00:00:00.960Hi folks, it's Risa and Amy here from Missing Witches, inviting you to get involved in our annual raffle in support of the Native Women's Shelter of Montreal and Indigenous-run non-profits wherever you live.
00:00:14.480We have a ridiculously fun witchy heap of prizes donated by a whole community of folks joining together to make a magical wave of reparations magic.
00:00:24.940There's a prize pack from Jinx Monsoon.
00:00:27.500A one-on-one tarot session with Sarah Gottesdiener.
00:01:01.400Welcome home to the Missing Witches podcast.
00:01:05.060I feel like elated and joyful and so thankful to get to be in this conversational container right now with two people that over a series of conversations now that span years.
00:01:22.640I've had the privilege of learning from our guests today and feeling like I fall in love
00:01:30.060with them, with their vulnerability and their wisdom.
00:01:33.260And so I hope you, if you are a Missing Witches listener, have had the opportunity to be in
00:02:37.740Thank you so much, Amanda and GDC, for your patience while I read this prepared speech of instructions. You both have done this before, so you know you have a minute to sit back and relax while I deliver these instructions.
00:02:52.760Of course, it's Beltane, happy Beltane, which means for us in the Missing Witches' Coven, it's time for our annual fundraiser in support of First Nations women.
00:03:05.220As always, Risa and I will be contributing our profits for the month of May to the Native Women's Shelter of Montreal.
00:03:12.140all. And as in the past, we're asking our listeners and cup and mates to make a donation,
00:03:19.180a reparation, wherever you are in the world. We encourage you to find a new local Native
00:03:26.140women's shelter to support. And we understand that some places don't have First Nations
00:03:30.540specific orgs, so we'll also accept donations to shelters for vulnerable women and children
00:03:35.700for sex workers or victims of violence,
00:03:39.420but we at this time would appreciate a focus
00:06:22.040GDC you want to start us off I would love to oh my goodness I love the Missing Witches
00:06:30.980audience and both of you I and I am just so happy to be here with Amanda this is gonna be great
00:06:39.960so what I will say is let's kick it off by thinking together feeling together and sending
00:06:49.380that love out into the world high vibration we are in sacred space in a sacred time let the divine
00:06:57.920as it reveals itself to you come through any and all of our dialogue today and if it does inspire
00:07:05.860you feel free to reach out and tell us what that looks like you can of course write the missing
00:07:12.120witches and they can forward it on to both of us so that we can have this dialogue together so
00:07:18.420who am I? Well, they call me Granddaughter Crow. I am born to the Bilagana clan for the Ta'achini0.78
00:07:27.620clan, a member of the Navajo Nation, as well as Dutch heritage. And I am here to inspire,
00:07:34.600to encourage, and to empower you to be your authentic self. And I know what that struggle
00:07:43.220is like, because it took me a long time to figure out what that was. And I do understand the impact
00:07:51.960not only on First Nation Indigenous, because my father, full-blood Navajo, and me growing up
00:08:00.680biculturally, and in the 70s, which wasn't as open-minded as we are now, but we still have a
00:08:09.300ways to go. So in my learning on how to be authentic, I not only reach out to the indigenous
00:08:18.760people, I also reach out to the LGBTQ plus people, to females, to anybody who feels as though they
00:08:28.860might be considered quote unquote other. And it's like, this is the opportunity for you to step up,
00:08:35.680be authentic it is feeling like you're coming home so that's who I am granddaughter crow
00:08:44.220and I will turn it over to Amanda wow that energetic intro just inspired me so much I
00:08:56.820gotta like live up to that energy now again amanda amora links you know two spirit my name's
00:09:08.820amanda amora links my spirit name is a is jalap talk the one who leaves footprints
00:09:15.480and links in my language is a books again um i'm mi'kmaq first nations with membership at
00:09:25.280Wagamichuk First Nation in Unamagi territory in Nova Scotia. However, I'm an urban native person
00:09:32.480who always grew up off reserve. I have mixed heritage with some Scottish and Irish from
00:09:39.160paternal side of my family that I don't really have strong ties to anymore. It's a complicated
00:09:46.760history. I'm a two-spirit, neurodivergent individual who works in a variety of mediums
00:09:54.120and sprinkles myself across a lot of them, including arts and mysticism and cultural
00:10:02.040practices with community engagement. And what else was I answering? Who am I today?
