Missing Witches - October 20, 2022


WF Carol Gigliotti: The Creative Lives Of Animals

Topics
MW Donna Haraway: Experience Is A Fiction And A Fact MW+ Vandana Shiva: In Nature's Economy The Currency Is Not Money, It Is Life.

Episode Stats


Length

41 minutes

Words per minute

152.29

Word count

6,261

Sentence count

201

Harmful content

Misogyny

7

sentences flagged

Toxicity

11

sentences flagged

Hate speech

9

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:01:05.800 welcome kevin welcome whatever state your brain is in my loves 0.98
00:01:13.140 mine is sort of a froth of joy and new ideas and exhaustion and terror and delight at all times i
00:01:21.540 don't know if that describes your brain chemistry but that's sort of where i'm at
00:01:25.560 welcome back to the missing witches podcast and i'm so excited to be here today with the author
00:01:34.100 of the creative lives of animals carol gilotti we've been slowly discovering each other's work
00:01:41.160 and going through kind of hard times together actually quite lovingly over email for the last
00:01:47.720 couple months and carol's book is so fucking rad and so beautiful it's so exciting to see so much
00:01:58.020 research so eloquently put together from the perspective of both art and science to make the 0.62
00:02:04.180 case for not just the kind of generalized idea of creativity in animals but in the individual
00:02:11.900 and cultural creativity in animals that's so I think core to understanding how a future saving
00:02:21.840 kinship could work right there's so much power in all of this research and so to get to talk to you
00:02:28.920 is really rad I'm so so excited that you're here how are you tell us everything
00:02:36.060 okay i'm doing very well doing much better than when we were emailing back and forth i'm happy
00:02:43.580 that we were able to meet through my son a beautiful writer in his own right who was yeah
00:02:50.480 so i i have just been really focusing on the book publicity and marketing and so yeah that's been
00:03:00.560 exciting and kind of overwhelming. I have a terrific publicity and marketing team at New
00:03:06.720 York University Press. They're amazing. You know, it's actually been a long haul. It's been almost
00:03:12.880 10 years. If you look at everything, there were lots of down times. But yeah, I've kind of been
00:03:18.180 working on that book for 10 years. That's quite gratifying to hear you talk about the book like
00:03:25.220 that because boy you got it that's exactly what the book is for do you feel like in that 10 years
00:03:31.680 it was hard to make the case like is it easier to make the case now about the creative lives
00:03:39.680 of animals about their importance their minds I thought it would be difficult until I really
00:03:45.340 started doing the research and once I started doing the research I was like this stuff is all
00:03:50.780 out there over the last couple of years. But, you know, every time you open the paper or open
00:03:57.200 a magazine or, well, I never do that anymore. I always look online and so does everybody else.
00:04:03.580 But there are tons of articles about animals doing, sometimes they call it creativity. Sometimes
00:04:10.040 they just say, amazing. It's not really amazing. It's just, we've been so blind all this time,
00:04:17.540 myself included yeah i i did not find it difficult at all in fact i had so much research i had to
00:04:24.000 sort of i can't keep writing a book forever i'm gonna have to i'm gonna have to sort of you know
00:04:30.460 stop at some point which of course i haven't really done yet i keep putting things away you
00:04:35.880 know maybe for another book but no it wasn't hard it's just it's really important for us to open our
00:04:42.280 eyes and it's really hard to do that and there and there are other people out there and other books
00:04:46.460 tons of books right now that are just so interesting and and even if they're not talking
00:04:51.420 about it in terms completely of creativity it's the way they're writing about it or the way
00:04:58.540 they're sort of putting it in a context is just so useful I think and and meaningful in terms of
00:05:06.140 the kinds of things I'm writing about in creativity and all these you know I could not
00:05:12.360 have written the book without all the scientists and i never thought i would say that but you know
00:05:17.540 i've always been a kind of critic of science but also loved it you know it's like a love hate
00:05:23.840 relationship so yeah i certainly could not have written the book without without all the research
