There Are No Girls on the Internet - March 01, 2022


Amanda Knox asks: Who gets to own their story?

Topics
There Are No Girls On The Internet is back for a brand new season! What’s happening with people of color in Ukraine?

Episode Stats


Length

1 hour

Words per minute

169.63

Word count

10,336

Sentence count

482

Harmful content

Misogyny

17

sentences flagged

Toxicity

7

sentences flagged

Hate speech

7

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:01:40.440 Your whole job is to be about, like, empathizing with the human experience enough to be able to tell a story that resonates with people.
00:01:47.520 And yet, like, here's a real human being going like, hey, hey.
00:01:54.300 I'm over here, call me, and no.
00:01:58.420 DMs are open.
00:01:59.940 DMs are open, like. 0.98
00:02:08.200 There Are No Girls on the Internet is a production of iHeartRadio and Unbossed Creative.
00:02:16.320 I'm Bridget Todd, and this is There Are No Girls on the Internet.
00:02:19.020 you're listening to the brand new season of there are no girls on the internet and if you've been
00:02:25.780 with us since the beginning thank you so much for your support it means a lot and if you're one of
00:02:30.240 our new listeners we're so glad you're here i'm bridget todd i spend an inordinate amount of time
00:02:37.180 thinking about the internet and how we show up on it when we share parts of ourselves online
00:02:41.640 what gets lost by now you know the drill that nobody's online presence tells the full story
00:02:46.460 of who they are. We're all creating a digital highlight reel, and none of it is really real.
00:02:51.240 But what about the ways the internet itself flattens out who we are and the full scope of
00:02:56.200 our humanity? When you're viewing them through a screen, it's easy to see people as one-dimensional
00:03:02.340 caricatures, distortions of who they really are. And if you think about your own online experience,
00:03:07.780 I'm sure you felt this one way or another. Now, imagine what that would be like as an exoneree, 1.00
00:03:13.420 exonerated for a high-profile crime of which you were falsely accused.
00:03:18.560 That's Amanda Knox's reality.
00:03:21.880 Amanda Knox's name is still synonymous with a crime that she did not commit,
00:03:25.980 the murder of her roommate Meredith Kircher by Rudy Goudet in Italy in 2007.
00:03:31.080 Amanda spent almost four years in prison before being acquitted in 2015.
00:03:35.280 Since her release from prison, Amanda has worked to change the conversation
00:03:39.060 around the criminal justice system and the people caught up in it
00:03:42.080 through writing, advocacy, and her podcast labyrinths.
00:03:45.480 But in an online landscape that profits from distorting people
00:03:48.740 according to the most salacious stories attached to them, 0.98
00:03:51.780 true or not, Amanda continues to be flattened 1.00
00:03:54.580 into a foxy-noxy caricature, 0.98
00:03:56.800 the same caricature that led to her being locked up
00:03:59.300 for a crime that she didn't commit.
00:04:01.600 Understandably, Amanda is particular
00:04:03.500 about what parts of herself she shares with the internet.
00:04:06.600 For instance, concerned her story would become fodder
00:04:09.540 for tabloids and online trolls,
00:04:11.720 Amanda and her husband Chris waited to reveal to the world
00:04:14.660 they were expecting their first child until she was already born.
00:04:18.200 Soon after I gave birth, and of course I didn't immediately tell the world
00:04:22.820 that I had given birth because I didn't want to emotionally
00:04:27.080 and psychologically navigate the difficulty of tackling how the internet
00:04:32.100 and how the broader world was going to react to my daughter
00:04:35.860 in those first weeks of having given birth.
00:04:39.740 I just needed to be chill and secret and hidden and no one to know.
00:04:46.620 But of course, that means that no one knows.
00:04:49.700 And I still have to keep doing my job and responding to the world as if I don't have
00:04:54.860 a two-week-old baby that's keeping me up at night and who's suckling on me constantly.
00:05:01.440 I loved how you chronicled your journey to become parents on Instagram.
00:05:07.280 did it have the desired effect you were looking for like like revealing it in that way where by
00:05:12.680 the time you were like oh we're expecting your child was actually already here did it have the
00:05:18.140 desired effects of just giving you all a little more space to not have to wonder how the internet
00:05:23.480 would react to this this change in your life yeah and then it also did um a sort of i i sort of did
00:05:29.800 a bait and switch kind of thing like i was um when i was doing when i was sort of revealing on a daily
00:05:36.320 basis like week per week photos on my instagram it was sort of like giving that sense to my my
00:05:43.800 followers but also to like the greater internet in general because of course i know the tabloids
00:05:48.420 are constantly scanning my instagram in order to like steal you know photos of me and strip them
00:05:53.800 of context and then vilify me like i was anticipating this um and sort of addressing
00:05:59.180 directly this feeling of like anticipation and wanting more and wanting like acknowledging that
00:06:05.680 As I'm getting bigger and bigger, it's very human and natural to be like, oh, my God, the baby's next, the baby's next. And then my goal at the very end of it was to show one image of my child and explain why I was not going to be sharing any other photos of her on the Internet because of how I knew both the Internet to be a thing that maybe you should opt into instead of automatically put into by your parents.
00:06:35.680 But also because of how much my own social media and Internet life has been mined for content and mined for exploitation by tabloids.
00:06:47.760 And I did not want to sort of offer my own daughter on a platter.
00:06:51.600 And so I wanted to, like, give the sense of like, yes, we're all in it together and we all are really excited.
00:06:57.440 But also this is why I'm sort of withholding something from you.
00:07:00.860 And I was hoping to, like, make a point by revealing my pregnancy that way.
00:07:06.200 Yeah. I mean, what is it like to be Amanda Knox on the Internet?
00:07:10.320 Like, what is that experience like for you?
00:07:13.400 Well, it means that I am in, you know, when I came home from prison after I was first acquitted,
00:07:21.920 I knew that I was walking into a world where there would be a version of me in people's minds no matter what.
00:07:30.000 Like, that's just a reality. People heard of Foxy Noxy now. They have a very clear idea of who I am, except it's not who I am. And so I'm going to be perpetually in conversation with that, like prejudice about me that as I'm walking through the world.
00:07:46.660 And it made me acutely aware of how much my identity as it had been constructed, especially
