Missing Witches - September 23, 2018


Missing Witches - Pixie Colman Smith: “Look for the Door Into The Unknown Country.”

Topics
Missing Witches Trailer Missing Witches: Witches Found - Divination With Reeta

Episode Stats


Length

37 minutes

Words per minute

141.61

Word count

5,353

Sentence count

219

Harmful content

Misogyny

11

sentences flagged

Toxicity

13

sentences flagged

Hate speech

22

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.880 Warning. The podcast you are about to hear contains coarse language and tells stories of witches.
00:00:07.880 Unfortunately, this history occasionally involves oppression, victimization, physical and sexual violence, and even torture.
00:00:16.520 We at Missing Witches will always concentrate on these women's power, legacies, victories, and magic,
00:00:23.180 but we can't overlook their struggles or shelter ourselves from reality.
00:00:27.380 we promise never to dwell or be graphic email us at missingwitches at gmail.com if you want to be
00:00:34.280 heard and blessed be you aren't being a proper woman therefore you must be a witch 0.53
00:00:38.900 you must be a witch welcome to the missing witches podcast where we tell stories of 1.00
00:00:47.640 badass women who have practiced magic in this podcast we go looking for the witches we've 1.00
00:00:53.600 been missing. We is myself, Risa, and my co-producer and sound designer, Amy. This is a feminist
00:01:01.080 history storytelling podcast where we try to fill in the gaps in our mental maps of what a witch is 1.00
00:01:07.680 and where are they and what have they been doing? It'll necessarily be a mix of history,
00:01:15.040 gossip, and maybe some magic to fill in the blanks. Our focus is stretching our perspective
00:01:21.760 to find witches from all kinds of cultures our goals are to learn something to do justice to
00:01:28.460 people we admire if we can give love research curiosity respect and voice to some witches
00:01:35.480 whose stories we've been missing and just you know not fuck it up too much with that in mind
00:01:42.340 we want to start with a witch whose identity and contributions have been multiply erased
00:01:46.920 but whose work guides the mind and practices of pretty much everyone who touches anything
00:01:52.140 remotely mystical. The maybe mixed race, probably queer woman artist behind the world's most famous
00:02:00.100 tarot deck, Pamela Coleman-Smith. Some accounts claim Coleman-Smith's mother was Jamaican.
00:02:07.140 Some suggest she was adopted. Stuart R. Kaplan, who started to import the tarot to the U.S. in 1968,
00:02:13.460 gives the first real history of the deck and kind of acknowledges for the first time Coleman Smith's
00:02:19.480 contribution. He writes, Corrine Pamela Coleman Smith, known as Pam to her family, was born on
00:02:26.980 February 16, 1878 at 28 Belgrave Road, Pimlico, Middlesex, England. Her father, Charles Edward 0.74
00:02:35.540 Smith, an American merchant, and her mother, Corrine Coleman Smith, are believed to have been
00:02:40.400 from Brooklyn. He goes on to say, the ancestry of her mother foreshadows Smith's interest in
00:02:46.120 mysticism and the occult. The Colemans had been for several generations followers of the mystic
00:02:51.260 philosopher and visionary Swedenborg. Artistic roots also lay with Smith's ancestors. Her great
00:02:57.040 grandfather and his wife both wrote children's books, and her grandfather was a painter of the
00:03:01.820 Hudson River School. The most thorough storytelling and research on Pamela Coleman Smith that I found
00:03:07.360 is on a website created by a guy named Phil Northleet.
00:03:10.740 He finds some wonderful and bizarre tidbits.
00:03:13.780 One of my favorites is that in this genealogy
00:03:17.160 that he traces of Coleman Smith's family lines,
00:03:21.340 he finds an ancestor of hers on the Smith side
00:03:24.200 who was, quote,
00:03:26.100 murdered with a hideous witchcraft in the winter of 1684.
00:03:31.040 This ancestor, Philip Smith, 1.00
00:03:33.720 concerned about relieving the indigences 0.62
00:03:36.060 of a wretched woman in the town, who, being dissatisfied that some of his just cares about
00:03:41.520 her, expressed herself unto him in such a manner that he declared himself thenceforth apprehensive 0.93
00:03:47.320 of receiving mischief at her hands. He became sick, delirious in various languages. Some of
00:03:54.160 the young men in town went to give disturbance unto the woman, and all the while they were
