Under the Influence (with Jo Piazza) - July 16, 2026


Why We Keep Falling for Paris

Topics
Heists, Billionaires, and the Untold Story of Jo van Gogh How to Thrive Through Life's Plot Twists

Episode Stats


Length

43 minutes

Words per minute

184.22

Word count

8,097

Sentence count

446

Harmful content

Misogyny

2

sentences flagged

Toxicity

6

sentences flagged

Hate speech

3

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:00:30.000 Hey, y'all. Joe here, and you are listening to Under the Influence.
00:00:39.580 Have you ever dreamed of running off to Paris? I mean, I have, obviously, which is why I wrote
00:00:45.940 the Parisian heist in the first place, because then I actually did run off to Paris to do
00:00:50.700 research twice without my family. It was a dream. It was truly heavenly, I gotta tell you.
00:00:58.660 If you have the chance, I highly recommend writing a book set in Paris and leaving your kids at home.
00:01:06.020 The Parisian Heist. Available to order right now.
00:01:09.100 Get your copies. Smash that pre-order button.
00:01:12.020 You won't regret it. It goes down like a fine champagne.
00:01:15.620 Today's episode is actually about Paris, okay?
00:01:18.040 All about Paris. All about the dream of Paris and the mythology of Paris.
00:01:22.220 And why Paris is this cultural obsession.
00:01:24.500 Because it truly is. It truly is.
00:01:26.160 In fact, there's an entire real syndrome called Paris syndrome about the depression that people feel when they go to Paris and it doesn't live up to their expectations.
00:01:34.480 Isn't that wild?
00:01:35.760 Paris has always lived up to my expectations.
00:01:37.600 I mean, of course, but I mean, I try to keep my expectations very real and take away the Instagram and the movie and the Emily in Paris filter.
00:01:47.380 My guest today is author Danielle Trussoni, and she has a new mystery out that's set in Paris called Murder Most Delicious.
00:01:53.260 For this one, she's writing under the name Danielle Postel-Vignet, which is actually her husband's name because she's married to a Frenchman.
00:02:00.260 And I wanted to have Danielle on to talk about why Paris is the ultimate escape, like why Paris continues to captivate readers and travelers and visitors and how Paris is somehow shorthand for the good life.
00:02:10.860 We're also talking about the writing process, parenting, women's pleasure as an act of rebellion, and my ultimate life hack, why you should be taking two-hour lunches on Mondays.
00:02:20.820 Here's my chat with Danielle.
00:02:23.260 Hi, Danielle.
00:02:30.640 Hi, Cho. How are you?
00:02:33.020 I'm very good. I'm very good.
00:02:35.300 Although, I've got to tell you, I wish that I was in Paris right now.
00:02:39.920 Me too. I'm one of those people that think that Paris is always a good idea.
00:02:45.460 And usually I do go, you know, fairly often.
00:02:48.820 I'm not sure how often you go to Paris.
00:02:50.360 I know you have a book about Paris coming out.
00:02:52.420 And my new book is out, you know, set in Paris.
00:02:57.060 So, yeah, I always love to talk about it, to go there and now to write about it.
00:03:02.300 I know. No, I go to Paris at least usually at least once a year because, you know, it's such a great place for stopovers.
00:03:10.500 Like we usually fly through Paris and we'll try to stay for a day.
00:03:14.600 And then I was there so much researching Parisian heist.
00:03:17.820 I mean, for me, it's my perfect city vacation because I know it well enough at this point that I can just arrive.
00:03:26.300 I know what I like. I know what I don't like. I know where I want to stay.
00:03:29.960 And Paris is also one of those places that I think truly just lives up to expectations. Right.
00:03:36.320 Like it's like you said, it's always a good idea.
00:03:39.600 It's always a good idea. And I think finding those places that you like to be makes a huge difference.
00:03:46.760 It took me a while to find those places. And then now that I do have them, like you, I go kind of to the same little corners of Paris. And of course, you know, I'll venture out and go to like museums and go to different restaurants and things. But there are little corners that I love. And I get to know, you know, those shops, those bistros, those bookstores, all of that.
00:04:10.120 yeah no exactly i mean i go to one bra place every time i go and i buy my buy like two new
00:04:16.780 where is it it's in the marae i always forget the name of it but the door is pink and it is
00:04:23.280 the bras are perfect even my even my husband who like is not like a lingerie dude like i could be
00:04:28.120 wearing anything and he'll be like you look so pretty and i'm like i know but look at this
00:04:32.060 beautiful bra that i just got thinks that they're they're fancy and impressive so yeah exactly you
00:04:38.020 find the places that you love and yeah it's great and i just but i think it's really interesting to
00:04:43.560 think about paris in terms of place and setting because i also think it's a perfect place to put
00:04:50.380 a novel i will tell you when we were trying to figure out what to call parisian heist
00:04:55.680 readers told me they're like i'll just buy anything with paris in the title and i'm like
00:04:59.600 what if it ends up being bad and they're like i don't really care they don't care yeah it's like
00:05:03.940 a rocket ship i was saying this to my editor um you know i'm writing a new book now and it's not
00:05:09.200 in paris and i'm like you know with when you know with um murder most delicious paris isn't in the
00:05:14.380 title but because it's set in paris like people just want to read it and you do have i think you
00:05:21.480 have your book the paris heist you know has a you know really big advantage first of all because of
00:05:26.760 the heist that happened there last year at the louvre and that everybody is you know everyone
