In Bed With The Right - July 21, 2026


Episode 145 -- Third Anniversary Mailbag Spectacular

Topics
Episode 144 [PATREON PREVIEW] -- J.K. Rowling Episode 146 -- Gender and Road Trips with Sarah Marshall

Episode Stats


Length

1 hour and 6 minutes

Words per minute

191.86

Word count

12,667

Sentence count

972

Harmful content

Misogyny

21

sentences flagged

Toxicity

108

sentences flagged

Hate speech

39

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 Hello, I'm Adrian Daub.
00:00:07.340 And I'm Moira Donegan.
00:00:08.540 Whether we like it or not, we're in bid with the right.
00:00:13.680 So, Adrian, today we have kind of a fun episode where we are taking questions from you folks, our listeners.
00:00:20.580 Yes, and if this is the first you're hearing of it, that's because the listeners we asked were our wonderful Patreon supporters.
00:00:26.360 It's not a way to, like, penalize our more casual listeners.
00:00:29.620 Yes, it is. What are you talking about? No questions for you if you're not forking out that sweet, sweet $5 a month.
00:00:37.740 Don't give it away.
00:00:40.000 No, basically, we wanted to keep it manageable, and the amount of questions that folks had on Patreon was tremendous, which means that this is going to be a two-parter.
00:00:49.820 We're going to do one part in front of the paywall.
00:00:51.720 The second one is going to be on the Patreon.
00:00:53.820 And as a gift to our Patreon listeners who raked me over the coals for hating on a particular restaurant once,
00:01:02.220 we're thinking about recording the second part of it at the Cheesecake Factory,
00:01:05.480 which is a joke that someone will only get if they, in fact, follow us on Patreon.
00:01:10.200 We're still trying to figure out whether we will order food from there or do takeout or whether...
00:01:14.480 No, you have to go to the Cheesecake Factory.
00:01:17.200 I'm sorry.
00:01:18.020 I kind of feel like I have to, but, like, once we, like, unpack our mics,
00:01:21.420 Like, people may not know what this looks like.
00:01:23.520 The headphones are huge.
00:01:24.840 We look like we've got Princess Leia buns on. 0.98
00:01:27.220 Yeah, we look like huge dorks. 0.94
00:01:29.720 Again, I can't help, like, dumping on this restaurant, 0.98
00:01:32.000 but, like, it feels like it's not the most anti-dork place in the world.
00:01:36.680 So hopefully they'll be okay with it. 0.85
00:01:38.400 It's a pro-dork space. 0.77
00:01:40.100 It's a dork-safe space. 0.96
00:01:41.360 It's a dork-forward space. 0.90
00:01:42.940 And this whole podcast really is a dork-forward space.
00:01:45.960 And something I love about our Patreon listeners is they are, like, so thoughtful. 0.57
00:01:50.620 and often just, like, really goofy.
00:01:52.920 Like, every now and then I'll just be looking at my phone,
00:01:55.000 which is an activity that usually makes me very sad,
00:01:57.740 but then I'll scroll through the Patreon comments on one of our episodes
00:02:00.240 and I'll be like, oh, like, giggling to myself.
00:02:03.040 Yeah.
00:02:03.340 Because our listeners are the best,
00:02:04.920 and I'm so glad that we get to, like, talk to you guys a little bit more directly
00:02:10.400 and just answer your questions.
00:02:12.300 Yeah, and it's particularly exciting this week because this is,
00:02:15.500 we're recording this July 11th.
00:02:17.600 That is the day after our three-year pod-aversary.
00:02:22.660 Happy pod-aversary, Moira.
00:02:24.380 Yeah.
00:02:24.900 For three years, we've been inflicting ourselves on you.
00:02:28.020 We're going to have a long future in podcasting, I think, because I like doing this with you.
00:02:34.120 I like it too.
00:02:34.900 I mean, like, when we scroll through our episodes, like, holy shit, there's a lot of them by now.
00:02:39.120 But our, like, planning docs still have all this stuff. 0.97
00:02:43.280 We're like, yeah, we got to fucking get to this. 0.72
00:02:45.180 This is so good. 0.96
00:02:46.160 Yeah, yeah, yeah.
00:02:46.620 Right, like, there's all these ones that I'm still looking forward to.
00:02:49.160 They're half-written scripts.
00:02:50.600 There were a lot of questions.
00:02:51.900 We're like, where's this episode?
00:02:53.000 And I'm like, yeah, no, you're right.
00:02:54.420 Like, we have to do this one.
00:02:55.560 It's going to be so good.
00:02:56.500 I was scrolling through my notes app list of all the episodes I want to do,
00:03:01.800 and my thumb got tired.
00:03:02.920 There's a lot.
00:03:03.660 The spirit is willing, but the flesh is weak.
00:03:05.560 You know, we're also just, like, two people.
00:03:07.560 It's just us and our producer, Mark.
00:03:09.680 And so we're doing all the research ourselves.
00:03:11.160 We're doing all the writing ourselves.
00:03:12.200 And, like, you guys pitching in and listening is, like, what makes it possible.
00:03:17.080 But, like, we've got a lot further to go.
00:03:19.420 It's a marathon, not a sprint in the world of gender conservatism.
00:03:23.040 Yeah, I just got a text from Mark Yoshizumi, our producer today, who is working now on the edits for the J.K. Rowling episode.
00:03:30.080 And he's, like, in all caps, I couldn't believe you guys hadn't done a J.K. Rowling episode yet.
00:03:35.240 I know.
00:03:36.340 And so I thought that we would sort of ease into the questions with some very easy ones.
00:03:41.660 So as we started out saying, as we always do, I'm Adrian Dobb, you're Maura Donegan, yada, yada, yada.
00:03:47.400 The first question we got was about that little exchange.
00:03:51.840 A listener writes, this is truly unimportant, but as a listener from Germany, I've been curious for a while why Adrian seems to pronounce his surname wrong.
00:03:59.540 Oh, shots fired.
00:04:01.800 Is it not wrong, but maybe your husband's surname? Is there some reason for it?
00:04:05.920 These are the things I wonder about every time I tune in, which is very often because I love the show a lot.
00:04:09.600 So thank you so much. And yes, indeed, I am. That's not my husband's name. And it's not Dob, it's Dalb. But I have not corrected people about this for a long, long time. And by now, I'm honestly not sure what I would consider the correct pronunciation.
00:04:23.700 Really?
00:04:24.440 My family's name is Daub, and when I answer the phone in Germany, that's obviously how I would say it. 0.94
00:04:29.400 But, you know, I've undergone a process of Americanization, and part of the process of Americanization is, are people going to fuck up your name, right?
00:04:37.520 Like, it's happened to my husband, it's happened to me.
00:04:40.300 And this is not to say that, like, oh, I feel it's persnickety if people do correct people on their name.
00:04:45.240 I think that's totally valid.
00:04:47.220 But I loved the question because, like, I was like, oh, yeah, no, I—
00:04:51.060 Basically, people often ask me, like, how should I pronounce it?
00:04:53.620 And I'm like, anything's right.
00:04:54.880 Like, I just accept everything at this point.
00:04:57.440 I have been calling you Daub.
00:04:59.940 Adrian Daub.
00:05:00.420 Yeah, that's right.
00:05:01.180 Yeah.
00:05:01.420 That's correct.
00:05:02.080 But Daub is also acceptable because of the Americanization process.
00:05:05.900 Because of me.
00:05:06.520 I just decided it was also okay.
00:05:08.080 But no, you've been using my name correctly.
00:05:09.780 That's true.
00:05:10.360 Okay.
00:05:10.660 First of all, I love that this listener corrected you on your own name and was, in fact, accurate.
00:05:16.280 Oh, yeah.
00:05:17.320 Never in the history of somebody saying, no, that's not how your name is pronounced. 0.67
00:05:22.040 Have they ever been correct? 1.00
00:05:23.620 before but like your husband also does this your husband is also an immigrant yeah I was like
00:05:28.460 telling some anecdote about you guys to a friend of mine who was born in Vietnam and she was like
00:05:33.500 what did you say what did you call that character like what'd you call that guy and I was like oh
00:05:37.360 yeah like hung and she goes that's not his name yeah and then I like I brought this to Adrian
00:05:42.800 and he was like yes that is in fact not my husband's name and I was like oh shit I felt
00:05:47.240 so embarrassed but see that's I mean I think that already gets at like like on the one hand like
00:05:53.000 yes it can be confusing right like if someone calls my american cell phone who's like heard
00:05:59.080 of me and like german radio where like someone will say it right at the same time i've always
00:06:04.400 felt because i'm married to someone whose name is routinely mispronounced i there are interesting
00:06:10.800 like racial and ethnic politics and linguistic politics about that right like people assume
00:06:16.880 they're getting asian names wrong anyway and they're like oh but i want to get this one right
00:06:22.600 And it's like, eh, you know, if we're all going to be this melting pot where no one can say each other's name right,
00:06:28.000 and let's really fucking commit to this.
00:06:29.820 And there's also the fact that, I mean, like, that I think as a German person, 0.93
00:06:33.020 you sort of don't want to be like, well, in point of fact, actually, right?
00:06:37.400 Like, get this right, because, like, then people are, like, going to be like, oh, you're German.
00:06:41.080 And then, like, you're just, like, in a whole other conversation. 0.92
00:06:44.620 If you were French, you'd be correcting everybody. 1.00
00:06:47.540 Oh, yeah. 1.00
00:06:48.140 No, yeah, because, like, everyone fucking loves that. 0.94
00:06:49.800 But it's true that if I were French, I think people would also be like, oh, his accent is so cute. 0.91
00:06:55.700 And then, like, it's why Brits and French people in the United States tend not to lose their accents.
00:07:00.360 And Germans, like, can't wait. 0.76
00:07:02.880 Because, like, it's the choice between you sound like some charming, like, character from a movie or, like, you sound like a Nazi, you know. 0.96
00:07:12.160 Yeah, like, the characters in our movies who have that accent are all the bad guys, unfortunately.
00:07:17.060 I sound like I'm taking over Nakatomi Plaza, you know?
00:07:20.840 At best.
00:07:22.240 Or I'm like trying to get the Ark of the Covenant again.
00:07:27.520 You see, Dr. Jones.