00:10:12.820That's a good question. I feel like sometimes we're shapeshifters and we're temporal and
00:10:19.080float in and out of spaces but I came into this day really present and aware super charged and
00:10:29.500I was trying to tap into some of that like energy of renewals and endings at the same time
00:10:36.980being a little bit plugged into the spicy so while we're also tapped into that lateral love
00:10:46.340and understanding of welcoming ourselves back into our bodies.1.00
00:10:50.900I'm also thinking how we could be badass bitches as well0.93
00:10:57.420and putting that energy back once it came for things that we're done with1.00
00:11:05.180and ready to transmute it into something that could be regenerative
00:11:09.900regenerative and bring us into spaces that leap and bound us into the future, I guess, which
00:11:19.120maybe ties into that whole futurism talk in a way, because there are a lot of teachings around
00:11:25.920seven generations and always being mindful of what's happening in this quantum reality of
00:11:35.100who's come before us who our ancestors are how do we honor them who are we today who are we in
00:11:42.800relationship with whether that's our ecologies the land that we're on our friends our lovers
00:11:50.680our family chosen family the plants and animals and without sounding corny of course but the
00:11:59.240future as well so the choices that you make today influence and are informed by everything that's
00:12:08.580come before is happening now and will happen it's kind of kind of wild but it's a it's a practice
00:12:19.000and mindfulness, I think. And it brings us into that territory of us being very
00:12:26.520adaptable or ingenious people. We work with our environment and what it tells us.
00:12:36.640And sometimes that means that we adapt with it through a lot of changes, even dark and
00:12:43.860unfortunate changes. And we've learned how to be very resourceful with what comes our way.
00:12:50.420So in thinking about the idea of futurism, you'll see these heads budding around tradition and the
00:12:59.880new and how you find yourself in the middle. How do you honor all of those states, the past,
00:13:09.040the present and the future. I love that because I think you hit the nail on the head
00:13:14.660with the respect of the past, the traditional ways, whatever culture or system you have lived
00:13:25.420in or generationally in. Some of us are here in this generation to be that change agent,
00:13:32.560to break those cycles, generational challenges and things like that, to open our heart, to open
00:13:39.280our mind, but to know where we came from and know who we are and then where we're headed, the balance
00:13:47.080that we really feel like we are stuck in the middle at times, all of us stuck in the middle
00:13:52.880between the past and the future. And that mindfulness is so perfect because we can
00:14:00.820learn, respect, honor, and make change to generational curses, etc. But we do that
00:14:09.260respectfully and be, like you said, mindful, making choices and decisions authentically
00:14:17.440and mindfully. That is more of the futuristic idea. So I just wanted to tag along and agree
00:14:25.420completely with what you just said amanda if i really feel like your art your visual art
00:14:32.840especially is like a very much an examination of this urban indigeneity it's like fueled by like
00:14:42.220your your desire to be in touch with your traditional wisdoms but also you you know are
00:14:51.120using motion design and doing animation online. I mean, I think you already covered this, but I
00:14:58.940really would love for you to just say a couple more sentences about urban indigeneity and what
00:15:04.480that means to you and how it comes across in your art. Wow, it's really complicated. We think we're
00:15:10.640living in a time where we're actively unraveling our inner truths and healing from intergenerational
00:15:19.340trauma across our, you know, across our generations. And what this ends up looking like
00:15:26.820is trying to deconstruct what's a colonial narrative and what's our way of caring for
00:15:34.760each other and looking at the world. So one thing I'll say right off the bat is that the
00:15:42.220apartheid that is the reservation system the ways that governments have forced us into these
00:15:52.880community pockets that kind of isolated us from our our resources and the ways that we ancestrally
00:16:02.100know the place that we come from and having to restart and rebuild has made that way of looking
00:16:10.980at our communities complex and sometimes a bit to disseminate when it comes to role in social
00:16:22.980acceptance and what we see as cities and urban development these are also our traditional
00:16:34.440territories these are places that were very rich with our own land-based knowledges as well
00:16:40.160It's just been developed upon so much. I think particularly about all the time I've spent
00:16:47.480in Toronto and how that entire infrastructure is developed upon the waterways there. And
00:16:56.360in addition to that, the first buildings and developments happened along that waterway.
