Witches of Scotland - November 21, 2020


JULIA CAMPANELLI -THE PAISLEY WITCH TRIALS

Topics
EPISODE 8 PARDONS AND STATUES EPISODE 10 - CAREN THOMPSON, ARTIST AND CREATOR OF THE MEDICINE SPOON MEMORIAL PROJECT.

Episode Stats


Length

33 minutes

Words per minute

159.11

Word count

5,373

Sentence count

318

Harmful content

Misogyny

5

sentences flagged

Toxicity

2

sentences flagged

Hate speech

12

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.160 Hi, I'm Clare Mitchell QC. Welcome to the Witches of Scotland podcast.
00:00:05.220 I'm a lawyer who specialises in miscarriage of justice cases and we're bringing you this podcast
00:00:10.120 because we want to tell you about the women who were accused, prosecuted, convicted
00:00:15.240 and ultimately executed as witches in Scotland.
00:00:18.780 I'm Zoe Vendetotsi and I'm a writer who's always had an interest in the witches
00:00:22.780 and I feel that this dark mark against Scotland needs a reckoning.
00:00:26.500 The campaign Witches of Scotland wants three things.
00:00:29.600 Firstly, a pardon for all those convicted of witchcraft.
00:00:33.120 Secondly, an apology for all those who were accused as witches.
00:00:37.420 And finally, a national monument in recognition of all those who were affected by this terrible miscarriage of justice.
00:00:44.420 Over the forthcoming weeks, we'll be talking to a whole host of experts about the history and the modern day connections to the witches of Scotland.
00:00:56.300 Hello and welcome to episode nine of the Witches of Scotland.
00:00:59.600 podcast we're going to open up with some kind of reader's mail I suppose it is in a very social
00:01:04.700 media way on the back of our episode Julian Goodyear where we talked about non-capital punishment and
00:01:10.780 we weren't entirely sure quite what that meant and said that if anybody knew to get in touch well
00:01:15.480 fantastically one of our listeners has been in touch so Charlie Ferguson who is doing her
00:01:21.560 dissertation of the witch trials in Ayrshire she had been doing some research in the course of
00:01:26.400 doing her dissertation and she found details of a woman called Agnes Hutchin from Ayr who was found
00:01:32.720 quote half guilty and what that meant was that she was sentenced to public humiliation where she was
00:01:39.640 to repent her sins and confess then she was stripped naked and brought to the markets and
00:01:44.760 was forced to confess her crimes and she was then warned if she continued to quote abuse the people
00:01:50.340 she would be executed as a witch and Charlie makes a really interesting observation here
00:01:55.860 She thinks that this is a really great example, or a horrible example, of the humiliation and sex-related shame and embarrassment that women endured during the witch trials.
00:02:04.720 Charlie also went on to give us some more fascinating stuff, which is that in Kilwinning, there's a small plaque that a female artist designed to commemorate the witches of North Ayrshire.
00:02:14.860 Bessie Dunlop has a bench in Lynne Glen Del Rye, which is dedicated to her.
00:02:20.560 in Ardrossan in Ayrshire
00:02:22.540 there's a street that's named Witches
00:02:25.040 Lynn which is thought to be dedicated
00:02:26.980 to the witches as well. So it's 0.81
00:02:28.820 interesting, I mean we've heard from various people
00:02:31.140 about the proliferation
00:02:32.800 of memorials and plaques
00:02:35.100 and unofficial places across
00:02:37.000 Scotland to mark them, which I think really
00:02:39.000 goes to show that there is an interest across
00:02:40.920 the nation for doing something, national
00:02:43.040 state monument that would be
00:02:45.020 clear and obvious in Edinburgh for example
00:02:47.140 So Charlie, thanks so much
00:02:49.080 for getting in touch. It's been really brilliant. Claire, can you tell us about our guest for this
00:02:53.760 evening? Yes, I'm really delighted that Giulia Campanelli is coming to speak to us today.
00:03:00.560 Giulia Campanelli is a Sundance scholar and award-winning screenwriter, director, producer
00:03:05.280 and actress. Her film, 116, has screened in over 60 festivals worldwide, 128 awards and premieres 0.75