00:05:31.420 And it went completely viral, you know, this this heist and that your book is set in Paris.
00:05:38.200 So, yeah, I think you have a lot of elements.
00:05:41.200 We'll see. We'll see.
00:05:42.220 So what I wanted to ask you, as someone who has spent so much time in Paris and has set a novel in Paris,
00:05:47.200 what do you think it is about that city that really captures, you know, our attention?
00:05:52.920 That is like such a great, great escape for so many of us.
00:05:57.360 I feel like it's like Oz, you know, I feel like it's like it's a place.
00:06:01.420 for me personally, and I think for others, it's a place that you can escape to. When I was for years,
00:06:08.240 so I lived in Paris. Actually, I lived in the south of France for four years. And then I met
00:06:12.920 my husband, who is Parisian. And we go every year to the same neighborhood. We go to the 7th
00:06:18.640 Oranisman, where his parents have a home. And so we are there constantly. And I have been there so
00:06:25.340 many times over the past 15 years. And yet, every time I go to Paris, I feel like I'm stepping into
00:06:30.840 a kind of like fairyland where, you know, you step up to a patisserie and everything is so
00:06:38.280 perfect. And you look in the window of like, for example, your lingerie shop and everything is
00:06:43.140 just perfect and delicious looking. And for me, you know, I wanted I wanted for years and years
00:06:50.700 to set something in that kind of fantasy space, but not but have it be realistic. Right. When I
00:06:58.640 was doing you know research many years ago for some another project that i wanted to set in paris
00:07:03.120 i found and you probably have found this too this idea of paris syndrome um where you know and this
00:07:10.260 is an actual in the psychology book syndrome where people who have an idea of what paris is
00:07:18.720 and then they actually go to paris and they're disappointed so much so that they have a kind
00:07:24.400 of nervous breakdown and it was shut your mouth i had no idea that this is a real thing yes it was
00:07:29.740 coined because many japanese women right so many japanese women have this fantasy of paris you
00:07:35.820 know with audrey hepburn and the food and the lifestyle and then they get there and they're
00:07:40.540 like oh my god it's a there's dirt on these streets and oh my goodness everybody doesn't
00:07:45.680 look like they just stepped out of a magazine and so it's a real like dsm you know actually
00:07:51.520 diagnosis to have Paris syndrome. I'd wanted to write about something like that for years,
00:07:57.640 but couldn't quite find my way in. But I think that it puts its finger on why I'm so attracted
00:08:04.000 to Paris, why readers are so attracted to Paris, why that city is such a great place to set a
00:08:09.360 novel is because we all project things on the French and on Paris, right? And, you know,
00:08:14.760 their luxury. There's also like, you know, probably a billion dollars of marketing that
00:08:18.400 goes behind that, right, with all of the luxury brands and everything that happens in Paris. But
00:08:22.680 as you said, when you get there, it kind of lives up to it. You find yourself suddenly
00:08:27.000 slowing down and enjoying your time a bit more, having long lunches, buying kind of
00:08:34.880 little treats, luxurious treats, like a new piece of lingerie or, you know, the thing that I always
00:08:41.140 do when I go there is I buy like pajamas, you know, sort of like pajamas. Oh, there's good
00:08:45.840 pajamas yeah super soft full pajamas so um yeah i think that's why and i think that readers like
00:08:53.400 to sort of fall into that world and just swim in it it's true it's true and now i'm obsessed with
00:08:59.900 this paris syndrome situation yeah it it truly it truly like it's it's so fascinating it's you
00:09:08.140 know the official definition is a sense of extreme disappointment exhibited by many individuals when
00:09:13.200 visiting paris that the city does not live up to their expectations that happens to all the time
00:09:18.100 when i travel like to a lot of places and i actually think that instagram has made this
00:09:23.240 kind of i think we should coin something new it's like in instagram travel syndrome because
00:09:27.980 instagram makes every place look beautiful and then you get there and you're like what the f
00:09:32.260 like this is not right this is not what i saw and like the taxi driver just ripped me off it right
00:09:38.620 Exactly. But the thing that's interesting about this is this was this diagnosis was the syndrome was created well before Instagram. So I think that Paris Paris. Yeah. Right. Right. Even in the 19th century, Paris had this allure on travelers and people from abroad. So I think that it does.
00:09:58.060 You know, maybe it's the first instance of it. But now, yeah, of course, like you see that. I see pictures of places that seem absolutely insanely beautiful. But then I know that when I go there, it may not be.
00:10:10.280 No, no, this is not for me. This is not for me. Well, yeah, apparently as early as the 1600s, there was a doctor who speculated that when you're touring cities that get very built up in the mind, that there can be an extreme culture shock and disappointment because they never turn out even how you read them.
00:10:29.720 So not even necessarily how you saw them on Instagram, but when you read about these like world capitals and then they don't fulfill all of your dreams and expectations, there can be a really big crash there.
00:10:41.220 It's fascinating.
00:10:43.340 Fascinating, but it's also like fiction, right?
00:10:45.100 Like we love to project and fantasize about everything.