00:03:59.980 disturbing her, he was at ease and slept as a weary man. These were the only times they perceived
00:04:06.760 him to take sleep in all his illness. Mr. Smith dies, and the jury that viewed his corpse found
00:04:12.660 a swelling on one breast, his back full of bruises, and several holes that seemed made with awls.
00:04:20.360 Mary Webster, the woman who disturbed Philip Smith, was sent to Boston, tried for witchcraft,
00:04:27.600 and acquitted. But the young men of Hadley tried their own experiment upon her. They dragged her
00:04:33.840 out of the house, hung her up until she was near dead, let her down, rolled her sometime in the 0.93
00:04:39.980 snow, and at last buried her in it and there left her. But she survived, and still she persisted.
00:04:48.900 With the benefit of some perspective here, it sure sounds a lot like Philip Smith tried to 0.94
00:04:53.860 rape a woman who told him where he could stick it. He, in the course of sticking it places, 0.95
00:04:59.100 got syphilis, which was definitely raging in the new world since Columbus's arrival,
00:05:04.500 thanks colonialism. And then Philip Smith died blaming a woman who wouldn't tolerate him,
00:05:10.200 only resting well when he knew she was being tortured.
00:05:15.100 I gotta warn you, a lot of witch history is gonna sound like this. 0.57
00:05:19.100 By the time we get to Pamela Coleman-Smith, her family tree has generations of children's
00:05:24.320 book authors, artists, and passionate advocates of emancipation.
00:05:29.140 Her early years were spent in Brooklyn and then in Jamaica just before the turn of the
00:05:32.860 century, with the Holocaust of the European witch hunts and the slave trade just a little
00:05:37.960 behind them, and the World War is not yet in sight.
00:05:44.000 Swedenborg, the influential spiritualist who the family followed, was an early voice
00:05:48.980 for equality and social reform. In The Last Judgment from 1758, Swedenborg wrote,
00:05:55.080 the African people are more capable of enlightenment than all other peoples on this earth
00:05:59.480 because they are of such a character as to think interiorly and thus to accept truths
00:06:05.420 and acknowledge them. Ideas like this directly fueled the anti-slavery movement, inspiring
00:06:11.060 writer and anti-slavery activist Lydia Maria Child and poet Elizabeth Browning.
00:06:17.020 Even Swedenborgians who were non-religious took inspiration from his descriptions of
00:06:21.160 heaven to try and create social utopias on earth.
00:06:24.700 Charles Fourier, early socialist philosopher, credited with the first use of the word feminism,
00:06:30.480 though shout out to Eugénie Potini-Piard, who independently coined the term and founded
00:06:34.960 the Federation of French Feminists and the Union des Femmes. 0.63
00:06:39.980 Fourier was inspired by Swedenborg to advance the idea of an ideal earthly society that
00:06:45.100 echoed Swedenberg's order of the universe, where all people had equal standing, regardless of
00:06:50.920 gender, race, or sexual orientation. At the tail end of the 19th century, heck, even now in a lot
00:06:59.600 of places, these are some pretty enlightened ideas for a young woman artist to get to grow up in.
00:07:07.100 And to return quickly to the question of this missing witch's race, because it is an open
00:07:12.080 question on the internet and among people who cared or know, here are a couple more clues we
00:07:17.160 can guess from in a past that may have been obscured. There are many references to her from
00:07:23.420 society writing at that time that try to wrap their head around her race and background and
00:07:28.020 enjoy exoticizing her in the process. In Bohemia in London, this kind of famous scandalous gossipy 0.72
00:07:35.900 description of the scene she found a family in, the author Ransom described her as a strange
00:07:41.820 little creature, goddaughter of a witch and sister to a fairy, very dark and not thin. And when she
00:07:48.920 smiled with a smile that was peculiarly infectious, her twinkling gypsy eyes seemed to vanish 1.00
00:07:55.040 altogether. John Butler Yeats, portrait artist and father of that Yeats, William Butler Yeats, 1.00
00:08:02.760 who was a friend and magical cohort of Pamela Coleman Smith's, said she looked Japanese,
00:08:08.000 and Irene Cooper Willis, author and badass barrister, described her as dear, funny, 0.88
00:08:14.900 Chinese-looking little artist and painter. So she definitely had color and played with 0.79
