Missing Witches - October 31, 2021


Samhain 2021 - Look For The Door Into The Unknown Country

Topics
MW+ Tituba - Do You Know What A Witch Really Is? with Amy & Risa WF Marion Peck: Making Art Is Like Trying To Remember Your Dreams

Episode Stats


Length

1 hour and 22 minutes

Words per minute

137.84

Word count

11,361

Sentence count

220

Harmful content

Misogyny

6

sentences flagged

Toxicity

10

sentences flagged

Hate speech

9

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 Season 6 of the Missing Witches podcast is sponsored, in part, by Foxglove Farm.
00:00:06.280 Go to Foxglove Farm, that's farm with a P-H, like pharmacy, dot com, and use offer code MISSINGWITCHES
00:00:13.740 when you sign up for your monthly subscription box of witchy delights.
00:00:19.480 And, sponsored by listeners like you.
00:00:22.820 You who join our Patreon, and come to our coven meetings.
00:00:26.580 you who buy our book recommend it to your friends and review it online we thank you 0.92
00:00:33.500 and if you love this episode tip us at paypal.me missing witches you aren't being a proper woman
00:00:41.220 therefore you must be a witch you must be a witch hi hello everyone i see all your names here some
00:00:53.780 of them are very familiar and some of them seem new so welcome friends welcome family welcome
00:00:59.680 new friends and new family welcome to the missing witches coven and to our first
00:01:05.460 event of this style we've already run into some technical difficulties so
00:01:10.860 i hope that you'll all bear with us and and we'll all come together in this moment without judgment
00:01:17.760 or fear and just allow the technical difficulties to wash over us as we carry on and just you know
00:01:26.300 as we do for life show up and try to learn something and have a good time I obviously
00:01:32.540 want to thank all of you for coming especially our panelists today we've got one more panelist
00:01:39.060 who is hopefully going to join us at some point and I will let all of you introduce yourselves
00:01:44.320 because you will do a much better job at it than I will.
00:01:48.640 But today we're going to be entering this realm of Samhain, a.k.a. Halloween.
00:01:55.900 And we're going to read from our book, Missing Witches, and we'll talk about that.
00:02:02.760 And we're going to talk about growth and death and rot and all of the wonderful things that happen in the cycle of life and death.
00:02:14.320 So, something that we usually do as a coven is to start out with a musical introduction.
00:02:24.680 Those of you who are longtime fans of the podcast will know that Risa and I met backstage at a ukulele showcase.
00:02:33.360 so music has always been a major part of what we do as a team Risa and I and how our magic goes
00:02:44.420 and how our coven evolved and those of you who have read the book know that we included
00:02:50.760 two solstice carols for one for Letha and one for Yule which are Missing Witches original
00:03:00.040 carols um that are now part of our traditions and recently um i wrote slash channeled one for saw
00:03:08.220 win so carol is here speaking of carols carol is here the carol so as carol arrives
00:03:18.820 we will begin our carol i think i have figured out the best way to hold a guitar and a wire
00:03:28.260 at the same time and I think oh not quite almost and this is it so everyone thank you again so
00:03:37.900 much for coming to our inaugural hopefully mega meeting of the minds we'll be going around each
00:03:47.460 of our guests has a question that they want to pose to all of us and to themselves and then at
00:03:52.660 the end we'll all have an opportunity for questions and to answer those questions that
00:03:57.000 our guests have brought so let's all take a deep breath together
00:04:02.200 thank you all again for coming this is the missing witches saw when carol
00:04:10.260 can everyone hear the guitar okay that sounds beautiful
00:04:15.180 as leaves and empires
00:04:25.820 Fall around me. Fall around me. Fall around me as leaves and empires. Fall around me. Fall
00:04:47.200 around me fall around me i give thanks i give thanks for the spirit in all things
00:05:02.980 for the magic that it brings for the seasons change and so must i
00:05:12.460 So in this night
00:05:16.360 Okay, sing along this time
00:05:18.440 As leaves and empires
00:05:22.940 Fall around me
00:05:26.700 Fall around me
00:05:30.460 Fall around me
00:05:34.200 As leaves and empires
00:05:38.080 Fall around me, fall around me, fall around me, I give thanks, I give thanks for the spirit
00:05:57.320 in all things
00:05:59.100 for the magic
00:06:00.940 that it brings
00:06:02.620 for the seasons change
00:06:05.620 and so must 0.99
00:06:07.680 die 1.00
00:06:08.620 so it 0.84
00:06:11.260 is
00:06:11.760 so it
00:06:15.000 is
00:06:15.900 so it is
00:06:19.560 night
00:06:20.120 thank you so much
00:06:25.300 Amy. Thank you. Now I'm going to pass it to Risa and I will let in these people who have been,
00:06:33.020 who missed the song. Oh, beautiful people. What a pleasure to see you. I'm going to just
00:06:43.240 suggest a couple of quick things about Zoom. I know it's 2021 and we've all been in Zoom
00:06:50.480 for forever but just in case um if you remember at the top right you can change the view if you
00:06:58.000 want to change to gallery to see everyone or if you want to just see who's speaking you can adjust
00:07:03.040 that if you want to mute yourself it's in the bottom left and and right at the bottom there's
00:07:09.520 a chat so i invite you to introduce yourselves in the chat we're really excited to see you
00:07:17.200 our guests will be our formal official i guess um our our primary participants our primary
00:07:26.720 collaborators today will be introducing themselves but while they're doing that we'll invite you to
00:07:30.960 do the same so we're inviting them to share where they are and who their unseen collaborators are
00:07:37.920 so think about it we want to hear that from you too in the chat um my name is risa i am the co-host
00:07:45.360 and co-creator of the Missing Witches podcast. I am the co-author with Amy of our book. And
00:07:52.600 the book is the reason we decided to throw this event. We do these monthly within our Patreon
00:07:58.680 and they were sort of something we stumbled into and have been really profound experiences for us
00:08:05.180 in getting to know other people, other practitioners who are thinking about this
00:08:09.340 intersection of awe and science and so we thought maybe as a way to celebrate this book in a weird
00:08:18.260 pandemic time we would do these and open up the invitation and we were really floored to see
00:08:23.320 people wanted to join us so in that spirit I'm going to read a little kind of segmented piece
00:08:30.860 from the Samhain chapter of the book because it's a book event and we want to share with you
00:08:35.800 the words that we worked on and the reason why we called this event
00:08:39.420 um what we did look look for a door into the unknown country um
00:08:46.400 yeah so I'm going to begin with that and take a deep breath and sort of settle into my nerves
00:08:53.120 of sitting and reading in a strange way
00:08:55.500 Samhain sits in the space between one year dying and the next being born and in that time we get
00:09:04.380 glimpse into an unknown country the word means summer's end and it is a window ledge a lintel
00:09:11.580 on the doorway a liminal evening through which we are leaning into the darker half of the year
00:09:17.420 at least from here it is a festival of death a festival of meeting our end as well as our ideas
00:09:23.420 about death it is a time for encountering the knowledge that this comes to us all stepping out
00:09:29.340 off the edges of all maps in our travels through the underworld witches become map makers writes
00:09:35.340 amanda yates garcia the oracle of los angeles meeting death is beautiful and horrible inspiring
00:09:42.700 and the most terrifying and so we dress up to meet this specter in ways that hide us or empower us
00:09:51.020 disguise and amplify us in past years amy and i have celebrated this season together
00:09:57.020 she'd get dressed up in full glorious drag and we'd give out candy for hours or until it ran out 0.77
00:10:03.260 where i would throw a party for hundreds of masked revelers playing one of my favorite roles 1.00
00:10:08.620 lurking in the background in black making my magic unseen and amy would roll in just in time to win