00:10:48.820 And, you know, for example, in the book that I just wrote, Murder Most Delicious, it's basically a sort of marketed as a culinary novel, culinary mystery, because there's a kind of fetishization or fantasy world around food and wine in this book.
00:11:06.560 So the murder happens in a bistro, and then basically all of the clues in the rest of the book revolve around food and sensation and these kind of fantasies. But I think that the human tendency to fantasize about other things and things that are outside of our daily life, and like Lord knows, you know, daily life, especially in the States, sometimes can be really overwhelming and fast and full of things that are not fun.
00:11:34.940 And so I think that's one of the reasons I read books. Actually, I read fiction is because I like to escape.
00:11:42.320 Yeah, I agree. I agree. And I want my fiction. And I think that you feel the same way.
00:11:47.240 You know, I've read so many of your books at this point. I want my fiction to feel very escapist.
00:11:52.040 I want to transport my reader somewhere else because I think that that's what good fiction does.
00:11:59.680 I want them immersed not just in the story but in the place and I always think about place
00:12:03.580 as another character in my book like I want it I want it to feel so vibrant that you can taste
00:12:09.520 that butter okay that you and that you get hungry when I when I signed Sicilian inheritance
00:12:14.520 to someone who hasn't read it yet I put a warning label on it and I asked my publisher to put a
00:12:19.900 warning label on it and they wouldn't do it which was so so weird uh but I was like you should read
00:12:24.640 this with snacks because it's gonna make you hungry and I murder most delicious makes you
00:12:28.740 very hungry. Right. You want to jump on a plane and go eat French food all the time or go to a
00:12:34.020 French. Actually, if you're in a town that has a French restaurant, you just go there. But
00:12:37.400 you can go to a good bistro and get some like good, good, like good steak a poise and some frites.
00:12:43.860 I want to take a quick break. And when we get back, I want to dig in a little bit to the plot
00:12:47.560 of your brand new book. Okay, we are back. Talk to me about this book. I mean, it's just, it's
00:13:01.360 juicy. It's delicious. It's fun. It's escapist. It's in Paris. It's all of the things that I want
00:13:06.680 in any kind of read, but especially in the summer. Like, that's just, that's what I want.
00:13:11.160 It's what I want to be reading at the pool. Yeah, I mean, so I'll tell you the basic plot,
00:13:15.120 and then I'll tell you like why I went in that direction. So the story is about a woman named 0.89
00:13:21.780 Olivia Beach, who is a young but supersonic sommelier. She's a master sommelier. And if
00:13:29.140 you know anything about wine, this is like there's maybe 250 of them in the world and not very many 0.95
00:13:34.220 women. And tragedy strikes. She loses her sense of taste during COVID. And this is an annihilation
00:13:42.500 of everything she loves. She knows so much about wine, her work world, all of her friendships are
00:13:46.920 around wine. She loses, ends up losing her job. And then she is invited to go to Paris to sort of
00:13:53.740 audition at a bistro. So she goes and she's very nervous. She can still smell wine. She can't taste
00:13:59.660 it. So she feels like she can get through this kind of audition with her nose alone. But she
00:14:04.860 gets there and she smells something. There's six glasses of burgundy set up before her and she
00:14:08.740 smells something kind of off in the wine. But when she, you know, so she doesn't want to drink
00:14:14.280 it. So the chef who is testing her takes a sip and he dies from poisoning. Okay, so all of that
00:14:21.500 happens like in the first 10 pages. And the rest of the book is Olivia getting enmeshed in this
00:14:27.760 neighborhood in Paris. And these people who are friends of the chef and sort of part of the
00:14:33.040 neighborhood help her solve this crime. So that's the premise. And, you know, I myself, like, this
00:14:39.960 is the kind of book that I was dreaming of reading. I don't know, you know, some people say, like,
00:14:43.800 what do you, what inspires you? And, you know, how, you know, what is it, what's that thing that
00:14:49.160 gets you to commit to writing a certain type of book? And it's always a different reason. And a
00:14:54.020 lot of the time for me, it's like you, it's place, right? You know, I've had a book set in Italy,
00:14:58.180 And I've had books set in all, you know, basically all over the world, one in Japan. And with this one, it wasn't I mean, although I did want to escape in my imagination to Paris. But one of the main compulsions that I had with this book was escaping into pleasure. And there's like many different types of pleasure in the book.
00:15:20.660 There's wine and food. There's the place. There's friendship and community. There's perfume. There's sensation of different kinds. There's flowers. Like, there's basically all of it. And so that was how all of that came together with this book is this kind of need to escape. And whether it's summer or winter, you know, I feel like I want to escape every season.
00:15:43.840 I want to escape every season. And I love what you just said about exploring pleasure and especially women's pleasure, because more and more, what I want to see are stories about women truly enjoying their lives. And my best friend, godmother of my children, Glynis McNichol, wrote Mostly Here to Enjoy Myself about a woman.
00:16:07.020 I loved that book, by the way.
00:16:07.680 It's so good, right?
00:16:08.980 Ben gave me that. We have a mutual friend, Ben, and yeah, he gave me that book.
00:16:12.220 Yeah, it's so good. And, you know, about a woman enjoying herself in Paris, but it's not just, it's not just, you know, intimacy with another human. It's enjoying yourself through food, through friends, through the freedom that, you know, women have more and more in the world today.