00:08:20.820 cultural references in her dress and self-representation. And she wrote and
00:08:25.000 illustrated and performed these awesome, rebellious Jamaican folk stories and owned
00:08:30.400 her personal difference and diversity as she made her way around the turn-of-the-century world.
00:08:39.000 Age 15, back in Brooklyn, Coleman Smith enrolls at Pratt in Clinton Hill, a brand new college just blocks away from Bed-Stuy.
00:08:48.240 The college, only about a decade old, opened by one of these self-made millionaire oil barons, was one of the first in the country to be open to all people, regardless of class, color, or gender.
00:09:00.800 The school's motto was, be true to your work, and your work will be true to you,
00:09:05.120 which could be a useful motto for the work of virtual magic, if you're into that kind of thing.
00:09:10.920 At Pratt, she studied art with Arthur Wesley Dow,
00:09:14.820 who was this revolutionary thinker in his approach to art.
00:09:19.040 It's like 1910 or something, and he rejects the idea of just copying nature.
00:09:24.180 He didn't believe that art should be relegated to the drawing rooms of rich people.
00:09:28.120 he was an illustrator, painter, poster artist who shifted the artist's focus to the decision-making
00:09:33.560 process of composition. He emphasized the independent instinct and will of the maker.
00:09:41.360 The artist's work was to build harmonies. He considered space art to be visual music
00:09:47.740 and taught his students, including Georgia O'Keeffe and the Overbeck sisters of the arts
00:09:53.360 and crafts movement, Japanese design concepts like notan, the play of light and dark, to create
00:10:00.260 dimension. For what it's worth, the idea that both light and dark are required to give life,
00:10:08.380 that our shadows give strength and dimension, is a pretty fundamental magical principle.
00:10:15.380 Coleman Smith didn't graduate from Pratt. Her mother died in Jamaica and she missed a lot of
00:10:21.040 school. Maybe because of butts of illness, I read somewhere that this was migraine and that Dow helped
00:10:26.900 her understand her synesthesia, a cross-firing of the senses that allows the synesthete to taste
00:10:32.420 numbers, hear colors, or in Coleman Smith's case, to see music. It does feel like there's something
00:10:38.120 here about how chronic pain and illness are experienced, especially by women. Maybe that's 1.00
00:10:44.020 just because in my experience, pain, and especially the way migraine affects perception, can definitely
00:10:49.620 bring a person closer to an understanding of how thin our lived and constructed realities
00:10:54.660 are. We know for sure that we are only seeing our brain's best attempt to summarize our
00:11:00.560 senses when pain knocks sense realities sideways. Coleman Smith writes and illustrates the Anansi
00:11:09.840 stories at this time. Anansi is a spider spirit, keeper of all knowledge in stories. In the
00:11:19.020 Caribbean, especially in Jamaica, this spirit from Ghanian folk religion is an essential icon of
00:11:25.320 resistance. Her father takes her to London to promote the Anansi stories and to look for work
00:11:33.140 for her. And he finds a way to introduce her to Bram Stoker, currently manager of the Lyceum
00:11:40.220 Theater, who has just published a hit horror novel called Dracula. This seems like such a weird choice
00:11:47.860 for a 19th century dad of a daughter, but it works out. And Bram Stoker hires Pamela Coleman Smith
00:11:54.240 to illustrate an 18-page souvenir brochure that he was writing for performances of the upcoming
00:12:00.020 Lyceum Theater tour. In New York, in October 1899, she meets Bram Stoker again, as well as Henry
00:12:07.840 Irving and Ellen Terry, just heroes and icons of the London Theater at the time. And she talks them
00:12:14.620 to letting her join the tour as one of the minor cast members, and Ellen Terry sort of adopts her
00:12:20.100 and gives her the nickname Pixie, which she embraces for the rest of her life.
00:12:25.960 Ellen Terry is kind of magic in and of herself. She writes of mesmerizing audiences, of entering
00:12:34.040 into a mutual transformative trance with them. And there is so much to be said about magic in
00:12:41.380 the theater, but let's leave it behind the fourth wall and the red curtains for now and keep
00:12:46.480 following our Pixie Witch. Because in December 1899, Pixie's father dies unexpectedly in New York.
00:12:56.180 She's an orphan now, but she's abroad with this theater family, the only family she has now.