00:10:14.700 the costume contest but this year death looms and hangs all around us like spider webs
00:10:21.980 we are mid-pandemic at the time of writing the coronavirus counter jumping by tens of thousands
00:10:29.300 every day my parents are in self-isolation a friend is separated from her children working
00:10:35.600 12-hour days in the ICU others from our coven are on the front lines in grocery stores or
00:10:41.900 supporting women quarantined in unsafe homes another loses her daughter to cancer and can't
00:10:47.840 collapse into her parents' arms. A friend's sister dies of suicide. My great-aunt drives herself to
00:10:55.080 the hospital rather than telling anyone she is sick and risk infecting them, and she dies of
00:11:00.320 coronavirus there alone. We are weighted with loss and afraid for our elders and ourselves and for
00:11:08.320 the future. By the time this book comes out, the world will be different somehow. We usually look
00:11:14.180 the future with a certain kind of confidence that things will progress rationally gradually but the
00:11:18.900 future itself is that unknown country it is a box in which we are both alive and dead and we know it
00:11:25.300 now more than ever the borders have closed and people sing to each other from their balconies
00:11:30.500 trying to remember the touch and friendly crush of crowded bars or a joyful hug or sloppy two cheek
00:11:35.940 kiss on the street maybe by the time you hold this book we will all have rushed back into each other's
00:11:41.940 on us. Arundhadi Roy writes, our minds are still racing back and forth, longing for a return to
00:11:49.500 normality, trying to stitch our future to our past and refusing to acknowledge the rupture.
00:11:55.120 But the rupture exists. And in the midst of this terrible despair, it offers us a chance to rethink
00:12:00.720 the doomsday machine we have built for ourselves. Nothing could be worse than a return to normality.
00:12:07.400 Historically, pandemics have forced humans to break with the past and imagine their world anew.
00:12:11.940 This one is no different. It is a portal, a gateway between one world and the next.
00:12:17.540 We can choose to walk through it, dragging the carcasses of our prejudice and hatred, our avarice, our databanks and dead ideas, our dead rivers and smoky skies behind us.
00:12:27.080 Or we can walk through lightly, with little luggage, ready to imagine another world and ready to fight for it.
00:12:34.380 for me it turns out that the best way to face death and to prepare to walk through this portal
00:12:40.820 lightly and to fight for a new world is to continue to do this work to see you all here with me this
00:12:47.400 great circle we make with our sympathy and our hope this work of prying open the stories we've
00:12:53.380 been told not just to include the spectacular and heroic lives of women and witches of all genders
00:12:58.700 and gender-conforming magical beings, but also their shocking and glittering ideas, this is
00:13:04.460 healing work for me. Together we disrupt the death spiral that has tried to erase what is magical in
00:13:11.100 all of us. Together we cast a circle, keep a portal open, and we help each other through.
00:13:19.740 The guide we've chosen for this season is iconic tarot artist Fixie Coleman-Smith.
00:13:25.020 we tell some of her story in this book a life on the road with artists and theater people and
00:13:29.660 sailors in the late 19th century art school at pratt which she doesn't finish because her mother
00:13:34.940 dies in jamaica and she's wrecked by migraines she writes and illustrates a book and her father
00:13:40.540 takes her on a book tour and she meets bram stoker and william butler yates and finds a family in 1907
00:13:47.420 she had a major show of 72 drawings and watercolors in new york and a major critic called her pieces
00:13:54.460 absolutely nerve-shattering. Back in London Pixie hosts a weekly at home for artists
00:14:01.820 performing Anansi stories from the Jamaican tradition she'd grown up in. This young woman
00:14:07.260 living all alone became a connector and a focal point for artists and thinkers.
00:14:14.060 And at this time she was living in parallel. She was a working artist and she was also a member of
00:14:19.820 of the Golden Dawn, immersed in ceremonial magic.
00:14:23.140 And it's here she meets A.E. Waite
00:14:25.500 and is commissioned, a big job for very little cash,
00:14:28.340 as she said, to complete the pieces of art for the deck.
00:14:33.340 Waite had strong ideas about the design
00:14:35.220 of the 22 trump cards of the major arcana,
00:14:38.300 but he left the great emotional journey
00:14:40.700 of the rest of the minor arcana entirely to Pixie.
00:14:45.520 We tell more of her story in the book,
00:14:47.740 but I wanna jump to the end
00:14:49.480 because this is a season of endings.
00:14:52.660 Often Pixie is characterized as dying penniless
00:14:55.140 and unappreciated, and though it's enraging
00:14:57.960 that she didn't earn the royalties off her work
00:15:00.700 on what would become the most popular tarot deck of all time,
00:15:04.420 I think she did live a magical life right to the end.
00:15:08.040 She lived 40 years with her love and best friend, Nora Lake,
00:15:12.980 no small achievement in its own right for any of us.
00:15:16.420 She had independent means thanks to an inheritance
00:15:19.080 an uncle and in the tarot cards she left images of her friends of her visions of her personal
00:15:25.560 understanding of a symbolism which links our minds to each other and to the spirit world
00:15:31.240 she left a map that deepened our understanding beyond words like she was hearing a distant
00:15:36.360 music and translating it for millions of seers to come so she is our guide for our end and for
00:15:44.360 all the imagined ends we face at Sauer. As we spin towards the end of the wheel or before it spins
00:15:51.080 again, I hope you hear these words of pixies ringing in your head. She wrote, banish fear,
00:15:58.320 brace your courage, place your ideal high up with the sun, use your wits, use your eyes,
00:16:06.140 perhaps you use your physical eyes too much and only see the mask. Find the eyes within and look
00:16:12.520 for the door into the unknown countries. So with that I'd like to invite Becky to take us on a
00:16:23.640 portal, would you? Thank you for opening that door, very very apt timing. Welcome witches and
00:16:33.600 witches curious, so happy to be here. Before we get into our introductions and the conversation
00:16:41.140 today I just wanted to offer some words and perhaps some gentle invitations to
00:16:47.940 prime us for some of the discussion we might have and of course the great work that needs to be done
00:16:54.500 and so I have called this sequence a playful primer for portaling for possibilities
00:17:00.340 as a small way of taking us out of wherever we've just come from it might be work
00:17:08.760 child care projects laundry um i'm just stepping into this uh portal for us with us for the next
00:17:17.220 um hour or so um so feel free just to listen or if you feel like you want to respond somehow
00:17:24.640 in a bodily embodied way please please do that too uh just for a few minutes
00:17:30.560 um so following on from those wonderful offerings and introductions from risa and amy
00:17:39.120 um we are in fact of course entering the turning we're entering this stage where
00:17:47.960 ecologies take that great exhale into winter so the sun rather than bursting appears to be
00:17:55.800 tugged into view through a really molasses sky it never quite seems to reach its full brightness
00:18:02.280 before it retires all the abundance that we've been surrounded in really starts to steal inwards
00:18:09.280 the trees start to imbibe the last of that light before it's nestling in the root
00:18:15.200 and those leaves were starting to see pirouette to the soil to commence
00:18:20.220 their great rebirth into the other so as we've already heard sound of course marks the thinning
00:18:29.220 of the veil between worlds between life and death and earth and spirit but where the human
00:18:36.860 ordinarily sees the imminent winter is the numbing or dying of things it is in fact fertile with
00:18:44.300 possibilities so those leaves that are pirouetting and falling they aren't nothinging they're
00:18:51.820 becoming those trees aren't inert they're gently gathering the earth is in the process of