00:17:04.680And so a lot of the contracts in that place, the agreements that are made around what's to happen in a place, it's still there, but it looks different now.
00:17:18.500And so when I think about being urban Indigenous, I think about having feet in both worlds in a way, but also that distinct separation that you can feel from your home community.
00:17:36.300and coming back into that and feeling like you have a direct channel or source to talking
00:17:47.000to the place that you reside and finding your own personal connection can get a little bit
00:17:54.200staticky. You aren't able to see it as clearly because of all of the things that they built
00:18:01.000on top of it. There's a Starbucks there. There's a Winners now. There's a parking lot where they're
00:18:05.960It used to be like, I don't know, a trading post or a lodge or maybe some place that like somebody lived or burial mounds that are in parking lots that get unearthed whenever landscapers get hired to do a contract.
00:18:24.080So when it comes to that, I feel like treading gently because people have very varied and distinct lived experiences living in either place.
00:18:39.640And neither is more valid or invalid than the other.
00:18:45.140and we're all actively trying to do that work of just trying to feel okay and being connected to
00:18:52.760the things that we need to to carry us in our journey thinking about the art piece and the
00:19:02.040the mediums I use I think I might have like segued very far into place rather than the process of
00:19:11.000make an art but it's a it's a new medium that I've been trying and it's been it's been nurtured
00:19:16.400in me by some very helpful people in my life to push me into learning to work in the digital
00:19:26.100learning to work with things like extended reality or in VR and I am not the best at it
00:19:38.160I'm just a baby. I'm just learning. And I just kind of get amused by the tiniest little thing
00:19:45.340that ends up like working out visually. But often they're kind of incomplete thoughts or
00:19:52.340mistakes or accidents. But in a way that sounds and feels quite a bit like that experience of
00:19:59.860coming back into your identity and finding that path and trying to hear that louder in yourself.
00:20:07.640GDC, I was thinking about you when Amanda used the phrase, the staticky-ness of being between.
00:20:17.880Do you want to think out loud about your own experience of that?
00:20:21.440I mean, in leadership spaces, in academic spaces, spiritually religious spaces, your own culture,
00:20:28.600you seem like someone who's deeply navigated that staticky-ness in a way that sort of resonates
00:20:35.480gently from you, like you figured something out. Sure. So when I hear that, I really do feel
00:20:43.200once again, that we are sitting in a space between the past and the future. And the now
00:20:52.540is right here. And when we feel the static, it's almost like this resonance from the past and this
00:21:00.260anticipation for the future and wanting to make clear decisive choices in order to make sure that
00:21:08.540you're proud of what you do tomorrow, you know, but in that, I would say that the static could
00:21:15.720also be kind of like how I would, when I feel that, you know, it, it also feels like life.
