00:28:46.060And the other book is Marion Gibson's new book.
00:28:49.220Marion, as you'll remember, was the first historian who said to us,
00:28:52.800of course the scottish witch childs were gendered of course they were if there were 85 percent they
00:28:58.100were women of course it was gendered so we love marion for that we do we check her all the time
00:29:02.700for it she's such a great writer and very clever very engaging malcolm is i would use those two
00:29:08.800words to describe him as well love their books so her new book is called witchland love them love
00:29:14.960that it's got a really cool hot pink title and cover page and that i think comes out in august
00:29:20.820and i think malcolm's comes out round about the same time but we'll firm up those dates for you
00:29:25.440and as i say we're going to have them both on the show we're also going to be talking to um big pal
00:29:31.300of the show as well marie kidd about her um new book which is called what's it called claire
00:29:38.900it's not news from scotland news of witches it's news of witches at this this is entirely the
00:29:47.600menopause because i can't remember the titles of anything or anybody's name anymore but um i've
00:29:52.400read that book and i really enjoyed it and it's kind of a bit it's kind of a bit like
00:29:57.100crimey sort of but it's set during the witch trials it's very clever marie's a lovely writer
00:30:03.900i love her writing so she's going to come on talk to us soon and i think her books may be out in
00:30:08.140august as well so there's a lot happening but we will update with them yeah i'm about halfway
00:30:13.140through her book poor creatures which is so good and again that's about frank and the writer well
00:30:19.780it's about mary shelley when she came to dundee before she wrote frankenstein yes it's it's so
00:30:26.860good really interesting and also not that we've had her on the podcast i would love to have her on
00:30:32.440mona sholey who wrote in defense of witches that was her her sort of international book
00:30:38.900she's got a new book coming out and i love the title it's called how to resist guilt on what's
00:30:44.640how to resist guilt on what's holding women back can i tell you my theory about guilt yes guilt
00:30:52.620doesn't actually exist naturally within humans in the way that like anger sadness or loneliness
00:30:59.420or happiness or you know all those things exist i think that guilt is something that is just
00:31:04.680entirely man-made and i mean man-made as a means of control i don't think we actually naturally
00:31:10.920would feel guilt oh really yeah because i think that if you do something wrong then and you know
00:31:17.700you've done something wrong then you should just try and make it up and you should you know you
00:31:22.620should say sorry at the very least and then you should just like move on if you've made your best
00:31:26.740attempt to make it right and i think that if you don't realize that you've done wrong then there's
00:31:32.040just some sort of psychological problem with you and that's not a thing that you should feel guilt
00:31:36.680about so i think guilt is used as a way to manipulate women into being quiet and being
00:31:42.500small and it's just a way of making women feel bad about things they've done men too i yeah men
00:31:48.720too i suppose the way i think about guilt is obviously coming from a professional background
00:31:54.160of are you guilty of something or are you not guilty of something that's not an emotion though
00:31:59.780no exactly um i've never really thought about it interesting what religion were you raised as if
00:32:06.100you don't know me asking catholic you would think that i would know a lot but you know catholicism
00:32:12.560for me was like many things that you've encountered it just bounced off you yeah also also you know
00:32:18.860mixed up with you know my gran that would go to mass and read the tea leaves you know so i've you
00:32:24.020know it's i you know just pick the good bits that's what i say yeah i think that's a really
00:32:29.520good way to go with life generally just i just think i just think guilt is just it's just used
00:32:34.900to control people whereas happiness isn't i am so good isn't you know oh no but anger is you know
00:32:42.080like incels they're being they're being you know their their rage is being baited to yeah no
00:32:49.140definitely but not enough guilt solely exists for that right whereas anger doesn't exist to
00:32:56.760be manipulated if you know what i mean oh yes i see like the oh that's that's that that will send
00:33:03.920me down a rabbit hole i've had this thought for a very long time and um i sometimes express it to
00:33:09.760people and it falls upon deaf ears and i'm definitely a point now where i don't even care
00:33:13.980well you'll definitely i'll get you this book because it says the book's an insightful dive
00:33:19.320into in verse commas the relentless inner critic maybe that's what the problem is because i don't
00:33:24.600have one of them i mean i you know claire i have got a relentless inner critic but it's not about
00:33:29.660guilt it's more about you know fatness i'm laughing i'm really laughing not on the inside
00:33:38.500i heard this tremendous idea right which was that you consider you are not your body
00:33:46.620so you consider your body separately from you and you think i i have to take care i want to
00:33:53.660take care of this body and and do nice things for it and i thought that's a nice idea like as
00:34:00.340opposed to thinking you're your body thinking that your body's something separate from you
00:34:07.420and your consciousness and it's your job to keep your body well and healthy and do things for it
00:34:14.020yeah but you see that you know again don't want to get too deep here that for me is part of the