00:07:30.720 I can do that, I think, still, hopefully.
00:07:33.180 Or is that a hate crime, my own ethnicity? 0.98
00:07:36.660 So it's daub if you're nasty and daub if you're an American. 0.98
00:07:41.440 Yeah. 1.00
00:07:42.020 But yeah, so thank you for that.
00:07:43.380 I just love the fact that, as you say,
00:07:46.360 Like this person like had a question about the first three seconds of the pod.
00:07:51.680 Thank you for that.
00:07:52.480 That's great.
00:07:53.220 It's not that easy, you know, to come up with a good answer why.
00:07:56.240 But like it's just one of these things you sort of habituate yourself to and you sort of do over time.
00:08:02.060 That's a good biographical question to ask me because I'm like, whoa, yeah, that opens up a lot.
00:08:07.780 The second question that came up is I'm curious about what kind of media both Adrian and Moira consume.
00:08:14.520 I mean, at this point, I'm pretty sure that Adrian is not a daily reader of the NSAIDs, the Neuzürcher Zeitung, a newspaper I make fun of a lot.
00:08:22.620 But anything in the German language, interesting, a lot of German questions here.
00:08:26.940 Yeah, what does media we both consume?
00:08:30.100 I listen to a lot of audio content, right?
00:08:34.140 So, like, I listen to a lot of other podcasts.
00:08:36.100 Yeah.
00:08:36.380 Because I'm often doing something with my hands or something where, like, I have to be completing another task.
00:08:43.800 And so I like to consume information while that's going on.
00:08:47.080 So I never had a non-reading commute before I got this gig that I moved out to Stanford for.
00:08:53.420 Like now I drive.
00:08:55.020 I used to take the subway to work, which was reading time.
00:08:57.900 And now I drive to work, which cannot be reading time unless I want to be on the news.
00:09:02.200 So I actually started listening to audiobooks.
00:09:05.940 Yeah. And I find that I can't do a serious workbook as an audiobook, like something that I really need to know backwards and forwards. I can't do it as an audiobook because I do tune out a little bit.
00:09:19.500 It's also hard to take notes. I know that Pat Blanchfield, a friend of the pod, I think has a way of doing that. I've never figured it out. Same here. I do a lot of audiobooks and when I do, I tend to read along on the e-book.
00:09:32.840 Yeah, like sometimes I'll have a, like a deadline.
00:09:36.240 Like I had to do a book event that I got asked at the very last minute to do.
00:09:41.340 And it was like, okay, you have to read this book that's like 400 pages and you have three days to do it.
00:09:46.560 And I was like, well, that's not going to happen with just me and the text.
00:09:50.300 So I had a copy of the book and then I also downloaded the audio book and I was like doing both.
00:09:54.560 And that was actually a really like quick way to get through it.
00:09:56.840 That's also something that I think we do for the pod a lot if there's just a lot to consume, like a little bit of a future episode foreshadowing.
00:10:04.800 We're doing an episode, because I decided I wanted to, on Daphne du Maurier.
00:10:09.720 That's a pretty voluminous oeuvre, and I wanted to make sure I really did her justice.
00:10:15.020 I don't have enough time in the day to sort of sit down with a paper book in order to prepare, you know, as Maura's saying, like five or six novels for a recording in two weeks.
00:10:26.460 And at that point, like, yeah, it's going to be an audiobook with an e-book at the same time.
00:10:31.900 So I tend to do a lot of my pleasure reading as audiobooks.
00:10:37.340 Oh.
00:10:38.120 One thing that I'm reading right now, or reading, I'm listening to it.
00:10:42.440 I don't know, like, it counts as reading.
00:10:44.040 I feel like I'm not going to be, like, a snob about it.
00:10:46.400 But, like, just the verb always feels weird.
00:10:49.160 But, like, I'm listening to this massive novel.
00:10:53.700 Have you ever read Peter Matheson's Shadow Country?
00:10:57.200 I've had it on my list, but I've never read it.
00:10:59.760 Peter Matheson, the American naturalist, Zen Buddhist, founder of the Paris Review, and also CIA agent.
00:11:07.880 Did not know that.
00:11:08.860 Oh, yeah.
00:11:09.320 This is like one of the little bits of lore that you collect if you hang out with a lot of graduate students,
00:11:15.580 is that the Iowa Writers Workshop and the Paris Review were both CIA-funded for a long time.
00:11:19.280 That's right.
00:11:19.840 Yeah, I am.
00:11:20.500 Also, like a lot of abstract expressionist painters.
00:11:23.440 Sure.
00:11:26.480 You feel like they just had too much money at a certain point.
00:11:29.360 But it's a massive book.
00:11:31.140 And the print book is like 900 pages.
00:11:33.760 Wow.
00:11:34.140 And it's this like very meticulously researched historical novel.
00:11:38.720 It's like it is fiction, but it's so detailed.
00:11:42.240 And he was such an obsessive freak about it.
00:11:44.300 It took him like 30 years to write this book about the murder, like the lynching murder, really, of a white man in South Florida in 1910.
00:11:52.600 Oh, wow.
00:11:53.000 It's this guy who's like allegedly a murderer and a bandit and his neighbors, you know, try to kick him out of their little like key island.
00:12:01.620 And when they can't, they decide to collectively get together and murder him.
00:12:06.220 And there's a lot of intrigue along the way about competing economic forces down in South Florida at the turn of the century.
00:12:13.880 And it's like, it's the kind of thing that I got because I was upstate with all my friends and like a bunch of people were like, yes, my dad loves this book.
00:12:21.780 Nice.
00:12:22.520 Like, my dad keeps, like, telling me to read this book.
00:12:24.740 Or, like, my friend Brooke said that her father had bought her a copy of the book for, like, three consecutive Christmases because he keeps forgetting that he got it for her already, but remembering how much he loves it.
00:12:34.560 The ultimate dad book.
00:12:35.840 Yeah, it is the ultimate dad book.
00:12:37.200 It's a doorstopper of obscure history that is, like, a lot about economics and industry.
00:12:43.100 So, like, that's what I'm doing right now.
00:12:45.240 See, that's a fascinating distinction between us because, like, I cannot listen to very long audiobooks.
00:12:51.120 I tend to find, I run out of patience with audiobooks if they're too long,
00:12:56.340 and then I'd rather read just like a paper copy.
00:12:59.520 I have downloaded on the library app, like, long audiobooks, 0.99
00:13:04.180 and almost invariably I've capitulated and been like, fuck it, I'm buying the book. 0.92
00:13:07.740 Like, The Stones of Iran, Duology, Tim Robinson, I think. 0.99
00:13:12.640 It's a New York Review book, and I think listening to that,
00:13:16.200 I would just not be able to make it.
00:13:17.860 Like, it's really important for me to have the printed word.
00:13:20.980 For Project 1923, I read Adam Tuse's Wages of Destruction.
00:13:25.700 Oh, yeah.
00:13:26.260 And that is available as an audiobook at our library. 0.97
00:13:28.720 And after five minutes, the first chart, I was like, what the fuck is this? 0.96
00:13:32.700 I can't listen to this. 0.87
00:13:33.800 I bought the book and just like, I needed a paper copy to mark up, basically.
00:13:37.900 Oh, and another one where I capitulated was Bolaño's 2666.
00:13:42.020 Oh, yeah.
00:13:42.340 No, that one you need the book for.
00:13:43.960 30 minutes in, and I was like, nah, I'm going to buy the book, you guys.
00:13:47.860 I think the longest thing I've ever read, ever listened to as an audiobook is probably either the Laurence Durell Alexandria Quartet or the Mervyn Peake Gormenghast novels.
00:14:00.380 Those are pretty hefty and those I did make it through.
00:14:02.960 But those are ones where it almost doesn't matter that you retain information.
00:14:06.680 It's like it's a vibe more than it is like, oh, I have to pay close attention to the story.
00:14:12.860 But yeah, the moment there's a crime that I need to solve, I'm like, I cannot be listening to this.
00:14:17.560 I need to underline.
00:14:19.060 I'm also a big, like,
00:14:20.560 pen-in-hand reader,
00:14:21.420 I should say.
00:14:22.000 Yeah, I habitually
00:14:22.880 take a lot of notes,
00:14:24.240 which makes it really difficult
00:14:25.120 if you're a person
00:14:25.720 who accumulates a lot of books
00:14:26.840 and then tries to sell them.
00:14:28.180 You have to resist that impulse
00:14:29.980 because you just,
00:14:30.660 you can't, like,
00:14:31.540 they will turn you away
00:14:32.660 at the Strand and Green Apple
00:14:33.860 and, like, laugh in your face
00:14:35.040 and then you go home
00:14:35.780 with a very heavy tote bag
00:14:37.480 of, like, you know,
00:14:38.200 15 unsellable books.
00:14:39.720 Yeah.
00:14:40.240 And the worst thing is
00:14:40.920 I get some where they're like,
00:14:42.340 well, the author did sign it,
00:14:43.840 which is good,
00:14:44.500 but then you underline everything,
00:14:46.360 which is bad.
00:14:47.000 I'm like, yeah, I probably should have checked the front before I started underlining.
00:14:52.500 How about TV?
00:14:53.580 Do you watch a lot of TV these days?
00:14:55.360 Oh, my God.
00:14:56.380 What was I watching?
00:14:58.220 I rewatched some of Girls when we did our Lena Dunham episode.
00:15:01.280 I haven't watched it forever.
00:15:03.080 I don't watch a ton of TV.
00:15:05.120 I was talking to my friend Ingu, who's actually a TV critic.
00:15:07.840 Yes, the wonderful Ingu Kang.
00:15:09.600 Who is always recommending good TV to me.
00:15:12.780 And then I'm like, oh, I'll just watch Veep again.
00:15:14.680 You know, like, my television consumption is really strictly escapist.
00:15:19.000 I don't want anything about sexual violence.
00:15:24.120 I don't want anything that is, like, interrogating the darkness at the core of masculinity.
00:15:28.900 And I'm missing out, right?
00:15:30.200 That's like 90% of TV right there.
00:15:32.120 I know, right?
00:15:32.640 And people are doing, like, good work on those questions in that medium.
00:15:36.420 Yeah.
00:15:36.780 But, like, I consume that medium as a way to turn my brain off so I can go to sleep at the end of a long day of thinking about, you know, rape.
00:15:43.860 and, like, male domination, and I just don't want to do it.