00:05:29.500 i did i think it was really important to back it up and support it with people who were actually
00:05:36.800 in the field, some of them working with one animal, one species of animal for
00:05:43.880 their whole lives, their whole career. So why do you think that when there is so much work,
00:05:51.920 why do you think we still have such a hard time really seeing them?
00:05:57.680 I think the major reason that it continues is that if we really thought of animals as
00:06:05.380 other nations rather than underlings, which is sort of a paraphrase of Henry Bestin's quote
00:06:13.120 about animals, great book, The Outermost House. I think, you know, most people would have to
00:06:19.480 stop eating them, stop wearing them, stop using them as slaves. And if I could just answer the
00:06:26.320 science, what I've found, and this is really interesting to me, is not all the research
00:06:32.000 i i used was about creativity i thought in terms of what i've taught for so long and how i think
00:06:39.820 about creativity i could see all these little threads that needed to be put together and there
00:06:46.080 are people biologists you know studying creativity well i i really tried to look at it from the
00:06:52.860 creative process which i thought would open up a lot of area and a lot of space for the individual
00:07:01.860 animal, how we as human beings could see how that creative process exists in animals just
00:07:11.340 as it does in us, but in very many ways that really do not exist in us because, you know,
00:07:17.080 we don't emit scents that are ultraviolet, for instance.
00:07:24.340 So, yeah, but the other thing I found, and this was interesting, is that a lot of the
00:07:29.400 people I interviewed had been pathologists, evolutionary biologists, scientists for quite a
00:07:35.740 while. And they're at the point in their career where they're like, nah, I see this. This is what
00:07:43.540 it is. I'm not backing down, you know, which is something that Jane Goodall and Franz de Waal say
00:07:50.100 that, you know, you just keep hammering away that this is what it is. And after a while, all the
00:07:55.940 other explanations go away because they just really don't make sense and the one that stands
00:08:04.280 up is the one that is the simplest if you think about evolution is that yeah we're creative
00:08:13.300 evolutionary thought makes you think and of course darwin thought this that they're creative too
00:08:20.260 so but i also found those people were were older and then i found lots of younger scientists
00:08:29.640 biologists all kinds of different you know ectological biologists i mean there's just
00:08:35.740 lots of going on work going on in terms of ecology and and biodiversity and younger people who were
00:08:43.280 like of course of course and we're not so you know what burdened with behaviorism but and that
00:08:51.200 that i think is is coming about slowly i wish it wasn't so slow because we needed to be quick we
00:08:58.040 we're at the point in our planetary health and if we don't figure these things out we're
00:09:06.120 and as we all know we're we're going to be in deep trouble
00:09:09.780 yeah that's the terror that lurks i mean i love hearing that more and more scientists just see
00:09:17.340 it as obvious and especially you know that that feels like a tide of just obviousness that you
00:09:22.820 encountered that's like quite reassuring but how how it leaps over those gaps from science into
00:09:30.820 and it's in popular discourse too right like as you point out you know every other thing on the
00:09:35.640 internet is like a bear being brilliant and hilarious or whatever a cat and you're like
00:09:40.260 we all know it's intuitive we know they're individuals they're playing they're communicating
00:09:46.960 oh I think you know in terms of writing a book most of my other writing has been about our
00:09:53.020 negative relationships with animals and it has been in the area of critical animal studies and
00:09:59.220 you know, what biotechnology has, is doing to animals and how we think about animals and how
00:10:06.260 we use animals. But I really, to be honest, I really wanted to write something that would be
00:10:11.680 popular, that would get to not an academic audience. There's some stuff that's a little
00:10:18.120 heady in there, but I try to break it down. It's just sort of like when I was teaching Heidegger,
00:10:24.020 you know and you throw Heidegger at students then they're like ah
00:10:27.080 and then you break it you just break him down you just not poor Heidegger but