00:03:12.800 on Amazon Autumn 2020.
00:03:15.340 Julia's screenplay, The Paisley Witch Trial,
00:03:17.860 in both pilot and feature versions,
00:03:20.300 is a Stowe Story Lab selection shortlisted on the blacklist,
00:03:23.840 number one on the red list, and has won 10 Best Screenplay awards.
00:03:27.960 Julia is founder and CEO of Shelter Film,
00:03:30.460 a New York-based independent film company
00:03:32.880 that's dedicated to changing the narrative
00:03:35.160 by creating films by and about women and underrepresented humans.
00:03:39.560 Julia is also the founder and artistic director
00:03:41.740 of Shelter Theatre Group, she has directed
00:03:43.800 and produced 13 stage productions for
00:03:45.800 Shelter Theatre Group, including the
00:03:47.700 critically acclaimed Macbeth on
00:03:49.760 Lower East Side. As an actress,
00:03:52.060 Julia is known for NBC Universal's
00:03:54.160 Dementia 13, Kill the Monsters
00:03:56.200 on Amazon, One Life to Live
00:03:58.020 and One 16,
00:04:00.000 a film she wrote, directed and
00:04:01.840 produced, and which is premiering
00:04:04.060 soon on Amazon Prime Video.
00:04:06.100 She appeared as Heckate in the
00:04:07.800 Obie Award winning immersive show Sleep No More.
00:04:10.220 Aside from all those amazing things, one tidbit of information about Julia is that she broke the gender barrier in sports in the US.
00:04:20.680 She became the first girl to play on a boys soccer team, as she calls it, a football team, as we would call it, when she was 16 years old.
00:04:29.160 She used the law that said you couldn't discriminate against anyone in order to ensure that she was placed on the football team.
00:04:35.920 And I'm delighted to see her team went on to become the league champions the year that they played. 0.83
00:04:40.980 Why? So it's just like Gregory's Girl?
00:04:43.120 She is the original Gregory's Girl, yes.
00:04:45.500 Maybe that's what they really based Gregory's Girl on.
00:04:48.420 It was really based in America, but they moved it just to be interesting.
00:04:51.300 Yeah, they moved it from New York City to Cumbernauld.
00:04:55.160 It's the natural place to move it to, I think, you know.
00:04:58.760 Well, without any further ado, we're delighted to introduce Julia Campanelli.
00:05:02.760 Julia, welcome to the Witches of Scotland podcast.
00:05:05.520 Well, hello, and thank you for having me on here.
00:05:08.020 I'm so happy to have found another organisation that's as interested in Scotland's witches.
00:05:14.300 I am the founder and CEO of Shelter Film, an independent film company in New York City.
00:05:19.700 And I have an award-winning screenplay that I've written and I'm producing called The Paisley Witch Trial.
00:05:26.360 So, Juliet, we've heard that it's been very well received and we want to speak to you about the screenplay in some detail.
00:05:33.760 Can you first of all tell us what got you interested in the Paisley Witches?
00:05:38.960 I discovered the Paisley Witches when I was researching a role in the New York Obie Award winning production Sleep No More.
00:05:48.680 That was created by the London based theatre company Punch Drunk.
00:05:53.800 Sleep No More was a mashup of Shakespeare's Macbeth, Hitchcock's film Rebecca,
00:06:01.580 and it included, as some of its characters, some of the Paisley witches. 0.96
00:06:06.340 Those included in Sleep No More were Margaret Lang, Catherine Campbell, Agnes Naismith,
00:06:13.500 and the little girl who started it all, Christian Shaw.
00:06:17.740 And I found the story of the Paisley witches fascinating, and I wondered why I'd never
00:06:21.780 heard of them before. And I attributed it to being women's history or herstory and women's
00:06:29.940 stories aren't told as frequently or as often as they should be. So I decided that it would make a
00:06:36.480 very dynamic film and very compelling film. So I started researching, doing a lot of research on
00:06:42.900 The Paisley Witches, and there is quite a lot of research available. Did you research online?
00:06:49.820 before I started online and I got some books I found a book that was very helpful in my research