00:15:48.920 I've had something funny happen to me with TV.
00:15:51.760 Like, after the birth of my daughter,
00:15:53.640 I basically found it impossible to watch, like, involved dramatic TV.
00:16:00.420 Just because my brain was just not there.
00:16:03.000 Yeah.
00:16:03.260 Now, sort of starting again, like, we just sort of blazed through Widow's Bay,
00:16:07.300 which is phenomenal.
00:16:08.260 Oh, it's very fun, yeah.
00:16:09.320 A favorite in my household is something that you and Hung recommended to me and Kat.
00:16:13.860 deadlock this like australian murder mystery comedy so good i think listeners of in bed with
00:16:20.320 the right would love deadlock it's a lot of lesbian jokes um in deadlock a lot of jokes about
00:16:26.360 masculinity actually yeah very good killer reveal i think very good killer reveal you know they 0.63
00:16:31.920 they'll like build a uh like a lock box like a little mechanical box and then you spend this
00:16:37.260 season sort of taking it apart and there's two seasons now oh i haven't seen the second season
00:16:41.480 Yeah, we should watch that.
00:16:42.500 Yeah.
00:16:42.940 But then the funny thing that happened to me sort of on the way to the forum is that, like, I've now started loving watching movies again.
00:16:50.360 Like, when I was flying to Germany for a bunch of events earlier in the summer, I ended up watching, like, six movies.
00:16:56.920 Normally, I, like, I start, like, oh, I should watch this famous Oscar, like, nominated movie.
00:17:01.240 And then, like, 20 seconds later, like, smash cut to me, like, binging 30 Rock yet again.
00:17:05.800 Yeah, yeah, yeah.
00:17:06.560 But that's not what happened this time.
00:17:08.080 I, like, watched some pretty heavy stuff, and I was, like, loving it.
00:17:11.680 I was there for it. 0.98
00:17:12.480 It was fucking great. 0.95
00:17:13.620 And then I was asked to watch a bunch of movies for a film festival, which is so fun. 0.98
00:17:19.640 I get to watch, like, rough cuts, and I don't think I'm allowed to say what I'm watching,
00:17:23.360 but, like, it's just so fun to watch these movies sort of as they come together,
00:17:27.560 when, like, often they don't have a Wikipedia page, they don't have an IMDb page.
00:17:31.300 There's very little for you to know about them.
00:17:33.200 They're from countries and cinemas that I know fairly little about,
00:17:37.940 and then you kind of sit down and you start binging them
00:17:40.520 and they're incredible.
00:17:41.900 And so I've been watching a lot of that.
00:17:43.580 The return of movies and especially of sort of art house film in my life.
00:17:48.500 It's funny that like my capacity for like an hour of dramatic television
00:17:52.000 has like gone fully down.
00:17:53.840 And yet if it's like a tight 90 minutes about like, I don't know,
00:17:58.420 drug addicted teenagers in the Australian Outback or something like that,
00:18:01.080 I'm like, cool, I'm here for it.
00:18:02.700 This is great.
00:18:04.140 You know what, speaking of like a difficult movie,
00:18:07.940 Just last night, I went out to the theater near us, the, like, repertory movie theater, like, close to where Adrian and I live, and I saw Persona.
00:18:17.340 The Bergman movie?
00:18:18.300 Yeah.
00:18:18.780 Oh, wow.
00:18:19.820 Okay.
00:18:20.120 And it was, like, so intense.
00:18:22.740 It reminded me of some friendships I have had. 1.00
00:18:25.680 True sicko shit, yeah. 0.99
00:18:26.840 I was like, I have not read enough Carl Jung to understand this, you know what I mean? 1.00
00:18:30.560 Yeah.
00:18:31.120 You've also not had enough Aquavit in the last 24 hours.
00:18:34.340 But also, like, it was such a San Francisco experience because, like, A, the theater was packed. 0.98
00:18:40.240 Like, everybody wanted to spend their Friday night watching fucking Persona. 0.96
00:18:43.120 Oh, that's lovely. 0.99
00:18:44.320 Oh, that's so great.
00:18:45.320 And then I was, like, sitting in a row, and it was not their fault, but it was a very San Francisco situation.
00:18:50.960 Like, listeners might not understand that I am quite short.
00:18:55.360 It's funny because Adrian is very tall, and I'm very short, and together we look like a biograph.
00:18:58.920 But I was sitting in this row and this group of trans women, they come and they sit directly in front of me and they were all quite tall.
00:19:08.820 They were like, it was nice.
00:19:09.660 They were like having a nice night out with their friends, right? 0.56
00:19:12.100 It was like three or four of these women. 1.00
00:19:14.660 They just came in one at a time. 1.00
00:19:16.700 Like I kept moving over to like a different seat in my row to try and like not have my view blocked by the tall woman in front of me. 0.99
00:19:24.180 And then like another would appear and the other two would like wave at her. 0.99
00:19:27.220 And I'd be like, damn it. 0.98
00:19:28.920 How many are there? 1.00
00:19:30.480 It's like a clown car.
00:19:32.860 So I wound up moving down to, like, the front row
00:19:35.460 and watching Liv Oldman's gigantic, like, trembling face,
00:19:39.700 like, as I craned up.
00:19:42.160 And I was like, oh, this is a short person problem.
00:19:44.360 There's something so wonderful about, like, you know,
00:19:47.580 COVID made me miss movies, but above all, I miss full movies, right?
00:19:53.620 Yeah.
00:19:53.960 Like, that's what the Castro Theater used to be so great at, right?
00:19:57.180 It's like a weird Recherche movie, and it's packed, and everyone's just having a blast, right?
00:20:02.680 It's still happening.
00:20:03.740 It's just not happening for people who have five-year-old children.
00:20:06.740 It's true, and I think it's coming back, but there really was a moment when, like, it was just you and a few people.
00:20:12.720 It's also, even though I guess they're also, like, really hilarious and really upsetting movie experiences I've had in very empty theaters,
00:20:21.240 where, like, I remember
00:20:23.100 Hung and I once in Berlin
00:20:25.820 caught an early showing
00:20:27.700 of John Cameron Mitchell's short bus.
00:20:30.220 You know that one?
00:20:30.960 Oh, you don't want that in an empty theater.
00:20:32.740 You don't want to be the only people 0.90
00:20:34.240 not having sex in that theater. 0.73
00:20:36.140 It's like a comedy. 0.87
00:20:38.600 It's very tender.
00:20:40.000 It's a sweet movie.
00:20:41.280 And it is pornography. 1.00
00:20:43.280 Yeah, they're definitely fucking for real. 1.00
00:20:44.620 They're definitely fucking for real 0.99
00:20:45.980 in those shots, yeah. 0.98
00:20:47.820 And you're already very much intuiting
00:20:49.940 what ended up happening.
00:20:51.060 We were like, oh, I guess we're here alone.
00:20:52.940 And then someone shuffles in.
00:20:54.700 A single dude shuffled in.
00:20:56.360 No.
00:20:56.580 Ten minutes after the movie has started with a large bag that I still to this day swear had Kleenex boxes in it. 0.99
00:21:03.180 And I'm like, all right, that's fucking it. 0.97
00:21:05.120 I'm out. 0.99
00:21:05.620 I'm out.
00:21:06.660 Considerate of him at least to clean up after himself, if not to, you know, like be an exhibitionist.
00:21:12.540 Look, for all I know, he really had just like gone to the supermarket and was like, I'm going to catch a showing of short bus.
00:21:18.240 Maybe, like, there was nothing untoward, but, like, it really—
00:21:22.100 You're like, the vibes are not good, and I'm like, yeah, you got out of there.
00:21:25.020 Yeah, I really made concentrating hard.
00:21:26.220 I'm like—
00:21:26.560 You decided it wasn't going to be a problem for you, you know?
00:21:29.000 Yeah, yeah, yeah.
00:21:31.300 So, yeah, let's maybe move on to—this is another fun one because there's a lot of good questions here.
00:21:37.140 I have an infinite amount of questions, but I'll try to keep it brief and limit it to a few simple ones.
00:21:42.140 The first question is already really good.
00:21:44.060 How have your students' colleagues reacted to your podcast?
00:21:46.900 And how many of them do you think or know listen?
00:21:50.080 Oh, my God.
00:21:50.780 I have the advantage that most undergraduates do not listen to podcasts as a rule.
00:21:55.360 Yes.
00:21:55.860 Yeah.
00:21:56.040 But I've had it happen twice now that an undergrad came to office hours and then said something like, oh, I'm sorry.
00:22:03.140 It's just really weird to hear your voice like coming out of your body.
00:22:07.020 And I'm like, wait, what?
00:22:08.100 And they're like, oh, yeah, I'm a big listener to the podcast.
00:22:10.160 I'm like, no, sweet.
00:22:11.260 But it's a weird way to put that.
00:22:13.420 I remember the first time I met Michael Hobbs.
00:22:16.480 I had been listening to his podcast for like three or four years by that point.
00:22:21.220 And I was like, no, not okay.
00:22:22.920 Stop.
00:22:23.700 It is very uncanny.
00:22:25.040 I'm like, no, you belong in my phone.
00:22:28.040 Yeah, I was on the phone with Sarah Marshall on Monday.
00:22:31.420 And like, I realized I kept pausing.
00:22:33.820 And I was just like, are you going to say something? 1.00
00:22:35.300 And I'm like, oh, fuck. 0.99
00:22:36.300 Like, you're not in my ear for the usual reason. 1.00
00:22:38.520 You're in my ear because you're actually having a conversation with me.
00:22:41.560 Like, I'm here, too, and you can hear me back.
00:22:43.940 Yeah, it's terrifying.
00:22:45.260 It's weird that that happens now.
00:22:48.560 I don't know if I've told this story on mic before, but, like, my wife listens to the podcast.
00:22:55.380 Every now and then I'll be like, I haven't talked to you all day.
00:22:57.420 Like, what's going on?
00:22:58.820 And she'll be like, what do you mean?
00:23:00.060 I feel like we've hung out a ton.
00:23:02.080 And it turns out that what happened is that she listened to the podcast, and her, like, brain, her, like, lizard brain was like, I have hung out with Moira.
00:23:10.500 Yeah, yeah.
00:23:10.980 Which leads me to be like, okay, so when we're hanging out for real, is it just that I talk the whole time and you never say anything?
00:23:20.720 You like read different snippets of texture and like riff on them and Kat's like, that's cool. Mind if I do the dishes?
00:23:29.460 He's just like passively absorbing me, yammering on and on.