00:07:55.920 in the digital space, was not actually a product of my own making.
00:08:00.820 And I think this honestly is very, very true of everyone.
00:08:05.480 We all aren't totally the authors of our identities, especially online.
00:08:10.540 We like to think I think we have this like false sense of security that like, oh, my
00:08:14.780 Instagram feed is my own. And oh, you know, when I present myself online, I'll people will
00:08:20.360 understand what I mean when I say a thing. And the reality is that's not true. And we all are
00:08:26.740 facing certain kinds of prejudices as we encounter people, especially across the distance of the
00:08:31.880 Internet. As much as it brings us close, it also keeps us distant from each other because we're
00:08:36.680 not physically there um and so i feel like i have a unique perspective of like i feel like i have
00:08:46.700 because i've been such like pushed to such extremes through the internet that like utterly vilified
00:08:53.240 and also like totally reached out to by people like total random strangers who just say oh my
00:08:58.020 gosh i'm so inspired by what you went through and how you've dealt with it like i have i have
00:09:03.600 personally felt all like and pushed against all of the edges of the internet and the way that it
00:09:10.460 works so i feel like i appreciate in a sort of fine-tuned way how the internet works and how much
00:09:18.420 of myself and therefore everyone else is a construct of these like interplaying you know
00:09:26.900 impulses and um and that sense of ownership that really really we have a false sense of ownership
00:09:33.480 of ourselves online and we really don't own ourselves online actually there's a really
00:09:39.300 interesting did you um hear about the the woman who was an artist um and she had like you know
00:09:46.400 as an artist does she has an instagram account i think it was called the metaverse her instagram
00:09:51.760 was called metaverse right and like facebook decided oh we're the metaverse now so we're just
00:09:57.380 going to delete you. And they have that power, which like, again, reinforces that sense of like,
00:10:04.820 well, do we own ourselves on the internet? Do we own ourselves on the internet? So W.E.B. Du Bois
00:10:12.700 has this concept of double consciousness, whereby Black folks experience consciousness in two
00:10:17.840 distinct ways at once, the way that we understand and see ourselves and the way that we are aware
00:10:23.760 of being seen by a white supremacist society.
00:10:26.960 And I've always felt this concept was really useful,
00:10:29.600 not just in navigating the IRL world,
00:10:32.340 but in navigating my own online experiences as well.
00:10:35.140 When I share myself online,
00:10:36.660 I'm very aware that it's a convergence
00:10:38.900 of two consciousnesses, who I actually am
00:10:41.900 and who people are perceiving me to be.
00:10:44.500 I don't even really consider my online persona to be me.
00:10:47.480 I think of her as my avatar,
00:10:49.780 a stand-in for my digital experiences
00:10:51.700 completely distinct from the real me. I spend a lot of time thinking about our digital experiences
00:10:58.620 and the experience of showing up online and just what that's like for us. And I often refer to my
00:11:04.080 online self as my avatar. You know, I don't even see her as really myself. I see her as a stand-in.
00:11:10.800 And so I can only imagine what that experience is like for you as a person who has been vilified
00:11:15.600 and really turned into a caricature. How you might feel that there are these all these different
00:11:20.520 competing versions of yourself out in the world but at the same time really knowing you know this
00:11:25.340 isn't me like having this composite sketch version of yourself that of what people see you as all
00:11:32.540 these different projections of people's understandings of who you are or who they want you
00:11:37.620 to be or need you to be when i was preparing for this interview i was reading some headlines and
00:11:42.100 there was this one tabloid story that had clearly taken a picture of you and your husband
00:11:47.340 maybe when you were out at a party or something.
00:11:50.280 And there are so many pictures of you and your husband
00:11:52.960 that anybody could use to accompany a story about you.
00:11:56.060 But they had clearly gone out of their way
00:11:58.180 to choose a picture where y'all were at a party
00:12:00.720 to kind of add to this media-created idea
00:12:04.240 that y'all were weird.
00:12:06.360 You know, it's like they went out of their way to say,
00:12:08.520 look at these two, aren't they weird?
00:12:10.460 Look at this weird picture.
00:12:12.060 But it's like they chose the picture.
00:12:14.600 this is obviously something that you wanted to use to create to tell the story that you were
00:12:19.560 trying to sell. And that story was these two are weirdos. And for you, it must be so difficult to 0.63
00:12:25.620 retain and protect your sense of self when there are so many forces out there projecting all of
00:12:30.620 these competing negative out of context versions of who they think you are or who they want you
00:12:36.000 to be or need you to be. Yeah, no, it's true, especially because and I think this is true of
00:12:42.780 other people as well. Like it's not like it just limits itself to the Internet space. Like it
00:12:47.720 definitely has repercussions in my actual real life. It makes it so that it's difficult for me
00:12:55.760 to make friends or to get a regular job. Like these are all ways that the stigma of whatever
00:13:02.520 that person that that idea of me that's in someone else's mind impacts me on a on an actual
00:13:09.400 level. Like, I actually went to prison because people were, you know, cherry picking moments of
00:13:16.120 my life and portraying him in the worst possible light. And like, I went to actual prison for that.
00:13:22.860 So like, and you know, to this day, you know, I'm not being put in a jail cell because of people
00:13:29.420 talking badly about me on the internet and portraying me as a weird person. But it does mean
00:13:35.200 that, you know, if I go and take a meeting with someone, I'm wondering, are they taking a meeting
00:13:40.120 with me because they want to see how weird I am or they want to, you know, or are they actually
00:13:45.060 seriously interested in my professional work? Do they even know about my professional work?
00:13:49.480 Because, of course, the tabloids are really happy to tell stories about me going to parties,
00:13:54.520 but they don't ever talk about the work that I do because that doesn't go with their story.
00:13:59.860 Right. So I don't know. It's made me acutely aware of how powerful storytelling is. And it's made me think about like, well, who is allowed to tell stories and what what stories are they telling us and how are we complicit in them, the choices they are making as storytellers in selling us a product?