00:06:56.880 the book is called a history of the witches of Renfrewshire who were burned on the gallow green
00:07:01.900 of Paisley published by the editor of the Paisley repository Jay Miller and this was a book it was
00:07:08.120 more put together in the mid-1800s like a reference I guess you could say this publisher
00:07:15.620 gathered together all of the papers and letters that had been written about the Paisley witch
00:07:22.280 trial or the Ren Fouchard witch trial, the sermons that had been said by the clergy,
00:07:28.740 the testimonies of the witnesses at the trials, and as well the confessions at the stake of
00:07:36.840 the Paisley witches just before they were executed. So I found that to be very helpful
00:07:42.820 because it contains eyewitness accounts of exactly what was going on
00:07:46.580 with the little girl, Christian Shaw in particular.
00:07:49.460 And when you started researching, were you already researching for a screenplay
00:07:53.720 or was it the stories of these women that made you think,
00:07:57.820 I want to put that into a screenplay?
00:08:00.160 It was the women because as I was researching,
00:08:03.800 and this is ongoing research that I'm doing on this
00:08:06.580 because I don't feel like I have the full story.
00:08:09.180 I was researching these women because it is a women's story
00:08:12.720 And I have almost my entire life been a feminist and been a person who has been breaking barriers that have held women back in history.
00:08:23.480 And I find that in history in particular, women's stories have not been told.
00:08:27.800 And when I read about these witches and discovered that there were over 4,000 people executed for witchcraft in Scotland, and they had never been exonerated or pardoned,
00:08:39.680 I thought this film project would be a very good way to get their story told, to say their names, and to possibly somehow get them pardoned or exonerated.
00:08:51.560 So one of the goals of my screenplay was to create a platform, one, to get the story told, to say their names, and to also petition the Scottish government for a formal pardon or exoneration of those people who have been wrongly accused of witchcraft.
00:09:08.020 we absolutely hope that that's what comes to pass and we're really really delighted that from
00:09:14.120 all the way across the pond you've taken the interest in the paisley witch trials and they
00:09:19.940 have captured your imagination in such a way to create something to see their names as you see
00:09:25.500 your researches weren't only based on paper though you've actually been across here yourself haven't
00:09:32.600 Yes, I have. Well, while I was doing my research, I was trying to find specifically about the Paisley witches, the Renfrewshire Witch Hunt, and I found an organization in Paisley called the Renfrewshire Witch Hunt Trust of 1697.
00:09:47.100 I reached out to them by email, and I connected with two women that lead this trust, who have been instrumental in my research. They are Liz Gardner and Annette Whitelaw, and they have been extremely helpful in all of my research, pointing me in directions, who else I could contact in Paisley and in Scotland, libraries to go to, where I could do more research.
00:10:13.260 So I decided to make a trip across the pond to visit the locations, to meet these women who have been so helpful to me, and to visit the locations that I've already written in the screenplay, and to do more research.
00:10:26.920 While I was researching, I made a discovery, and it might be quite controversial, but what I thought was going to be a screenplay about historical persecution of women via witch trials in Scotland became a much bigger story of Scotland's participation in the transatlantic slave trade.
00:10:46.620 which was a complete surprise to me that this one story about this witch trial would have a
00:10:53.380 connection to this other history of Scotland that hasn't gotten a lot of dialogue. I might
00:11:00.440 be getting ahead of myself in the whole story of the witches. Let me start with the beginning with
00:11:07.000 the little girl who started it all, Christian Shaw, 11-year-old girl from a wealthy family,
00:11:12.280 the Shaw family, of the Begarin estate in Erskine. And at the time, in 1696, Paisley was