00:21:27.280it feels like something that I am creating not predetermined destiny that I have a part to play
00:21:37.900in what I say what I do I get to feel all of my feelings and which what's interesting to me is
00:21:45.520currently I am in the middle of writing a book next book coming out and it doesn't have a title
00:21:52.420yet, but it really has to do with the intelligence of the four bodies of existence and the intelligence
00:22:00.560of the four bodies of existence being the mental, spiritual, physical, you know, emotional
00:22:07.360and the intellect that colonization, thought processes, governmental policies, legislation,
00:22:19.320blah blah blah systems of thinking has actually moved us away from feeling okay with feeling what
00:22:27.380we feel and moved us away from being what we are and so in this book I really get into it
00:22:35.780it is so empowering there is science within it like for example the left hemisphere is all about
00:22:43.580logic and you know the language the right hemisphere is all about creativity we know this
00:22:50.880to be true this is scientifically explored but then how does the left hemisphere approach the
00:22:57.620world and how does the right hemisphere approach the world well the left hemisphere will say oh
00:23:05.720this is logical i will learn from my past and i will create project for my future you know what
00:23:12.320the writer does it sees everything holistically within the moment it sees it understands the
00:23:20.440paradox that we are in it understands empathy it is not judgmental and it resonates into these
00:23:29.600pictures which i think lynx is expressing you know amanda is expressing in in the artwork
00:23:36.360And it's like we need to tap into our right hemisphere of connectivity, logic, connectivity, and creativity.
00:23:48.580The left hemisphere, when I look at the hand, the hand right in front of my face that I've risen, I say left hemisphere says, this is my hand.
00:23:59.700You know what the right hemisphere says?
00:24:03.720so if we can begin to think in terms of this is me i am you you are me we are different expressions
00:24:15.740of this wonderful thing and yeah there's going to be a little static but caffeinate your life
00:24:22.860babies because here we come i'm so excited and really want to read this book you're writing
00:24:29.640That's amazing. I think when it comes to the type of artwork that explores new media and these digital types of worlds, often in that type of art, you have individualism.
00:24:48.640You have very much the idea of autonomy, getting things faster, things like AI, things that are programmable, reproducible, and carbon copy. And this goes against our worldview. This goes against the way that we see things.
00:25:08.820So when using a medium like that, it's this paradoxical juxtaposition of those two states where we're in a little new worldview.
00:25:25.900Albert Marshall talks about and Rodina Marshall talks about two-eyed seeing at Iwata. And what
00:25:33.740this is, is looking at the two ways that we are in the world right now through the eyes of
00:25:41.200white man or however you want to say that through that colonial lens and with that language. And
00:25:51.580then in our language and the way that we see things that are relational and reciprocal and
00:25:57.360never without community. You're kind of looking at the networks as like a tree and root system
00:26:05.460or something that is very interconnected with everything that's around it. And
00:26:11.740fusing those two ways of looking together is where you find that balance. And it's never
00:26:20.140one over the other. It's a type of cleverness, in a sense, where you're thinking about it
00:26:27.720partially as a politician of like, how do I mediate interesting views of looking at the world,
00:26:33.860but as well accepting and acknowledging that we're in, I forget the word exactly, but where
00:26:43.620you have like a mix of many people and perspectives. Like we just live in a different
00:26:49.320place now. And those things that are with us aren't really going away anytime soon. And I guess
00:26:58.460if you're thinking about it on a truth and reconciliation level, where it's like you need
00:27:04.320the truth before you can reconcile, you can't really skip the steps. You have to look at what's
00:27:09.080really there. And so in the artwork, it traipses this line between how do I bring my community
00:27:20.140with me? How do I use digital storytelling to keep our cultures alive and preserve it,
00:27:28.540but also in a way that's sovereign, that doesn't respect closed practices and looks at those
00:27:37.060as well as some of our more ancestral practices with materials connecting with things that are
00:27:47.400very much alive animals and plants the ways that we gift and use generosity and have protocol around
00:27:59.080how we tend to things and how we make always putting something of ourselves and giving it
00:28:05.380way if we're going to ever take something into ourselves. And so a lot of the new ways of
00:28:18.940making art with some of these more techie mediums is shifting that individualism to a place where
00:28:32.520you can vision something as an alternative or an intervention.