00:19:00.360 possibleing so that thinning of the veil is a window a cut a shard a portal an invitation to
00:19:09.820 sample discover imagine play with the idea of what might emerge through winter or in the re-emerging
00:19:17.500 spring and our bodies of course are conduits for entering different worlds so how might we prime
00:19:25.100 ourselves for the glimmering that might be on offer so and feel free to follow number one
00:19:32.940 as we enter the dark half of the year from the light perhaps we just flash our eyes shut
00:19:39.180 and awake to shock thoughts into view or perhaps we join the next zoom call or even this one
00:19:47.180 one eye closed what emerges in that focusing or shift in view
00:19:54.700 secondly our senses are portals to knowledges perhaps you have something pungent nearby
00:20:01.900 that you could smell or you can join me in smelling your inner elbow which is
00:20:07.900 the scent of yourself and instantly grounds you back to yourself
00:20:18.140 perhaps we gift a breath to ourselves we warm up our senses ready to receive so
00:20:25.600 you may want to gift a warm breath on the back of your hand
00:20:31.900 Perhaps we choose to present ourselves slightly differently.
00:20:39.300 It could begin just by saying your name backwards, a few times.
00:20:44.520 Ick-a-bick, Ick-a-bick, perhaps you giggle.
00:20:51.700 In this portal we could also reshape ourselves slightly.
00:20:55.680 happens when we walk or slide backwards or just sit on the edge of the chair or sit in a position
00:21:05.120 that is not customary what emerges in that reconfiguring perhaps we need a new lens to
00:21:14.960 change the view or maybe we've had enough of watching and being watched and just need to
00:21:20.240 de-lens for a minute
00:21:25.680 perhaps we use the lacing of our hands to block and open new views
00:21:32.960 hello
00:21:35.940 perhaps we step out into the ecology again sensitive to the portals in our mists
00:21:46.240 perhaps you find one and you choose to revisit it there's a wonderful old english word the
00:21:52.660 mews which is the tiny hole in the hedge of hedgerows that line the english streets
00:22:00.180 which is where the scurriers and ground dwellers travel through perhaps it's a grove in a forest
00:22:07.140 that you find or perhaps it's just the simple wearing of a hagstone to keep that portal of
00:22:13.860 possibility close to you when you need it most it is the time of a turning it's the opening of portals
00:22:21.940 into possibility. So let's enter together. Beautiful. I mean, I think I saw so many of us
00:22:38.680 like I saw Angela like fist pumping her fists with joy. Oh, thank you. Thank you. I'm going
00:22:49.860 to share my screen to share some images that these guests have sent us and invite them one by one
00:22:57.080 to share with you a bit of their work a bit of who they are you'll see why we asked them to be here
00:23:06.240 with us at this turning point and we acknowledge all of us in the way we work we work with unseen
00:23:15.340 collaborators um I'll tell you for myself my unseen collaborators here I just drove on the
00:23:22.640 highway to be sit in the basement at my uh my partner's parents house so I can hear my 0.98
00:23:29.220 kid and partner and parents like thundering across backwards for the bussy and I feel the
00:23:36.620 sort of thunder of the road and the highway my energy is very like sort of jittery and nervous
00:23:42.840 and that's okay like I sort of thrive on that and I'm pouring out some of my my my throw
00:23:49.900 of that experience into all of you and I if you feel like it's too much then block me out
00:23:56.500 um I'm gonna share my screen and invite oh um Amy I think you might have to make me host again to
00:24:05.020 share my screen and we'll start with white feather
00:24:09.640 I will share this all with you have to go here and start there we go that look all right yeah all right
00:24:28.120 yep hey everybody it's really nice to see everybody's faces I have been sort of part
00:24:38.040 of the missing witches coven pretty much since the beginning and uh yeah and it's it's just been
00:24:47.520 an incredible journey and I've really enjoyed having the opportunity to you know sort of talk
00:24:54.200 and share the evolution of my work uh over the past few years I can't believe it's been three
00:24:58.940 years now. But what you're looking at here is me working in the lab. I refer to myself as the witch
00:25:10.600 in the lab coat. And essentially, my research is looking at ways that magic and science can
00:25:18.060 intersect. And one of the ways for me, you know, as a witch is to sort of bring an awareness of
00:25:25.880 the agency of microorganisms into the work that I do. And it's, it's a really, it's, it's a
00:25:34.880 tightrope walk for me, because, you know, I want to respect and acknowledge the labor that, you
00:25:42.700 know, cellular microorganisms are performing in my work. But at the same time, I bring an awareness
00:25:49.300 that these, these microorganisms are performing in very controlled conditions, conditions that
00:25:55.560 I control, conditions that the institution controls. Even, you know, you can extend it
00:26:01.180 to conditions that society controls. So many layers of control there. So I'm very hesitant
00:26:07.140 to refer to the microorganisms as my collaborators, because they're not. It's, you know,
00:26:14.040 collaboration implies willingness and consent. And so I keep my notions of collaboration to my
00:26:22.660 human collaborators for the most part and you are seeing some of them here this is the back
00:26:28.640 tinctorium team we work with pigment producing microbes to experiment with using the pigments
00:26:36.300 from bacteria to dye cloth and print on cloth and look at creative applications of those tiny tiny
00:26:43.720 tiny molecules of pigment this is a photo taken by alex bachmeyer she is the only one who's not
00:26:50.020 present in the photo. So here we are inoculating a nutrient solution with the same kind of bacteria
00:26:58.060 that grows in your shower or your toilet. If you don't clean it frequently enough, it makes this
00:27:04.140 beautiful red color when it's, you know, highly amplified and concentrated in culture in the lab.
00:27:10.880 So these are my human collaborators. We are kind of, you know, looking at ways that the agency of
00:27:18.860 microbes can impact our work. Now, this is the Australian outback, Western Australia. It's the
00:27:27.680 Stirling Mountain Range, right after a wildfire has ravaged through. And this was a site of
00:27:35.500 specimen collection. One of the things that I do is look at ways that I can find alternatives to
00:27:44.160 laboratory practices that are banking on the bodies of non-human animal others. So instead I
00:27:50.700 use my own body materials. I'm looking at ways of developing serum from menstrual fluid and using
00:27:58.640 stem cells from my own menstrual fluid to culture cells in the lab. And so this was a collection
00:28:04.180 site when I was on a road trip, I pulled over on the side of the road, dumped my menstrual cup
00:28:09.620 into a sterile tube and took it back to the lab. So, you know, the outdoors is coming into the lab
00:28:16.980 as well. Yeah, I just thought that it's really important to think about, you know, doing our
00:28:24.300 work and our research in multiple intersecting environments. And, you know, witches kind of
00:28:30.740 think of nature as their playground and their laboratory, and I certainly do, but also bringing
00:28:36.880 that, you know, aspect back into the laboratory as well, which is supposed to be this really
00:28:42.220 isolated aseptic space, but in actual fact, it's not. So are these all of the images that I sent
00:28:50.800 you? I think so. Those are them. And Whitefeather, I'm going to make a small, and to all of our
00:28:55.360 guests, I'm going to make a small tweak to the schedule and just invite you to share your
00:28:59.060 question now. You can just plant it as a seed as part of your introduction, and then we'll just
00:29:04.000 open up the conversation when we're done with introductions. So do you want to share that?
00:29:08.160 Sure. Yeah. So my question, I don't have the exact wording in front of me, but it was something
00:29:14.060 along the lines of, you know, witches are often culturally feared for their powers of manipulation.
00:29:22.440 And manipulation has its root word in manu, which is the word for hand. And so, you know,