00:10:33.560 break that guy down a little bit break down his thoughts and really they're it's not that they're
00:10:41.420 not profound but you know they are profound in their simplicity in some ways so you know I mean
00:10:49.180 my goal is to really always get to understanding something and never, never being opaque. I really
00:10:57.660 don't want my writing or my own thought to be so opaque that nobody understands it. Because why
00:11:03.740 bother? Yeah, truly. It's still hard. I mean, when you're in an academic discourse all the time to
00:11:10.280 break out of that language and speak clearly is really hard. And as a spell, I think, if you can
00:11:16.560 do it you know like it really is like can you break out of that one language into a whole other
00:11:20.680 language well when i retired that was my goal really was to retire and write the book and so
00:11:27.440 i'm old enough to be able to do that but it still took 10 years and i still you know i still went
00:11:33.080 with an academic press and and i will say there's lots of good stuff coming out from academic presses
00:11:39.420 because they're much more open to ideas especially a press like new york university press that are
00:11:45.920 open to new ideas that aren't particularly always accepted I want to think about your history
00:11:53.340 in the arts coming to this science conversation and being the one who can see it you know or like
00:12:00.440 that that artist perspective that can that can open up science sometimes and how you feel like
00:12:07.620 you're understanding teaching kids teaching creativity you talk about it in the book
00:12:11.660 how your understanding of creativity allowed you to write this book to see these things
00:12:16.980 yeah i mean i certainly didn't come to this in my 30s or 40s i mean i i didn't really get into
00:12:25.140 academia until you know higher ed until my 40s and i went back to get my doctor i already had
00:12:32.360 mfa in printmaking and then before that i had a bss which i was like you have a what it's really
00:12:41.140 Bachelor of the Science of Speech. I'll be real honest with you. I had a very serious car accident
00:12:47.280 and I couldn't move my head. I couldn't really do much of anything for a while. And I could read
00:12:53.960 if I held the book up somehow. And I started reading like everyone does when they're in a car
00:13:01.660 accident. Physics. What just happened to me? Break it down from the fundamental particles.
00:13:11.300 Yeah, I had read Annie Dillard and her first book, Pilgrim at Tinker Creek. And there was so much in
00:13:20.900 that book. She really looked at older kinds of science. And so I got a number of those books,
00:13:29.020 And they led me to read in conceptual physics.
00:13:32.620 And pretty soon, everything kind of changed in terms of being really interested in science in a way that I had never been before.
00:13:46.220 And so, and of course, you know, the idea that science is problematic and that sort of objective view.
00:13:53.820 I mean, I knew that already.
00:13:55.420 But this, I wanted to know more, the Leonardo's Choice book was about how science and biotechnology specifically was affecting not only, well, animals themselves, and really, you know, changing, and this is still going on, of course, changing genetic codes of animals so that they're much more what we want them to be.
00:14:19.540 And that whole idea of that our creativity is about changing things in to make it more like us seems to me to be a real dead end when you're talking about creativity.
00:14:38.140 You're cutting out any kind of flexibility or openness to the world around you.
00:14:43.720 and if we i and i say this in the book if we end up with just us we're sunk we are not you know we
00:14:53.180 are only one small part of the universe and one species among eight million other species on the
00:15:03.840 planet and we really have to think of things like that or we will never understand the way to be a
00:15:11.820 good planetary citizen, for instance. Now, when I got my PhD, I worked at the Advanced Computing
00:15:18.360 Center for Art and Design and Computer Science. So, you know, I started to get this view of science
00:15:26.320 that wasn't so negative. I mean, I was up in a cabin with my son in the snow, and I was taking
00:15:33.560 a computer science course. And this was before I went to Ohio State to do the PhD. And I was
00:15:40.460 reading about if then else you know that very basic kind of way to write algorithms and
00:15:48.320 I was like I was totally shocked I for some reason had never understood and which was probably a real