00:34:18.240problem it's about a disconnect between mind and body for me this is like my mind's all good I'm
00:34:24.940quite perfectly happy I'm not saying I don't have more to learn and more to develop I'm fine with
00:34:30.320my mind and I'm confident about that is the body who I view as being separate and sometimes a bit
00:34:35.080of a traitor now that I've now that I've started to take an exercise a bit more seriously trying
00:34:39.940really hard to work with her so I'm just like come on girl and then I you know we're we try to work
00:34:45.420together so i feel like we're coming together but i feel like also i'm somebody who dissociates
00:34:50.480very easily and i feel those two things are quite separate okay yes you didn't think it was going
00:34:56.980to be a therapy session today did you claire i know no i wonder if anybody is still listening
00:35:02.000at this point i know i'm really sorry right we'll we'll pull it back to the normal way of things
00:35:07.100yes and we'll and now we'll take this very seriously i mean all that stuff is really
00:35:11.620serious it's just maybe sort of unbridled emotion but and also this this is a serious thing that we
00:35:17.160should feel unbridled emotion about but it's a section of the show where we remember somebody
00:35:21.500who's being accused and the person this week is really um interesting which is maybe the wrong
00:35:26.940words but her name was janet kennedy and she was from dumfries and janet kennedy was accused of
00:35:33.420um having been approached by somebody to bewitch somebody else to death basically okay so there was
00:35:41.060no evidence for it apparently again this is from the survey of scottish witchcraft so as as usual
00:35:47.160they've only got what they've got to work with and there's there's some information but not
00:35:51.900anywhere near as much as i would like really to have a full idea of what happened here but she
00:35:56.580had been approached by somebody who had tried to kind of i suppose contract her to do to kill
00:36:03.140somebody with witchcraft but then the person that approached her said that they didn't really mean
00:36:07.760it that they just did it to prove that um that she was in fact a witch and she was held in it
00:36:14.120was mistress mowat that she was she was consulted by somebody else to to kill basically and then
00:36:20.760she was held for a year um the kirk session found it says here here are the notes says kirk session
00:36:27.580found several scandalous and horrid things and all they tried to get evidence could not get things
00:36:33.160sufficiently proven so again just to just to say that this was it was a legal case and in this
00:36:40.140case they found that they didn't have enough evidence they did however keep her in for a year
00:36:45.640and they referred the case to the presbytery who advised consulting the king's advocate
00:36:51.660and the general assembly of the church and ultimately she was held in prison for one year
00:36:58.240and she was released but she was then banished and we don't know what went on to happen to her
00:37:04.080because we do know that there were cases of if you were banished and you had to go and move to a
00:37:07.900different you know community you would be accused again because there would be suspicion over you
00:37:12.360I really wish at some point there'd be some treasure trove that was found and it was it was
00:37:17.360that different different women or different primary sources had written down what actually
00:37:21.300happened at the time I know that that's probably never going to happen but I really wonder what
00:37:25.420it would be like to be banished and I'm surprised that there's not been that I'm aware of a good
00:37:29.780novel about a woman being banished and what that's like. I'm sure that'll come out soon but that was
00:37:34.800Janet Kennedy in Dumfries so today we remember Janet Kennedy who was held for a year on charges
00:37:41.060that couldn't be proved and was banished but we don't know what happened to her next. So without
00:37:45.080any further ado let's introduce today's guest. Hello and we are delighted to have with us today
00:37:51.060a guest who is all the way from america but is is currently living in scotland and she'll explain
00:37:56.940that to us but our guest today is artist and i believe you described yourself as a technologist
00:38:02.960which i love so i want to know more about what that actually means and so we have got victoria
00:38:07.800bradbury hello victoria hello thank you so much for having me on we're delighted to have you here
00:38:14.360so first of all if you want to just tell us a wee bit about who you are and why it is we've
00:38:18.320invited you onto the podcast? Absolutely yeah so as you said I'm an artist and maker and I work in
00:38:24.460new media which basically means I use technologies like games, virtual reality, interactive systems
00:38:30.320and digital tools as creative materials. My work sits between art design and computation and I
00:38:36.180really think through making so for artists and designers building something is really a form of
00:38:41.440research and critical thinking and so my research explores ideas around technology, agency and power
00:38:47.720who gets to shape technology, how programming code can carry cultural assumptions and biases,
00:38:53.700and how interactive systems really influence the way we experience the world increasingly. So
00:38:58.460I'm especially interested in games and immersive media and these as artistic and storytelling
00:39:05.480spaces. And I often use humor in my work as well, because interactive systems naturally create a
00:39:11.400kind of back and forth exchange with a viewer participant that can really be playful or
00:39:15.460lighthearted, even when the project itself is dealing with quite serious subject matter.