00:11:21.280 plagued by a series of morbid events. There were mysterious drownings, there were murders,
00:11:28.480 there were mutilations, there had been a famine for two years, there was a plague.
00:11:34.060 Christian Shaw's own grandfather had disappeared while crossing a river on horseback,
00:11:40.160 only to be found months later. His body had been moved. Nothing had been disturbed on his body.
00:11:46.320 His clothes were intact. His purse was intact. So it wasn't a robbery, but his right hand and
00:11:52.660 his genitals had been removed. And it was assumed that this was some sort of witchcraft or for some
00:11:59.480 black mass. So Paisley was ripe for, you know, they were still had one foot steeped in superstition
00:12:08.480 And it was just at the beginning of the Age of Enlightenment when scholars were embracing the concept of science.
00:12:16.880 And the church played a very big role in keeping those superstitions alive.
00:12:22.080 Really, the clergy reinforced the concept of witchcraft.
00:12:26.520 You know, it was preached that you had to believe in the devil because he existed.
00:12:30.820 And that was a reason why you had to listen to the priests and the clergy.
00:12:33.820 But if the devil didn't exist, then there really wouldn't be any reason to have a clergy or a church.
00:12:39.480 So the clergy was self-serving in that respect.
00:12:43.120 So I think a lot of people still embraced the superstitions and the paganism.
00:12:48.740 And as well, the whole concept of the devil and demonology was embraced by King James I.
00:12:57.920 He was obsessed with demonology and wrote a book about it.
00:13:01.260 And the church was still using this book as a guideline, if you will, when dealing with witches.
00:13:08.420 You know, how do you determine someone is a witch and the tests that you can do on them?
00:13:13.520 So I think just at this point in time, there were many factors contributing to what became this last witch hunt in Scotland and the last witch trial in Scotland.
00:13:24.780 Perhaps not the last witch trial, but the last witch hunt in Scotland.
00:13:27.640 And that in itself may be a reason why there was so much documentation on it, because it was the last witch hunt in Scotland.
00:13:35.940 Yeah, because we know, don't we Zoe, from early times that for the first outbreak of witch trials, there was very, very little information at all.
00:13:46.100 And Scotland just had so many witches, they were just bursting with witches over there.
00:13:50.880 It seems like if you look at that interactive map that was created of the witch hunts and the witch trials, it's just like all over Scotland.
00:14:01.100 Yeah, nobody was free from it.
00:14:03.100 So you started to tell us about the young girl who was at the heart of the witch trials.
00:14:09.300 Can you tell us briefly the story of the last witch trial?
00:14:15.080 Yes. Christian Shaw, from a wealthy family, the Shaw family, of the Begarin estate, an estate that had been in their family for 300 years, caught their housemaid, Catherine Campbell, a girl from the Highlands, stealing some milk for herself.
00:14:34.540 And she told her mother, Christian told her mother, and Catherine was promptly fired.
00:14:38.980 She was dismissed.
00:14:40.540 And when she was fired, she cursed Christian three times. 0.97
00:14:44.960 May the devil harl your soul through hell.
00:14:47.840 And it was thought that curse and saying the devil's name three times may have summoned the devil.
00:14:53.560 Shortly thereafter, Christian started exhibiting series of fits and convulsions and seizures,
00:15:00.420 vomiting bones and feathers and straw and braids of hair and needles horrified her parents took her
00:15:10.020 to every doctor in paisley and then also the best doctors in glasgow none of whom could find
00:15:18.460 anything physically wrong with her it was after several months of doctors visits that the clergy
00:15:26.220 stepped in. Reverend Brisbane was an authority and opponent of witchcraft, and he decided that
00:15:34.620 there should be a witch hunt and a trial. So they convinced the Privy Council to issue a warrant