00:15:57.540 problem that if this happened then this would happen but if you did this this might happen
00:16:05.860 so the idea that things were possible if one thought about them enough I mean certainly
00:16:17.160 I understood that but that I could change it that all I had to do was keep going but if this
00:16:25.480 this this that was a major and I know this sound I've said it to computer science and they're like
00:16:31.740 really? But for me, it was this major breakthrough. Well, sure. I think an artist and thinker in the
00:16:39.540 woods comes to it and goes, everything is open. Change is everything. Everything is change. I am
00:16:46.280 in the moment of choosing change at every pass. And this person who did this computing laid out
00:16:51.460 a certain path for me, but those aren't all the paths. And I think that also helps us think about
00:16:55.880 the built world versus the animal world or the living world that's around us. We're set up into
00:17:00.740 this limited set of possibilities if this then this yeah they're with us to going like no also
00:17:07.940 this well and you know when I wrote my dissertation I actually wrote it using Brecht the dramatist
00:17:15.140 and his idea that we are not you know sort of against Aristotle it's not about destiny it is
00:17:23.280 about choosing what will happen choosing to be good choosing to look at animals in a different
00:17:32.320 way choosing you know to be vegan or whatever you're doing and choosing not to kill someone
00:17:40.900 even a human or an animal so you know those kinds of things I think led up to
00:17:47.500 the book and some of the thinking behind it and and this kind of openness to bio well biology
00:17:56.900 particularly which i kind of always have been interested in but it was also meeting people
00:18:01.120 like mark beckoff who's a biologist and you know just his writings and his books are are really
00:18:07.780 wonderful because they just lay it out for you and he's a biologist who's worked with you know
00:18:13.660 wolves and coyotes and all different kinds of animals. But his ideas on play, I think,
00:18:20.580 are really powerful. And certainly play is an enormous part of creativity. You know,
00:18:27.640 you take kids who've never been played with and may have a hard time doing anything creative
00:18:33.480 or anything else for that matter. Certainly in the U.S., there's a lot of problems with kids,
00:18:41.560 you know, only doing what the teacher wants. Is this what you want? I don't want you to do what
00:18:46.500 I want you to do. I want you to think about what you want to do and then do that. See what happens.
00:18:53.880 Yeah. It makes me think about, you know, if, if we're genetically modifying animals into being
00:18:59.160 more like, not just like us, but like what, what is useful and subservient to us and the kinds of
00:19:05.700 creativity that we're losing, right? Exactly. Exactly. Yeah. I was so moved in the conclusion
00:19:13.380 of your book when you talk about, I'm going to paraphrase it so badly, but you talk about this
00:19:19.420 idea of cultures, you know, that so much of the focus on biodiversity, preserving biodiversity
00:19:25.140 focuses on, you know, make sure we have X amount of X species or whatever, but we're missing
00:19:32.760 the individuals and the cultures within species yes the leadership of mothers among elephants
00:19:39.340 you know so we didn't notice and and and lost a lot of moms and lost a lot of history and a lot of
00:19:45.300 like wisdom and genius in in those families yeah i was really really struck by that that making it
00:19:51.600 so concrete like we we have to look for the creativity in these animals and not just to
00:19:57.440 think about it in this broad general stroke of like ants have instinct towards this or there's
00:20:03.620 there's a uniqueness there that has to be looked at in such a fine grain way yeah and well two
00:20:08.860 things one is that and i'm blanking on his name moffat i think we'll put the link in the show
00:20:14.200 notes okay and he talks about being able to tell individual ants who's what because he's studied
00:20:21.480 them for so long he's down on the ground looking at what they're doing and certainly you know tom
00:20:28.520 seeley i'm sure you read the b section about b democracy he has a book out on b democracy that
00:20:35.500 everyone should read and i talked about his research that was really wonderful that individuals
00:20:42.200 are so important in deciding where the nest the next nest is going to be but how the the individual