00:39:20.720Back in the States, I'm the chair of New Media at the University of North Carolina Asheville,
00:39:25.320and I'm currently a US-UK Fulbright Commission scholar at Glasgow School of Arts School of
00:39:31.100Innovation and Technology. So I'm in Glasgow for six months, and it's been really, really wonderful.
00:39:36.380It's really been exciting to work within Scotland's incredible games and creative
00:39:40.220technology community. There's such an awesome community here. But I've really long been
00:39:44.820interested in the connection between technology and magic, and so how technologies can shape
00:39:49.380belief, perception, and agency. And my current research at GSA focuses on histories of witch
00:39:55.140persecution in Scotland through interactive and textile-based artwork, some of which are behind
00:40:00.360me we can talk about a little later. A lot of my earlier works have been around witch persecution,
00:40:07.160some of them. I work on a lot of different topics, but particularly around the story of my 10th
00:40:12.000great grandmother, Mary Perkins Bradbury, who was convicted of witchcraft during the Salem witch
00:40:17.080trials. Oh, my wild. Really amazing. Because when we do events in Scotland, we've been told by
00:40:24.220various historians, it's very hard to prove as a Scottish person that you've got a descendant
00:40:28.900because we just don't have the records. So you might have an idea of a surname and a location,
00:40:33.420and you might think, well, my family's been there for generations, but you can't prove it in the
00:40:37.040same way that Americans are able to prove it because your paperwork is so much better.
00:40:41.320so when when you know people get in touch with us all the time and say oh my relative my you know
00:40:46.76010 times great-grand or whatever it's really interesting because you've got that you've got
00:40:50.660that line so have you always known about your relative that's a great question I have um I
00:40:57.560remember being in primary school and sort of telling the other kids in my class my grandmother
00:41:02.320was a witch you know in the coat closet uh because you know my thinking around it was very simplistic
00:41:07.540and it was just something that I knew. My dad has been doing genealogy. It's become much more
00:41:11.680popular nowadays, but my dad was doing an analog in the 70s and 80s, and we used to drive. I grew
00:41:17.560up in Pennsylvania, but we used to drive through New England, and our family holidays, we'd stop
00:41:22.120at a bunch of graveyards and look at Bradbury's gravestones that went way back. So yeah, I did
00:41:28.820always know about it since I was a kid, and it was when I became an artist that I started to just
00:41:34.460think you know what what is that all about what what really happened there and started to really
00:41:38.480think critically about it. That is incredible that you've been able to get your area which sounds to
00:41:45.780to me very 21st century and to go back to have inspo from that time. Some questions already I
00:41:54.300want to ask just about your family history. Did you always know about it or was it your dad that
00:42:00.080found the connection in the lineage? Or has it been passed down from generation to generation
00:42:04.700as a kind of lore in your family? I think the latter. So my dad had found out about it through
00:42:11.400a great uncle. And then he passed that on to us. And I have quite a large extended family. So
00:42:17.080everyone sort of knows about the story within the family. Interestingly, she's also an ancestor of
00:42:23.860Ray Bradbury, who is very distantly related to me. He's like my sixth cousin, three times removed.
00:42:29.180so we call him uncle ray in my family but i mean he's barely barely cool see see if you can claim
00:42:36.400ray bradbury doesn't matter how far away it's so distant but interestingly she is a common
00:42:42.080ancestor and i believe he knew about her story as well i mean she had 10 children mary perkins
00:42:47.660bradbury and so she has hundreds of descendants and so there's many many people that can claim
00:42:54.700her as an ancestor sorry can I just say when you for those listening on the podcast and not watching
00:43:00.000on YouTube and you said she had 10 children Zoe's face was an absolute treat worth going on to
00:43:05.340YouTube and having a look at she's like oh no oh no not in not in the not now but certainly not in
00:43:11.380those days I know I know well the thing is people have asked you know if she had been because she
00:43:16.700was convicted she was one of the 30 people convicted in Salem not killed though she had
00:43:21.680execution date and her family was able to it's not clear how she was how how she was released
00:43:28.080from the charges there's different stories around that but uh but i lost my train of thought no
00:43:36.080sorry can you tell us um her story first of all before we come to the present day and find out
00:43:42.160how what you're doing absolutely yeah yeah so so she was 77 years old when she was convicted and
00:43:48.720And so she the point that I was trying to make was that she had already had her 10 children at that point.