00:13:01.620 So she continues the tour and then returns with them to London when it's done.
00:13:05.760 in london she makes her way as an artist she's making a living as an illustrator and a set
00:13:13.340 designer she's working closely with william butler yates and bram stoker and the lyceum
00:13:19.520 theater while also writing and illustrating books of her own her style just resonated with
00:13:26.020 a visionary romantic modern seam and contemporary artistic practice and these big names of big men
00:13:33.420 whose stories we are much more likely to know
00:13:35.860 recognized her as one of their own.
00:13:39.380 She independently publishes an artistic journal
00:13:42.080 called The Green Sheaf,
00:13:44.080 with lots of writing on dreams,
00:13:46.020 including new work by Yeats.
00:13:49.200 As a member of the Suffrage Atelier,
00:13:51.840 a collective of professional illustrators,
00:13:54.280 she contributes art to fight for women's right to the vote
00:13:57.180 in Great Britain,
00:13:57.900 and she also donates work to the Red Cross.
00:14:03.420 In 1907, she has this major show in New York of 72 drawings and watercolors.
00:14:10.060 She's actually the first painter to exhibit in Alfred Stieglitz's Little Galleries of the Photo Secession.
00:14:16.980 Her show marks a turning point in the fame of this gallery.
00:14:20.800 It was the first non-photographic success in this space,
00:14:24.060 which would shortly after become famous for introducing the most avant-garde European artists of the time to America,
00:14:30.840 including Henri Matzis, Auguste Rodin, Pablo Picasso, and Marcel Duchamp.
00:14:38.920 Well-known music and art critic at the time, James Gibbons-Huniger, reviewing the show,
00:14:45.240 wrote, Pamela Coleman-Smith is a young woman with that quality rare in either sex, imagination.
00:14:53.440 He called her painting entitled Death in the House absolutely nerve-shattering,
00:14:58.820 and said that not even Edward Munch could have succeeded better
00:15:02.800 in arousing a profound disquiet.
00:15:06.120 He wrote that the artist belonged to the favored choir
00:15:08.860 of William Blake and his mystics.
00:15:12.620 Back in London, Pixie hosts a weekly at-home for artists
00:15:16.560 performing stories from the Jamaican oral tradition
00:15:19.560 and from Yeats and others.
00:15:22.820 This young woman living alone becomes a connector
00:15:26.400 and a focal point for artists and thinkers.
00:15:31.440 Throughout this time, she's living parallel lives.
00:15:36.000 She's a working artist who is also becoming immersed in magical ceremony
00:15:42.560 as a member of the secret group, the Hermetic Order of the Golden Dawn.
00:15:47.540 Coleman Smith was a member of the Golden Dawn
00:15:49.640 and then of the independent and rectified rite of the Golden Dawn for about a decade.
00:15:56.400 The Golden Dawn are an influential magical order that shares some origins with other European, hermetic, and heretical societies and philosophers.
00:16:09.100 The Freemasons and Rosicrucians, for example.
00:16:12.060 But they differed in some pretty key ways for Pixie Coleman Smith and modern Bohemians.
00:16:18.200 Most especially in that they welcomed women in perfect equality with men.
00:16:22.840 As this author, Denisoff, writes in this great history, The Hermetic Order of the Golden Dawn, 1888-1901,
00:16:31.340 Golden Dawn members were primarily interested in magical philosophy and traditional ritual practice for the advancement of the individual's spirit.
00:16:40.620 Influences included ancient Egyptian religion, the Kabbalah, Christianity, Freemasonry, Paganism,
00:16:51.940 Theurgy, Alchemy, early modern grimoires, and Enochian magic, such as that recorded
00:16:58.800 by the early modern occultist John Dee.
00:17:02.680 Magic, for the order, was the use of methodological practices to cause changes in consciousness.
00:17:10.620 or the material world, in accord with the universal will.
00:17:17.260 The collective members of the Hermetic Order of the Golden Dawn
00:17:20.840 made the 19th century's most serious and sustained effort
00:17:24.680 to reimagine and re-engage with a prehistoric occult tradition.
00:17:30.100 In this sense, the Order can be seen as the major Victorian author
00:17:34.860 of the often fictional but no less influential history of occultism and natural magic. Coleman
00:17:43.820 Smith was a member at a time after secret documents of the order had been left in a cab and publicized 0.99