00:28:41.760Recently, I was using it visually to try to connect to the place that my great-grandmother
00:28:52.480grew up and the water that she likely spent a lot of time near.
00:29:00.140And I haven't really been in that place to visit myself.
00:29:03.920There's a lot of barriers to really get myself that direction going out east.
00:29:09.940And so that was my way to be in ceremony with myself.
00:29:12.820That was my way to say, I may not be able to be there physically, but I can tap into that whenever I want.
00:29:19.560And I could talk to her whenever I want.
00:33:37.580The water is alive. The stone is alive. The animal is alive. You are alive. And when we work to create a world, futuristic thinking, we need to have those dualities and we need to rely on the animism and the wisdom that is within the natural world and how we individually respond to that.
00:34:04.560So I would also say I love the idea of being able to sit under that tree and see what you see.
00:34:17.040And maybe you're just like, oh, am I supposed to listen to the tree?
00:34:21.400And you think the tree is going to speak to you in English.
00:34:33.960And then what is it saying collectively? You cannot be a complete, mindful, authentic being unless you can hear yourself. All of the duality. And I love the idea of leaning into that which might have been shamed from a societal point of view.
00:34:57.740And you being curious about it or leaning into that uncomfortability, because the truth is, is that what if it's not shameful? It was just said that it was supposed to be shameful. What if you are a representation of what the future looks like, but you can only get there because you can hear yourself and then you join in circle and we collectively do it.
00:35:24.280Love the idea of doing this through art, because art holds a vibration that is louder than words.
00:35:31.920I myself am not a per se artist in the different modalities.
00:35:48.760so my artistic abilities are seen in this spiritual mental realm and every once in a while
00:35:55.100I'll write it down on paper and then people will read what I say and then they're like oh is this
00:35:59.200what you meant and I'm like I don't know is that what I said to you so I love the idea of the
00:36:05.060collective the individual expression and the collective and what that looks like what does
00:36:11.160it say to you because your voice matters and in order for us to move into a future well by God we
00:36:17.860have a great responsibility, the first thing that we need to do is move into our self and our
00:36:22.720authenticity. We all feel like we are in between. We all feel shame. We all feel liberated. We all
00:36:30.100feel blah, blah, blah, blah. So feel what you feel. And then, and only then can you literally
00:36:36.480help understand, respect what you know. And then, and only then can you respect the community and
00:36:43.800that which is outside of yourself. Start from point A, which is the self. Connect with point B,
00:36:51.100which is the natural world. Let it speak to you. Understand that these dualities are both a part
00:36:57.620of your counsel, even if you don't like one and you get to know more. So I would say that everything
00:37:04.460that links, Amanda links, I just keep calling you links, but Amanda links throws down is this idea
00:37:11.420that the way that we can process together starts with you processing here first inside
00:37:20.400and expressing yourself, even if you think it was a mistake or an error. Maybe it wasn't. Maybe it
00:37:29.580was your authenticity. Maybe you're embarrassed because you're not supposed to draw outside the
00:37:34.760line. But I think that that's where we began outside the line. I mean, I was totally shook
00:37:40.620and had to stop to write down maybe it's not shame maybe you're the future oh also when you said
00:37:47.020we're all going the same direction i think i saw amy get hit in the heart with that
00:37:51.240yeah because those feel like really powerful reassuring things to hear right now amanda do
00:38:01.360you want to pick up this idea of the any of the ideas you just heard there but also i wonder in
00:38:07.640particular but the idea of picking up voices of picking up voices of the collective of the voices
00:38:13.660of your council the voices you know and and how does that if it does play into a future
00:38:22.160I love what you said I get taken aback this like the beauty and profoundness of the ways that you
00:38:32.380wheeze like you said you're a weaver it very much does sound exactly like the way that you
00:38:39.900draw from the world and bring all of these concepts and themes together
00:38:47.860really have a lot of gratitude for that insight I think that drawing from the collective and that
00:38:57.400weaving is an interesting practice where inadvertently by experiencing the cosmos,