00:15:42.460 for this witch hunt to give them, I guess, to authorize them. I don't really know how
00:15:48.500 Scottish law works. But on 19th of January in 1697, a warrant from the Privy Council was issued
00:15:56.920 to question, to witness, to record, and to transmit a report before the council,
00:16:07.380 before March 10th of 1697. So during some of her fits, Christian started naming names,
00:16:15.420 named about 30 people who she claimed were witches and were causing her torment.
00:16:22.120 And most of the people that she named were people that she came into contact with. 0.94
00:16:25.740 Many of them were disenfranchised social outcasts, vagabond beggars. Of the 30, 0.95
00:16:33.560 there were eight in particular who, during the trial, were named as Christian's tormentors.
00:16:40.800 So after Christian named the 30 people, they were arrested. They were tortured for months to compel their confessions. And then five of the people who had been arrested came forward and they were named as confessors and they named the Paisley Eight, eight people in particular, as Christian Shaw's tormentors and as witches.
00:17:02.820 And these confessors, they were three children, three siblings, and two elderly sisters.
00:17:08.800 Now, the torture that they experienced for months was sleep deprivation, starvation.
00:17:15.340 They would put lighted candles in between their toes and burn them.
00:17:19.880 They were a little more extreme than just the watching and waking, which was the sleep deprivation.
00:17:25.080 And the witches had their heads shaved because it was thought that witches' hair, women's hair in particular,
00:17:30.740 if they were witches, contained certain powers. So after months of this type of torture,
00:17:37.440 of course, people would come forward and admit, yes, we were witches, and yes,
00:17:42.120 but it wasn't us tormenting Christian. It was these eight people in particular who were doing it.
00:17:48.220 And then they took the confession from Christian Shah herself. And once the witches were arrested,
00:17:53.000 all of her symptoms stopped magically. So the trial was conducted at the Bogaran estate
00:18:01.320 in the Shah's house. And there was the commissioners were made up of eight or nine
00:18:09.080 men, all noblemen of the landed gentry. Many of them were relatives of the Shah family.
00:18:15.380 and there was a jury of nine men, also noblemen and landed gentry. And it was, for most practical
00:18:23.900 purposes, a kangaroo court. It was very biased in the favor of the shahs. And Christian testified. 0.77
00:18:31.400 She named Margaret Lang as her most aggrieved tormentor, Catherine Campbell, Agnes Naismith,
00:18:39.320 Margaret Fulton, John Lindsay at Barlock, John Reed, John and James Lindsay, otherwise known as
00:18:47.200 the Bishop and the Curate. And John and James Lindsay were brothers. They were adult brothers
00:18:53.180 who were known to be practicing witches, which is why they were called the Bishop and the Curate.
00:18:58.480 They were witches of some church. And I have read that some references say that they were
00:19:05.700 children. There were a John and James Lindsay who were children, but these were not the John
00:19:10.780 and James Lindsay who were executed. They were indeed adult men. The others, John Reed was a
00:19:18.800 beggar. John Lindsay at Barlock, I think he may have been a tenant farmer on the Begarin estate.
00:19:28.260 So Christian would have seen him. Margaret Hulton probably had dementia. She talked to the fairies
00:19:34.520 regularly. She was just a town character. She was also a widow beggar. Agnes Naismith was a beggar 0.85
00:19:42.300 known to Christian Shaw. She regularly stopped by the Shaw's house to ask for alms and to beg for 1.00
00:19:49.700 food. And Catherine Campbell, as I said, was the housemaid in the Shaw residence. And Margaret
00:19:56.340 Lang, who is the protagonist of my screenplay, was a midwife, too rich and poor. She was very pious. 0.89
00:20:04.520 She was never without her Bible.
00:20:07.360 She had an illicit past.
00:20:08.900 She had a child out of wedlock, which was a mortal sin in the eyes of the church,