00:14:26.640 Let's take a quick break.
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00:15:37.200 When I was 14 years old, I was kidnapped and held captive for nine months.
00:15:42.980 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
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00:16:37.280 If your bookshelf and your For You page are equally important to your personality, welcome home.
00:16:43.180 This is Prose Society, the weekly podcast that's part book club, part group chat for thought daughters,
00:16:49.380 pop culture obsessives, and anyone who thinks Pride and Prejudice and Love Island deserve the
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00:17:36.520 And we're back.
00:17:44.280 Last year, Amanda spoke out about the film Stillwater,
00:17:47.680 which stars Matt Damon as a father who travels to Europe to see his daughter,
00:17:51.560 who has been in prison for the murder of her roommate and lover in France.
00:17:55.360 There's going to be a spoiler for the film in just a moment.
00:17:58.200 Director Tom McCarthy said he was, quote, inspired by Amanda's experience.
00:18:03.180 I was pretty fascinated with the Amanda Knox case back a long time ago and did a pretty deep dive into it.
00:18:09.540 Okay, so here's the spoiler.
00:18:11.320 In the film, the character inspired by Amanda is revealed to have been withholding relevant information about the murder that she has not shared with authorities.
00:18:18.740 That she paid the man who actually killed her roommate and told him to get rid of her.
00:18:24.560 But it was a miscommunication. 0.93
00:18:25.940 She meant to throw her out of the apartment, not murder her.
00:18:29.740 Amanda says this isn't so much a fictionalization.
00:18:32.360 as it is trafficking in a specific falsehood that still persists all these years later.
00:18:37.580 That even if she didn't actually kill Meredith Kircher, she must have been involved in some way.
00:18:42.760 On Medium, in a piece called Who Owns My Name, Amanda writes,
00:18:46.840 I continue to be accused of knowing something I'm not revealing,
00:18:50.820 of having been involved even if I didn't plunge the knife.
00:18:54.060 So Tom McCarthy's fictionalized version of me is just a tabloid, conspiracy, guiltier version of me.
00:19:00.860 By fictionalizing away my innocence, my total lack of involvement, by erasing the role of
00:19:06.160 the authorities in my wrongful conviction, McCarthy reinforces an image of me as a guilty
00:19:11.360 and untrustworthy person. And with Matt Damon's star power, both are sure to profit handsomely
00:19:16.700 off of this fictionalization of the Amanda Knox saga. That is sure to leave plenty of viewers
00:19:22.480 wondering, maybe the real life Amanda was involved somehow. Yeah, I mean, that was one of the reasons
00:19:28.820 i was so interested to talk to you today um your tweets about the film still water you know i had
00:19:34.620 never really thought about the idea of profit right so who not just who is telling someone
00:19:40.420 else's story but who is making money off of it and it seems to me that so many different
00:19:45.840 hollywood executives and actors etc etc are it's okay for them to tell this like deeply
00:19:53.940 fictionalized story that purports to be about your life and make money from it. And it's like
00:19:59.900 everyone else, it seems like everyone else is allowed to A, tell your story and then profit
00:20:05.640 from it except for you. You know, what is that like to experience? Well, it's so surreal that
00:20:12.980 most people just assume that I am profiting off it, right? Like the number of people who reached
00:20:18.120 out to me to be like, oh, congratulations on Stillwater. So great that you're getting another
00:20:22.980 project and it's like nope nope no one uh no one talked to me about that like i have nothing to do
00:20:29.740 with that and um no i i am in no way benefiting from it in fact i am just bearing the cost of
00:20:35.860 whatever story they liked to tell about me this time so and you know thinking about the netflix
00:20:43.440 documentary this is something that i thought was so interesting where the filmmakers reached out
00:20:48.420 you and they said, we are not, we only want to tell this story if you are part of that
00:20:54.520 storytelling process, I can imagine folks coming to you and saying, listen, we're going
00:20:58.920 to tell this story, whether you want me to tell it or not.
00:21:02.000 So you've got to decide whether we're telling it for you or if you're going to be a participant.
00:21:06.500 It almost kind of feels like a shakedown, you know, when it's like, oh, it totally is.
00:21:10.660 How can we get to a place where like, you're not being shaken down to be forced to participate
00:21:17.780 against your will in a story that is meant to be about you.
00:21:21.240 I mean, I just like, I can't even imagine what that must be like to experience and how
00:21:25.340 difficult that must be to navigate.
00:21:27.760 Yeah.
00:21:28.300 And again, it's not just a thing that happens to me.
00:21:31.520 Like, it happens to a lot of people.
00:21:33.100 A lot of like, you know, exonerees, wrongfully convicted people come out of prison and they're
00:21:38.080 told, if you don't tell your story right now to us, like, you're never going to have another
00:21:42.980 chance and no one's ever going to believe you.
00:21:44.820 And of course, you're walking out of prison.
00:21:46.580 And, you know, you've been exonerated, but you're still carrying the stigma of the accusation.
00:21:51.260 You still are trying to, like, figure out how to get back on your feet.
00:21:54.680 And you like to be put on the spot and asked to process the worst experience of your life for someone else's entertainment product is.
00:22:04.720 And like the I guess like what I was hoping to do by writing that essay for The Atlantic and, you know, doing like the tweets about Stillwater in particular was because I wanted to point out that.
00:22:16.580 this is a way that we are treating real human beings without. And I don't know if the people
00:22:21.140 who are doing it realize what the human cost is because they're in their own little like echo
00:22:25.880 chamber. Journalists are in their echo chamber and they're thinking, well, I have to get the
00:22:30.320 scoop. And if I don't get the scoop now, I'm going to move on to the next story and try to get that
00:22:33.880 scoop. Or the, you know, the Hollywood filmmakers are thinking, oh, well, I'm just going to like
00:22:39.800 be inspired by something that happened in real life. And then I'm just going to let the writer's
00:22:44.020 room, do what it does. And that's just how stories are made. And and why would someone who is my
00:22:49.140 inspiration feel any kind of ownership over that? It's my art. And it's like, well, did you did you