00:39:14.480experiencing the energy around us, we're all mirroring and grappling with that vibration
00:39:27.480coming out. I draw a lot of that reference with astrology and the ways that even though
00:39:35.400our charts our individual lives might be different the ways that transits are happening
00:39:45.240in the collective as those planetary bodies and celestial things are moving
00:39:53.180and always in flux in these very unique geometric combinations they
00:40:01.440affect us similarly but differently so where we would experience it maybe
00:40:13.120maybe for one person it has to do with like their their identity and their inner self
00:40:21.780and for another it has to do with their parents or their assets or properties or their relationships
00:40:30.660and we're all kind of looking at the same thing from multiple perspectives and kind of coming
00:40:40.060into it somewhere in the hubris of it all and what ends up happening a lot of the time is
00:40:49.440the moment someone starts talking about what's going on in their life
00:40:55.680you can apply it to oh that sounds a little bit similar but maybe just manifest it slightly
00:41:04.320different or i see myself in it and why you open up to speaking what you might feel
00:41:15.280unsure about or maybe you feel like it's tmi or it's a little bit too personal or
00:41:24.720even in some cases a little bit too woo for whoever you're in company with and that's when
00:41:34.780you realize that you're being visited by the same omens and the same
00:41:42.520visions or the same words will pop up or the same like I don't know lately it's been birds and crows
00:41:53.480And yep, here you are. But there was a, like a few weeks ago, all of these running themes with seemingly disconnected people were all on the same tangent. And I was like, if you only knew that I was just talking to someone else about this thing.
00:42:14.040But in addition to that, it's letting that discomfort of saying what you think might not be okay breathe into existence.
00:42:29.020a little bit about the spirit name i carry the one who leaves footprints it's a weird thing that
00:42:39.040i'm still trying to understand it's a new name i've been given but a lot of it has to do with
00:42:43.800well if you think about footprints and making treads someone has to start first and what
00:42:52.120happens to the person that starts first sometimes that looks like persecution or confusion or threat
00:43:01.280why are you being different it's shown in a lot of people that are standing up for oppression
00:43:08.520whether that's from their race or culture their position in the world their gender
00:43:15.720as well as their neurotype and whenever someone kind of goes out of the box you see things that
00:43:25.360kind of trickle in like either persecution or revolution and that is making footprints
00:43:34.240it's kind of saying if I realized that that path that I was going on isn't for me
00:43:44.800it doesn't serve me that's someone else's path or maybe I just don't like how it's going
00:43:51.300maybe that's going towards the apocalypse on a civilizational level and I want to be a little
00:43:59.380bit more sustainable or think about coming back into ways that are more caring whatever it might
00:44:05.280be it could just be an active rebellion too that's also totally fine it could be simple as that of
00:44:11.040just being, yeah, I'm different today, just doing it different. That tread is also neuroplasticity.
00:44:20.760So in the ways that we look at recovery from injury, recovery from trauma, what
00:44:31.660I guess different therapies look at is the way that you rewrite your narratives by doing something
00:44:42.340differently. If something's been the same your whole life, you aren't going to get a different
00:44:50.020result. And if you're suffering from it, like I do live with PTSD and reliving and looping on a fear
00:44:59.000or a threat is something that is a reality that I face that I do a lot of self work to
00:45:08.380make more tolerable and more manageable and neuroplasticity is like that looking at
00:45:14.720it kind of like when you're walking through a park and you see there's kind of like a dirt path
00:45:23.560because people walked along that way for long enough time that the grass doesn't grow anymore
00:45:28.300there but if you walk across the grass maybe the first time you walk that way you're maybe just
00:45:36.640stamping the grass down a little bit still alive and it might spring back up but if you do it long
00:45:42.740enough you do have that new root and they could both exist still but they are they're adjacent
00:45:52.000their choices. And sometimes you would walk and revisit the old paths and that might help you
00:46:00.240in that moment. It might give you some insight or medicine. And if it's maladaptive, if it causes
00:46:06.880you to suffer, you can, but you have a little other direction you can go into.