00:29:32.220 as an artist, as a craftsperson, as a crafty woman, I work with my hands a lot. And, you know,
00:29:40.620 this is this, these, these powers to manipulate materials, you know, for me, including other
00:29:47.340 living organisms, microorganisms, comes with the necessity to respect the will and the agency of,
00:29:58.580 you know, these other elements that I'm bringing into my work. So my question, you know, to all of
00:30:05.480 you, to the other guests is, how do you think about your power to manipulate in ways where
00:30:14.060 you're framing it in such a way that you can respect the will of others, including universal
00:30:22.320 will. I look forward to having that conversation so much. Let's see here. How do I? There. Thank you.
00:30:36.280 Hi again, everybody. I'm Becky from London, living in London, a blend of English and Jamaican.
00:30:45.300 uh i'm an artist or artist researcher or art ecologist i'm still working out how to frame
00:30:53.520 that um and i am completely enraptured with notions of animacy liveliness the soft edginess
00:31:01.460 and indeterminate nature of our ecology which we have been conditioned to contain classify control
00:31:09.220 other um and it forms part of this great detachment or estrangement um from ourselves
00:31:15.920 as part of ecology um so to that end my work is exploring sensory embodied imaginative art
00:31:24.200 practice that might help us kind of reawaken re-enchant enchant our vibrant earth re-stitch
00:31:30.120 us back into the ecology and recognize the ways that we are in extraordinary um relation
00:31:36.080 and my companions can be found in the ancient woodland particularly the urban ancient woodland
00:31:43.040 and it's the deviant matter of so-called dead wood it's the resistant materials of
00:31:50.840 the assemblages and the soft-edged soils and kind of part of this work is excavating those
00:31:58.440 kind of suppressed ontologies and epistemologies of which magic and witchcraft is of course right
00:32:04.380 at the center as a means of resisting those hegemonies and becoming kind of indigenous to
00:32:09.920 place um so kind of in reference to today's gathering in particular I tend to use kind of
00:32:17.960 ritual and spell work as a attentioning and gratitude practice um and I am honored to be
00:32:25.060 part of the one and only bio art coven led by Whitefeather today um where I help convene our
00:32:31.940 new moon gatherings which is a wonderful space for witches of all practices to um share their
00:32:39.120 work and ideas um and i'm also partial to hosting the odd spell or ritual at really stuffy conferences
00:32:45.540 which i love um and i'm really uh keen to get us out of the head and back into the flesh
00:32:53.720 um and one other project that i run is called soft tissue um and it's an invitation kind of
00:32:59.800 like-spirited practitioners to really think about how actually learning to think with our hands
00:33:05.460 again rehearsing ideas with touch and activating our embodied mind can help us navigate this
00:33:11.760 these really critical times with a sense of care and I'd also host a lot of participatory offerings
00:33:18.320 and I'm actually working on a project which I'm loosely calling the feminist new materialist
00:33:25.520 cookbook it's a holding title i know that that is far from an ideal title um and it's actually
00:33:31.100 really closely tied to the living bio art coven manifesto and led by white feather hunter but
00:33:38.460 authored by about 45 witches um where we're really looking at the messy edges of material
00:33:45.460 these infinite cycles of reproduction the idea of agitating um in that in wherever you find your lab
00:33:53.620 um and the omni-shifting nature of materials that are in dialogue with their atmospheres and
00:33:59.140 conditions um and i have a master's in art and science so i'm used to smushing things together
00:34:06.020 um and i'm actually the first of a cohort in a brand new master's in art and ecology in goldsmiths
00:34:12.500 in london so i'm having lots of adventures in the soft edges um finding companions along the way
00:34:19.540 um and I guess my my part of my question for today is you know around the fact that we're
00:34:27.180 very much around amongst the like spirited um and I'm really curious to know how we
00:34:32.900 how other witches or which curious um have involved other people who aren't necessarily
00:34:40.220 initiated into this work um what what challenges have you found trying to draw people into these
00:34:47.200 uh new ways of knowing or excavated ways of knowing um what has delighted you about the
00:34:52.960 experience and what are the challenges um i yeah it's my constant my uh a constant question in
00:35:01.120 every space i enter i think so yeah look forward to discussing with everyone today
00:35:05.600 and thank you for the welcome and invitation oh thank you
00:35:09.040 Angela, can you share with us?
00:35:20.480 Hi everyone. I am Angela Alberto. I live in Portland, Oregon on Cowlitz, Chinook, unceded lands.
00:35:30.000 and I am a death midwife. I am someone who helps families remember how to take care of their
00:35:40.440 ill and dying and have, if they want, host home funerals, etc. This is my spiel, right? Like,
00:35:51.340 you know, what else, what else do I do? I also, I work with kids and I help parents, teachers,
00:36:00.100 and educators talk, learn how to talk to their kids about death and dying. It's so funny because
00:36:09.040 I, I love the opportunity to be able to bring my witchy self out as well. And I do pretty
00:36:19.200 frequently but it's really nice to be able to tie those things together here like being a death
00:36:25.240 midwife and being a witch is what gives me the ability to do this work um one of the things that
00:36:35.480 we uh amy and risa requested is that we send photos of our work and what's interesting is
00:36:41.120 each photo that you see here that first one was um my favorite place to go hiking the second one
00:36:48.460 was the moon in my house. This one is right around the street, like right around the corner
00:36:54.960 in my neighborhood. And what I feel like I've recently been going through is a homecoming
00:37:04.580 to myself. And I feel like 2020 has been a time for me and 2021, a time for me to like really
00:37:12.820 claim the things that I know I'm supposed to be doing, like helping the dead, helping those
00:37:19.840 loved ones who are dealing with the death of a loved one, talking with kids about this work.
00:37:27.760 And it's just, there's been so much death, as we all know, and so much grief.
00:37:35.760 and our society has refused to to face it in in for years past right and now I feel like
00:37:47.700 the dead are leading the way and asking to be held and looked at and moved forward and
00:37:54.740 cared for and given offerings and there's no denying it the fact that we are all mortal
00:38:03.340 and like how do we want to accept that and choose to live each day and how can we like hold this
00:38:13.220 collective grief that we're all going through the grief of our planet dying or shifting I don't know
00:38:19.400 how you want to look at it right now the grief of like all the all the people we lost due to this
00:38:27.400 virus like all of us have been affected from this and like I'm here to hold that torch in the dark
00:38:37.280 so we can like tend to our hearts and it's really scary being in the dark sometimes but there are
00:38:44.440 those of us who know the way through the labyrinth and that's why I'm here and that's what I do and
00:38:52.240 And I still, you know, even though I'm in the dark often with this work and, like, looking at death, you know, I still have very human reactions to it sometimes.
00:39:08.380 What you see here in front of me is on the screen, these are my bones that I throw and cast.
00:39:15.460 um I'm a bone thrower this is something that also links me to my death work and links me to my
00:39:22.340 ancestors um I don't know what else to say about it other than it's one of my favorite ways to
00:39:31.180 to divinate to do divination um and I feel like I'm rambly trying to like keep up with the slides
00:39:37.520 and then share what's on my mind but whatever it's all good um and this is my the image of
00:39:42.980 my presentation that I am releasing out to the public at the end of this month. So this is like
00:39:48.580 a new thing where because of all the death that's happening and because of all the ways that