00:22:55.020 pause to think how this was going to impact the human being who is your purported source or
00:23:02.040 inspiration? Like, do you as a storyteller, as someone who is sharing information? Oh, the person
00:23:10.580 who is the source of that inspiration or your story, anything. And that's a question. Like,
00:23:16.780 I'm asking the question and I'm offering a new perspective, which is, well, maybe you didn't
00:23:22.460 think about this before, but here's how it's impacted me. Here's how when you keep telling
00:23:27.920 a story over and over and over again about a girl on girl sex crime, you are actually
00:23:34.680 misrepresenting what happened to my roommate who was raped and murdered by a man and me who had no
00:23:42.180 part in a girl on girl sex crime. So do you do you understand that when you keep telling that
00:23:49.400 story over and over again, that is what ends up being the definitive story about me, whether you
00:23:56.880 intended that or not? And do you understand that that's also what's happening to people who are
00:24:01.920 even more disempowered than me because i can't tell you the number of people that i've tried to
00:24:07.080 advise and who've reached out to me saying there's only one person who's ever interested
00:24:12.960 like been interested in my story and i don't know if i trust them should i trust them is this my
00:24:19.140 only chance to tell my story i don't know if i'm ready yet but they're telling me that i have to
00:24:23.260 do it tomorrow and if i don't do it like these are all huge red flags for me that are just showing
00:24:28.940 how like other people's lives are being taken from them in various different ways. And the last
00:24:37.460 thing I want to see for someone who just spent years in prison for something they didn't do
00:24:42.680 is for them to feel like, oh, now my story is being stolen again from me, but in a whole new way.
00:24:50.940 We owe exonerees and the wrongfully convicted so much better. Like they deserve so much better
00:24:58.180 than as soon as they're out being put in these situations where they can be I mean they're
00:25:08.020 already so vulnerable they deserve they don't deserve this and I have to I mean do you think 0.75
00:25:13.380 it's possible to have a different kind of media landscape for exonerees where they don't feel
00:25:19.420 like they have to immediately continuously retell this traumatic thing that happened to them or else
00:25:25.700 You know, maybe the tabloids will make up their own story about what happened.
00:25:29.100 You know, do you believe in a world where a different kind of landscape is possible for
00:25:33.980 these folks?
00:25:35.400 I mean, sure, I'm trying to invent it along the way.
00:25:39.580 But I think that like the thing that I'm sort of experimenting with with my own journalism
00:25:44.060 and my own podcast, Labyrinths, is this sort of more like collaborative experience between
00:25:50.480 the storyteller and their subject.
00:25:52.340 because I think that there's been this longstanding perspective that if you are at the center of your
00:25:59.980 own story, you can't have a storyteller's perspective of that story. You can't have
00:26:07.320 authorship over your own story because you're going to be biased or you're going to misrepresent
00:26:12.760 things and you can't be objective. But first of all, I want to point out that the storyteller
00:26:19.740 is not by definition objective just because they aren't personally in the story doesn't mean that
00:26:26.300 by telling the story they aren't putting themselves in the story and they aren't
00:26:30.160 approaching that story from a certain perspective and it's also totally discrediting the idea that
00:26:36.820 someone who's at the center of their own story might have a valuable perspective about it like
00:26:42.680 they might having had felt this human experience firsthand have some interesting human things to
00:26:50.300 say that is worth being a part of the story so i'm just trying to like convey that yeah not all
00:26:58.100 of us are professional storytellers but professional storytellers can help people tell their own
00:27:05.740 stories and of course everyone should be held accountable to the truth like as long as we're
00:27:10.920 not, like, making up crazy, you know, conspiracy theories to account for non-evidence. Like,
00:27:16.660 you know, evidence still matters and the truth still matters. But it's okay for you to give,
00:27:23.180 like, as a storyteller, to offer someone the opportunity to voice their own experience.
00:27:28.440 And that's still a valuable story. Oh, absolutely. You know, we're all experts in our own experiences.
00:27:34.620 And I hate this myth of objectivity that if you're close to a story or if it's happening to you or to your community, you couldn't possibly be objective.
00:27:44.560 I feel like it's really, at least in journalism, I feel like it's really been used to create a really like sexist, racist, classist narrative that like, oh, it is straight white men who are objective.
00:27:57.960 Everybody else is going to be biased.
00:27:59.780 You shouldn't even list like they're not going to be a reliable source of something that happened to them or their community.
00:28:05.720 And it just really erases the fact that, like, people know what's up with themselves.
00:28:09.440 People know people are like give people the space to be experts in their own experiences and their own stories.
00:28:15.500 And don't pretend that you don't have your own baggage that you're bringing to the story by being whoever you are.
00:28:22.180 Exactly.
00:28:22.620 You know, so just take ownership of like be self-aware, like do enough like self-auditing to be aware that maybe I might be approaching this story or that story from a certain perspective and let that be like acknowledge that in your own storytelling process and as you are encountering the person because they might be coming from a whole completely new perspective that you don't have access to.
00:28:45.800 And if you are automatically defining yourself as the objective party and them as the subjective party, you are automatically making like doing a hierarchy of whose prejudice and whose bias counts more than another's.
00:28:59.740 I find it interesting that your story is not often framed as a story of someone who was wrongfully convicted and then exonerated. Right.
00:29:09.320 I think there are probably so many people out there who, like, think they know the Amanda Knox story, you know, heavy scare quotes, but they probably, you know, don't know Meredith Kircher's name.
00:29:21.820 They probably don't know the name of the Italian prosecutors who, like, bungled this case.
00:29:27.000 They don't know the name of the actual guilty party.
00:29:30.060 And it's just so interesting to me how what you went through obviously, like, was a huge part of your life.