00:17:49.860 and the order had fractured into pieces and Alistair Crowley, that queer sex magic beast of 0.82
00:17:56.100 the hermetic schools at the time, was actively making fun of the leader of the group that Pixie 0.95
00:18:00.960 stuck with. A.E. Waite. Waite has some of my sympathy. He brought incredible translations
00:18:09.240 and studies of hidden wisdom into the world, books on the Rosicrucians, the ancient Arthurian
00:18:14.200 legends, and more. But I guess maybe he didn't put it all together and light it all on fire
00:18:19.940 in the way Crowley wanted to do. Waite was kind of tentative, and his interpretations of the
00:18:26.420 amazing texts he brought to light feel almost intentionally dense and convoluted, like he
00:18:32.740 wasn't ready to see something that was there and winking at him. I think if you've ever woken up
00:18:39.320 at night and felt a spirit something close to you and chosen to turn on the TV or music to tune out
00:18:48.320 that creepy feeling, then you and I can perhaps relate to what weight might have been feeling.
00:18:58.960 What he did do, though, was recognize the importance of the tarot and the talent of his
00:19:04.820 pixie artist friend. He made notes from his research on the symbolism of the suits and of
00:19:10.320 the Major Arcana and commissioned pixie a big job for very little cash, as she called it,
00:19:15.580 to complete the pieces of art for the deck. He's also pretty fucking dismissive of her at times, 0.92
00:19:20.400 and snide about her contributions, and doesn't even mention her name in a bunch of his writing 0.96
00:19:25.740 about this new tarot deck. And her name gets left off the deck for years. But at other points,
00:19:34.580 he does say, I have embraced an opportunity which has been somewhat of the unexpected kind,
00:19:40.160 and have interested a very skillful and original artist in the proposal to design a set.
00:19:46.760 Miss Pamela Coleman-Smith, in addition to her obvious gifts, has some knowledge of tarot values.
00:19:53.100 She has lent a sympathetic ear to my proposal to rectify the symbolism by reference to channels
00:19:58.760 of knowledge which are not in the open day. Norfleet notes that Waite had some very strong
00:20:05.400 ideas about the design of the 22 trump cards of the major arcana, but he was relatively unconcerned
00:20:11.140 with the 56 cards of the minor. Pamela Coleman-Smith had almost full creative reign with respect to
00:20:17.800 those cards. Each card in the deck was to receive a unique illustration, almost unheard of at the
00:20:25.280 time, and in all a total of 80 unique images would need to be created. 78 tarot cards, plus the
00:20:33.160 designs for the card back and the nameplate. Prior to this time, tarot decks had never been
00:20:38.060 manufactured in the English-speaking world. The origins of tarot are unknown. It seems to pop up
00:20:44.100 first in Europe around the 14th century as a deck of cards used in games of chance and divination.
00:20:49.860 It's sometimes called the Book of Divination of the Gypsies, as the Roma people were its main 0.98
00:20:55.140 keepers for centuries. There's a great story about the Egyptian origin of the tarot from a French 0.98
00:21:02.060 occult philosopher, Dr. Papu, recounted in Ralph Metzner's 1971 history, Maps of Consciousness.
00:21:10.800 Metzner, as an interesting aside, is the Harvard-educated psychologist who participated
00:21:15.460 in psychedelic research at Harvard University in the 1960s with Timothy Leary and Richard
00:21:22.560 Alpert, who came to be known as Ram Dass. Metzner's been into consciousness research,
00:21:27.300 including psychedelics, yoga, meditation, and shamanism for over 45 years.
00:21:34.300 And I feel like he takes pleasure in the fact that this story comes to us with its source
00:21:38.880 mysteriously concealed by Pepu, as he puts it.
00:21:42.940 The story goes like this.
00:21:46.320 Egyptian priests, when faced with the imminent destruction of their temples and orders,
00:21:52.400 held a council to decide how to transmit their teachings.
00:21:55.300 At first, they thought of confiding these secrets to virtuous men, recruited by the initiates, who would transmit them from generation to generation.
00:22:06.840 But one priest, observing that virtue is a most fragile thing, proposed to confide scientific traditions to vice.
00:22:16.620 vice he said would never fail completely and through it we are sure of a long and durable