00:39:57.220 some of the, you know, like the kids, they know that like things are going on for their parents
00:40:07.040 and for themselves. You know, some of the older children that I work with who are
00:40:12.320 7, 8, 9, they remember being in school and didn't have to wear masks, right? There's grief there
00:40:19.080 for these kids. So I feel like right now it's this collective energy where we're being asked
00:40:29.200 to look at how we interact with our own grief when it comes to death, loss, and dying. And that
00:40:36.280 could be, you know, it doesn't have to be a physical death of a person. It could be the death
00:40:39.720 of the way things once were, right, the transition of that, but I think we're all being asked right
00:40:48.500 now to look at these dark places, especially because of the fact that it's Samhain, and also
00:40:55.720 the fact that, you know, the past two years have been so much collective death, so I ask you to,
00:41:06.800 the question that i wrote was this but i think i'm going to change it on the fly
00:41:12.120 um no it's the same okay my question is more of a brainstorm like how like i want to hear
00:41:23.040 how are we going to move forward with this collective grief that we're carrying
00:41:27.460 and how are we going to handle our grief remember to grieve how are we going to celebrate
00:41:34.260 like find hope and balance right and i i just ask of you to
00:41:41.280 to know yourself when grief arises because how you handle it is how your kids are going to handle it
00:41:50.640 they you model for them when death and loss and grief and happiness and joy and love
00:41:58.900 when all the emotions come around you as the adult in kids lives and this isn't i'm not just
00:42:03.880 talking to like people who have kids like I don't have children and they model from me because I'm
00:42:09.180 around kids right kids watch adults so I just ask you to know yourself well when it comes to your
00:42:16.060 grief and find appropriate healthy ways to converse about it and deal with it and move
00:42:23.940 with it because it's a cycle grief it doesn't there's no end point it's just gonna like the
00:42:33.040 turn of the wheel it's going to keep going round and sometimes it'll be easier and sometimes it'll
00:42:38.800 be harder thanks Angela yeah beautiful and Carol you're here I'm so glad to be here and I want to
00:42:52.760 thank everyone who's here with us today and especially Risa and Amy and the guests so I'm
00:43:00.900 going to show you nine images that will tell you a little bit about my interspecies art practice
00:43:06.840 huh what's that um i think of my practice as being part of a working team of mycelia sheep
00:43:16.060 dive plants herbs all the critters of the earth soil chickens and bees and what we're doing
00:43:25.780 together is trying to bring to life in people the concept that the idea of the biological
00:43:33.440 individual is really a lie. We are made up of all kinds of critters. We have more non-human DNA
00:43:40.980 in us than human DNA. Part of this work is dissolving the boundary between life and death
00:43:48.080 as the mycelia lead and teach us. And by doing that, we're kind of reinforcing the understanding
00:43:55.540 of the web of life. That's all the text. Now I'm going to show you eight images to bring this to
00:44:01.040 life. This is my backyard in Hartford. It's a little urban space that's full of dye plants,
00:44:08.860 all the beings I described except for the sheep. And that little building in the back is where I 0.83
00:44:16.740 weave with mycelia. So basically the idea is that mycelia and I are weaving together. We are
00:44:25.260 co-weavers of sculptures that are used in workshops to help people, and we can look at the next one
00:44:31.760 now, to help people understand that they are part of this kind of biological multiplicity.
00:44:39.780 And after those sculptures are finished working in workshops, the mycelia and the textiles that
00:44:47.860 we make together go back into the earth. And this is the revivified earth that we depave to find in
00:44:56.660 our backyard and that we nourish through these sculptures. So here's a little detail of the
00:45:03.680 mycelia of oyster mushrooms poking forth in one of these sculptures. And here's my friend Lauren
00:45:10.260 in one of the workshops. I like to create sculptural objects where your skin biome can have a little
00:45:18.000 chat with the mycelia of the oyster mushroom. And so there's skin to mycelia, contact mycelia from
00:45:27.220 the skin, talking to mycelia from the weavings. And then they go back into the earth and they
00:45:36.840 just dissolve. They bring the living mycelia into the backyard. And so then I have these
00:45:47.600 mushrooms popping up. I've taken to placing wood chips as part of my soil sustenance practices.
00:45:57.220 and the mycelia love love love this and it's been delightful to see how now I have a run of mycelia
00:46:06.580 through the backyard from these oyster mushrooms as well as the honey mushrooms and other mycelia
00:46:14.420 that are already there. So this spring was the first spring that the oyster mushrooms volunteered
00:46:24.020 after two summers of this practice.
00:46:29.240 And another part of this co-weaving
00:46:33.700 is that recently my dear friend Rob and I
00:46:37.560 started a small spinner's flock in rural Connecticut.
00:46:44.440 And so here we have Thor on the left and Rob on the right.
00:46:48.840 And this has deepened my awareness of death and life and blurring these lines a little bit because part of the responsibility of tending sheep is understanding the web of life in terms of predation and the critters who are looking for food constantly.
00:47:11.260 and aren't we all but coyotes bobcats and bear in particular are the apex predators in this
00:47:21.600 part of the world and recently we had a lone male young coyote who we saw on our wildlife cameras
00:47:32.300 out there that kept getting closer and closer and visiting and revisiting and preparing to take one
00:47:39.140 of our sheep. And we made the decision to trap and kill it. And then I did a ritual to 0.98
00:47:50.940 honor its life, plan to use its pelt, nourish the soil with its body, and made this sigil on the
00:48:04.080 left that's part of that awareness that when we're part of the web of life, there is life
00:48:11.440 and death that's part of that. And when we are shepherds with these very domesticated
00:48:18.920 animals, there are times where we may need to protect them in that way.
00:48:25.860 So when I got the invitation to talk about death and had recently had this experience,
00:48:33.180 I thought I would bring it in. I know it's a difficult subject, but I feel it's important to acknowledge this complexity of being part of the web of life where we're all dying, living, feeding, nourishing, sacrificing, being sacrificed together in a way.
00:48:54.360 So my question for the group is, what experience have you had recently that has helped you go deeper with your experiences of death?
00:49:05.600 And what traces does that leave you in your life?
00:49:12.100 Thanks, Carol. And thanks, everyone. These questions are all so profound.
00:49:20.100 i'm going to switch turn off screen share and switch to speaker review and i invite you to do
00:49:26.340 the same so you can see whoever is speaking or you can stay gallery view it doesn't really matter
00:49:32.020 we will have a little bit of time to dig into these open questions not enough time as any of
00:49:38.340 these questions deserves there are sort of an endless interweaving questioning for ourselves
00:49:43.860 i'll also share them on all of our social media after so if you want to come back to those
00:49:50.380 questions and keep opening them up and like i said before we do have these conversations on
00:49:56.260 our patreon so if you want to come and chat with us when we're over there all the time
00:50:00.760 um i invite you to pick up any of those questions but maybe um we could turn first
00:50:09.020 to this idea um I don't know Carol or Becky if you had thoughts on this
00:50:16.020 a white feathers question about our owning our our power our our our manipulation and how do we
00:50:26.120 find that balance um with our collaborators or our ways of of manipulating the world that are
00:50:35.440 not in perhaps collaboration sorry if i didn't phrase that well wait further
00:50:42.240 and yeah i'm happy to i'm happy to uh step in and attempt to respond to that magnificent and