00:16:32.160 and all of these little things that we seek pleasure in.
00:16:36.340 But I think for a long time, we weren't seeing those kinds of stories.
00:16:40.180 And that's why I love, love a book like this,
00:16:43.520 seeing a woman truly finding ways to enjoy her life.
00:16:48.980 I also think that there's a component to our life that maybe in the last 40 years,
00:16:55.180 30 years, even like 10 years, we've lost more of, and that's enjoying time.
00:16:59.420 You know, I think as someone who, you know, I've been writing now for 20 years, and I'm a mother of three, as you are. And, you know, you find that your time becomes this precious commodity. And taking the time to do something like have a two and a half hour lunch, right?
00:17:19.880 Or to just take a walk with no real destination in mind, but just to take a walk to discover something alone or reading books, right, without any sort of reason to read them other than it's interesting and it's pleasurable and you're relaxing and you're thinking.
00:17:40.320 of like these sorts of things, especially in this age of like sort of hyper movement and AI and all
00:17:47.480 the things that are coming at us feel really kind of clandestine and almost like a rebellion.
00:17:54.000 And so, you know, for the for me with this book, like the narrator, you know, it is a mystery and
00:17:59.140 it's kind of fast. But strangely enough, like in the chapters, there's always these moments of pause,
00:18:04.460 right where there's conversation about cultural elements of france and the u.s where there's just
00:18:12.140 you know a moment where they're baking something there's the detective and um the main character
00:18:18.540 olivia baker souffle which is notoriously difficult and it just these moments in the
00:18:23.580 book and and i've been really trying to implement in my life these moments where i have nothing
00:18:29.840 structured. Right. And sometimes it's, you know, you feel like, oh, my God, can I really do that?
00:18:34.600 Oh, I should be doing something on social media or, oh, I should be doing this thing for my book
00:18:38.600 or for work. And it's a real act of rebellion to just say, listen, I don't care about the
00:18:42.980 consequences. I'm just going to take a day off and do nothing. It truly is. And I think that it is
00:18:48.380 also an act of rebellion to buck the traditional norms of the workday. And this is something that
00:18:56.300 that I've been trying to do more and more of lately. I mean, I work so many hours in a week,
00:19:02.680 but I also work for myself. And that does mean that I don't necessarily have to be at a computer
00:19:08.880 from nine to five, Monday to Friday, but it's very hard to break free of those mental constraints.
00:19:15.740 And for my husband, too, who runs this media company with me, but we're trying to, right?
00:19:22.180 We're trying to go out for two hour lunches on a Monday because, you know what?
00:19:26.300 We worked a lot on the weekend.
00:19:28.380 Yeah.
00:19:28.780 And we also work hair giving all weekend in addition to, you know, running this business and this bookstore.
00:19:35.460 And so we're like, why not make our Monday a Sunday sometimes, right?
00:19:39.480 And like lay in bed and watch TV or go out for like, you know, a couple of glasses of wine at lunch.
00:19:44.700 Like, why not?
00:19:45.920 But every time we do it, despite the fact that we worked through the weekend, we feel so indulgent because it's a Monday.
00:19:51.600 And we've been told that Mondays are for work.
00:19:55.240 I totally agree with you, though.
00:19:57.420 I mean, I also work for myself and I'm caregiving on the weekends.
00:20:03.100 So I know that feeling.
00:20:05.200 But I think it's important to try to reprogram ourselves.
00:20:08.700 And a lot of it comes with the fact that I think, you know, all of our lives, you're in school, you know, nine to five or whatever, you know, eight to three.
00:20:18.220 And then when you have a sort of traditional job, you're like doing that.
00:20:22.080 And then when you work for yourself, I mean, I know that I do this.
00:20:24.940 I structure my day.
00:20:25.880 I'm in my office at eight after I drop my daughter off at school.
00:20:29.940 And I'm there and I feel like, oh, my God, she's going to be home at three.
00:20:33.640 I better like, you know, use this time and do everything I can.
00:20:38.540 But the truth of the matter is, is we can only be full human beings for ourselves, for other people, for our friends, for our spouses.
00:20:46.920 if we take that time to really explore who we are and find what makes us us finds find the things
00:20:55.380 that make us feel good about being alive i mean i've seen i have so many friends who are workaholics
00:21:02.460 and um you know a little i have to say that i probably am too but who who have not over the
00:21:08.920 years found a way to create space and they really it's to the detriment of their books to their you
00:21:15.100 know if they're writers or their family life too so i don't know i'm really advocating it's a new
00:21:20.540 like stage in my life that i'm advocating for like taking time off getting away escaping escaping
00:21:27.040 taking time off taking time for you like no matter how small it is for a long time even though this
00:21:32.940 is a very vital part of my work i felt weird reading books during the day yeah me too i mean
00:21:41.540 I was column for the New York Times book review and I was supposed to be like, that was supposedly part of my job. And yeah, I couldn't do it for a long time. I still have a hard time doing it. I'll admit like I read at night because that's when it feels like you're supposed to read because that's when you're allowed to relax. I mean, these are really rules that I don't just want to break for myself, but I'm hoping to also break for my children so that they see me model these things.