00:22:25.060 preservation of our principles i love this sourceless story too and especially the idea
00:22:33.500 that you can trust vice better than virtue to survive and pass things on
00:22:40.060 Metzner continues
00:22:44.200 It has been proposed that the 22 cards
00:22:47.920 which make up the major arcana of the tarot
00:22:50.300 were in the Egyptian mystery schools
00:22:53.120 hung on the walls of a gallery
00:22:54.840 in the form of tablets for paintings
00:22:57.380 along with hieroglyphs and other symbols
00:22:59.900 The initiate had to pass through the gallery
00:23:03.240 elucidating the meaning of the symbols as a kind of test
00:23:06.480 And in the Aquarian Gospel of Jesus the Christ, a version of the life of Jesus supposedly transcribed from the Akashic Record,
00:23:16.700 Jesus is described as passing through such a series of tests in an Egyptian school.
00:23:24.140 The earliest known deck to use the structure of 22 major arcana and 56 minor arcana is the deck of the Sulibuska family,
00:23:33.580 created by an unknown artist in Venice around 1490.
00:23:38.360 While other decks float around,
00:23:40.380 this is really the only one with an illustration for every card,
00:23:43.840 until Pixie, instead of just a number and a suit for the minor arcana.
00:23:48.360 And this layering of imagery makes them feel full of magic.
00:23:52.760 There are references to alchemical philosophy in the cards.
00:23:56.740 Not just the greedy secrets of turning lead into gold,
00:23:59.640 but the actual alchemy of the transmutation of the soul,
00:24:04.140 the magic of becoming one with the divine,
00:24:07.580 or the universe,
00:24:09.340 of dreaming the god dream.
00:24:12.500 These tarot aren't just for fortune-telling.
00:24:16.020 They contain, as Metzner puts it,
00:24:18.860 symbols representing the actual tools and methods of psychic transformation.
00:24:24.820 Images of the Solobuska deck were acquired by the British Museum
00:24:27.980 just a few years before Coleman Smith began her project with Waite,
00:24:31.660 and there are some very clear references and influences.
00:24:35.120 And also clear points of departure.
00:24:37.100 If you check out the Ten of Swords in the Solibuska versus the Waite-Smith,
00:24:40.960 and then check out the Ten of Wands in Waite-Smith,
00:24:43.540 it's almost as though Waite and Smith intentionally said no.
00:24:47.020 That imagery of hoarding away belongs in the path of the wands.
00:24:52.960 At this same stage in the path of swords,
00:24:55.760 the image is defeated in another way and is much more violent the ten swords pierce the body dead
00:25:03.440 on the floor but in the sky a storm hovers on the edge of sunshine it is hopelessness with a golden
00:25:12.460 dawn on the horizon this deck made in london just a breath before the world tumbles into the darkness
00:25:20.540 and tragedy of a world war is a whole new map made in direct reference to a palimpsest of
00:25:28.060 symbols that came before. And while we can see from Waite's studies and notes that he provided
00:25:33.880 some clear direction, especially for the major arcana, Pixie had all the power of an artist
00:25:40.460 creator. She drew her friends into the cards and her own vision of the world beyond this one,
00:25:48.440 a world she accessed through art.
00:25:53.220 In 1908, for Strand Magazine, Pixie discussed her experience of synesthesia.
00:26:01.020 You asked me how these pictures are evolved, said Miss Coleman Smith.
00:26:07.260 They are not pictures of the music theme, pictures of the flying notes,
00:26:12.360 not conscious illustrations of the name given to a piece of music,
00:26:16.600 But just what I see when I hear music
00:26:21.340 Thoughts loosened and set free by the spell of sound
00:26:26.720 When I take a brush in hand and the music begins
00:26:32.280 It is like unlocking the door into a beautiful country
00:26:36.080 There, stretched far away, are plains and mountains and the billowy sea
00:26:43.100 And as the music forms a net of sound
00:26:47.200 The people who dwell there enter the scene
00:26:49.880 Tall, slow-moving, stately queens 1.00
00:26:54.900 With jeweled crowns and garments gay or sad 0.99
00:26:59.200 Who walk on mountaintops or stand beside the shore 0.79
00:27:03.500 Watching the water people
00:27:05.780 These water folk are passionless 0.86
00:27:09.620 And sway or fall with little heed of time
00:27:13.560 They toss the spray and bending down
00:27:16.540 Dive headlong through the deep
00:27:18.540 There are the dwellers too of the great plain