00:43:53.680So. So, yeah, she's had a hard enough life at that point.
00:43:56.700She's had her punishment. All of her many and all of her many descendants would still have been born had this not happened because she had long had her children.
00:44:08.360She was she was accused by her neighbors, Richard Carr and Zerubbabel Endicott, of having gone into her gate and a blue boar ran out.
00:44:17.320And so like, you know, the Salem archives are so detailed and I have her testimony, I have her accuser's testimony. I have the petition that her neighbors, hundreds of people came forward and petitioned on her behalf, which I think helped to save her from execution.
00:44:33.420But one of the accusations that Richard Carr made was, I saw Miss Bradbury come into her gate, turn the corner, and immediately they're dirted out of her gate a blue boar.
00:44:46.220And so she was accused of having turned into a blue boar, essentially, was one of the main accusations against her.
00:44:54.120She was also, there were some other accusations thrown in.0.95
00:44:56.660She was seen as maybe controlling ships.
00:44:59.800She was seen on the windlass of a ship bound for Barbados, which would have been a slave ship.0.79
00:45:05.100So there were several different accusations, but the one that has really stood out about her and that I have worked on and others have worked on around her story was that accusation of having turned into a blue pig.
00:49:15.380She was indeed, and she actually had an execution date, and that's where it's not clear, because
00:49:22.400did someone escape her from prison, was there bail, was there potentially a bribe, all these
00:49:27.280different ideas have been thrown around about how exactly she escaped her execution um was she hit
00:49:32.780the the way that I've always thought of it was she was hit away by family and friends until things
00:49:37.520kind of blew over and then you know people moved on and and she wasn't she was she was lucky to
00:49:44.540be able to die at 85 a decade later um of old age and so uh so yeah she did she did escape execution
00:49:52.140I mean, can I also say just entirely separately, you've got some good genes going there. For a woman of that age to have 10 children and to have survived to 85 was some going at that time.
00:50:03.060I know, I know. Just it amazes me that people live that long at that time.
00:50:07.240OK, so that's I'm glad and I'm really glad to hear that she was one of the people whose stories ended very differently.
00:50:14.480So I interrupted you. Sorry. Tell us more about your projects that you've done.
00:50:18.980yeah so so i started uh focusing on that idea of the blue boar story and um in 2009 i created a
00:50:28.400blue boar installation and the way that that worked was i created so i also also worked with
00:50:33.580textiles and i created a embroidered book and it was called the colonial vegetables sewn sampler
00:50:39.360book and that was on a podium and so a person who was interacting with the installation would come
00:50:45.260up and look at the book. And in the book, I used an embroidery technique where you move the fabric
00:50:51.580underneath the sewing machine to draw the different vegetables that would have been in
00:50:56.840Mary's door garden, because the garden was where the accusation occurred of her having turned into
00:51:01.980the blue boar. And so I drew a cabbage, some leeks, potato, radish, onion, and essentially I wrote this
00:51:08.740poem where the the vegetables are saying I saw Miss Bradbury as I daily do enter her patch to
00:51:16.040pick tubers for stew she gathered an armful of potato and radish when a brown boar trot by0.99
00:51:22.000looking wild and maddish the fast-passing boar filled the old woman with fright she fell on her
00:51:27.060back and she lay there all night with a rump on the tansy and her head on the teasel that horse
00:51:31.620spooked the boar he's a perjuring weasel so I wanted to kind of flip the story and think about1.00
00:51:36.680how how the vegetables because here she was she's an old woman she was picking vegetables in her
00:51:42.500garden what did they actually see what was their perspective on this story and so they say that
00:51:48.560they saw a brown boar run out essentially i picture her having picked being picked or picking
00:51:53.360the vegetables in her garden and she just fell over and maybe a pig ran through and the neighbors0.53
00:51:57.900saw it um so i'm trying to distill it knocked her over so you see her come in her feet go up in the
00:52:03.980air she disappears from sight and then the boar you can see from the outside how that how somebody
00:52:09.760could see that and you know it would probably be like a tiktok video now racking up views you know
00:52:16.600of an old lady turning into a boar exactly so i do try to think you know how did these how you know
00:52:21.700was there something that actually did happen that somebody saw that they could have talked about
00:52:26.060having seen so i really think about perspectives but so the viewer is looking at this book this
00:52:30.360fabric book. They're paging through it, reading that poem. And then as they do, they look in front
00:52:36.620of them and there's a sculptural boar with a kind of blue scintillating video skin and they see
00:52:42.840their own face projected onto the boar. And so it's that idea of bringing the viewer into the
00:52:48.960story and saying, I'm always trying to say with the stories about, with the works about witch
00:52:53.640persecution that, you know, this could happen to anybody. This could happen to you. This could
00:52:57.200happen to any person. And so when someone's looking at the work, they really become a part
00:53:02.520of that story. Absolutely. And, you know, we obviously much later than you, when we came to
00:53:09.940as well, I think that's a really central tenant, isn't it? To remind folk that these people aren't
00:53:16.980special in any way or different. They're just the same as us. Exactly. So that was the 2009
00:53:24.520interactive installation. In 2019, I created another project based on Mary's story called
00:53:30.780Blue Boar VR. And this is a virtual reality project, which completely immerses a viewer.