00:20:55.460 then gets together with the group and then it's decided which nest which area is best
00:21:03.780 he calls a quorum they decide in a quorum so it's not everybody waits around for everybody to agree
00:21:10.360 which is sort of what we do in meetings, which is like fruitless, but it is, we need a nest.
00:21:18.280 We need this particular, and the requirements for a bee's nest are very, very particular and very
00:21:24.460 precise. And so they decide which one is the best with most of the bees, most of the scouts that are
00:21:33.380 doing this actually agreeing. And there's much more to that free bee democracy because it's really
00:21:38.920 quite useful for what's going on in our country right now. Boy, I wish people would read that.
00:21:45.220 Wild. That's top of my list now. Can you give us some other examples of kinds of creativity that
00:21:51.740 you were delighted by doing the research? One of the things that I thought was really,
00:21:56.960 and I really didn't know very much about, was desert iguanas emitting scents that reflect
00:22:03.800 ultraviolet light. I mentioned that before to mark their territories. And then the other iguanas see
00:22:10.620 the ultraviolet light in the markings and they stay out of the territory. Now, we could never
00:22:17.660 do that. First of all, we can't see ultraviolet light without help. So there's that. And this idea
00:22:24.760 of different kinds of communication, elephants using infrasonic rumblings, which they kind of
00:22:32.280 knew about before but how did they do that they hear those rumblings through their enormous feet
00:22:40.700 and they can hear these from miles and miles so they're communicating and telling each other
00:22:47.760 you know where they where another elephant group is and you know what's safe what isn't
00:22:55.520 you know whatever it is they're talking about and this one i actually got from richard prum
00:23:03.220 richard prum is really interesting a brilliant guy who you know wants us to think very seriously
00:23:12.480 about sexual selection in evolution not just natural selection and how animals select for
00:23:21.300 desires really for instance the bird of paradise you know i don't know if you know the bird of
00:23:28.680 paradise but they're really beautiful gorgeous birds well the males are because the females
00:23:35.160 are the ones that judge they sing and dance i mean cornell university has a whole project that
00:23:42.480 was done by a photojournalist who's a biologist and a biologist who went to where birds of paradise
00:23:49.180 isr and you know documented them for a number of years and then went back they realized really
00:23:57.160 what they were seeing was not what the females were seeing once they put the camera to see what
00:24:06.420 the female was seeing good lord completely different and so that idea and i went off to 0.92
00:24:14.420 from these other two scientists, is that females have had a great deal of power in actually being 1.00
00:24:26.220 able to decide what is beautiful to them. And in terms of the kinds of biodiversity that we think 1.00
00:24:34.940 about in terms of the beauty of the world, certainly females have had a lot to do with that
00:24:40.420 In a number of situations, it's not always just about beauty, but I think that is one of the most, at least for me, was sort of mind-blowing kind of thing.
00:24:50.520 And once I got onto that project, I literally, I got addicted, and I'm sure that slowed the book down.
00:24:56.280 And really, once you get to this, you won't be able to get off, so just be prepared.
00:25:00.980 I'm here. I'm ready for it.
00:25:02.620 I want to ask how this work intersects then with your feminism, not to derail you because you're in the middle of a thought, but I want to know that too.
00:25:09.720 Well, I know. Certainly, Prum actually mentions that, and I love him for it. He talks about the fact that, you know, feminism is not just some sort of idea, human idea, but it's actually biologically very important.
00:25:27.280 and and he goes on to talk about all kinds of ways ducks for instance which I hope I don't
00:25:35.740 screw up telling this there's a long section about ducks the idea that you know ducks male
00:25:41.380 ducks are quite aggressive and so the females have developed vaginas that are really complex 0.95
00:25:48.680 and sort of allow the duck to put off the male
00:25:54.260 because, you know, they're kind of like corkscrews.
00:25:58.300 But then the male has also figured out biologically.
00:26:03.160 Well, then, okay, well, we're going to do this. 0.99
00:26:06.300 I don't know if you call ducks penises, 0.98