00:20:13.760 and one that she had to keep secret, or else her daughter would become an outcast. 0.60
00:20:18.020 A woman's reputation was her only currency at that time.
00:20:23.160 During the trial, four of the accused confessed,
00:20:29.440 but four of them maintained their innocence until the very end,
00:20:33.060 and those four were Margaret Lang, Catherine Campbell, Agnes Naismith, and John Lindsay at
00:20:39.700 Barlock. So they were tried, they were found guilty, they were sentenced to death. And on
00:20:44.920 June 10th of 1697, they were carried through the town in a cart. They were taken to Gallo Green,
00:20:52.100 to the scaffolds where they were garroted and then burned at the stake. And it was, you know,
00:20:58.900 the townspeople came for the execution and it was, the scene was described as one of merriment
00:21:05.680 and the sheriff deputy dressed up was said to be wearing blue trousers.
00:21:14.840 I mean, it was, you know, almost like a very festive occasion.
00:21:18.720 I think that's because, Zoe, Julian spoke to us about the idea that people were delighted that they'd weeded out the devil amongst us.
00:21:26.520 Yes, they paused for celebration.
00:21:28.440 You know, they'd really triumphed over evil
00:21:30.100 and they really saw it in those really kind of binary black and white terms.
00:21:33.540 Because there had been so many morbid events,
00:21:37.140 there were two particular sudden infant deaths.
00:21:40.340 There was the Erskine fairy had been overturned and everyone had drowned.
00:21:43.800 I mean, it was all of these events that happened.
00:21:46.380 So they were really looking for something to blame,
00:21:49.120 something to take their worries away.
00:21:51.320 The parents were grieving.
00:21:52.520 They needed to lay blame on somebody or someone.
00:21:56.520 Julia, it's really fascinating hearing what the congenesis was with the screenplay.
00:22:00.860 Can you tell us anything about the screenplay, or is it all still quite underwrapped?
00:22:05.800 Oh, no, I can tell you everything.
00:22:07.780 Oh, great.
00:22:09.820 The screenplay, it's been very well received.
00:22:12.960 It's shortlisted on the blacklist, which is known to screenwriters.
00:22:17.180 It's sort of a metric for screenwriters.
00:22:20.080 It's sort of the golden seal of screenwriting, unproduced screenplays.
00:22:23.880 It's been number one on the red list, which is another metric.
00:22:26.940 It's been number one on the red list for the last year and has won a Stowe Story Lab selection, a Blacklist Lab selection, and has won 10 Best Screenplay Awards.
00:22:37.920 As I said, I'm the writer and the producer.
00:22:40.420 I would like to direct it.
00:22:41.600 However, not having directed a feature yet, I've directed short films and music videos.
00:22:46.720 It might be hard for me to convince investors to invest into this.
00:22:53.160 but that is to be determined.
00:22:55.580 And it's a historical horror feature
00:22:57.800 in the tone of The Witch, the Exorcist, and Twelve Years a Slave. 0.51
00:23:01.140 It's about a 17th century midwife with an illicit past
00:23:04.200 who's accused of witchcraft when a child she delivered
00:23:07.220 becomes demonically possessed
00:23:08.780 in the true untold story of The Last Witch Hunt in Scotland. 1.00
00:23:12.880 That sounds fantastic.
00:23:14.260 It's sure to be a massive hit with viewers
00:23:16.580 because it's something people are drawn to.
00:23:19.320 It's also the human story, which sounds brilliant.
00:23:21.940 sounds really great what you've written there. Juliet, you've told us about the idea of it.
00:23:28.060 Explain to us it's also in pre-production. Is that right?
00:23:30.900 Well, in COVID pre-production, I have, when I went over to Scotland two years ago in 2018,
00:23:37.500 the end of 2018, I was there representing a film that I had acted in at Raindance in London. And
00:23:44.820 then I went up to Scotland. And as I said, I visited the locations that I had written about,
00:23:49.340 the Paisley Abbey, Gallo Green. I met with Annette Whitelaw and Liz Gardner of the Renfrewshire
00:23:57.560 Witch Hunt Trust. The ladies of the Renfrewshire Witch Hunt Trust recommended to me to go to the