00:53:36.700And so they're in the VR headset, and they're considering the story, Mary's story, from three
00:53:41.680different perspectives. So they can play the story as Mary, they can play the story as her accusers,
00:53:47.560or they can play the story as the blue boar. So that's the third character in the story. So
00:53:52.640really trying to think through how can you look at this story from those different perspectives
00:53:57.740and how can you then put a viewer into those perspectives that's very useful because one of
00:54:02.180the things that we talk about a lot is putting yourself in the in the shoes of the of the people
00:54:07.000that were accused or indeed of the accusers who were involved in sort of the machinery of of the
00:54:11.920accusations and when we wrote our book we did um fictional bits of the book fictional sections
00:54:18.440which are where we wrote about not the accused so it was about the people that were involved
00:54:24.620around it so you could understand well how how might they have come to this pass where you can
00:54:30.000accuse an old lady a mother of 10 of turning into a boar how does that how do you get into that
00:54:36.240headspace and understand it yeah absolutely yeah and i mean mary you asked about mary's testimony
00:54:42.320before you know she said i am wholly innocent of this wickedness and so she was really sticking
00:54:47.760with that, you know, with her innocence throughout the trial. But I bring that into the virtual
00:54:54.200reality piece. You can play as Mary. And so, again, being able to put yourself in the shoes
00:54:59.360of that person who's been accused and think about what was this day-to-day thing she was doing. And
00:55:04.580so in the game, you're in the garden, you come out of her house, you go into the garden,
00:55:09.540and you're meant to pick carrots, and you have to put the carrots in a little basket that you're
00:55:13.000carrying um just to describe the way that the scene looks um i can share screen really quick
00:55:18.660and just show you um the scene but for people that are people that are listening to the podcast you
00:55:24.900can see this if you go to youtube and if you subscribe to the witches of scotland channel
00:55:29.460you'll be able to see this as well as uh listen to it that almost sounded totally professional
00:55:37.300not able to grab the the correct screen but uh but i can describe the yeah i can describe the
00:55:49.160scene so so there i used a text a texture of textiles kind of embroidery on the on the digital
00:55:56.300artifact of the virtual reality game it has it has a bit of a minecraft look because everything
00:56:01.640is blocky because essentially in embroidery you have that really blocky style yeah yeah so and
00:56:08.140then there's that there's that that is that embroidery texture across the headset um and
00:56:12.400across the whole scene that i built and so when you're playing as mary you come out into her
00:56:17.420garden you pick the carrots you put them in in your basket and then you carry the basket back
00:56:21.880to a pear tree and you pick a pear and the picking of the pear causes this brown board to run through
00:56:28.040and essentially knock you over as the player when you get knocked over the screen goes black and you
00:56:32.760go back to the home screen so that's that's all that happens when you're playing as mary you do
00:56:37.800see your neighbors in the distance kind of coming up on horseback right before you you pass out um
00:56:44.120when you play the game as the accusers so richard carr and zara bobble endicott uh you you get to
00:56:50.280ride on horseback which i was really excited about as a game developer to let the player ride horseback
00:56:55.240And so you ride through the town, you see Mary's house up ahead, you ride up to her gate, and you see her come out, pick the carrots, go to the pear tree, and then this blue boar dashes in front and spooks your horse.