00:29:38.600 But the way that that story is told often, I don't know, it at the same time denies agency of the actual major players of what happened to your roommate.
00:29:49.400 while also giving you this like outsized role in that story it's like like why aren't why aren't
00:29:57.520 these other hugely like huge major parties of what happened why are they not household names
00:30:03.100 why are they not the names that are like connected to what happened there why is it just you who like
00:30:07.580 actually was kind of a like not like side character and all of that yeah that's one of the things that
00:30:14.460 i've always like pushed back against with people is like when you when you think amanda knox the
00:30:20.040 first thing that you think of is murder because that's you know that's ultimately what it comes
00:30:25.580 down to amanda knox murder and my still like i have never witnessed a murder i've never participated
00:30:33.320 in murder i've never been you know the the closest i've been to murder is i maybe what could have
00:30:40.020 been murdered that night if I hadn't met Raffaele five days earlier and was spending the night at
00:30:44.560 his house like that's that's my experience of murder and the fact that that action that horrific
00:30:53.100 action that that happened to first of all my friend Meredith who is the victim and people
00:30:59.120 don't remember her the fact that that action is not actually prescribed to her murderer and instead
00:31:05.380 people think of me when they think of her murder that just goes to show that it really does matter
00:31:11.140 what you call a thing and when you call meredith kircher's murder the amanda knox saga you are
00:31:16.160 doing a disservice to the truth because i played no role in that my the amanda knox saga for me
00:31:22.820 is i'm on trial for something i didn't do and now i'm trying to like reclaim my life in a world that
00:31:28.700 doesn't want me to reclaim my life. You know, like that's that's my experience. But like
00:31:34.440 it drives me crazy that it's it's so, so often that the person who actually committed this crime
00:31:43.780 is referred to as an afterthought. Like he's either not named at all. He's called the other
00:31:50.420 guy who was accused, you know, whatever. Like no one cares about that. And to me, that conveys
00:31:57.820 that like people don't actually really care
00:31:59.740 about what happened to Meredith.
00:32:01.500 They care about the scandal
00:32:02.620 and they care about the sexiness
00:32:05.800 that they can, you know, project onto.
00:32:10.600 Like the sexy idea is what resonates with people
00:32:14.220 more than the actual human experience.
00:32:17.480 Yeah, and I just, it's impossible to not see
00:32:20.060 all the ways that you've become this character.
00:32:22.620 So either it's like, she's weird 0.77
00:32:25.320 or she's like a American loud mouth 1.00
00:32:30.100 or like a temptress. 0.84
00:32:31.380 It's like you kind of become this thing
00:32:33.720 that this character that anybody can project
00:32:35.940 whatever they want onto.
00:32:37.360 And it doesn't like who you actually are
00:32:39.540 as a human who went through something traumatic
00:32:41.600 is just gone in the conversation.
00:32:44.280 Yeah, yeah.
00:32:44.980 And then, you know, even when I'm, you know,
00:32:48.280 it's found out that I'm innocent
00:32:49.480 and I'm held fully innocent.
00:32:51.560 And the again, that like mystique of who is Amanda Knox, really, it's like, well, here's
00:32:58.820 an idea like I have a podcast where I talk really openly about all my ideas and all my
00:33:04.080 experiences.
00:33:05.080 Have you considered listening to that?
00:33:07.300 No, no, of course not, because then Amanda is actually authoring her own experience.
00:33:10.980 We want to talk about her.
00:33:12.420 We don't actually want to talk to her.
00:33:15.700 And it's it's just like, I mean, you aren't obviously you're talking to me.
00:33:20.800 And I greatly appreciate that because honestly, like what a freaking gift in the world to
00:33:27.580 just talk to another human being like a real person.
00:33:30.720 Like, I can't tell you enough how much it means to me that you reach out to me and say,
00:33:35.000 I actually care about what your experience is.
00:33:38.820 I, you know, I don't want to just talk about you.
00:33:40.900 I want to talk to you.
00:33:42.380 Like, thank you for that.
00:33:44.180 It means a lot.
00:33:45.240 I mean, I deeply appreciate that.
00:33:47.400 I really do.
00:33:48.060 But again, like when the Stillwater conversation was happening, I think something that was so frustrating is it's not like you're not like you.
00:33:55.440 Yeah, you have a great podcast that's critically acclaimed.
00:33:58.800 You have a huge body of work.
00:34:00.280 The fact that they wouldn't even reach out to you like I just randomly DM'd you on Twitter and you replied.
00:34:06.320 It's not like it was hard.
00:34:07.300 I'm one person who makes a podcast out of my kitchen.
00:34:09.920 Right.
00:34:10.480 It's not like you're making it difficult to find yourself or.
00:34:15.640 And it's not it's not like you're not having these public conversations about who you are and your story and your experience.
00:34:21.300 And I think it is people just don't want to hear it.
00:34:24.000 It's it's more gratifying to talk about you than it is to give you space to talk about your experiences.
00:34:31.540 And I think that's so clear. I don't think people I just think that people are just really wrapped up in the story they have in their head and retelling that over and over again.
00:34:40.520 And I really appreciated that you pointed out that that film, they weren't just fictionalizing it. They were kind of parroting the salacious, you know, girl on girl sex crime like lie that that was told to have you locked up for so many years.
00:34:59.740 And that's not apolitical. That's not neutral. That's not fictionalizing something that was not like it's different to. I guess I feel like the fact that they relied on what was the dominant narrative that led to you being falsely imprisoned is so hurtful, but also like deeply political and not neutral.
00:35:19.600 Like, that's a real choice. And to not even acknowledge or deal with that, again, is a real, you know, just a real choice. Like, that's it. I guess I didn't like how in that interview, I think it was Matt Damon, he was like, oh, well, you know, we got to thinking, like, what if it was like this? And it's like, no, you just you just parroted the incorrect lie that led to you being falsely imprisoned.
00:35:43.180 Yeah, no, they it was just lazy storytelling on their part. Like they were like, oh, we're inventing things. And it's like, you didn't invent shit, my friend. Good job. You invented France as opposed to Italy. Like, good job.