00:23:33.080 He's like, I'm going to drive. I'm going to commute.
00:23:34.900 I'm always humiliating. Whenever anybody says they listen to the podcast, I'm immediately like, I'm so sorry.
00:23:39.640 like I don't know
00:23:40.520 what else you say
00:23:41.320 it's like when people
00:23:42.400 are like I follow you
00:23:43.200 on Twitter
00:23:43.620 I'm like oh my god
00:23:44.500 please don't do that
00:23:45.820 well if someone says
00:23:46.620 I follow you on Blue Sky
00:23:47.420 I do say I'm sorry
00:23:48.360 but no I'm always like
00:23:50.040 thank you
00:23:50.520 something that I have
00:23:51.860 definitely found
00:23:52.440 is that like if you
00:23:53.240 talk into a mic
00:23:54.220 and make jokes
00:23:54.800 as long as I have now
00:23:56.240 I do have wonderful friends
00:23:58.120 who do listen to the pod
00:23:59.180 and when I like make a joke
00:24:00.500 they're like yeah
00:24:00.920 you said that on the pod 1.00
00:24:01.740 I'm like fuck 1.00
00:24:02.360 I gotta get new material now 0.99
00:24:04.080 what the hell is this
00:24:04.740 yeah you can't reuse
00:24:05.560 your material
00:24:06.080 usually when you have
00:24:07.540 like a good joke
00:24:08.280 or a good bit
00:24:09.380 you can get five, six uses out of that
00:24:11.820 before you start overlapping with the same audience.
00:24:14.140 And now we're broadcasting it out into the ether
00:24:15.880 and they're all getting it at once.
00:24:17.320 It's terrible.
00:24:17.980 Yeah, yeah.
00:24:19.260 Oh, and in terms of colleagues,
00:24:20.900 yeah, I don't know if many of my colleagues listen.
00:24:23.140 And I'm honestly glad for that.
00:24:24.900 I do think that, like, it allows me to be,
00:24:26.980 I mean, if you are a colleague and you're listening,
00:24:28.360 thank you, that's great, but, like...
00:24:29.980 Allison listens.
00:24:31.120 That's true, Allison listens, but, like, you know... 0.69
00:24:32.380 Shout out, Allison, hi.
00:24:33.620 Yeah, hi.
00:24:35.280 But I do think that, you know, like,
00:24:36.880 if I, like, knew that, like, higher-ups at Stanford
00:24:38.900 we were listening, like, I think it would just be like,
00:24:41.480 ugh, what now?
00:24:42.820 No, they would have called you in.
00:24:45.360 If they were listening, we would have heard about it.
00:24:48.060 They're like, when we said we were free speech absolutists,
00:24:50.000 that is not what we were talking about.
00:24:51.720 We meant the racist kind. 0.80
00:24:55.920 This is a good question.
00:24:57.520 Is there anybody on the right you like too much
00:24:59.520 or are too afraid of to do an episode on?
00:25:02.420 Oh, yeah.
00:25:03.340 Well, I mean, to be honest,
00:25:05.480 I think there are people that we've wondered about
00:25:07.960 where we're like, we're definitely going to get sued 0.99
00:25:10.420 or we're definitely going to get some shit. 0.99
00:25:13.540 You know, Peter Thiel would come to mind, 0.99
00:25:15.120 but we have talked about him and we have made fun of him.
00:25:17.420 But like, he's in my new book,
00:25:19.360 What Tech Calls Governing, coming out next month.
00:25:21.560 Please pre-order.
00:25:22.720 And I've definitely, those parts,
00:25:24.480 like I sometimes jolt awake at night being like, 0.98
00:25:26.400 oh, fuck, did I fact check then? 0.99
00:25:28.020 I'm like, yes, yes, you did. 1.00
00:25:29.000 Don't worry.
00:25:29.460 Yeah, I mean, people who are that rich
00:25:31.060 are immune to media coverage, right?
00:25:34.520 Because they can, at will, sue any publication that writes about them unfavorably into non-existence, right?
00:25:43.500 So this is like a lacuna in a lot of our media coverage is that, like, the rich are just not covered very thoroughly.
00:25:50.160 Yeah.
00:25:50.360 And that is out of self-preservation by these news organizations, right?
00:25:54.820 Yeah.
00:25:54.940 It's like you can have them cover anything or you can have them cover Peter Thiel once, you know?
00:26:00.480 Yeah.
00:26:00.940 It's a catch-22 for, like, the freedom of the press, right?
00:26:03.920 Yeah.
00:26:04.040 It's not an enforceable freedom that way.
00:26:05.720 The other thing, though, is I feel like we are not at the level of podcasting.
00:26:10.820 We're picking a fight with us will elevate someone's stature.
00:26:14.020 But this is something that I think at this point, Jesse Single sort of like alienates Michael Hobbs on purpose because like, yeah, it like elevates his stature.
00:26:23.760 Because Michael Hobbs is a lot more successful than Jesse Single.
00:26:27.300 And every time Jesse Single like successfully baits Michael Hobbs, it's his name, you know, plastered everywhere.
00:26:33.420 Yeah.
00:26:33.520 So, on the one hand, sometimes I worry about people like Peter Thiel, and then other times I worry about, like, oh, is this the kind of person who would make a huge deal out of this in order to kind of elevate their own stature?
00:26:45.020 And that's the other, I think, risk that you run, which is, like, it's not threatening as much as, like, it's just annoying. 0.99
00:26:50.940 You're like, ugh, now I'm providing free publicity for this asshole. 0.98
00:26:53.520 Like, why didn't I just not talk about them? 0.99
00:26:55.600 Well, the solution to that is to not become very successful.
00:26:59.100 Yes.
00:26:59.480 So, yeah.
00:27:00.060 That's been our secret all along.
00:27:03.520 So the third question is the perv creep preacher system,
00:27:06.520 yeah, which has kind of fallen off in recent podcast episodes.
00:27:09.500 Do you think it's outdated or perhaps needs to be expanded upon
00:27:11.920 or did you just get tired of it?
00:27:13.780 Haha, joke's on you because we're going to do an entire episode
00:27:17.080 on the creep live in San Francisco on August 27th.
00:27:20.300 You're hearing it here first.
00:27:21.700 The tickets are not fully live yet,
00:27:23.300 but this is going to be a live event about our theory of the creep.
00:27:27.600 We're coming back to it.
00:27:28.860 It has fallen off a little bit.
00:27:31.220 It's in my book, actually.
00:27:32.460 It has become so central to my thinking, and frankly, it remains, I think, such a good heuristic for understanding how the right organizes itself at this moment, and especially these moments of weird interchangeability where you're like, these people, their styles of masculinity are totally different, and yet they seem to make easy common cause here.
00:27:51.520 To me, it really still organizes my thinking, and yeah, we're going to dedicate more episodes to it.
00:27:56.420 How about, will we ever get more Wagner content out of Adrian?
00:28:00.440 I want, now I'm like on the hunt for Wagner.
00:28:03.000 I like want to go see more Wagner operas.
00:28:05.360 Yeah.
00:28:05.860 I think you should become Wagner-pilled. 1.00
00:28:07.800 A woman whose name I don't know how to pronounce.
00:28:11.980 It's Kate, unpronounceable last name, but she goes by at McMansion Hill on various apps.
00:28:19.560 She is the architecture critic for The Nation.
00:28:21.480 Yes, I love her stuff, yeah.
00:28:22.960 Really smart person, really, like, capacious tastes and not what you would expect.
00:28:28.680 Not somebody like me who, like, I feel like I have the same take on everything. 0.92
00:28:33.160 But she's totally Wagner-pilled.
00:28:35.340 And I'm like, well, she's smart and cool and she's into Wagner.
00:28:39.300 So maybe I should get into Wagner.
00:28:41.120 And Adrian's smart and cool and he's into Wagner.
00:28:43.380 So that's two.
00:28:44.120 One of us.
00:28:45.460 One of us. 0.78
00:28:46.420 But then the counter example is, like, Hitler. 0.99
00:28:49.440 Yeah, okay. 0.64
00:28:50.660 Wow, wow, wow.
00:28:52.280 You had to go there.
00:28:53.040 You had to go there.
00:28:54.600 Let me have this.
00:28:57.640 Yeah, I think that there's,
00:28:59.220 I definitely think that I want to do more with music.
00:29:02.140 I mean, if there's an opportunity
00:29:03.260 to watch another Wagner opera,
00:29:04.620 I think Tristan would make a lot of sense for us.
00:29:07.560 Tristan, yeah. 0.94
00:29:08.260 A lot of gender in that. 1.00
00:29:09.420 This whole thing smacks of gender, 0.99
00:29:10.840 I say at the opera. 1.00
00:29:12.720 As I turn this Meister singer into a Meister shit. 1.00
00:29:15.920 Yeah, I've also thought about just like 0.99
00:29:17.460 doing stuff on classical music more generally.
00:29:19.280 You know, earlier this summer,
00:29:20.700 we thought we might both watch Elektra,
00:29:22.360 but then, like, we didn't see that.
00:29:23.500 I think that'd be a fun one to talk about.
00:29:25.060 That'd be fun.
00:29:25.960 There are wonderful stagings of it,
00:29:27.600 I think, on various apps.
00:29:30.160 Like, we could watch it streaming
00:29:31.460 and talk about it.
00:29:33.080 I've thought about doing an episode
00:29:34.320 on the Karmina Burana.
00:29:35.460 I think there's something
00:29:35.920 really interesting about it.
00:29:36.820 There's a follow-up to 1933 as well,
00:29:38.840 sort of, like,
00:29:39.300 because that is Nazi-era music,
00:29:40.720 and, like, it's not necessarily Nazi music,
00:29:42.920 but, like, it has a sous-son of that,
00:29:46.860 and it'd be kind of interesting
00:29:48.040 to think about.
00:29:49.480 Then I'll tell you something I was going to keep a secret.
00:29:53.320 One idea that I had once had was that because you in one of our Wagner episodes were like,
00:29:58.480 I hate Mahler, but I know your wife loves Mahler.
00:30:01.400 I did think that maybe we should do like an episode where like the surprise guest is Kat
00:30:06.080 and we're just going to like harangue you about Gustav Mahler for like 90 minutes.
00:30:11.120 And I was like, it would be very funny, but I'm not sure our listeners would be there for it.
00:30:16.440 Like maybe we'll do it.
00:30:17.660 Like the three of us would have a lot of fun.
00:30:20.040 Is it the kind of thing we need to subject strangers to?
00:30:24.120 Yeah.
00:30:25.280 Sometimes we have a great idea for an episode where you and I are having a ton of fun.
00:30:29.800 Yeah.
00:30:30.000 And then we get to the end of like a two-hour recording and we're like, what does this have to do with gender conservatism, actually?
00:30:35.180 And we're like, uh.