00:50:50.960 magnitudinous question um i um i really love this question and i've been thinking and wondering
00:50:57.760 whether um as with your position as a witch you're well placed to kind of bring this idea of kind of
00:51:06.320 um ritual as a kind of care practice into the way you're working with materials um yeah so i i
00:51:15.580 totally agree that the idea of kind of more than human collaborators so often gets bandied around
00:51:21.540 and again it's things we've discussed previously that collaboration implies that level of consent
00:51:27.520 so if we don't have the consent what other things could we do that bring care into the mix
00:51:32.840 and it could be things such as kind of how we ask permissions how we respect that material whether
00:51:39.660 it's kind of how we handle waste or the um or yeah by adding that element of ritual perhaps
00:51:47.560 that extra time that extra layer of um noticing and attention and gratitude for the material that
00:51:55.480 you're working with um yeah we can infuse those moments of um yeah what was so-called manipulation
00:52:03.340 um with kind of care and consideration and and a sense of reciprocity um so yeah I think that's
00:52:11.280 something especially as from a witch standpoint we are well placed to try and introduce into some
00:52:19.100 of those spaces perhaps beautiful beautiful i i really appreciate the question and also becky's
00:52:27.920 thoughts on this um one of the things that has struck me recently about this manipulation
00:52:34.240 and the hand is the practice of letting go i'm currently here in marshfield um vermont at the
00:52:44.380 marshfield school of weaving learning ancestral practices of spinning and weaving and there's a
00:52:50.680 gesture in spinning where you're drafting with the wool and you're letting the spinning of the wheel
00:52:58.240 carry the wool right out of your hand you're letting go um i knew the phone was going to ring
00:53:05.560 if i spoke let's consider it the ancestors calling in yeah um but this idea that you uh can manipulate
00:53:14.140 by being still and letting go and listening and learning by releasing is something that's
00:53:22.820 really palpable for me right now. And I think part of that is that I was raised to always have this
00:53:30.440 agency and do things. And so for me, one of my lessons is to be still and to release and listen
00:53:38.820 more go ahead Amy yeah I just wanted to sort of include this like you know paradoxical notion
00:53:52.440 that comes up in all aspects of our lives and especially witchcraft these things that
00:53:58.640 don't have singular meaning um Whitefeather you bring up this word manipulation and and it has 0.65
00:54:06.900 a negative connotation oh she's a manipulative person they're just doing that to manipulate me
00:54:13.020 but there's also this notion like you say white feather just using our hands to do things and
00:54:20.240 Risa and I of course are authors we're writers um so when we we think about language all the time
00:54:30.140 we manipulate words and put them in different places to create sentence structure and even
00:54:36.160 a single word such as manipulate can be manipulated to mean other things to form
00:54:44.360 other ideas so i just wanted to draw attention to this like non-binary universe of of you know
00:54:52.360 mushrooms and magic and language and when we even when we ask these questions of each other they're
00:54:59.100 sort of bound by our vocabulary the words that we know the sentences structures that are familiar to
00:55:07.000 us so I'm trying to sort of shake off this idea of manipulative and the heavy negative connotation
00:55:15.840 that I feel like it has for me when I hear it as someone who who who strives to be you know
00:55:22.640 authentic and honest and collaborative you know to use that word in the same sense that
00:55:29.660 White Feather said it implies consent and all of these other things you know so
00:55:34.460 when I boil pasta I'm manipulating the laws of physics in order to make this meal for myself
00:55:43.540 you know heating water and boiling it and putting dry goods into it so I just get excited about this
00:55:51.880 notion of being conscious of our manipulations and I think that works when we're trying to get
00:55:59.060 other people to bend to our will and being more conscious that that's what we're doing
00:56:04.760 but also the the magic of our hands and our ability to create sentences
00:56:09.780 use those sentences to create ideas use those ideas to create things
00:56:16.020 anyway um someone in the chat is is saying manipulation and participation and putting
00:56:23.280 those words together you know it's the mere act of existence um thank you jonathan oh it's jonathan
00:56:29.100 so that's what i wanted to say about that that everything is is it has the possibility of
00:56:35.700 manipulation including the words that we use at all times yeah i think a lot of people are
00:56:43.240 responding to what you're saying in the chat Amy and I did want to circle back we had the question
00:56:49.780 about how are we Carol's question and Angela's question I think are related how what is an
00:56:55.820 experience that has deepened your relationship with death and how are you mourning um those
00:57:03.960 questions hit really hard for me when I got to my inbox after asking for them um I mean this year I
00:57:12.240 I keep realizing how numb I am and keep trying to do the work to not be numb but also to protect
00:57:18.980 myself um I think it relates to how I think about manipulation as well actually that for me it's
00:57:25.780 about hospitality and boundaries what what can I welcome and how can I care for the things that I
00:57:31.540 have called in and welcomed and when do I need to make safe boundaries um and I need to welcome
00:57:38.180 my mourning and my sense of being too far afield after the last year and being unmoored and I need
00:57:48.300 to find like Angela said safe places to sit with that but I also need to put up walls around it
00:57:57.060 sometimes. Angela do you want to speak to that and I know also someone in the chat was generous
00:58:05.140 with sharing their experience that a miscarriage even over a decade ago has shaped their whole
00:58:11.040 understanding of death and I know that that is true for so many of us and is such an unhad
00:58:19.880 conversation that I wanted to make sure I say it out loud that so so many of us have experienced
00:58:27.660 life and death within our own bodies absolutely um there's a great woman named joanne and her
00:58:37.600 instagram handle is inviting abundance and she has a class called holding space for pregnancy loss
00:58:44.200 um that i'm currently taking and it's a beautiful beautiful thing and she talks about what i feel
00:58:52.680 passionate about is like we need to have these conversations because so often people who have
00:58:57.340 miscarriages or people who have stillbirths etc don't have the support system around them because
00:59:04.160 people don't want to look at it they don't acknowledge it like when a death happens to like
00:59:08.980 an elderly person people show up with the flowers and the food and they do the cultural
00:59:13.660 thing that they're supposed to do but when it happens in a tragic way or um suicide or silver
00:59:22.620 you know in the ways that are really hard to look at people forget to show up for the person
00:59:27.220 who's in who's the griever not that they forget but it's that hard and I want to like Risa I want
00:59:33.900 to acknowledge what you just said about the idea of being numb I think that's okay because you see 0.66
00:59:40.440 you see it and you know you're like I'm numbing now and that's okay because you know I think it's
00:59:47.600 when we don't see it that it can become you know not a problem but it can become tricky
00:59:57.020 so like good on you for being like yes i see this i know this about myself and i'm gonna need that
01:00:02.880 boundary and that's great that's great um but yes i you know i'm so passionate about bringing
01:00:11.220 these conversations to the table because there's so many ways that we grieve and there's so many
01:00:17.100 ways we can support um you know i want to offer the idea like in our culture it's you know we say
01:00:24.640 I'm sorry for your loss and what that does is like that cuts the connection between you and