00:27:22.620 Who sit and brood
00:27:24.780 Made of stone and motionless
00:27:27.600 The trees which slumber till some elf goes by
00:27:32.180 With magic spear and wakes the green to life
00:27:35.520 Towers white and tall
00:27:37.560 standing against the darkening sky.
00:27:42.440 For a long time, the land I saw when hearing Beethoven was unpeopled.
00:27:48.660 Hills, plains, ruined towers, churches by the sea. 0.96
00:27:54.800 After a time, I saw far off, a little company of spearmen
00:27:59.340 ride away across the plain.
00:28:02.580 But now the clanging sea is strong with the salt of the lashing spray
00:28:07.220 and full of elemental life the riders of the waves the queen of tides who carries in her hand
00:28:14.400 the pearl-like moon and bubbles gleaming on the inky wave often when hearing back i hear bells
00:28:23.520 ringing in the sky rung by whirling cords held in the hands of maidens dressed in brown
00:28:30.800 There is a rare freshness in the air like morning on a mountaintop with opal-colored mists that chase each other fast across the scene.
00:28:42.160 Chopin brings night.
00:28:45.180 Gardens where mystery and dread lurk under every bush, but joy and passion throb within the air, and the cold moon bewitches all the scene.
00:28:56.060 There is a garden that I often see, with moonlight glistening on the vine leaves, and drooping
00:29:04.280 roses with pale petals fluttering down, tall misty trees and purple sky, and lovers wandering
00:29:11.900 there. A drawing of that garden I have shown to several people, and asked them if they could play
00:29:19.400 the music that I heard when I drew it. They have all, without any hesitation, played the
00:29:26.280 same. I do not know the name, but, well, I know the music of that place.
00:29:37.120 In 1911, Pixie left the Golden Dawn behind. She converted to Roman Catholicism, and although
00:29:46.040 she claimed it was such fun with its rites and rituals, it was certainly not an easy choice in
00:29:51.860 Protestant England, and it might also have been lonely. She withdrew from most of her former
00:29:59.660 friends at this time, and her artistic output slowed. In 1913, she illustrated Ellen Terry's
00:30:06.620 book, The Russian Ballet, and she published the illustrated book entitled Bluebeard,
00:30:11.880 And in 1914, she illustrated Eunice Fuller's work called The Book of Friendly Giants, which, if you are a fan of Roald Dahl's The BFG, you must check out.
00:30:24.480 Norfleet writes that in late 1918, Pamela received a legacy from a deceased uncle, and this money gave her the freedom to set up her life in Cornwall, in southwest England.
00:30:35.000 North Fleet is of the opinion that she chose that area because pixies were believed to be
00:30:41.260 particularly concentrated in the region around Devon and Cornwall. She always thought herself
00:30:46.820 a pixie who really didn't fit in well among ordinary humans. She once told WB Yeats that
00:30:53.580 she'd been able to see fairies in Ireland. An article in Fairy Magazine from 2017 gives a
00:31:00.940 little more insight into what those years for her might have been like. They write that Coleman
00:31:06.460 Smith died in 1951 in Butte, Cornwall, where she lived in a home bought with an inheritance from
00:31:12.100 an uncle. The occupation listed on her death certificate reads, a spinster of independent
00:31:17.860 means. Though just a decade earlier she'd been recognized by the Royal Society for the
00:31:23.060 Encouragement of Arts, Manufacturers, and Commerce, she was no longer listed as an artist and was
00:31:28.500 making a meager living running a home for vacationing Catholic priests.
00:31:33.860 Her estate was willed to her flatmate, Nora Lake, a reputed spiritualist.
00:31:41.400 Nora Lake was likely Coleman Smith's lover.
00:31:44.180 The two had been companions for 40 years.
00:31:47.820 And although nothing definitive is written about the artist's sexual predilections,
00:31:51.260 she never married and was linked to no men and spent her time in a company of women,
00:31:56.760 many of them known queers, such as the handsome Edith Edie Craig, a bisexual suffragist who
00:32:02.940 famously lived in a menage a trois with a straight couple until her death. 0.57
00:32:08.480 Craig was the model for the Queen of Wands in Coleman Smith's Tarot.
00:32:14.760 I was telling my beautiful witch friend Sue about Coleman Smith's story, and I got to this part
00:32:19.720 about Cornwall and fairies, and she said, oh, I live there. It's heavy witchy. It's almost encircled 0.99