00:26:08.500 but it's been reshaped as well. 0.99
00:26:11.400 And so this could go on indefinitely,
00:26:13.540 which, you know, kind of sounds like men in general, you know.
00:26:18.680 But yeah, there's just so many things like that.
00:26:21.840 And also, I think we were talking about the idea of feminism a bit in another context.
00:26:30.940 There are so many animal studies or women who have been writing about animals who certainly are feminists as well.
00:26:39.180 I mean, certainly you can't talk about that particular subject without talking about Carol J. Adams, who wrote The Sexual Politics of Meat.
00:26:47.200 And she's very active in and has a number of other books out, a friend of mine and just a wonderful person. And then there's sort of a different care perspective for animals that goes along with feminist thinking, Josephine Donovan.
00:27:05.060 I think feminist thinking has really influenced the kind of thinking that we have on animals.
00:27:12.420 I mean, if you go back through history, you know, there's been lots of women who have started animal welfare, I'm using air quotes, you know, who really cared about animals.
00:27:22.660 And I think one of the reasons is, you know, women and people who are discriminated against for race or sex, well, sexual proclivity, anything like that for their cultures, you know, have that understanding of what it's like to be seen as inferior and second class.
00:27:44.720 And I think that allowed a lot of women to really understand animals in a way. I'm not saying that there aren't wonderful, you know, men who are involved in animal rights and didn't come to it from that. But I think that's really true in terms of feminism itself as a movement.
00:28:04.400 And if you go back, an early feminist really in Britain was Bridget Brophy, who was a feminist and an activist.
00:28:10.300 And she died very young, unfortunately, in 1995.
00:28:14.900 But she was very influential and was a fiction writer as well and has tons of fiction books and nonfiction.
00:28:21.700 Val Plumland in Australia, you know, is known as an eco-feminist and has thoughts about animals I don't always agree with.
00:28:29.120 but her understanding and her need to understand how animals exist in the world and in the habitats
00:28:38.060 that they are in and what makes them so important for biodiversity. I think she's really good with
00:28:44.420 that. Jane Gadol, of course, even though I think she says, you know, I don't know if I would call
00:28:50.580 myself a feminist, but I was always the only woman in the room. And, you know, Jane Gadol says she's 0.85
00:28:57.240 been vindicated by how we are looking at animals as individuals. Now, you keep mentioning culture,
00:29:04.480 and I just want to get to that because of all the things in the book, it's the last chapter.
00:29:09.660 And I think it's really important because even biologists like Kevin Leland, who was very,
00:29:17.840 very influential and really was one of the first people to talk about animal innovation and
00:29:23.220 creativity they don't really go past that like humans do because we have culture and you're like
00:29:31.180 what animals do have culture and i think as you said at the very beginning that's so important
00:29:39.140 to recognize you know a particular individual in a in a particular culture group culture
00:29:46.580 it's not just one you know one species has a large culture they're all these different kinds
00:29:52.140 cultures. You know, in Wales, the East Coast and the West Coast, Wales have very different cultures
00:29:57.680 in terms of what songs they sing. So I think that idea of animal culture is really, really profound.
00:30:05.540 And I think it's really important for people to think about. And I hope that more books will
00:30:11.380 come out of that, as well as what that means for conservation. And I want to also note that I did
00:30:19.000 include domestic animals like pigs and, well, I don't know if pigeons are domestic, but
00:30:24.900 animals that we see as underlings. I don't want to compare animals and say this animal's smart
00:30:32.920 as this animal, because as far as I'm concerned, as when I was teaching, everyone is creative in
00:30:39.660 a different way. We, all species are intelligent and creative in their way. And that doesn't mean
00:30:47.820 that ours is superior ours is just one of those processes one of those ways that we live in the
00:30:55.040 world so can you then think out loud about this idea that appears in your book about a new way
00:31:03.080 of thinking about creativity and what it is at all and where it comes from this you know this