00:57:09.060So from their perspective, the boar looks blue.
00:57:15.040And then as the boar, yeah, so the third one as the boar, you end up, instead of being down on the ground,
00:57:23.620you're hovering above the town and above mary's house and the whole scene and what you can do as
00:57:28.460the boar is sort of reforest uh salem village so you use the the vr controller to sort of grow trees
00:57:36.040and and reforest the town oh so is the boar is the boar like a spiritual a spiritual animal type
00:57:42.680thing then you're not getting it from the eyes of i thought what you were going to say was that you
00:57:46.920were going to see it from a boar seeing an old lady pluck a juicy pear and think i'm having some
00:57:52.740of that. Just chalking up. Absolutely. I did, you know, I really thought carefully about what the0.57
00:57:59.800boar could be and what the boar could represent. And I really was thinking about, you know,
00:58:05.220the complexities of, you know, Mary and the other Salem villagers as colonizers, as building this
00:58:12.060town in the middle of this territory. And so what could the boar as a mystical creature do
00:58:20.960better than just to reforest the town and um just kind of erase erase what had happened there
00:58:26.900nice interesting amazing and does that bring us to your present day um piece of work that you're
00:58:34.780doing yeah sure i'd be happy to talk about what i'm doing here um at gsa so so i've been working
00:58:43.080in virtual reality for a number of years about eight years and teaching it and um and here at
00:58:49.220GSA, I was able to have this period of time to really focus on a new project, which was very
00:58:54.760exciting for me to have that support. Plus, the School of Innovation and Technology is amazing,
00:59:00.060full of really fantastic researchers and facilities that I had access to. So I came here
00:59:05.920with some idea of what I would do and then was able to kind of think through and start making
00:59:11.420and building things and thinking about what I would work on. In that time, the early part of
00:59:18.440my time here, I came across the story about Paisley. And of course, it's a really interesting
00:59:22.980story. Loads of artists and folks have picked up on it and are working around it. But I was super
00:59:28.460interested in the fact that, so just to summarize for the listeners, accusations in Paisley began
00:59:34.740in 1697, when the 11-year-old Christian Shaw displayed unusual symptoms and several members
00:59:40.740of the community were accused of witchcraft. And Shaw remains a key figure in the story,
00:59:45.560though her role in the accusations was really amplified by those in positions of power.
00:59:50.280And then the ensuing trials led to the deaths of eight people, four women and four men,
00:59:55.880the Paisley Eight. And Paisley later became really known for its thread industry and textile
01:00:00.200industry. And I was super interested in the fact that Christian Shaw grew up to be Christian
01:00:04.660Miller, who started the Bargarin Thread Company. So behind me, what you see, so I started working
01:00:12.120with textiles when I first got here at the same time I was developing a game. And so the figures
01:00:18.460that you see on the black and white tapestry behind me, these are the Paisley 8 that I've
01:00:22.580created as metahumans in the Unreal Engine software that I'm using to develop the game.
01:00:28.060So I developed the 8 of them, I developed their costumes, and then I started to screenshot them
01:00:32.920and had them printed at the Center for Advanced Textiles at GSA, which is an amazing digital
01:00:38.240textiles facility that they have. So I've been having these printed, these images of the front
01:00:43.240and back of each of the figures. And then this weaving that you see here is an image of Christian
01:00:51.780Shaw as the CEO, essentially, of the Bargarin Thread Company. And I wanted to portray her.
01:00:57.720The way I created this was I used Adobe Firefly, which is Adobe's AI product, to create an AI
01:01:04.640representation a bunch of ai representations of what would christian shaw what portrait would
01:01:09.720have been painted of her um in the style at that time of the style of painting and in scotland at
01:01:15.480that time um what would she how would she have presented herself as the owner of this company
01:01:22.040and so i created this image photoshopped it one thing that's really key about ai right now in
01:01:30.280terms of image making is the way it messes up hands i'd really really like to talk to you about
01:01:36.180this as a slight rabbit hole can i can i picture yes let's talk about hands in our book we used
01:01:43.640an image that had been created by a young scottish artist called rosie andrew who had just
01:01:49.340graduated or was just about to graduate in fact from dj cad which is dundee's um art school yeah
01:01:54.860it's a great school we've got a very good friend mel who teaches there um and well who works there
01:01:59.440I think she's she's more sort of research now. Sorry, Mel. But she so Rosie is this fantastic artist who I'd come across on Instagram,
01:02:05.840who when she was doing her undergraduate, so she's probably about maybe 19,
01:02:10.540she'd created this body of work for something she was doing in her degree that was photographs.