00:30:35.840 So the other thing, because people seem to be also interested in how the podcast gets made, one of the reasons classical music is a little bit harder to do is because we're never quite sure how much music we're allowed to play.
00:30:49.540 Yeah.
00:30:50.400 We need to get more of that sweet, sweet Patreon money so that we can hire a lawyer to answer this exact question for us like once and then never call her again.
00:30:58.360 I think a Mahler episode would be amazing,
00:31:01.600 but because it's not a story-driven and symphonic music,
00:31:04.980 we would want to use a lot of clips.
00:31:06.900 I don't want universal music to be like,
00:31:09.420 yeah, man, there's a reason why people don't usually do this.
00:31:12.380 We own this and you can't use this much, right?
00:31:15.300 We understand your desire and we're glad you like it,
00:31:17.920 but that'll be $10,000.
00:31:19.840 So that puts a little bit of a damper on it.
00:31:23.480 Then a question.
00:31:24.360 Tamora, can we get a squirrel update?
00:31:26.180 Does it have a name?
00:31:27.160 Okay, so I was on the East Coast for two weeks. I was hanging out. I went to the Catskills, and I hung out in a bunch of swimming holes. I saw all of my East Coast friends. I went to D.C. for work very briefly for a Supreme Court term and review panel, which was very, very fun. Shout out to Michelle Goodwin of Georgetown Law's O'Neill Center for having me there.
00:31:50.840 Nice.
00:31:51.460 This all means that I have been away from the squirrel, who, by the way, is named Stuart, which I think is a good squirrel name.
00:31:59.020 After the guy from the Californians?
00:32:00.840 Obviously, yeah.
00:32:01.960 Have you seen that skit?
00:32:03.240 No, what is that?
00:32:04.560 It's an old SNL skit, which is just about, like, how Californians, like, have a funny way of talking.
00:32:09.980 Stuart.
00:32:11.680 I think you should go home now, Devin.
00:32:14.900 There's nothing going on, Stuart.
00:32:17.260 You should go home.
00:32:19.020 Get back on San Vicente, take it to the 10,
00:32:22.280 then switch over to the 405 North
00:32:24.500 and let it dump you out into Mulholland, where you belong.
00:32:32.480 Stuart, at this time of day, it's going to be jumped. 0.99
00:32:36.720 Are you crazy?
00:32:38.100 Just get on the 10 and get out of here. 0.91
00:32:40.740 Stuart.
00:32:41.320 He is a Californian.
00:32:42.460 Mm-hmm. 0.62
00:32:42.980 Or possibly she. 0.51
00:32:44.340 I don't want to, like, misgender the squirrel,
00:32:45.980 But they haven't been back in the week that I've been around.
00:32:50.680 But I do sometimes leave out peanuts, which is like maybe what I shouldn't be doing.
00:32:55.660 Maybe that's why this creature comes and feels entitled.
00:32:59.760 Somebody, and I'm not going to name names here, but somebody has been nibbling at the basil plant that I have on my fire escape.
00:33:08.040 Oh, man.
00:33:09.120 And so I think that might be the culprit.
00:33:11.220 And maybe I'll have to appease him with more peanuts so he doesn't eat my plants.
00:33:15.980 Oh, man. Or you're by now attracting rats with your peanuts.
00:33:19.780 It's also possible. But can they climb? I guess they can climb. Maybe I don't want to know if they can climb.
00:33:23.760 There's nothing they can't do.
00:33:25.040 Oh, geez. Okay.
00:33:26.760 They will outlive all of us.
00:33:29.660 Another question. As a parent of a soon-to-be college student, I'd love to hear your thoughts on what students can study to counteract the indomiting effects of AI and media mediocrity.
00:33:39.820 I mean, I really strongly feel the generative AI use makes us dumber.
00:33:46.220 Oh, yeah.
00:33:46.500 I think it reaffirms our priors and it atrophies the muscles of, you know, trying to articulate a thought, trying to build an argument, trying to, like, consider a counter argument.
00:34:01.800 These are all things that, like, social media was already kind of doing and, like, the phones, as they say, were already kind of doing.
00:34:08.540 And AI seems like a logical endpoint in which, like, all of creative endeavors are outsourced to machines that just reproduce the same thing over and over and are, like, kind of by design, by definition, by the way that they function, sort of incapable of producing anything new because they're just drawing on everything that is before, right?
00:34:30.100 An AI chatbot can never deliver a novel insight.
00:34:33.460 So I think that your student probably should resist using AI and instead will themselves to read and write themselves and to develop reading comprehension skills, which are really lacking in a lot of undergraduates, and also like critical thinking skills.
00:34:53.760 And that will put them ahead of their peers and also possibly make them kind of lonely.
00:34:59.860 The other side to that, though, is that even though AI is, at least in my view of the situation, completely counterproductive to the skills and habits and capacities that we as educators have a responsibility to cultivate in our students, administrators are basically mandating its use in a lot of universities, right? 0.99
00:35:18.340 So it's like, no, this is a thing that actually makes you stupider. And now university administrations are saying we must use it to teach our students like it's enforced integration of this technology that is like actively counterproductive to the nominal aims of the institution. So that's a trap. And I think it sucks.
00:35:40.200 I mean, I fully agree with everything you said. I think that you want sort of practical advice. I would say small majors with small classes, I think, are more immune to the effects that you're describing in your question. 0.98
00:35:53.360 And I think that, as Mara is saying, disciplines where collective and dialogic exploration of texts, but also of data is central, it's much harder to kind of use a chatbot or some AI service or to even get tempted, you know, at 11 p.m. when an assignment is due or when you know that a big discussion is coming up in seminar to reach for one of these tools.
00:36:23.140 Because you're like, well, the kind of thing I would need, this thing cannot do.
00:36:26.900 Well, that, you know, leaves you in the same lurch that college students have been in for the last, you know, 2,000 years. 1.00
00:36:33.640 Where you're like, fuck, I'm just going to cram and I'm going to bullshit. 0.99
00:36:36.420 And those are all very valuable skills. 1.00
00:36:38.520 Dude, that's a really great skill.
00:36:39.940 Like, every now and then you'll see a Gen Z person being like, how was anybody writing a 10-page paper before AI?
00:36:46.400 And we're like, if we could, we were, there was kind of an honesty to our laziness and our procrastination.
00:36:51.760 I know I sound like a back-in-my-day old person, but, like, that is a skill.
00:36:56.180 You sound like Jonathan Haidt.
00:36:57.080 Yeah.
00:36:57.420 Well, it's, like, good to be able to think on your feet.
00:37:00.060 Yeah. 0.98
00:37:00.720 It's good to be able to have a – I'm stammering because I'm looking for a word that's not bullshit. 0.97
00:37:08.560 Like, bullshit is actually a very useful skill, right? 0.95
00:37:10.660 Like, let's be like, okay, this is not something I maybe would have done the way an honorable kid would have done or, like, the way the best version of myself would have done it, which is, like, 0.98
00:37:21.300 You know, you've researched, you outline, you like draft, you edit, you redraft.
00:37:26.880 If you're like, okay, I have to get 10 pages typed by the midnight deadline and it's currently 9 p.m., it is a skill in its own right to be able to very quickly reach for something passable.
00:37:40.620 Precisely because you operationalize, right? 0.93
00:37:42.620 Like in that moment when you're like, oh, fuck, the paper's due this week, right? 0.98
00:37:46.100 And it's 11 p.m. 0.99
00:37:47.280 Oh, you're being very generous.
00:37:48.720 I always knew when it was due and I delayed anyway.
00:37:51.300 I think that there's an element of like, well, what is the absolute minimum I need to do in order to attain some level of mastery, the lowest level of mastery that will keep me on the pass side of pass fail?
00:38:05.640 Is that the greatest exercise in the world?
00:38:07.520 No, not really.
00:38:08.300 But like, I think it can be a very valuable one because it automates certain things in your brain.
00:38:13.140 And I was flashback to like, I for a while wrote Game of Thrones recaps for a German newspaper.
00:38:18.580 Oh, wow.
00:38:19.180 Which was super fun.
00:38:20.540 It's the most Adrian story I've ever heard.
00:38:22.780 I know.
00:38:23.020 I'm sorry.
00:38:24.080 But, like, you have to think about that.
00:38:25.740 Like, the show would air.
00:38:27.860 I didn't get screeners at the time, I think.
00:38:30.200 And so, basically, like, you watched it at, like, 9 p.m. California time.
00:38:35.340 10 o'clock, I'd sit down, I'd write.
00:38:38.160 And then the thing has to go up sort of, like, 7 or 8 a.m., maybe 9 a.m. German time, which is basically midnight.
00:38:45.000 And so, basically, like, you train your brain to have a take.
00:38:48.240 Yeah.
00:38:48.380 And you're not going to be able to deviate from that take at that moment.
00:38:51.820 Or you can maybe adjust it a little bit, but you have to be kind of careful.
00:38:54.400 Like the thing you write needs to sort of be in the service of that.
00:38:57.260 You don't get do-overs.
00:38:58.920 And I found that that really sort of, it sharpens your instincts for what's a good argument,
00:39:03.600 for what's a responsible way of marshalling the evidence.
00:39:07.140 What are the things that you should probably check up on, right?
00:39:09.660 Like what are the things you should Google before you start writing?
00:39:12.920 Are there some things you should really think hard about before you're making that argument?
00:39:17.480 Is there something deeply problematic or question-begging about that argument?
00:39:21.560 And how do you figure that out before?
00:39:23.580 I always think about it like it's the way to assess the ice before you step on it, right?
00:39:27.920 Like you can sort of see where the cracks are.
00:39:30.580 You can sort of see where you can plant your feet and then sort of plan your next steps.
00:39:34.640 And those are all habits of mine that I hold quite dear.
00:39:37.880 It's definitely not a writing situation that's ideal.