00:31:10.180 this earth creativity one of the things that really helped me look that out was David Blahn
00:31:16.240 I'm the physicist. All that reading I did when I was miserable and couldn't do anything else,
00:31:20.520 I guess, was important. It was useful. Now I see that. He said, because in his book on creativity,
00:31:28.300 it cannot be too strongly emphasized that what is being suggested here is that intelligence does not
00:31:36.860 thus arise primarily out of thought. Rather, as pointed out earlier, the deep source of
00:31:44.440 intelligence is the unknown and indefinable totality from which all perception originates
00:31:51.740 and i give a definition of creativity in the book that really i felt would work for biologists and
00:32:03.260 and also for the general public the idea that individuals create novel that seems to be what
00:32:12.040 biologists want and i made a point of saying it could be novel for only that individual and that
00:32:17.980 counts and meaningful that was not a word that a lot of biologists use but i wanted to use it's
00:32:24.120 meaningful they created something meaningful not maybe to humans but to themselves but also that
00:32:31.040 that would happen at an individual group species and evolutionary level so i guess
00:32:40.060 my thought about creativity being instead of saying the deep source of intelligence i kind of
00:32:48.740 when i read that i thought the deep source of creativity is the unknown indefinable totality
00:32:55.280 from which all biodiversity originates and that would include animals and i'm i'm i you know i i
00:33:07.140 know that some people will think that means intelligent design. I didn't mean that. And I
00:33:12.040 know some people think that means there's a designer or this is very sort of Christian
00:33:18.000 mysticism. It doesn't mean that. Evolution is what this planet is about. Now, whether or not
00:33:24.800 in the cosmos there are other ways of doing things, I'm sure there are. But living on this
00:33:31.760 planet i think that that is what i tried to get across and i think it's important for us to be
00:33:37.400 again good citizens of the of the planet a planetary citizen good planetary citizen
00:33:43.580 you remind me so much of octavia butler in earth's in earth's seed right you know god is change god
00:33:52.140 is only change but we dance with change and that's a whole lesson to learn i don't like change i
00:33:56.900 I love change everywhere, but you know, for me, changes are, everything's changing. So we're at
00:34:03.220 a loss. And, and I think it's a very uncomfortable moment for most people right now. Uncomfortable
00:34:08.640 is probably an understated word. I do think your book offers some, some kindness for that, you
00:34:14.340 know, like we, while we're sort of in the overwhelm of how fast and how scary change is, I, I take
00:34:22.700 comfort in this idea that there are communities and cultures around me that I I can notice you
00:34:29.900 know that like an interaction with the other isn't so far away you know like I I have bees and ants
00:34:37.740 and there's a mink that lives there you know like I can bring my I can bring my attention much much
00:34:44.400 closer and and that that could still be of value because those are individuals I can think about
00:34:49.720 an interaction with those creative individuals. And maybe that helps anchor me when I feel the
00:34:55.220 loss of diversity happening, you know? Yeah. That's, thank you. That's, that's,
00:35:01.560 I'm glad that happened for you. Despair is, I would like to sink into it, but it's probably
00:35:07.360 not a very good idea. I think it's better to just keep working and fighting and, and making sure
00:35:13.160 that voices are heard. Yeah, just keep insisting on what the truth is. I'm going to take both of
00:35:21.280 those away from this conversation. Is there anything else that you think our listeners,
00:35:26.960 strange, diverse, and glorious as they are, many a witch among them? And thank you, by the way,
00:35:34.620 for being willing to come on a witch podcast. I know for some scientists and academics that can
00:35:40.540 be and especially women working in in scientific fields who have been kept on the outside and 0.80
00:35:47.540 treated like witches or emotional head cases for some of the ideas that we have to bring into
00:35:53.140 different fields it can be asking a lot to come onto a podcast with this name and i i take it
00:35:58.020 really seriously so thank you i was happy to do it my friends who are wiccans and and i'm an artist