01:00:31.200 the person who's grieving so like figure out a way to like keep that heart connection with
01:00:36.860 the griever by saying like that sounds so hard or I don't know what to say but I know I'm here for
01:00:44.580 you that tells that that gives space for the griever to feel held right and all every single
01:00:54.640 one of us is grieving right now so like I ask all of you like I don't know what to say but like I
01:01:00.320 love you and I'm here and like legit like reach out to me if you're having a hard day and I'll
01:01:05.980 take a moment to like send you love and support you because that's what we need to be doing right
01:01:10.500 now is like weaving that web of connection and love and support as we all like walk this fucking
01:01:16.760 dark path we're in it together you may not you might be dark but like I'm next to you on the
01:01:23.640 floor and I have your hand and someone has my hand on this side we're not alone in this even
01:01:32.040 though it might feel like that we're not i love you all thanks angela wait so long oh go ahead
01:01:41.680 thank you oh sorry no i just wanted to respond to that and also to tie in something that angela was
01:01:47.400 saying and uh with what amy presented to us at the beginning so um i've been thinking more i've been
01:01:54.620 introduced more with the idea of lament and the fact that we do not collectively lament enough
01:02:00.040 in society even with kind of this full planet grieving that's happening we jump to how do we
01:02:06.540 solve it how do we get rid of it and we don't create that space with just that collective
01:02:11.260 regret sadness sorrow and there's some wonderful work by artist Julia Adzuki who's talking about
01:02:20.640 music she studies the Finnish Aurelian tradition I hope I've said that correctly and she says
01:02:26.740 when one person sings their pain it strikes a chord and resonates with others and the idea that
01:02:33.760 this sound needs to be heard and held by others in order to land somewhere and resonate and I think
01:02:39.680 we kind of felt that at the beginning with Amy's wonderful offering um so yeah allowing places for
01:02:46.220 those reverberations to to ripple amongst each other um yeah for me it's a way that I'm thinking
01:02:54.880 around you know the missing part between uh crisis and resolution is actually this big space in 1.00
01:03:03.720 between for um yeah for lamenting the collective whale is needed there there's women in who used
01:03:14.880 to get paid to go to funerals they're called keeners in ireland um in sardinia in italy they're
01:03:21.780 the grieving women and they would get paid to go wail at funerals and that's a lost art that like 0.98
01:03:29.720 I want to bring it the fuck back because it is needed there's power in our in our storehouse 0.99
01:03:36.380 in our bellies when we let ourselves like wail from that space there's shedding of grief you 0.99
01:03:45.480 let it out of your body there's a um a talk by martin prischel called grief and praise and he
01:03:54.240 talks about how grief can get stuck in the body and become hardened and become disease in some
01:04:00.440 ways and like when you flow with it and move with it and do that one thing for five minutes if it's
01:04:06.700 that you move it up out of your body and that like you know maybe i'll host the collective whale at
01:04:13.680 some point we all can yell together muted maybe but you know or not I don't know um yeah thank
01:04:22.020 you Becky that's it's so yes so true collective whale please um I want to tie that into a question
01:04:30.740 that came in earlier on the chat from Jonathan my friend and collaborator here in Montreal
01:04:37.400 and and maybe turn this one to white feather and then maybe to carol because this is a question
01:04:43.920 about how we feel what are tactics what's your practice for feeling that you are not alone that
01:04:52.840 you are ecosystem are there ways you can suggest first i've seen pictures of carol's um mushroom
01:05:01.580 sculptures i balanced on on people just living and breathing that moment and then i went out and
01:05:06.820 like dug my hands into the mushrooms near my house as the king of you charles so i know one
01:05:11.420 one piece of the answer but i'd love to hear you both speak about that wait father do you want to
01:05:15.480 start i know you had your hand up earlier too i was going to come back around to this idea of
01:05:23.440 manipulation its relationship to death and mushrooms all together
01:05:30.380 um in my practice and maybe it'll kind of swing around to what you're asking um i want i want for
01:05:39.900 all of us to own our power to manipulate and you know i liked what you were talking about amy with
01:05:48.480 acknowledging that it has this negative connotation but i think also that negative
01:05:53.820 connotation has been used against us to take our power away. You know, and for me, working in a lab
01:06:02.100 with microorganisms that I control and care for requires a great amount of humility, you know,
01:06:11.020 working in science fields. And this is something that may often be missing, you know, from
01:06:17.480 scientific experimentation, this sense of humility. And for me, my direct and immediate
01:06:24.380 experience with death over the past two years, brought me to my knees brought me to a place of
01:06:31.140 humility, on a very personal level, because I was infected with COVID in March 2020, you know,
01:06:39.240 when nobody knew anything about it. And I was living every single day with the fear of death,
01:06:45.920 I felt it close to me. It was in bed with me for weeks. And that made me realize that
01:06:53.720 my experiences and my conceptions of death up until that point had been very much centered in
01:07:01.740 the iconography of death. And, you know, these are tools that we use as witches to navigate these
01:07:10.180 spaces that are perhaps unknown to us you know and they're scary and when you're in it and it
01:07:20.260 becomes palpable and real and you're on the precipice and you know you can die at any moment
01:07:25.980 this becomes a really traumatic experience and I feel like this is why it's so important
01:07:31.920 to have people like Angela to, you know, support us in this space, in this transitional space.
01:07:42.220 For me, I was able to get a lot of support from the mushroom world, you know, from microdosing
01:07:50.000 psilocybin, which helped move me past that space of trauma and, you know, come back into the land
01:07:57.400 of the living. This was my doorway, um, you know, through this unknown space, this, this was my,
01:08:05.860 my Hecate, I guess, um, you know, this is what mushrooms did for me. So I feel like by sort of
01:08:16.580 acknowledging the power of these non-human agents, um, also acknowledging, you know, 0.95
01:08:24.160 what I have to offer in terms of care, like Becky was talking about, how that reciprocal
01:08:29.420 relationship can, you know, be conducted through a space of humility is sort of one way that I've
01:08:37.180 been able to not feel quite so alone in one of the darkest times of my life. Yeah. Yeah. I think
01:08:48.220 you have a lot of people who resonate with what you're saying, and I'm glad the mushrooms were
01:08:53.760 there with you on that road back i'm glad glad you're here with us on this side whatever this
01:08:59.200 side is carol will you take us take us home i think this will be thank you for sharing that
01:09:06.080 white feather that was um i think part of our conversation that we really needed to hear
01:09:11.620 um as we're thinking about uh ways of tapping into our fundamental connection with the web
01:09:20.780 of life on the planet. I have a few thoughts. One is to definitely notice what creatures,
01:09:31.620 beings are calling you and are tapping on your shoulder, because I think we are living in a time
01:09:37.880 where the tree ones, the winged ones, the swimming ones, the four-legged ones are indeed reaching
01:09:47.840 out to us, as are the ones who are no longer breathing. And so keep an ear out and respond
01:09:55.020 and play. That's number one. My second idea is to remember the capacity you have through your
01:10:01.880 senses. For me, I do a practice of every night as I'm falling asleep, opening up my senses to all
01:10:11.600 of the life that lives within my body and it helps me relax. I put my arms over my head and
01:10:18.720 it kind of stimulates that vagus nerve that just kind of calms your nervous system. And then I