00:22:09.240 I will tell you the one thing that is the one thing that's making it a little easier for me
00:22:12.780 to read during the day this is a new thing for me I got a kindle this is my first kindle y'all
00:22:18.120 wow that's I know I know and I love it I got it because I wanted to be able to read books in
00:22:26.520 advance right but it makes it so much it just like it's I always keep it and it's pretty little pouch
00:22:33.520 in my purse and then slip it out at odd moments of the day and then find myself I mean this is
00:22:38.720 like very recent and i'm like oh i'm gonna pick i'm gonna read a chapter instead of scrolling on
00:22:43.240 my phone because it's somehow socially acceptable to scroll your phone in the middle of the day
00:22:48.340 which is doing nothing for you you look for it well it's co it's co it's somehow coded as work
00:22:54.900 right right right yeah yeah i mean these are just things i just want to break it all and fix it
00:23:02.020 and give us back our brains and our time and our happiness, right?
00:23:08.020 Well, sometimes it takes extreme measures to do that, right?
00:23:11.480 I was finding that I couldn't do that.
00:23:14.840 I was living in New York.
00:23:16.940 I was, you know, when you live in a place like New York, you say yes to everything,
00:23:21.820 going out all the time, saying yes to being on this board or whatever,
00:23:25.940 judging that contest or just being part of the literary world, which is lovely,
00:23:30.140 but it's a lot of work.
00:23:31.100 And so my husband and I moved to Mexico. I live in Mexico now. So I am living kind of off the grid outside of San Miguel de Allende, Mexico. And I have so much more space. You know, now the mental pressure is really from me. Myself.
00:23:49.280 Right. I don't have people on the outside saying you should be doing this and come and do this and I'll meet you for lunch. And that when you can't, sometimes you feel like you can't say no to people in your work environment if they're right there next to you.
00:24:01.140 I realize that not everybody can do that. Right. But there are that's the extreme sort of measures that I took to to read to break my life and reform it. But I feel like in everyday life, like you can do that. Right. Even if it's like scheduling it into your agenda. Right. Like on your computer in your I have a like a paper agenda that I write what I'm going to be doing in.
00:24:25.280 like schedule an hour like I'm going for an hour long walk or I am reading at this time
00:24:31.740 and putting it in so it feels like it's part of your schedule oh I do the same thing now I put
00:24:36.920 these things on my calendar I might do the same as I would put a meeting because you know the way
00:24:43.300 we care for ourselves should have equal measure with the work that we do for money I think and
00:24:49.680 not everyone can do it but I know that I can do it and so I'm trying to do it more and just like
00:24:54.700 you said no is a very powerful word and i get invited to things all the time and i cannot do
00:25:00.620 them all yeah and i've i've really started to just be better at i'm gonna say no not because
00:25:06.800 i have something else to do but because i want to do nothing god that's so hard even with the
00:25:12.840 extreme measures i've taken to like move out of an environment that was really um high energy
00:25:18.960 I still have a hard time saying no, especially if it's work related. But yeah, learning to say no
00:25:25.420 is a huge thing. It's a huge step in the right direction. Yeah, exactly. Exactly. All right.
00:25:32.440 Let's take one more quick break. And then I want to we have so many, so many aspiring writers
00:25:38.300 in the audience of the show. I want to hear a little bit about your process for making books.
00:25:48.960 Okay, we're back. Like you said, you moved to Mexico. You were bringing me down for this
00:25:57.300 wonderful festival, but this literary festival down there, you do have a lot on your plate.
00:26:03.660 So I feel like you are such a great person to talk to about craft and process because
00:26:10.240 you bring so many incredible writers to you instead of having to go to them all the time.
00:26:16.540 how do you even how do you start a book like you've got an idea and then what happens next
00:26:20.320 oh god so i'm in that process right now and i have every time that i'm in this process i remember
00:26:26.820 how uncomfortable it is i thought before you actually know what you're going to be writing
00:26:31.360 you have the idea and you have to map it out um so for me i've written nine books um the first
00:26:37.480 five of those books i did not outline um maybe even the first six but no i think the first five
00:26:43.380 I did not outline. And I would write into the character or into the situation until I kind of figured it out and then would, you know, maybe sketch out like a rough outline, like, oh, in the middle of this happens and then it ends this way.
00:26:56.260 What I've done for the past three books, and I think it's really helped a lot, is that I do create an outline to help me get through the book.
00:27:07.780 I work a lot before I start writing I guess I should say like right now I'm spending I've given
00:27:14.900 myself a month to really explore the world that I'm going to be writing about do the research
00:27:21.160 that I want to do about this place write about the characters explore the characters figure out
00:27:26.760 who's going to be narrating the book what point of view like basically getting all of this the
00:27:31.900 pieces of the book together in my mind and on paper before I start. And then when I actually