00:39:40.740 It's definitely not one I would wish on anyone, but I found it quite helpful.
00:39:44.600 I mean, I'll say that the thing about writing a 10-page paper in three hours is that now when I read a book, the first thought I have is the thought that I could cram out a 10-page paper in three hours on, right?
00:39:57.520 And now if I have a little more time because I'm an adult and I've managed my time, you know, marginally better, now I have more luxury to have a second thought or a deeper thought and I can do a little better.
00:40:07.200 You know, that 10-page paper of a thought becomes a little deeper, my argument becomes a little more robust, and that's not something I would have gained if I hadn't developed that initial way of reading, right, where I'm like thinking about how to form an idea, how to address a theme, how to integrate what I'm reading with other things that I'm reading or other things that I know.
00:40:30.800 Yeah, or the opposite, right? Like a frequent problem that undergraduates can have with 10-page papers is not that they don't understand the kind of thesis they could be having about this text, but they don't understand that this is not a thesis you can have or prove about a text, right?
00:40:48.080 You're like, these terms are too wishy-washy.
00:40:50.600 They're not clear enough.
00:40:51.820 What would the evidence look like?
00:40:53.180 You can't falsify this statement.
00:40:54.940 So, like, how the hell are you going to argue for it?
00:40:57.000 And these are the kinds of things, like, that's what I think, like, writing quickly has trained me in to spot false friends.
00:41:03.540 Like, yes, that's a feeling you might have right now.
00:41:06.600 It's a bad thesis.
00:41:07.820 It's a bad thing to argue because you can't prove it and you can't develop it and you can't marshal evidence for it.
00:41:16.940 And yes, it might be true, but it's uninteresting.
00:41:20.200 Or yes, it may be true and everyone would agree with it, right?
00:41:23.640 No one's going to be like, oh, please tell me more.
00:41:26.200 They're going to be like, okay, yeah, I figured, right?
00:41:28.540 And I do think that this kind of the negative schooling, that's something that AI really takes away from us, right?
00:41:33.640 Because it's like what AI sort of vomits up is like it's fine as verbiage, right?
00:41:40.400 You're like, it's something that someone could argue, right?
00:41:43.300 Oh, but it's uncanniness and it's repetitiveness is another thing in AI.
00:41:47.760 It's very repetitive.
00:41:49.140 Yeah, but I mean, even if it gets lucky in terms of what it generates next,
00:41:53.360 it's like we're dulling our sense of what a bad argument is like
00:41:57.680 and what a bad take is and what a bad through line for a paper is
00:42:01.680 and what an uninteresting arc for an argument is.
00:42:05.320 And that is in some ways way more powerful a skill to gain in college
00:42:11.840 than maybe even like writing well.
00:42:14.720 It's like to spot the traps
00:42:17.180 in how you're going to argue
00:42:18.580 and how you're going to write.
00:42:19.920 So your student should write their own stuff,
00:42:22.800 even if they do it hungover
00:42:24.600 in a slapdash fashion,
00:42:26.660 because gradually he or she or they
00:42:29.540 will develop skills that they can build on.
00:42:32.280 Yeah.
00:42:32.920 The one thing I wouldn't recommend,
00:42:34.480 I don't know if I should,
00:42:35.700 have I ever told you the story
00:42:36.540 about my art history final?
00:42:37.980 No, tell me.
00:42:39.420 All right.
00:42:39.960 Well, here goes.
00:42:41.160 I took art history in college, and I loved it.
00:42:46.020 I really liked it.
00:42:47.060 But I had one class, a very difficult class, on Renaissance Florence, which happened at 9 a.m.
00:42:53.920 Oh, God.
00:42:54.480 And in those days, this was all done with slide projectors.
00:42:58.100 Now, fun fact about slide projectors is that they need a darkened room, 9 a.m., darkened room, a professor with a great deal of charisma but a slightly monotonous voice, a slow talker.
00:43:10.220 You see where I'm going with this. I was frequently hungover. I was usually asleep.
00:43:14.800 And so it turns out the amount of facts about Florentine art you absorb while both potentially still hungover and asleep is limited.
00:43:25.300 And so I discovered that I was not well prepared for the exam.
00:43:29.860 Luckily, another kid in my class who was high the entire time was in the same situation.
00:43:36.300 What I didn't fully grasp at the time is that the reason he was frequently high in class
00:43:39.920 and was unprepared for the finals is that he was a huge drug dealer.
00:43:43.780 And so he shows up to my dorm room with, we had binders in those days,
00:43:48.960 binders of reserve materials for this class and some Adderall.
00:43:54.920 And I'm like, what do you do with this?
00:43:56.200 I'd never had it.
00:43:57.200 He's like, well, you crush it up and you snort it.
00:43:58.660 And I'm like, all right.
00:43:59.640 So I crushed it up and I snorted it.
00:44:00.980 Oh, my God.
00:44:01.980 Adrian did drugs.
00:44:03.320 The next thing I know, it's like 10.30 a.m. the next day.
00:44:09.240 I wake up in my bed. 0.99
00:44:10.560 I'm like, fuck, I completely slept through. 0.99
00:44:13.680 Well, I did not. 0.99
00:44:16.360 I got an A-plus on this exam.
00:44:19.060 Apparently, I finished it in 45 minutes. 0.98
00:44:21.560 I went home and just passed the fuck out.
00:44:23.840 I reproduced a fairly complicated sort of like diagram of like how intention and like material interplay in art from one of our readings. 0.95
00:44:36.020 I knew everyone's name.
00:44:37.800 I have no recollection of this material today.
00:44:40.620 And I was just, yeah, to this day, like whenever I'm in Florence, I feel really, really guilty because I'm like, man, I should know more about this than I do.
00:44:51.220 Anyway, so that is my art history story.
00:44:53.280 That's pretty funny. But we have one more question. So one listener asks, I have a question I've really been wanting to ask. Is Freud washed?
00:45:03.240 As many are asking, essentially I've always had the impression that there wasn't a lot of actual evidence for Freud's theories.
00:45:10.400 So I was wondering why Freudianism still seems to be taken quite seriously in some areas of cultural and literary analysis, including in some, not all obviously, feminist theory.
00:45:20.720 I work in STEM, so I fully admit I might just be a Philistine who has been too taken in by the epistemic authority of these fields.
00:45:27.660 And then it cuts off.
00:45:29.320 Is Freud washed?
00:45:30.240 That's a great question.
00:45:32.240 Yeah, this is a debate I have with many friends and colleagues as well, right?
00:45:37.600 Like, this is kind of an awkward thing that, like, Freud's theories are induced to explain things in psychology, and yet in psychology departments there's very little Freud these days.
00:45:47.200 Yeah.
00:45:47.420 And yet in literature departments, we're, like, still referring to it as though it's, like, somehow established science.
00:45:55.760 Well, this brings me to the distinction I think we have to make about Freud, which is that as a clinical practice, psychoanalysis doesn't yield empirical measures of improved clinical outcomes.
00:46:11.020 Let's say that, right?
00:46:12.320 If you are mentally suffering and you want to alleviate your mental suffering or you want to change behaviors, psychoanalysis is probably not the best option for you.
00:46:25.260 That doesn't mean it's not a workable or legitimate option, but it's also, you know, three to five days a week at $250 an hour.
00:46:32.420 So it's not it's not really an accessible option for most people anyway.
00:46:36.040 But like it does not deliver empirically measurable clinical improvements the way something like DBT does.
00:46:42.620 So that's the clinical side.
00:46:44.280 Like if you don't want to be crazy anymore, probably don't go to a psychoanalyst who's practicing in a Freudian method.
00:46:49.900 Right.
00:46:50.840 If you want to understand a text, I think he's more useful.
00:46:54.380 And this is because, like, Freud, you know, we talk about Freud as a intervener who sort of, like, came as if down from the mountain with this new knowledge.
00:47:05.900 And what he was actually doing was, I think, like, articulating stuff other people had talked about, right?
00:47:09.840 Like, the ancients had a concept of the unconscious.
00:47:12.240 Yeah.
00:47:12.700 He was a good recognizer of patterns, and therefore he provides a good framework for talking about, like, thematic patterns.
00:47:20.240 And what he is not going to do, which I think some people would really like him to do, which is like sort of unlock this esoteric world of knowledge when everybody's, you know, behaviors can be predicted and their motivations decoded and you can understand people who annoy or trouble or threaten you better than they understand themselves.
00:47:38.540 I don't think it works that way very well.
00:47:40.440 I think what it does is provide a really good framework for articulating political themes.
00:47:47.820 That's my Freud soapbox.
00:47:49.340 You, Adrian, as a serious academic who's been in these departments for a very long time, might have a, like, more in-depth perspective.
00:47:57.220 No, I mean, I think that's definitely right.
00:47:59.820 So I've lectured on Freud and I've taught classes on Freud.
00:48:03.160 And I think, to me, his utility as a theorist has always been things that he has in common with other people.
00:48:11.400 As you say, it's not that this is uniquely Freudian.
00:48:14.060 But I do find, for instance, very helpful this kind of clinical practice and interpretive practice that remains with the signifier and doesn't sort of ask or even brackets the question of the signified.
00:48:30.080 Not the question, like, is this true, which is a question that I find very important and very central to ask sometimes.
00:48:37.540 But sometimes it's worth just saying, like, well, let's bracket whether it's true or not.
00:48:40.880 Why is it put this way?
00:48:42.360 Or why is it put so repeatedly, right?
00:48:44.060 I mean, in some way, my entire approach in the cancel culture panic was that.