01:10:25.120 follow that with gratitude for the beings that are in me and around me. But I think the senses
01:10:30.680 are such a reliable capacity we're gifted with in our bodies. And then I also wanted to say
01:10:39.860 there's no coincidence that right now there's such a resurgence in mushrooms um they are
01:10:48.300 caretaking us right now and whether um you're a psilocybin uh aficionado or want to be or whether
01:10:58.640 you are somebody who just wants to think about the ways they are decomposing and building new
01:11:06.440 worlds through death um there's so much that um mycelia can teach us so those were my thoughts
01:11:15.120 thanks carol i'm glad you were the one to bring us home with that i know for myself one of the
01:11:23.520 great quiet joys for me right now i i recently got a copy of julia skinner doctor which dr julia
01:11:30.860 Skinner's fermentation oracle deck and she has in it the most simple recipe for mead which is just
01:11:38.000 water and honey and you shake it every day and it glows in the light and you that's all you do
01:11:45.500 and it's just sort of slowly changing the natural yeasts within it are changing and every day I hold
01:11:52.880 it and I realized you know it's six months since I lost the job that had defined me for 10 years
01:12:00.840 it's you know it's this year this two years of of death and overthrow it's you know three years
01:12:09.540 since my daughter was born two years since she almost died in my arms it's I'm just turning this
01:12:15.380 honey you know I'm just turning it and something is changing and that is all that I am at right now
01:12:22.180 it's called the fermentation or the hidden cosmos of fermentation oracle deck
01:12:28.720 by julia skinner she's been on our podcast as a closing word i will invite you all to
01:12:36.520 listen to our podcast if you haven't before we we have people like the brilliant people here
01:12:42.280 um who we are honored to sit with um and we tell stories of real witches um and if you want to join
01:12:51.560 us on our patreon we have these conversations monthly it's not tiered so whatever you feel
01:12:58.840 comfortable with we would be honored to have you and those are my little plugs um i hope you'll
01:13:04.860 forgive a little plug on a friday afternoon um and i do want to continue this conversation with
01:13:12.540 all of you um but i want to be respectful of everybody's time as well so i'm going to turn
01:13:18.700 it over to my beloved friend and collaborator life changer my friend Amy and she will give us
01:13:27.460 a last little bit of a reading and then we sort of changed our plan on the fly again and instead
01:13:32.360 of whatever I was going to do she's going to sing that carol one more time and then we'll say good
01:13:37.600 afternoon thanks everyone um I I really want to say on on this subject of collaboration and death
01:13:46.640 um that Risa and I have have been collaborating since we met it's just sort of how we built our
01:13:53.580 friendship but something that's very interesting to me is that you know she became a parent for
01:14:02.480 the first time and six months later I lost a parent for the first time and six months after
01:14:08.720 that she almost lost her child. So she and I have this sort of rooted system of this exchange
01:14:16.900 between life and death and to us and why we're here it is both science and poetry. It is a wave
01:14:28.260 that washes over us and a boil of a pot of water that we boil. Someone said to me in an Instagram
01:14:35.400 message the other day that they felt that poetry was a bacteria that it travels
01:14:41.700 and that to me is ultimately the goal one of the many goals of the missing witches project
01:14:51.380 and something that I'll turn to a quote from another amazing witch that we reproduced in this
01:14:56.920 book um to put a mighty fist up and also punch it toward the idea that witches are anti-science 0.98
01:15:06.100 witches are the original scientists and poets are scientists and scientists are poets
01:15:15.120 and mycelium networks and poetry networks and networks networks networks and doing away with
01:15:24.960 this notion of individualism that we have seen destroying our our love for one another
01:15:31.880 so i just want to read a little bit from the introduction for those of you who haven't read
01:15:38.220 the book i hope that um you'll pick it up and continue to ripple this bacteria that we have
01:15:46.280 put into the world infect your friends with it um have conversations like these that are
01:15:53.760 difficult difficult conversations are my favorite kind and the book is full of them because life is
01:16:02.940 full of them you know we are life and we are death and in all of those things there is beauty
01:16:09.180 and rebirth and the growth that comes from rot that is fundamental to each one of our works
01:16:17.220 and our lives. There is no beginning, there is no end. Except in the case of this meeting that
01:16:24.280 we're having today, there will be an end, and it's coming in a minute. With this book, we hope to
01:16:30.940 reach out into the wider web of all those who feel drawn to be a witch. People who, like us,
01:16:39.860 want a way to connect with nature and each other, but who find themselves alienated by dogma,
01:16:47.220 Cynical of New Age spiritualism, or left out and insulted by the unexpected thorns of misogyny, commodifying racism, nationalism, transphobia, anti-science, and more, that can appear in modern mainstream paganism.
01:17:05.520 Our beliefs are much more deeply rooted in research than in blind faith.
01:17:12.140 But we still get funny looks from time to time when we call ourselves witch.
01:17:17.220 dismissed as flaky or demeaned as illogical, we come to those encounters armed with the words
01:17:25.680 of researcher, scientist, and author Majin Gonzalez-Wipler, who said in her book,
01:17:32.180 The Complete Book of Spells, Ceremonies, and Magic,
01:17:36.220 I don't believe in the supernatural. I believe in nature and all things natural.
01:17:44.340 everything that can that happens in this world always happens through natural channels
01:17:51.080 and in accordance with immutable cosmic laws all things both real and surreal
01:17:58.920 are part of the cosmos where everything has a place and a reason for being
01:18:05.540 so I take that with me not for the poetry and the mushrooms that surround me but also for myself
01:18:13.820 and for all of us I have a reason for being I have a place and a reason for being and so
01:18:20.580 do we all let's look for the door to the unknown country and find those reasons for being and find
01:18:27.480 those places that no one ever imagined before and as you think on that I'll fade us out
01:18:35.580 and you can feel free to leave or stay and listen or weep or stick around in the chat
01:18:42.800 while i play these and again i'll do it twice so you can sing along the second time if you like
01:18:48.440 unmute your microphone if you want to now let's get crazy and chaotic with noise
01:18:52.940 as leaves and empires fall around me fall around me
01:19:09.940 fall around me as leaves and empires fall around me fall around me
01:19:21.180 fall around me i give thanks i give thanks for the spirit in all things
01:19:34.600 For the magic that it brings
01:19:37.800 For the seasons change
01:19:40.800 And so must I
01:19:43.500 As I win is nigh
01:19:47.440 Last time
01:19:49.320 As leaves and empires
01:19:54.040 Fall around me
01:19:57.480 Fall around me
01:20:01.360 Fall around me as leaves and empires, fall around me, fall around me, fall around me.
01:20:19.940 I give thanks, I give thanks, for the spirit in all things, for the magic that it brings, for the seasons change and so must I.
01:20:38.940 thanks everybody thanks for coming thank you thank you thank you thanks everyone
01:21:03.840 thank you thank you everyone we love you this episode i have a crazy echo now and that's
01:21:15.280 probably perfect but i'll just tell you this this um conversation will be recorded and will
01:21:20.200 be released on the podcast um and we can probably convince amy to just record that song for us as
01:21:27.100 well and we'll release that to you there's some requests so thank you we love you thank you 0.97
01:21:34.400 bless the fucking bee 0.93
01:21:35.680 season six of the missing witches podcast is sponsored in part by foxglove farm go to foxglove 0.96
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