900whether it's okay to dress up as characters from k-pop demon hunters if you are not asian like is
00:44:44.260it yellow face and one of the question askers was like i'm particularly sensitive to this because
00:44:49.680like my kid is half Chinese and I just think about it and also that there have been a lot
00:44:57.100of conversations about like Scarlett Johansson playing an Asian character on screen and like
00:45:02.240we decided it wasn't a good thing so let's start with what do Koreans think about the0.96
00:45:08.040current obsession with K-pop demon hunters and I love the fact like it really the obsession0.95
00:45:13.040really runs through this the season of big Korean energy and how it just keeps coming1.00
00:45:19.040back you're like oh my god this series is actually just about shame like it's so so korean
00:45:25.060yeah so okay can you give us some some thoughts on this just generally yes so i don't have you
00:45:35.400know all the koreans in korea like every korea and i do think you know and i we want to preface
00:45:42.780this all by saying like you know rebecca and i are observers of american culture much as you are
00:45:47.700i am korean american and i also don't live in korea i have lived my 46 years in the u.s with
00:45:54.560a few years popping back and forth like maybe a cumulative of one year living my life in korea
00:45:59.600um i will say for most things like parasite like squid game like k-pop demon hunters even like bts0.76
00:46:06.720they're popular to some koreans and popular to not and most korean people are like that0.88
00:46:11.760like that's the thing like you're like oh okay or or just like oh that's crazy i haven't watched
00:46:19.340that yet yeah and in a recent like media consumption survey on international audiences
00:46:26.580like korean consumers generally consume it's like 80 of their content is korean like they're not0.87
00:46:33.240watching a ton of shit in translation they're watching for as biased korean content right
00:46:38.060k-pop demon hunters is an explicitly korean diaspora film k-pop demon hunters was written0.98
00:46:47.040by a diaspora korean woman who grew up in canada maggie king who went back to korea like every
00:46:53.700summer and so it and her writing partner is a white dude and so looking at the way that
00:47:01.200k-pop demon hunters resonates around the world right and it's not just with korean diaspora
00:47:07.860people like it it was we my husband is colombian and we were traveling in colombia this summer with
00:47:13.300our family and like our little colombian niece watched k-pop demon hunters with spanish subtitles
00:47:21.980with my kids you know like it was a global phenomenon but it it is a look an outsider's
00:47:30.200look in some way into uh korean fandom and korean culture like an inside outside point of view yes
00:47:35.980Which is all to say that it's a very nuanced and complicated look at what it means to, like, observe and enjoy Korean culture, much more so than, like, what Korean people may make, like, a satire that they would make about their own culture.
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