00:48:48.260 I'm like, cars on the table, I don't think this is real.
00:48:51.780 Why then do people talk about it in these particular terms?
00:48:55.120 Why do they bring it up in these particular patterns?
00:48:57.420 If they're so afraid of it, allegedly, why do they love bringing it up so much?
00:49:01.060 And these are the kind of contradictions that Freud is really great with, right?
00:49:06.340 And especially in the age of Trump, where so often we find that internal contradiction
00:49:11.400 is not actually a good argument against something.
00:49:13.500 Oh, you think that immigrants are bad, but then you married an immigrant? 1.00
00:49:17.780 It's like, well, okay. 0.88
00:49:18.860 Freud allows you to go to a place where that's not a contradiction and be like, okay, how is that resolved?
00:49:24.780 What are the mental processes by which these things are not in fact contradictory to a particular psyche, right?
00:49:32.060 That's something that makes Freud actually extremely generative to me.
00:49:35.280 But as Moira was saying, this is something that makes empirical measurability very difficult
00:49:41.060 Because it's always about these moments of ambiguity or what Freud calls overdetermination, right, where two things or more things at once are happening.
00:49:47.900 That makes it very difficult to measure because in some way you have to take my word for it.
00:49:51.680 It's like, well, these two things are going on at the same time and here's what I imagine must be true in order for them not to be contradictory.
00:49:58.760 I think that's an extremely powerful interpretive move, especially, I think, at a moment when we found that the power of just pointing out that something is illogical is extremely limited, right?
00:50:12.840 We've learned that we can debunk until the cows come home, and it's not going to change the fact that it works for people.
00:50:20.840 And, like, that is the central observation of Freudian psychoanalysis.
00:50:25.680 The question isn't, how does this make sense?
00:50:28.760 It obviously doesn't. The Freudian psyche is a messed up, weird place, but it works, right? Somehow people manage to function this way, manage to make it all coherent to a personality, make it coherent to a biography, into a life. How? What are the forces that allow that to happen?
00:50:46.860 At its most useful, Freud is great for asking those questions as sort of an invitation to ask his questions.
00:50:53.120 I would be remiss, I think, if I didn't point out that, like, in his own life and in the structure of some of his theories, he didn't just sort of, like, bracket the question of whether a complaint was, like, factually true, right?
00:51:05.000 And this brings us, of course, to the abandonment of the seduction theory.
00:51:08.580 So, like, early in Freud's career in Vienna, he was treating a lot of women who had been diagnosed with hysteria.
00:51:14.520 And he found that frequently his patients, or I think he said like basically in, you know, uniformly his patients complained of sexual violence, of having experienced sexual violence.
00:51:26.140 And they often cited this as like the, in their opinion, this is often where their symptoms originated.
00:51:33.920 That today looks a lot like what we would call like a PTSD diagnosis, right?
00:51:39.680 Like, just the clinical, like, one-to-one.
00:51:42.180 It's a little different in some of these hysteria cases that he's talking about.
00:51:44.880 But Freud's initial interpretation was what he called the seduction theory.
00:51:49.280 He says, my patients are, what is it?
00:51:52.460 They're tormented by reminiscences.
00:51:54.760 It's like this was an experience of violence and violation that led to psychiatric or psychic distress, right?
00:52:02.640 Yeah.
00:52:02.800 He wrote a very compassionate, like really beautiful, lucid book that he got to basically by listening to these women with tremendous attention.
00:52:13.200 And in his book, he said that sexual violence by men against women was very, very pervasive, including among, you know, bourgeois Vienna, where he was working and treating patients and where he was, you know, trying to build a practice and inhabit a social world.
00:52:30.920 Freud was a profoundly ambitious man.
00:52:33.340 There is a kind of malignantly angry
00:52:36.660 Frederick Cruz biography,
00:52:38.560 this guy from Berkeley,
00:52:40.120 who, you know, writes very interestingly
00:52:42.660 and at great length about Freud's use of cocaine,
00:52:46.280 which was very, very prolific during this period.
00:52:48.500 But, like, I do think he is convincing
00:52:51.180 when he talks about the extent of Freud's anxiety
00:52:54.480 about his personal status and about money.
00:52:56.480 And what happened was this, you know,
00:52:58.840 early book, Studies on Hysteria, that took a very compassionate view towards sexual violence victims
00:53:05.480 was received poorly in Vienna society because of its political implications, right?
00:53:11.600 Because of what it implied about women's claims over their own body,
00:53:16.340 women's accounts of their own past, and over, you know, men's behavior, right?
00:53:21.060 These were things that were offensive to Vienna society and remain offensive to a lot of people today.
00:53:27.700 Let's be real. This is still not a popular thing to say. And Freud made the decision in light of that resistance to abandon his patients, to betray them, and to say that these experiences of sexual violence were, in his word, fantasies.
00:53:47.700 fantasy doesn't always necessarily mean desire you do get the sense reading his account you know
00:53:53.580 his text in which he is you know sort of recanting his past sympathy with sexual violence victims
00:53:58.920 you do get the sense sometimes that he means desire right this was something they wanted to 0.96
00:54:03.240 happen and that is a scientific or scientif-ish legitimization of a really putrid misogynist 0.93
00:54:12.920 idea. It is a, like, frankly, a fantasy core to the male psyche that women desire rape. 0.99
00:54:18.440 It is a ideological fiction that has inflicted a tremendous amount of violence. And that moment, 0.89
00:54:25.000 that abandonment of the seduction theory is still cited by psychoanalysts and their ilk
00:54:30.020 as a moment of great pride. They say, this is the moment that psychoanalysis was invented,
00:54:35.980 this moment when we abandoned women, this moment when we became rape apologists and rape denialists.
00:54:40.700 And that is what I don't forgive him for, and it's why I'm always a little, you know, I just have my hackles up when people are like, oh, I'm a Freudian.
00:54:48.440 I'm like, oh, cool, I don't totally trust you, you know.
00:54:51.300 It's like, all right, well, like, show me the goods, right?
00:54:53.740 Like, prove that you're not a rape apologist before I decide to hang out again.
00:54:57.980 Well, it is, I mean, it is objectively the beginning of the Freudian project to assume that these reports are not factual, but in fact an expression of the unconscious, yeah.
00:55:06.840 And I mean, just to add to that, of course, he does eventually kind of discover PTSD for himself and sort of does start thinking about trauma.
00:55:16.480 He does it after World War I in the case of male war veterans.
00:55:20.920 Right. With men, it makes sense. 0.99
00:55:22.840 It's women's epistemic claims.
00:55:25.920 And I will say what Freud says about women like throughout his career is hateful.
00:55:31.920 It's like condescending. It's dismissive. It's hateful.
00:55:34.440 He has one moment of sympathy with women early in his career, and he experiences very slight pushback for it, and he abandons it immediately and commits pretty hard in the other direction.
00:55:46.900 Although, frankly, even the stuff he writes about his wife is, like, often really kind of just gross.
00:55:51.800 This woman who, like, completely ruined her own life for Freud.
00:55:55.180 For him, yeah. 0.94
00:55:55.900 Yeah.
00:55:56.380 So, you know, you could be a Freud hater.
00:55:58.300 There's a lot there.
00:55:59.000 It's a great story.
00:56:00.240 Somebody in one of the questions asked about our problematic faves.
00:56:02.920 I think, like, hate reading and hate watching Freud content might be one of my problematic faves.
00:56:08.720 There's a lot to dig into.
00:56:10.820 I do think people should learn the story.
00:56:12.720 It's a great museum.
00:56:13.380 If you're ever in London, it's this, like, crazy house where there's a neighbor's, like, truly enormous cat named Zeus who's always hanging out in Freud's backyard with a big tag around his neck that says, I am not lost.
00:56:26.240 and you'll find the whole place
00:56:29.000 because it's also like an archive for
00:56:30.820 psychoanalysts. 1.00
00:56:32.620 So there's all these like little German 1.00
00:56:34.680 and French women who are like four feet 1.00
00:56:36.900 tall who have enormous glasses 1.00
00:56:38.360 and like angular haircuts
00:56:40.740 speaking to you in weird
00:56:42.920 accents and trying to get around to you while you go
00:56:44.920 to visit the exhibits.
00:56:47.360 Apparently there's a whole cult thing
00:56:48.740 about his plant. 0.99
00:56:50.160 No, dude, this is cult leader shit, but like they all 0.99
00:56:52.820 like take cuttings of a plant that he 1.00
00:56:54.740 had in London for the last year of his life. So if you're like in with a psychoanalyst,
00:57:00.400 they'll give you a cutting of his, I think it's like a marigold or something. I don't know what
00:57:04.800 it is. Whatever, Moira. Sometimes a marigold is just a marigold. Should we end with the question
00:57:11.800 of problematic faves? I mean, listen, I grew up Catholic, so all of my pleasures are guilty 1.00
00:57:16.820 pleasures, right? Like, but who is your problematic fave, Adrienne? This question is a good one. It
00:57:22.460 It says, thank you for three years of delightful podcasts.
00:57:24.960 Oh, my God, thank you for listening.
00:57:26.320 Two questions, one more involved than the other.
00:57:28.940 First, the Wuthering Heights episode made me wonder,
00:57:31.640 what are your gender-related problematic faves, movies, books, TV, et cetera?
00:57:35.720 And how do you think about problematic faves in your own life and more broadly?
00:57:39.680 It's a great question.
00:57:40.940 Great one to close on, too.