00:35:55.980 it's lazy it's lazy it's lazy yeah and it's too bad because like honestly again my position in
00:36:05.200 all of this has been i'm really easy to talk to and i'm actually like i think we could have a
00:36:10.320 really worthwhile conversation here i i feel like maybe i was overlooked but like here's an
00:36:15.500 opportunity to not overlook me and that's okay like let's talk about that and nothing just
00:36:21.160 crickets still today nothing oh yeah nothing nothing yeah it you know they're they've moved
00:36:27.360 on to the next story and it doesn't matter that there are repercussions in my life so
00:36:32.900 i mean it's just insane like how like how removed do you have like you're a storyteller your whole
00:36:39.920 job is to be about like empathizing with the human experience enough to be able to tell a story that
00:36:45.740 resonates with people and yet like here's a real human being going like hey hey
00:36:52.700 i'm over here call me and no dms are open like i'm really nice
00:37:03.980 i don't know it's it's um it's a fascinating experience and i feel like again it's it seems
00:37:14.200 like it's this weird extreme thing because it's not every day that, you know, someone's life is
00:37:19.640 turned into a Hollywood movie. But I feel like there are versions of this that happen all the
00:37:27.440 time to people all the time. What story is being told about you and what circumstance by whom and
00:37:33.720 how are they not allowing you to be a part of the conversation like that? That happens all the time
00:37:40.720 to lots of people and it's something that i always have a little bit of a red flag for
00:37:45.200 because it just seems like it's it's one it's it's gaslighting honestly it's when you're not allowed
00:37:52.720 to have a voice in the story that defines who you are it you basically are being told by the rest
00:38:04.240 the world that you don't you don't matter and your perspective doesn't matter. And we're going
00:38:10.800 to tell you who you are and what you mean and why you matter. More after a quick break.
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00:38:30.100 the veggies will the pesto survive the first bite will the lunchbox come home empty half full or
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00:39:22.220 That's iHeartAdvertising.com.
00:39:24.800 When I was 14 years old, I was kidnapped and held captive for nine months.
00:39:30.720 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
00:39:37.080 I'm Elizabeth Smart, and these are the Survivor Files.
00:39:40.800 I just remember this low, taunting voice next to my ear saying, 0.96
00:39:46.220 shut up, don't say anything.
00:39:48.880 Every week, I'm with survivors who live through the unthinkable. 0.98
00:39:53.420 I knew if he woke up, without a doubt, he was going to hurt me.
00:39:57.980 I started feeling that there was someone at the end of my bed, and I just started screaming.
00:40:05.420 They are abducted, stalked, controlled, and nearly silenced.
00:40:09.380 But these aren't stories about what's taken from them.
00:40:12.820 They're stories about what it takes to make it out alive.
00:40:15.960 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:40:24.900 If your bookshelf and your For You page are equally important to your personality, welcome home.
00:40:30.840 This is Prose Society, the weekly podcast that's part book club, part group chat for thought daughters, pop culture obsessives, and anyone who thinks Pride and Prejudice and Love Island deserve the same level of discourse.
00:40:43.320 I'm Eli Rallo, and every week we're connecting the dots between books, the internet, and the conversations everyone can't stop having.
00:40:50.440 I'm going to have to look up this story. I'm obsessed, so obsessed.
00:40:54.020 From best-selling authors and your favorite book talk creators to the latest pop culture moments, nothing is off the table.
00:40:59.960 It's like if you can hide some real messages inside compelling characters, then that is a Trojan horse.
00:41:07.440 Whether you're looking for literary deep dives, smart pop culture conversations, or a community of readers who love to think a little too much, you're in the right place.
00:41:17.040 Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:41:23.100 See you between the pages.
00:41:29.900 Let's get right back into it.
00:41:32.160 Who gets to have a say in their own story?
00:41:35.060 In a media moment where we're looking back on the way that women from Pamela Anderson to Monica Lewinsky were unfairly maligned by society, it's a question worth asking.
00:41:43.640 And I first reached out to Amanda because I saw her tweets about the New York Times documentary Framing Britney Spears.
00:41:49.060 Now, she wasn't condemning the film or the filmmakers, but rather posing a complex question.
00:41:55.260 She tweeted,
00:41:56.400 With all these new Britney Spears documentaries out, I'm asking myself,
00:42:00.120 did Britney participate in any of them?
00:42:02.100 Did she consent to them?
00:42:03.640 Did she want them to exist?
00:42:05.360 Does anyone care?
00:42:06.920 The answer to the first two questions is no.
00:42:09.740 She did not participate or grant her approval.
00:42:12.320 And while I'm sure the documentary filmmakers would have preferred that she gave them her approval,
00:42:16.840 when she didn't, they plowed ahead anyway.
00:42:19.480 Is that okay?
00:42:20.960 She goes on to say, 0.99
00:42:22.980 I'd like to live in a world where Britney and Britney alone 1.00
00:42:25.420 gets to decide if she wants her personal legal drama 1.00
00:42:28.340 to serve as your next Netflix binge.
00:42:31.380 When filmmakers Rod Blackhurst and Brian McGinn
00:42:33.900 reached out to Amanda about making a Netflix documentary,
00:42:36.860 they said they would only go through with the film
00:42:38.740 if she participated.
00:42:40.300 And it's a big part of why she agreed to do it in the first place.
00:42:43.560 They had the ethical sense to understand
00:42:45.500 that I would be deeply impacted by that film
00:42:47.540 and that my consent and participation mattered.
00:42:50.520 They decided it was better to make no film than one without me, she tweeted.
00:42:55.520 When I first reached out to you, I was in the process of researching an episode for the podcast about the Free Britney movement.
00:43:02.260 And when I saw your tweets, it really, so I stopped my research because one of the points that you made was, you know, hey, this documentary was made without Britney Spears' consent.
00:43:14.040 and I really had to have to really have a deep think about what that meant right like I was
00:43:21.420 very happy that Britney Spears's conservatorship was overturned I was happy to see the role that
00:43:26.460 that documentary maybe played and some and some like public awareness of it but I never even
00:43:31.340 thought to ask what does it mean that this that this content was just released without her say