00:27:38.700 write, as I said before, I'm in my office 8.30 to 12.30 or 8.30 to 1.30, depending on the day,
00:27:45.000 and I write by hand. This is another thing that has really helped because I shut off all
00:27:52.120 electronics. I don't have my phone around. I'm not on my computer. I have this certain type of
00:27:57.600 paper that I like that I have to buy in France it's kind of ridiculous um and I write kind of
00:28:03.280 ridiculous that's kind of ridiculous and I love it what is this kind of paper no it's called
00:28:08.380 Clairefontaine paper and you can get it in notebooks and you can get it loose leaf and it's 0.95
00:28:13.580 like glossy so that my pen my pen actually goes faster on it it's really this is one of those
00:28:18.420 weird little peccadillos that are complete people will ridicule me about but I guess I'll own it
00:28:23.400 Because I love this paper.
00:28:24.980 Now I want this paper.
00:28:26.580 Now I want this paper.
00:28:27.560 Like, I'm going to go get it now.
00:28:29.640 I'll get that paper.
00:28:30.960 I've tried to order it, you know, in the States.
00:28:34.700 I can't.
00:28:35.280 You have to actually go to a place in Paris and buy it.
00:28:39.940 But so, and I have my colored inks and my different kinds of pens.
00:28:45.600 And I write by hand.
00:28:47.340 And then I do a word count every day.
00:28:49.160 So depending on, you know, the last book I wrote, this one, Murder Most Delicious, I had a really hard deadline for it. And I don't always have that kind of deadline. Usually, often I write the book first. But this book, it was, you know, I basically talked through the idea with my editor. She said, I love that idea. Let's do it. Can you get it to me in like five months?
00:29:11.820 And I'm like, oh, my God, I don't know.
00:29:13.880 So I had a very tight deadline.
00:29:16.040 And so I started the process of having a daily word count and sort of factoring in how many days hitting that word count would it take me to write the book or a draft of the book.
00:29:29.520 And that was an incredible learning experience for me after having written eight books before this where I never paced myself in that way.
00:29:37.640 I just sort of was like, let's, you know, see how it goes today.
00:29:40.560 And either I'd leave my desk feeling great or I'm feeling demoralized, having, you know, sort of this watery idea of what my goal was for the day.
00:29:49.580 But having a really strict word count made me feel like I'd accomplished something because I would sit there until I made the word count.
00:29:59.300 And so that has become my process.
00:30:02.140 And then typing in those handwritten pages into a Word document is a second draft.
00:30:09.600 So I do that and then I have a second draft and then I print it and read it and write all over
00:30:13.720 those pages and then type it in and it becomes a kind of circular experience, I guess. So that's
00:30:19.500 the basic, that's the nuts and bolts of it. I love that. I've always committed to a word count.
00:30:25.720 It just keeps me, it keeps me like on, on point. Also, I love a to-do list, right? So I'm like,
00:30:31.740 okay, like you just did this, you got it done. It doesn't matter if the words are totally crappy.
00:30:35.760 i still just do i do it i'm like whatever i'm like i'm done i got it done i did this thing
00:30:40.000 yeah with every with everyone is lying to you we had three months to write it so because i gave
00:30:44.160 them the idea and i was also like get this out quick because silly me thought the trad why that
00:30:51.180 i had to write a book about trad wives last summer and that it would be over but you know look what
00:30:55.620 happening yesteryear this year so you know what i thought that there was an expiration date for it
00:31:01.820 And I guess there was not. Maybe I was too early. I don't know. But yeah, I banged that out in three months and it was about 2,500 words a day, which did nearly kill me because I like a sweet 1,200 word sweet spot.
00:31:15.900 Yeah. Yeah. My when I had to do so, I ended up writing Murder Most Delicious in about three months to the draft. Of course, there's editing after. And I was doing 2000 words a day. So, yeah. And that's higher than what I normally do. I usually I like 1200, 1500 words a day.
00:31:32.540 yeah exactly exactly and and yeah a 1200 is really nice and but also i don't plot so like
00:31:40.660 my first draft is always my outline i'm like i'm flying by the seat of my pants i don't know what's
00:31:45.820 going to happen and the way that i describe it is how can i write an outline i just got on a first
00:31:50.140 date with these characters like i can't ask them to go home with me yet i don't know anything about
00:31:54.480 them i love that it takes me a while for them to start talking to me and for me to feel comfortable
00:32:00.660 you know manipulating their lives and an outline just feels so I don't know like it's not intimate
00:32:07.800 enough for me than to just be writing them on on the page like you said so yeah but I know a lot
00:32:14.420 of writers really freak out about that they're like how could I how am I how am I supposed to
00:32:17.120 know what are where I'm going every day if I don't have an outline and I'm like I know I know
00:32:21.620 but having an outline would just give me hives I know well so I've done it both ways right like
00:32:27.360 most of my books I've done where I write through it and then I figure out the story and I go back
00:32:32.200 and rewrite a lot. And that sort of early process is communicating with the characters and figuring
00:32:40.160 out who the characters are. Like Puzzle Master, which was published in 2023, that ended up,
00:32:47.860 I was writing, I thought that the book was focusing around a totally different character
00:32:52.680 than the person who ended up being the hero of the book.