00:57:43.100 I'm with you on this.
00:57:44.520 As a scholar of German literature, the number of unproblematic faves of mine is pretty small.
00:57:52.460 Likewise, as a scholar who was trained on sort of romanticism in 19th century literature, the number of books that are unproblematic from a gender perspective, pretty small, right?
00:58:05.340 So in some way, I've always taken the good with the bad. 0.92
00:58:08.680 I've always sort of been like, well, this is pretty awful.
00:58:12.080 And I should also say that, like, there's that book by David Halberstam, How to Be Gay.
00:58:16.640 I also think that like as, you know, not to get into identity politics here, but like I think gay consumers have always, right, that's the big thesis of the cellular closet, have had to get their kicks from media that kind of talked down to them or made fun of them or even vilified them, right?
00:58:37.300 Years ago, I watched the Castro Theater here around the corner used to show Vertigo once a year, which is, as far as gender goes, one of the most problematic movies ever.
00:58:50.860 Yes, yeah.
00:58:51.480 And the entire audience, which was mostly, you know, queer people, trans people, a couple of drag queens, etc., etc., would just hoot at every misogynistic moment.
00:59:02.540 Yeah.
00:59:02.820 And that's the best way to experience that movie. It is both a terrifically scary psychological thriller and a movie in which you can holler and joke and laugh at the misogyny. And so I think that LGBT viewership and readership and listenership tends to have its own kind of logic of reading against the grain or like picking out the things that you find useful and sort of using them for yourself.
00:59:30.500 and being like, well, I don't care about the whole, right? 0.71
00:59:32.640 Like, I'm a lot less forgiving.
00:59:34.460 I have a lot fewer problematic faves with art
00:59:37.460 where the creator is still around,
00:59:39.940 where I'm like, now I have a lot of options.
00:59:41.880 But in history, we didn't have a ton of options, I think.
00:59:44.920 At least if so, I have not come across them.
00:59:47.480 And so, yeah, I'm less like, yeah,
00:59:49.220 and there's opera misogynistic, totally,
00:59:51.080 but like, you can relate to that in any number of ways.
00:59:54.600 Was this poet possibly a proto-Nazi?
00:59:56.980 Like, yeah, but you can relate to that in a number of ways.
00:59:59.880 And, yeah, I think that the number of works of art that make me think, I want to meet this creator, is really small.
01:00:08.300 Yeah, yeah, yeah.
01:00:09.260 Including Wuthering Heights.
01:00:10.600 I'm like, I think the Brontes would have been really unfun to hang out with, to be honest. 0.98
01:00:14.080 Oh, my God, they would be so fucking intense. 0.89
01:00:15.940 Yeah, you'd be like, I'm going to go, you guys. 0.90
01:00:18.160 This is just a lot.
01:00:20.020 I mean, like Adrienne, I am somebody who spends a lot of time reading dead people.
01:00:25.000 And I spend a lot of time reading, like, first and second wave feminists.
01:00:28.180 And like part of this thesis of my career with regard to that subject matter is like, okay, no, there's redeemable points here. There is worthwhile intellectual work being done and even like moral work being done in the writings of these women.
01:00:46.060 But the previous waves of feminism, the first and second waves of American feminism, they have those reputations of being like racist, homophobic, class blind, like weirdly religious in ways that definitely read badly now and weren't like amazing at the time either. 1.00
01:01:02.960 Like they have those reputations for a reason. 1.00
01:01:04.920 Right. 1.00
01:01:05.500 Especially the second wave white feminists will be like kind of cavalierly racist, but in like a weirder way than you expect. 1.00
01:01:13.700 Right. 1.00
01:01:14.220 Like, Shulabith Firestone's chapter on race is bizarre.
01:01:17.680 Yeah.
01:01:18.020 It's like, it's racist, but, like, it's a racist from Mars.
01:01:21.260 You know what I mean?
01:01:22.060 And there were other people at the time making much better points.
01:01:25.280 And you're like, oh, you could have just paraphrased what they were saying and it would be so much better.
01:01:28.560 Right.
01:01:29.100 And there were also people at the time making the points that are now being made as, like, gotchas of this whole era, right?
01:01:34.220 Like, the other thing is, like, when you talk about, you know, you're talking about, like, okay, all 19th century Germans, they're all kind of problematic. 0.61
01:01:40.980 I'm imagining a lot of them are problematic in different ways and in different directions. 1.00
01:01:43.700 Yeah. Oh, yeah. Like every now and then you read something. I'm like, OK, why is Elizabeth Cady Stanson being woke here? Right. And they are not as simple as received wisdom. But I do think like all of my faves are a little problematic. And that's like part of my approach is to try and be generous without being credulous, you know?
01:02:05.240 But also, I don't know, I'm also thinking of like Michael Jackson. I love Michael Jackson's music. And it's harder for me to enjoy it now because he took it away from me with his actions. You know, that's also just like the grief of having your pleasure and delight in a piece of art or writing or thinking, whatever, sort of mitigated by the bad actions of the person who made it. I think that is a real grief that's hard to articulate and not always like super safe to talk about in every, you know, sphere.
01:02:33.460 That to me is actually one of the few, you know, I've spent the last five years of my career making fun of people complaining about cancel culture.
01:02:41.620 And the one bit of pathos that I'll allot to that discourse where I think like it's putting its finger on something is that grief.
01:02:48.560 Yeah.
01:02:48.920 You know, you like a thing.
01:02:50.980 They say like, oh, we aren't allowed to watch these movies anymore.
01:02:54.040 We aren't allowed to listen to this music anymore.
01:02:56.480 That's not even really true.
01:02:57.600 What it is, is that you, when you find out, realize in that moment you can't anymore, right?
01:03:02.880 Like, don't stop till you get enough, can't come on at a wedding, and I will just, like, burst joyously into dance.
01:03:08.940 It's the remix to Ignition.
01:03:10.560 How many, like, backyard, like, my parents are out of town high school parties did I hear that song at? 0.99
01:03:19.420 And I will never be able to enjoy its, like, soaring stupid rhythm anymore. 0.99
01:03:24.100 And also, oh, no, I will never be 16 again. 0.99
01:03:27.100 You know, there is really a sadness there.
01:03:29.960 No, absolutely.
01:03:30.480 We'll never be that naive again.
01:03:32.320 We'll never be that innocent again.
01:03:34.360 So there is on the one hand, like the passage of time, but there's also the fact that like it could have been so easily otherwise, right? 1.00
01:03:39.980 Like if this person hadn't been a piece of shit, I could just scream along with this, right? 0.99
01:03:44.480 Like, I, you know, I hope, pray to God that I'm accurate in saying this, but like the fact that David Byrne is just kind of a good guy, right? 1.00
01:03:52.640 Like.
01:03:53.920 I'm not getting good.
01:03:55.180 Don't, if you know anything bad about David Byrne, don't tell me.
01:03:58.100 Just don't tell me.
01:03:59.020 Yeah. 0.93
01:03:59.260 But, like, I trusted you with a part of my biography, my feelings, and you couldn't fucking just, like, be a normal person, you know?
01:04:08.780 There's a grief there. 0.75
01:04:10.220 I was thinking about this because we were recording the episode about J.K. Rowling.
01:04:14.160 I remember enjoying some of those books and, like—
01:04:17.260 The revisionism about Harry Potter as children's literature, I'm, like, a little—I don't totally believe it.
01:04:22.980 I'm, like, no, these were great.
01:04:23.960 These are perfect children's books.
01:04:25.340 They're really well-crafted, except for the, like, you know, like Cho Chang, et cetera.
01:04:29.740 Like, there's nothing there, but they were really immersive and joyful, and I don't want to just, like, mock the people who feel like their childhood was betrayed or their memories of childhood are now tainted.
01:04:40.760 You know, it's, like, it's genuinely sad.
01:04:43.320 Yeah.
01:04:43.580 No, I came across a copy of one of the earlier books at my parents' house, and I was like, this might be the moment when I could read it to River.
01:04:50.980 And I'm like, I'm not gonna, you know?
01:04:52.700 Yeah. 1.00
01:04:52.900 And it's just like, fucking A, lady. 0.99
01:04:54.840 If you just had logged off and, like, just raked in your billions, I could have been— 0.99
01:05:00.420 I'm sorry.
01:05:00.800 In your household, you have to read that child, The Hobbit.
01:05:03.000 Like, you got to start them young.
01:05:04.760 Oh, no.
01:05:05.140 She already has.
01:05:06.120 She's already read The Hobbit.
01:05:07.020 Of course she has.
01:05:07.960 She loves the little back ends.
01:05:08.960 Yeah.
01:05:09.900 Although, can I just tell you, this is maybe where we can stop because I got to read to her.
01:05:13.700 You know what she's asked me for the last three days?
01:05:16.200 What?
01:05:16.800 Alfred Lord Tennyson, the Lady of Shalott.
01:05:19.500 She loves that poem.
01:05:21.440 It's a good poem.
01:05:22.540 I know.
01:05:23.060 I'm like, okay, are we moving on to Ulysses next or what are we doing here?
01:05:26.620 See, this is a professor's child.
01:05:28.360 Yeah. 0.99
01:05:29.020 She's a big Tennyson gal. 1.00
01:05:30.300 And I'm like, yes.
01:05:31.720 That's amazing.
01:05:32.720 You got to start him young.
01:05:33.660 I'm sure he's a problematic fave too, but luckily I'm not going to Wikipedia him.
01:05:39.340 All right.
01:05:39.940 I love our listeners.
01:05:40.800 I love these questions.
01:05:41.620 I love talking to Adrian.
01:05:42.860 Thank you for coming along with me on this one.
01:05:45.240 Thank you so much.
01:05:45.980 And we'll see you next time on In Bed With The Right.
01:05:48.260 Bye.
01:05:48.540 in bed with the right is made possible by hundreds of listeners who support us via
01:05:54.720 patreon.com our episodes are produced and edited by mark yoshizumi and katie lao
01:05:59.320 our title music is by katie lao