00:43:39.140 without her voice, against her will.
00:43:42.260 And I think we're in this moment
00:43:43.700 where there are so many different pieces of media
00:43:45.560 asking us to look back to how women were maligned,
00:43:50.160 you know, and I guess I wonder, like,
00:43:53.120 what does it mean that so many of those,
00:43:55.720 you know, documentaries, podcasts, what have you,
00:43:58.680 are created about a woman 0.58
00:44:02.060 without her side of the story, without her voice,
00:44:05.700 and then sometimes against her will.
00:44:07.320 Like, what do we do with that? 0.91
00:44:08.560 How do we find a balance to be like, oh, well, maybe it's good that this documentary helped her overturn her conservatorship, but it's also fucked up that it happened against her will. 0.70
00:44:19.460 Like, isn't that just another way of violating someone who's already been like so maligned and violated? 0.78
00:44:24.280 Yeah. Yeah. Like did Britney ultimately want her, you know, her like family drama to be so public because like she didn't get a choice in that.
00:44:36.620 Right. Did it make a difference in her trial? Is she grateful to all the people who supported her? Of course. But it is interesting to me. And I think it is, again, one of those moments where it's worth pausing and asking, like, wait, what is her perspective in all of this? 1.00
00:44:54.180 like since everything is going to be impacting her the most shouldn't she have some kind of say
00:45:03.440 and um and you know i'd be curious to know like how britney feels today about the fact that there
00:45:11.820 were documentaries made without her consent and yet they played a you know a supportive role
00:45:19.340 towards her like that's an interesting you know mental space to be in in terms of like
00:45:25.280 over the course of your own life again there's it's but again it's almost like a hint of that
00:45:29.620 conservatorship right like we know what's good for you so we're gonna do it even if you don't
00:45:35.680 want us to like oh it's just uh it hurts me it's a weird it's like a weird thing to have to unpack
00:45:44.800 Right. And I guess I I'm I want to see more public like media makers wrestling with it because I feel like, yes, it's a complicated square to circle.
00:45:59.060 But I want to I want to see that you're that you're aware of this, you know, aware of this dichotomy as a thing that exists and the thing that we should be asking questions about and pushing up against.
00:46:08.320 Exactly. I think that if there were that again, it's that like self-auditing, that introspection, that awareness that you could have that your actions could have unintended consequences and that you are thinking about the people who like, you know, you presumably if you're a documentary filmmaker who's making a documentary about Britney, you can presumably assume that whatever it is that you end up doing is going to impact her.
00:46:36.000 so like maybe think about how and why and and how you can mitigate potential harm because that's
00:46:45.800 what you don't want to do as a as a storyteller you don't want to just harm other people for the
00:46:50.660 sake of a story I mean at least I would hope so yeah and I mean I think in this moment where we're
00:46:58.160 really interested in like looking back at the way that meet the way that media our media ecosystem
00:47:04.900 harmed women unfairly i i so i full disclosure live for a like you're wrong about style podcast
00:47:14.680 as like oh let's go back and like revisit but part of me wonders if we are so busy looking back
00:47:21.220 that we're not seeing the ways that's happening now like okay britney spears was unfairly maligned
00:47:26.700 you were unfairly maligned jenna jackson unfairly maligned all these people but are we are we like
00:47:32.620 what's the point of that kind of content if it does not prime us to see it happening before our
00:47:36.780 eyes in real time like i don't want to have to wait five years down the line for the podcast
00:47:41.620 that tells us not that the media shouldn't be profiting off of the pain and you know
00:47:47.160 shittiness to like a vulnerable person i don't want to have to wait for a look back retrospective
00:47:52.460 on that what's the point of this media if it doesn't allow us to do this now that's a really
00:47:57.280 great point. And I think that that is that is another way that if we are going to be spending
00:48:04.420 time looking back, because I think it's a worthwhile thing to do. Let's not do it just
00:48:09.980 for a sake of like nostalgia. We can all feel good about ourselves today because we're not doing
00:48:15.680 that like they did in the 90s like that. There's the danger of it approximating that where it's
00:48:21.540 like, oh, man, we were terrible to women in the 90s. We can feel total. We can pat ourselves on
00:48:26.480 the back today. There is nothing wrong with the way that we're treating women today, because look 1.00
00:48:30.620 at what we did in the 90s. Like it's important to to take stock of how things were, how things
00:48:38.880 have changed, but also how things haven't changed. And if we can see echoes of what happened in the
00:48:48.220 past happening today and and try to be better. Definitely. I mean, this brings me to one of my
00:48:53.480 last questions you know what kind of world like just given what we know about how the media and 1.00
00:49:00.800 the internet can treat women what kind of world do you want for your daughter to grow up in and 1.00
00:49:06.120 like what will you tell her about your life and what will you tell her about the kinds of
00:49:10.120 the kinds of experiences that she can expect from the world yeah well what I'm hoping that we're
00:49:17.420 heading towards is a world where everyone is more media literate and understands not just how the
00:49:26.140 industry functions like how how does it even just how do you on a day-to-day basis put content out
00:49:32.960 into the world like well there are you know there are incentive structures and there's a monetary
00:49:38.180 aspect to it and like there's a whole business side of it that's important to know when you're
00:49:43.820 consuming information. There's a human psychological role to it, like what stories, quote,
00:49:49.640 resonate with people and with whom and why. Why do certain stories get uplifted and others get
00:49:56.260 squashed? Why are some people's stories just, you know, discarded as if they aren't valuable and
00:50:01.180 other people's are constantly in the headlines? Like these are all really important questions
00:50:06.620 that I think as consumers we should be asking because we as consumers ultimately have the
00:50:13.420 power to say, you know what, I'm not going to tune into your style of content anymore. I'm going to
00:50:19.200 tune into something else that I think is more responsible or ethical or truthful. And that