00:32:56.060 And I had to write it like 100 or 125 pages
00:32:59.240 before I realized that.
00:33:00.440 And then I had to go back and rewrite, right?
00:33:02.200 I rewrote the whole thing.
00:33:03.800 And so my desire to sort of not have to do that
00:33:08.180 is why I am outlining now.
00:33:10.680 And sure, I get to know the characters.
00:33:13.200 I mean, the thing about an outline
00:33:15.000 is that it has to be fluid, right?
00:33:16.980 Like as you're writing, if you have an outline with like,
00:33:19.900 okay there's not there's this thing that happens about a third of the way through the book and it
00:33:25.120 changes everybody's perspective of what happens okay and you know what that figuring out what that
00:33:30.340 thing is is more important to me than actually having like the minutiae of okay this character
00:33:36.340 goes to this location and finds this thing right like it's not that detailed it's a bigger outline
00:33:42.720 although i do like to have now that i've done it a couple times i do aspire to have chapter
00:33:47.680 outlines which you know it gets a little bit granular but you know it has to be fluid like
00:33:53.020 if it's if it's not fluid and if you can't like suddenly say you're halfway through the book and
00:33:57.120 you have this fantastic idea about how something plays out of course you change your outline then
00:34:02.400 you go back and you change everything um but yeah for me i've just found that it saves me a lot of
00:34:08.800 stress like right now where i'm floating around i have this new idea and i'm floating around
00:34:13.400 and I'm like trying to figure out like how it all fits together that's really uncomfortable for me
00:34:19.280 now and I used to be able to live in that kind of ambiguity and uncertainty a little bit better
00:34:23.560 I don't know what's happening I still want to it's perimenopause okay it's menopause
00:34:28.060 literally everything everything that changes in my life right now I'm like well it's hormones
00:34:33.320 that's what it is obviously obviously certain placement for that like the non-plotin
00:34:38.500 Can I please go back?
00:34:41.160 Exactly.
00:34:41.500 I'm like, is it testosterone?
00:34:42.740 Is it progesterone?
00:34:43.780 Like, which one is going to make this easier for me?
00:34:46.960 Which my gynecologist is really sick of me asking.
00:34:49.960 She's like, honestly, for everything that I ask her, she's like, it's actually usually testosterone.
00:34:54.840 I'm like, oh, great.
00:34:56.140 So I'm going to start taking some testosterone.
00:35:00.820 Yeah, I'm having a lot more fun with the writing lately, too.
00:35:06.420 like I'm kind of just like giving in to my wackiest instincts and I think I can do that
00:35:12.160 because I'm writing these mysteries and thrillers and I used to write you know much more very straight 0.94
00:35:17.260 commercial women's upmarket fiction uh which I like to read sometimes but I'm like I just want
00:35:23.100 to have a good time and like you said I want to write the books that I want to read and that I
00:35:28.880 think that that comes across on the page too I can literally smell when an author is having a good time
00:35:34.660 when they're writing this book yeah yeah i can too and i've i've the days are gone when i just
00:35:42.960 want when i don't want to when i just want to read for character and have no story
00:35:47.160 i don't know it's hard for me no i mean plot i am i'm just like i love to write plot i love
00:35:55.020 to read plot it's funny because i was just at the adriatic writers conference and there's all
00:36:01.340 different kinds of books like we we span from literary to commercial but um I I was very up
00:36:08.340 front with everyone I'm like I just like I don't really read for character anymore I want stuff to
00:36:13.640 happen and then so many other people were like I pretty much only read for character I could care
00:36:17.300 less if anything happens my god really so yeah I know I mean I had a this um writer Ivy Pocota and
00:36:25.460 i have a writer's retreat in mexico that we do and we had eight writers and you know the the first
00:36:31.540 thing the the class that i taught was about structuring your opening right because the
00:36:36.980 biggest problem i have is that i'll open a book and read 10 pages and i'll be like oh yawn
00:36:41.580 like i'm not interested in anything there's i'm not interested in these characters i'm not
00:36:46.840 interested in the setup there's no hook and so i think that it's so important right for for
00:36:52.700 writers for all the people listening who are are writing a book like what is that thing that makes
00:36:57.380 people care enough to turn the page it's a big question a character in itself I think is not
00:37:03.920 that interesting enough there has to be a really particular character right to make it interesting
00:37:10.180 enough to turn the page so um yeah no I that's that's where I am in my life as a reader and a
00:37:16.900 writer like I of course I love things to be well written as well and I love character but I want
00:37:22.560 a really good story, I think, which makes my standards have really gone up. And I'm harder
00:37:28.680 on myself, too. I agree. Yeah, totally. Totally. I mean, I do. The thing is, I have to be invested
00:37:33.520 in a character. I have to care about that character. But I also need a really, really
00:37:37.160 strong story and a really strong plot. I just need things to happen. Yep. Yep. They have to happen
00:37:43.700 and they have to be interesting and pull you in. And I know. I mean, that's why writing thrillers
00:37:49.300 and mysteries for me. I didn't always write thrillers and mysteries myself. My first book
00:37:54.520 was actually a memoir, a very literary memoir about my family. So I moved into writing in the