00:46:12.020My mom's a psychologist. She always says neurons that fire together, wire together.
00:46:16.660it's like a catchphrase from when you're in school studying that stuff that like you you can
00:46:22.820actually associate new paths with good feelings and make those paths happen again it is something
00:46:32.160we're capable of and if we face a fear and we avoid it then that fear gets bigger like we
00:46:37.540we live in a world that is plastic and our choices are part of it we literally do make the future
00:46:44.700it's a real thing we can believe in amy do you have a closing question or feeling well
00:46:52.860i do want to say before we we come back to our our guests for their closing thoughts and ideas
00:46:59.620and ways that our listeners can support you i just want to remind everybody that this conversation
00:47:04.980is part of a fundraiser and everything that we've been talking about today can sort of feed into
00:47:12.120that idea that we're all inadvertently experiencing the cosmos, but that we have the ability to
00:47:19.360rewrite a narrative. A lot of us are in this space listening right now who are experiencing shame
00:47:26.820or guilt or who are unsure or sucked into believing the ultimate capitalist and colonial
00:47:35.480lie that individualism is possible and sustainable. And so what we would love for you to do is take
00:47:43.520this idea that Amanda brought of being in ceremony with myself and make your reparation part of a
00:47:51.040ceremony that you do with yourself. If it helps, think of it as a ritual sacrifice. Think of it
00:47:58.060as making amends or giving a gift or, you know, honoring that part of you, that board of directors
00:48:06.380that GDC talks about that lives inside each of us. Make your reparation, make your donation.
00:48:13.900We'll give you all the details in a minute, but really think about it as being in ceremony with
00:48:22.100yourself and making a ritual sacrifice that can help to rewrite the narrative for all of us.
00:48:30.300We're in this together, and hopefully we are all going in the same direction, and that
00:48:37.580direction is, you know, decolonizing. It's land back. It's changing the way we think about other
00:48:45.720people, quote unquote, other people, you know, we're witches. We have the benefit of recognizing
00:48:52.100that we are all one, but we still need to manifest that heart energy and put it into the world. When
00:48:58.900we are investing in our community, we are investing in ourselves. And again, we would love for you to
00:49:06.460take this opportunity, if you felt inspired by something that you heard today, to go into ceremony
00:49:12.560with yourself and make that ritual sacrifice, put some finances into the hands of an organization
00:49:18.580that deserves it, not just needs it or wants it, but that deserves our support.
00:49:25.200So I want to go back to GDC. I want to go back to Amanda. If you have any more words of wisdom
00:49:32.040to help inflate the balloon that is my heart and mind right now, and also if you could add in,
00:49:38.700And if our listeners want to support you individually, GDC, you can tell us about your books.
00:49:43.820And Amanda, whatever you have that our listeners can throw money at, please tell us about it.
00:49:52.580Well, I will definitely say that I've really enjoyed, once again, being in Sacred Space with the missing witches and everybody that listens.
00:50:03.160I know that I have met several of you.
00:50:06.300I look forward to meeting more of you.
00:50:08.700granddaughter crow here www.granddaughtercrow.com i have a patreon yes i do patreon granddaughter
00:50:20.440crow is on patreon i do weekly quick weekly reads on my youtube channel granddaughter crow has a
00:50:28.620youtube channel so just look me up you can find it all on www.granddaughtercrow.com quick books
00:50:35.760I wrote The Journey of the Soul, The Path of a Medicine Woman.
00:50:39.360I wrote Wisdom of the Natural World, Spiritual and Practical Teachings by Plants, Animals,