01:02:16.180I'm doing I'm doing rabbit ears around it. Photographs of of the accused during the period.
01:02:21.820Now, she I understood this. I completely get what she's doing.
01:02:25.180She understood the history of portraiture. She understood the history of photography.
01:02:31.260She understood that by creating these images, because AI can make such freaky looking humans, it sort of got across to me as the viewer, the uncanniness of being accused of being otherworldly and in league with the devil.
01:02:44.300so it was sort of like tabloid photography almost so that viewers who maybe can't make a connection
01:02:50.400without a visual in the modern world were able to kind of see it and go oh my god these were real
01:02:55.440people but also she was kind of heightening the whole spooky supernatural aspect so we've got one
01:03:01.320of her images in our in our book and we have had so much hassle from a small amount of people
01:03:07.440that are like how dare you deprive a real artist of work by using ai now i know the ai is here to
01:03:14.520stay just like painters said oh my god photography's ruined everything just like photographers
01:03:20.120said oh my god photoshop's ruined everything it's a it's a new you know there's a responsibility
01:03:25.380with new technology and everything but can you talk a bit about this please for people that just
01:03:29.580go ai slop and then have accused us of then writing the whole book using ai which obviously
01:03:34.500maybe haven't because it would have been more coherent if we'd used AI to write it we wouldn't
01:03:39.940have had to have done as much fact checking but anyway no absolutely no this is always a sticking
01:03:45.240point it's a huge thing point right now but look my field of new media we use this word new media
01:03:50.920isn't new technologies aren't new you know the paintbrush was a technology but in my field we're
01:03:56.080always interrogating technology whatever that is whatever is coming around and so artists have been
01:04:01.300working with AI since long ago. Artists have been working with technology. As you say, photography
01:04:07.560was hugely controversial for many years because it was going to take away from what painters could
01:04:12.540do. It was going to, and, and, and we've, we've embraced, we've embraced photography in, in such
01:04:18.480a massive way as a society in the arts, et cetera. AI is just another technology. I realize there's
01:04:24.900more, there's more complexities to it than that, but it's the current, it's the current thing that
01:04:28.660is very controversial it's very concerning in so many ways but as artists we can't we can't not
01:04:36.180look at it critically and use it as a critical tool to say hey this is what this is this is what
01:04:42.760we can do with this and to really to really make exciting work around that and critical work around
01:04:48.320that and so artists are going to use ai um and and hopefully they're looking at in a critical way now
01:09:24.240if you've got pictures of you being in a different place,
01:09:26.800if you've got evidence to show, if you can show us this,
01:09:29.980if they did say that to you, give us the recording of it.
01:09:32.880Now anyone can have anything. And as a result of that, the whole idea of what is evidence that can be proved and legitimised and what can't becomes a whole new tricky area.
01:09:43.000Claire, that was also really professional because that linked back to spectral evidence.
01:09:47.900Yeah, I was going to say, I've got right off the topic. But anyway, we find ourselves in Paisley and we find ourselves with your work.
01:09:55.180Yeah, and the fingers. So you can kind of see here behind me on the fingers on this representation or this sort of reimagining of Christian Shaw as a businesswoman. The fingers are kind of messed up because that's just what AI does. And I left that. I did then use Photoshop to edit in the thread and some of the others, a spinning wheel behind her.
01:10:18.340That's connected to, well, I do want to say about this tapestry.
01:10:21.920So this tapestry was woven at a mill in North Carolina, just about an hour from where I live, called Pure Country Weavers.
01:10:28.120They also have a strand called Fiber Art, and they're really amazing.
01:10:31.740I've collaborated with them with my digital weaving class at UNC Asheville in the past.
01:10:37.800I had this sent to the mill in North Carolina.
01:10:39.820They printed it for me, and I had family visit, and they went and picked it up and then brought it over to me about a month ago.
01:10:46.560And so I've had it for my exhibition here at GSA. But this company, they also make memorial blankets, which is really interesting because people will create blankets for a loved one that has passed and then hand those out at the funeral as a memorial for people.