00:32:25.860 by water, cliffs, and beaches, and then in the middle it's the moors. You can just walk around
00:32:32.880 and find ancient stone circles. I was up there at night one night to see the stars, and a fox
00:32:38.960 walked right up to me, stood and stared at me for way too long. So I love to imagine Pixie there.
00:32:48.380 And I can see getting enough of busy London
00:32:51.840 and tiring of a heavily ritualized and performance-based magical scene
00:32:58.760 led by these men with their budding egos.
00:33:02.800 And I can see heading for the sea.
00:33:07.660 It seems like maybe she made up her own personal practice,
00:33:12.800 inspired by both Catholicism's mysteries
00:33:16.100 and by her love, with the beautiful name and the uncanny intuitions, Nora Lake.
00:33:25.240 I see a kind of beautiful life balanced there, between the moor and the waves.
00:33:32.860 Often, Pixie's characterized as dying penniless and unappreciated.
00:33:38.060 And though of course it's infuriating that she didn't earn the royalties she deserved
00:33:42.400 from the most popular tarot deck of all time,
00:33:46.100 I think she did live a kind of magical life right to the end.
00:33:52.160 After all, she lived 40 years with her love and best friend.
00:33:57.300 No small achievement in its own right for any of us.
00:34:01.460 She had independent means and a job where she was her own boss,
00:34:06.780 caring for and I imagine whispering sacred and profane secrets 0.97
00:34:12.200 with old Catholic priests.
00:34:14.280 and in her tarot cards she left images of her friends, of her visions, of her personal vast
00:34:24.000 understanding of the symbolism shared between cultures and linking our minds together through
00:34:30.400 ancient archetypes and to the spirit world. She left us a map that deepened our understanding
00:34:38.900 beyond words. Like she was hearing a distant music and translating it for millions of seers
00:34:48.100 to come. In 1908, Pixie Coleman Smith wrote an article for Craftsman magazine, the principal
00:34:57.160 voice of the arts and crafts movement in the United States, called Should the Art Student
00:35:01.900 think. So we'll end our first episode with this and try to take Pix's advice to heart
00:35:09.280 for all our practices of art and send it with love to all you witches and all the ways you're
00:35:16.300 out there trying to bring about your magic. Keep an open mind to all things.
00:35:23.480 Hear all the music you can, good music, for sound and form are more closely connected than we know.
00:35:32.540 Think good thoughts of beautiful things, colors, sounds, places, not mean thoughts.
00:35:41.940 When you see a lot of dirty people in a crowd, do not remember only the dirt of the great spirit that is in them all and the power that they represent.
00:35:53.940 Through ugliness is beauty sometimes found.
00:35:58.120 Banish fear.
00:36:00.360 Brace your courage.
00:36:01.900 place your ideal high up with the sun away from the dirt and squalor and ugliness around you
00:36:09.600 and let that power that makes the roar of the high power presses enter into your work
00:36:16.600 energy courage life love use your wits use your eyes perhaps you use your physical eyes too much
00:36:27.820 And only see the mask
00:36:29.920 Find eyes within
00:36:32.700 Look for the door
00:36:36.060 Into the unknown country 1.00
00:36:38.400 You must be a witch 1.00
00:36:45.460 Thanks for listening 1.00
00:36:46.640 And for being a part of the Missing Witches Coven
00:36:49.520 If you want to know more about Pixie
00:36:51.260 Check out our show notes at missingwitches.com
00:36:53.860 And join us on Wednesday
00:36:55.620 for Witches Found, the companion series to Missing Witches, where we talk to contemporary witches
00:37:02.240 about the themes that come up in this week's show. So this week, we'll be talking to energy
00:37:07.520 worker and tarot reader Rita about divination. So that's Missing Witches Sundays, Witches Found
00:37:15.000 Wednesdays, and as a new podcast, the best way that you can help us is by reviewing. We'll be
00:37:23.160 devoting our halloween episode of witches found to you yes you we'll be spotlighting some of the
00:37:30.860 badass witches we've met and found online and also reading some of our favorite podcast reviews
00:37:35.900 like i said reviews help us the most as a new podcast so thank you in advance
00:37:40.560 we can't wait to read them and of course the weirder and witchier the better blessed be