00:50:26.660 that's worthwhile. So I hope that that's the world that we're gearing towards, because as
00:50:34.520 social media has democratized content creation, we all feel like we can have a hand not just in
00:50:42.140 consuming media, but also in producing it. That's my hope. I don't know if that's actually going to
00:50:48.020 happen, but I'm hoping that I'm going to let my daughter sort of take the lead in, in how much
00:50:58.580 she wants to know and how important my experience is going to be for her. Because one thing that
00:51:03.820 I'm worried about is her feeling like, you know, as much as I feel very much in the shadow of the
00:51:09.960 worst experience of my life. Like, I don't want her to feel like she's forced to live in the shadow
00:51:15.160 of the worst experience of my life. She should be able to have her own life if she wants. And if,
00:51:21.460 and I, I hope to raise her as a very curious, thoughtful person. And so I, my guess is that
00:51:27.760 she's going to be curious. And of course, if she's going to be coming to the Innocence Network
00:51:31.800 conference with me every year, meeting other wrongfully convicted people, like she's going
00:51:35.560 to start to notice that there's a there's an interesting pattern happening here like oh you
00:51:41.200 were in jail you were in jail why has everyone been in jail you know she's gonna notice and
00:51:46.420 she's gonna ask questions and i i think i'm going to be honest with her 100 of the time
00:51:54.980 always answer her questions um but of course i'm not gonna like give a six-year-old a tutorial on
00:52:02.420 crime scene footage you know like so yeah i'll wait till she's seven when we're all that's that's
00:52:09.720 the appropriate age so yeah i think that like i want her to feel like she it's not a taboo subject
00:52:17.660 it's absolutely like anything about me and my experience is on the table for her should she
00:52:23.900 need it and want it um but that she doesn't need to feel like it needs to be an important part of
00:52:30.840 her life. Because honestly, like no one's trauma, no one should feel like they are bound to their
00:52:36.920 trauma as if it's the most important thing in their life either. So I think that's another
00:52:42.440 important thing. Yeah, that's such a good point. There are so many interesting pieces of who you
00:52:50.840 are that like, that's just one of a quilt of who you are. And, you know, thinking about your
00:52:57.940 daughter you've written so beautifully about sort of long prison sentences and for you how it was a
00:53:03.540 kind of like forced infertility do you see criminal justice and reproductive justice as like linked in
00:53:09.120 that way absolutely and i think that nobody's noticing that um i mean and it's and it's hard
00:53:16.160 for like the it's hard for men too right like it sure men are no are not limited in that way like
00:53:22.600 they don't have a very specific window when they're fertile but they do have a very specific
00:53:26.760 window when they're capable of forming the kinds of relationships that would turn into families 0.57
00:53:33.660 even. And so like for me, I think that especially with the way that there are prison sentences in
00:53:40.040 this country where they just are nonsensically long, like no one should be sentenced to 300
00:53:46.200 years in prison. Like it just doesn't make any like just just be reasonable. Like let's let's
00:53:51.280 consider what the sentence is going to mean for an actual human being's life and take that into
00:53:57.180 consideration when we're thinking about sentencing. And I think that the ways that women have sort of 1.00
00:54:04.120 been pushed into a justice system that was built by and for men and their needs and physical
00:54:13.080 realities aren't really taken into consideration in that process is an incredible disservice to
00:54:20.140 and it's an incredible harm that we're committing as a society like it it matters that by sentencing
00:54:28.560 someone to such a long amount of time you are effectively limiting not just their freedom but
00:54:35.940 so much more about their life that is fundamental to being a human being um like i i never should
00:54:45.560 have faced the prospect of never getting to have a family of my own for because I was accused of a
00:54:52.320 crime I didn't commit. And yet I did. Well, Amanda, thank you for using this platform to speak up for
00:55:01.140 other wrongfully convicted folks. And even rightfully convicted folks, because like here,
00:55:08.000 the other reality is like a lot of the women that I met in prison, they did commit crimes. 0.89
00:55:12.480 They were also victims of crime before they ever committed crimes. And how is it that society had let them fall through the cracks and had refused them good opportunities to be productive people and just punished them in the process?
00:55:27.780 Like the amount of like, you know, I was one of the most fortunate people in that circumstance.
00:55:34.420 And I and I say that as an innocent person who was wrongly accused and put in prison.
00:55:39.620 So, like, you know, it's it matters.
00:55:43.000 We're all sort of implicated in the way that society limits the opportunities of people.
00:55:50.180 And we should be mindful of that.
00:55:52.640 Absolutely.
00:55:53.160 I feel like every time you talk to women who are in prison, it's like, oh, you were obviously coerced or like you are a survivor of domestic violence or trafficking.
00:56:05.800 Like it is. And just I mean, I'm I'm this is such a long a longer conversation, but I'm right there with you.
00:56:13.920 I think like when you actually look at who we are locking up, sometimes for like just comically long amounts of time and the circumstances they came from, it's clear that we are not making our community safer.
00:56:26.060 We are just spreading more harm.
00:56:28.040 And I'm right there with you.
00:56:30.460 Yeah.
00:56:31.140 Yeah.
00:56:31.380 Well, it's it's a difficult thing to look at because I think a lot of us would just like to think, oh, we'll just put the bad people in somewhere else.
00:56:38.580 We'll just take bad people and put them away.
00:56:40.560 And it's like, that's that's not it's not just good people and bad people. It's not just who gets put away versus who doesn't get put away is not doesn't also fall neatly along those lines. Like, let's be real. It's way more complicated than that. And and oftentimes it's actually just the most vulnerable people who end up getting put away.
00:57:02.780 Amanda, where can folks keep up with Labyrinths and all the amazing work that you are doing?
00:57:08.420 Well, thank you for asking. You can go to KnoxRobinson.com to follow all of the work that me and my husband do. We have a Patreon, so Patreon.com slash Knox Robinson. You can follow me on Twitter at Amanda Knox and on Instagram at Amama Knox.
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