00:38:02.680 genre exactly for this reason. I found myself wanting story, hungry for story, hungry for a
00:38:10.340 kind of process of discovery. I think that what's wonderful about thrillers and mysteries
00:38:16.000 is that it mimics sort of, you know, why we read.
00:38:21.660 Like, we want to discover new things.
00:38:24.040 And that genre really highlights that and embeds it as part of the structure.
00:38:29.100 So, yeah, I don't know.
00:38:31.020 If I had to choose one genre, it would be for the rest of my life, which I won't do.
00:38:35.320 I can't commit to that.
00:38:36.160 But it would be mysteries and thrillers.
00:38:38.120 Mysteries and thrillers.
00:38:39.040 I know.
00:38:39.460 But again, it's like maybe it's because of perimenopause, right?
00:38:43.440 Like, I didn't really, I didn't start writing them until my 40s.
00:38:48.500 I didn't really start reading them as much until my 40s.
00:38:51.860 So maybe perimenopause and menopause are our superpowers.
00:38:55.980 I think so.
00:38:56.720 I think so.
00:38:57.640 Definitely.
00:38:58.440 At least, you know, the wisdom of being in your, you know, in your 40s, right?
00:39:03.000 Like, I don't know if it's the hormones or just that, like, you see life differently,
00:39:07.560 you know.
00:39:08.520 Totally. 0.98
00:39:08.940 I don't give any fucks anymore. 0.98
00:39:10.420 That's the thing. 0.98
00:39:10.920 I'm like, I give no fucks. 0.96
00:39:12.260 Yeah. 0.95
00:39:13.440 100%. And it's just like, okay, you know what, I've seen that before. And I actually, what's
00:39:19.420 interesting is that my first book was published when I was in my early 30s. And I had gone through
00:39:24.100 a really brutal MFA program at Iowa. And so for the last 20 years, I have watched, you know,
00:39:33.160 this sort of life cycle of the hot new author, right? And it used to be like, I remember in my
00:39:40.540 thirties like you'd be like oh my god if only i had that idea or if only i did this thing or
00:39:45.040 like oh my god and now it's just like you know what i don't care i don't care experience of
00:39:53.000 living two decades and watching all of this come and go you know many many times exactly
00:39:58.280 everything old is new again i'm like it just it's a cycle right exactly oh well i love your book we
00:40:05.500 we have a bunch at our bookstore the bookcase and we're going to be selling it all summer long
00:40:11.520 will you tell everyone where they can find you on on the internets and find out more about about
00:40:15.780 the books yeah so i'm on instagram probably way more than i should be um and you can find me there
00:40:22.000 so if you dm me i'm you know i always respond and then i have a website um it's just my name so
00:40:28.220 the book i guess i should say the book is written under danielle postelvinay which is
00:40:32.340 my husband's french name and i wanted to use that name because it's french and also because it's a
00:40:37.660 little bit more of a different um genre for me than what's a little different yeah it's a little
00:40:42.880 different it's a little it's you know kind of classified as being cozy and my other books are
00:40:48.320 are kind of are really straightforward thrillers um but you can find me um at danielle trisoni
00:40:54.480 which is the name i normally write under and that's um t-r-u-s-s-o-n-i.com i love i also love
00:41:01.540 you know, that classification matters so much with books. They're like, is this cozy? Because
00:41:06.280 if it's cozy, it's a different kind of book. I have a book idea that I was pitching to my editor
00:41:11.860 and she's like, it just seems a little cozy. And I'm like, trust me. I'm like, trust me. It's not
00:41:15.920 cozy. It's filthy and terrifying. Okay. Filthy and terrifying. Filthy. Totally filthy. Yeah.
00:41:23.120 I mean, I don't know. Like, I don't think of this as a cozy book. You know, it's about because,
00:41:30.320 But because there's not any, like, gruesome violence in it, that's where it is on the shelf.
00:41:35.300 So that's fine.
00:41:36.960 If people enjoy it and it's an escape, then I don't care where they put it.
00:41:40.720 But it is really fascinating how they classify absolutely everything, depending on your narrator, your main character, where it's located, what you talk about.
00:41:50.660 Like, it's just micro-classified.
00:41:54.400 Micro-classified.
00:41:55.180 And I mean, my hope remains, and I think that my listeners will agree, did I write a good book?
00:42:00.320 And do you like it?
00:42:01.560 Cool.
00:42:01.980 Absolutely.
00:42:03.040 Absolutely.
00:42:03.660 It doesn't matter.
00:42:04.300 Exactly.
00:42:04.820 It doesn't matter where it is.
00:42:05.980 I don't care where people put things in the bookstore, personally, as long as people can
00:42:10.460 connect to whatever.
00:42:11.480 Oh, girl, I care.
00:42:12.280 I want it on the front table when you walk in the door.
00:42:15.320 In the window.
00:42:16.280 In the window with a big sign.
00:42:18.580 Exactly.
00:42:18.980 I want every bookseller holding it up and saying, buy this now.
00:42:24.240 Well, yes.
00:42:25.120 I mean, that's every writer's fantasy.
00:42:26.980 Exactly.
00:42:27.460 Which is why I'm unapologetic.
00:42:28.600 I'm like, buy Murder Most Delicious, buy The Parisian Heist, just order them for you and the entire family.
00:42:36.240 Yes, yes, yes.
00:42:37.520 It's presents, stay in presents, father's day of presents.
00:42:40.520 Third cousins, yeah, exactly.
00:42:43.200 Mitzvahs, christmas, everything. 0.91
00:42:46.000 Flag day. 0.89
00:42:47.140 Flag day.
00:42:48.900 There you go.
00:42:50.220 I could talk to you all day, but I have to go get my three-year-old from school, so I've got to sign up off, but this was so lovely.
00:42:56.420 So much fun.
00:42:57.180 And, you know, thank you so much for having me.
00:43:27.180 Thank you.