00:36:04.360 So, you know, I really nothing is strange to me anymore.
00:36:10.020 But also, I just had a grandson, as you know, and called her my son.
00:36:15.160 He wanted to call me Nani after my mother.
00:36:18.720 We used to call her Nani.
00:36:19.840 But the actual Italian term is Nana. 0.72
00:36:24.020 And so I want to be called Nana. 0.65
00:36:26.680 And we agreed.
00:36:27.560 And then I realized there there was a whole history.
00:36:31.060 actually i have a book on my bookshelf about italian witches and there's also a children's
00:36:38.780 book called stregananna yeah so i've been going around saying i'm stregananna
00:36:43.720 grandmother witch i i i don't have those thoughts about witches i really don't so
00:36:53.980 and if somebody doesn't like that that's too bad yeah I mean I think that art is a
00:37:01.700 crucial tool of witchcraft if you want to follow it that way to to use it to transmit your life
00:37:09.480 and see who you are and meet your shadow so I think most artists are are witchy whether they
00:37:14.000 like the term or not I don't have to put the term on anybody who doesn't want it but
00:37:17.220 Yeah, you know, I've got a lot of terms put on me.
00:37:23.760 Finder terms.
00:37:26.320 Well, we certainly mean it lovingly.
00:37:29.400 I was starting that question before I went on that detour.
00:37:32.700 Sometimes at the end of episodes, I like to ask, is there something that our readers can take from you, like something you offer to them as a way to move forward in being inspired by your work?
00:37:46.160 So sometimes that could be a ritual practice you have. Sometimes it could be, you know, a way of interacting or looking at the world or an art practice or something you want them to read.
00:37:57.200 you know you asked me about creativity forms of creativity and and i think i have it here oh yeah
00:38:04.820 it was a line from the book for those moments when the clarity of the world was sufficient
00:38:09.080 and thinking about it became unnecessary and i know you like that quote and i i have to say i
00:38:14.960 like that quote too um and i really i really do not to do really but i i i love that so much and
00:38:22.340 what a what a what an easeful way of thinking about anything we do to find that those moments
00:38:28.400 anything we do and I I wanted to point out that you know and for children I know that happens it
00:38:35.420 happened to me I'm sure it's happened to you where you were young and understanding the world just
00:38:39.920 came at you like a comet and hit you on the head you know because all of a sudden you've just felt
00:38:47.940 connected and part of the world. At least that's what happened to me when I was about five. But
00:38:52.940 there's other things like play. Play is creative. And there's the whole idea of flow that you get
00:38:59.580 into a space where you don't have to think. I think play does that. I think caring for a human
00:39:08.480 or an animal. And for me, one of the things is being with trees. If I go sit in the midst of
00:39:13.680 trees and just watch not only does it calm me down but I I feel as if I'm talking to another
00:39:22.520 being or they're talking to me let's put it that way I'm not saying anything they're talking to me
00:39:27.520 and there's more on that about drawing but I'll end there I wish you wouldn't but I no thank you
00:39:36.520 I feel very much the same about just watching trees and the way that that kind of
00:39:43.860 unparalyzes my my ego brain a little bit thank you so so much for being here I can't wait to
00:39:51.160 share the links to your book and to your work and I I already look forward to getting to speak again
00:39:58.460 thank you so much I really enjoyed this I really have I I you're great you're great
00:40:04.780 keep going thanks i think that title is perfect it's perfect and i think it really says what i
00:40:14.800 think you're trying to do with with the podcast very much and i'm very happy to be here thank you 0.76
00:40:21.660 thank you bless the fucking me but don't hang up that's just how we end the podcast 0.99
00:40:34.780 You must be a witch. 0.99
00:40:37.560 The Missing Witches podcast is created by Risa Dickens and Amy Turok
00:40:41.680 with insight and support from The Coven at patreon.com slash missingwitches.
00:40:48.300 Amy and Risa are the co-authors of Missing Witches,
00:40:51.280 reclaiming true histories of feminist magic,
00:40:54.180 which is available now wherever you get your books or audiobooks.
00:40:58.080 And of New Moon Magic, 13 anti-capitalist tools for resistance and re-enchantment.
00:41:04.780 Coming fall 2023.