01:11:03.500I think that's nice and I love the idea like we spoke about the tartan there's something
01:11:10.520that the tactile feel of something makes you feel connected to it if it has a story or a person
01:11:18.140so I think that's like yours got my RSA behind it I think that's really beautiful can I just say
01:11:24.280for those of us watching in portrait instead of long screen when you watch this on the YouTube
01:11:29.860you'll be able to see it but if you're watching it on the long screen you'll be able to see it
01:11:33.700but hopefully we'll be able to get it up on video on yeah and the the so so her hands are are the
01:11:41.380way they are in that the other thing is the metahumans that i created so these are created
01:11:47.220in the unreal engine which is a game engine software that i'm using to build my game when i
01:11:51.920do motion capture motion capture is when you use a camera to track someone's movement and then you
01:11:57.140apply that to a 3d model it's you it was used in avatar the the original with the blue people
01:12:02.380and uh or the blue creatures and a lot of and many and the many men yeah blue boar blue people
01:12:10.380anyway many many um animated films have used motion capture but i i've used that to animate
01:12:16.480my metahumans which represent the paisley eight and also uh christian shaw and other characters
01:12:22.360in this game that i'm creating when the motion capture is done using a phone rather than a really
01:12:30.360really high-end motion capture setup it messes up the hands so the hands end up being kind
01:12:35.320of clenched and not as specific finger movement so you'll see that in my game um you'll see as
01:12:42.840the as the characters are weave it are spinning on the spinning wheels their hands are kind of weird
01:12:47.960And then one really exciting. Oh, I do want to talk about this other weaving that I did. So I was able to get into GSA's weaving studios and they let me work on their TC2 Jacquard looms. And I was able to weave this, which will also be in the exhibition I'm having in July at GSA. But this was a digital weaving and this represents Christian Shaw as a girl. So that first part of the story. So I'm looking at her as a grown woman.
01:13:12.900um but this was woven I wove this myself by passing creating a digital file and then passing
01:13:19.400a shuttle through a digital loom in an analog process so it's it's analog and digital together
01:13:24.820but I have been wanting to get a hold of one of these looms for many years and was thrilled to be
01:13:28.700able to work on that at GSA so that was really that's so cool so you're you're building up to
01:13:35.260an exhibition in July um and is that something that the public can go to or is it just people
01:13:40.380the art school or it is yeah so it's gonna be um it's a it's a pop-up um there's gonna be an
01:13:45.880opening on the evening of saturday the fourth of july from five to seven and it'll be open that
01:13:51.280weekend for so friday in the evening friday the third of july um saturday the fourth and sunday
01:13:57.620the fifth all day and it's at the windows on heritage gallery in the reed building at gsa
01:14:03.920right so that's in glasgow we'll we'll put up links to that so people can find it
01:14:09.360yeah if you have this time you can give us any links we'd love to share them so people could
01:14:13.440go and see it so it sounds amazing because it's one of those things the witch trials are have a
01:14:18.640you know there's a lot of people have an artistic response to it and it's often maybe what i would
01:14:25.200think and i don't know actually if this word is actually as i'm about to say i don't know if this
01:14:28.600is in current usage so i'm sorry if this has now changed something it's better but like outsider
01:14:32.740art or folk art maybe or people that are not necessarily artists per se but who feel compelled
01:14:39.280to do some sort of visual representation particularly of I think of women's faces
01:14:44.540we've seen some things of that which is quite interesting but I'm really glad to see you doing
01:14:50.760this sort of level of art with using this kind of technology and with with all the training and
01:14:54.600everything that you've got it's really interesting because it avoids avoids some of the sort of the
01:15:00.440cliches of it I think you know we tend to get the same representations again and again which is women
01:15:05.500women in pain you know and i think that although that's an enormous part of it there's there's more
01:15:10.920complexity to be had in that situation i think we should start calling in a derogatory fashion
01:15:17.140sorry victoria um insider art and a kind of very off-putting way oh that's insider art
01:15:22.160yeah exactly exactly it seems such a shame to to make a differentiation between
01:15:30.020real artists and doing inverted commas yeah absolutely no yeah i mean i think i think anyone
01:15:39.340you know anyone who's responding to what happened with with which which persecution you know it's
01:15:45.620all relevant i think it's all it's all really important to to showcase but but i i do you know
01:15:51.100with the work that i do with technology i think there is an important aspect there to kind of
01:15:55.560bring it into the present and sort of think about how can things like algorithms maybe kind of
01:16:01.880compound and our use of technology kind of compound these possibilities for persecution
01:16:07.540and for voices that are heard and not heard and all of these sorts of things that happen.
01:16:12.540One other exciting thing that I was able to bring into the current project is I have a colleague at
01:16:18.480GSA School of Innovation and Technology, Daisy Abbott, who is in a a cappella singing group