00:24:03.960 Mitchell Library in Glasgow. And I had contacted them first by email. And they said, yes, we have
00:24:09.900 a lot of documentation on Christian Shaw's family and Begarin Estate. And we'll just put some
00:24:15.840 documents aside for you when you get here, just let us know. So I went and they said, oh, well,
00:24:21.420 you know, it's in the archival section. There's nobody here today. Can you come back tomorrow?
00:24:25.920 I did. And when I came back, I said, well, what exactly is in the archives? And they said,
00:24:30.220 there's a manuscript that was written by John Shaw on Christian Shaw's torment. So Christian
00:24:36.600 Shaw's father kept a journal of her entire torment and it was available for me to look at.
00:24:44.260 And I said, well, oh my goodness, it's dated from 1697.
00:24:47.580 I said, is it under glass?
00:24:49.020 Will I be able to see it?
00:24:50.020 And they said, yes, yeah, sure.
00:24:51.000 You'll be able to see it.
00:24:52.060 I said, will I be able to hold it?
00:24:53.600 Do I need gloves?
00:24:54.700 You know, this is 80 years older than the US Constitution.
00:24:58.840 They said, no, just make sure your hands are clean.
00:25:01.620 Wow.
00:25:01.820 So because it was in the archival section, I wasn't allowed to take anything in with me
00:25:06.080 except paper and pencil.
00:25:07.200 So I got this document, this very old leather bound document and the very fancy script.
00:25:14.260 written and it was very difficult to read. And at the back of it, it had listed the confessions at
00:25:21.840 the stake of Margaret Lang and several of the other witches. And I was, you know, having done
00:25:27.960 several years of research on this and having written a screenplay about it with Margaret
00:25:32.920 Lang as my protagonist, you can imagine my excitement at reading this. I had goosebumps.
00:25:39.000 So I was, my hands were shaking. And as I finished reading it and I closed the manuscript, literally at the moment I closed the manuscript, half the ceiling lights went out. And I looked around and there were a few other people sitting in this section and nobody moved and nobody even noticed it. And I thought, oh my gosh, oh my goodness. It's a sign. It's a sign from the grave. It's Margaret Lang telling me to write the story. And I'm freaking out internally.
00:26:06.940 And then after about five minutes, the librarian stood up and started walking towards me.
00:26:12.840 And I thought, oh, she knows this has happened before.
00:26:14.960 She knows, she knows she's going to come in and confirm it.
00:26:17.800 And she walked behind me and then she started waving her arms up and down.
00:26:21.920 And then the lights came back on.
00:26:23.800 And she said, oh, they're motion detected.
00:26:26.400 You couldn't, the lights went out.
00:26:28.040 Nobody moved for a few minutes.
00:26:30.840 And I thought, no, it was Margaret Lang telling me to write this story.
00:26:36.120 I will swear to it.
00:26:38.480 We will believe you.
00:26:39.580 We will believe you.
00:26:40.420 It wasn't the motion censors.
00:26:43.360 That's a great story.
00:26:44.820 That's fantastic.
00:26:46.260 So will you be coming back to see us again, Julia?
00:26:49.880 I was planning to come back, but then the pandemic got in the way.
00:26:53.840 Yeah.
00:26:54.380 Because I wanted to do some more research.
00:26:56.580 I mentioned before that I discovered there was connection between this particular witch trial and Scotland's transatlantic slave trade.
00:27:04.980 And the five confessants that came forward at the trial all claimed that they had been witches.
00:27:12.480 They all claimed that they had met the devil and that the devil was a black man.
00:27:17.620 Now, some people have said to me, well, that just means, you know, he had a swarthy complexion. 0.99
00:27:23.380 Now, as a woman who lives in a country, the United States, with her own slavery history, when someone says it's a black man, you have to believe them. 0.90
00:27:32.580 Because I think to deny that would reinforce the erasure of slavery history. And we as countries in the West have to own up to it and we have to recognize it and we have to admit to it. 1.00
00:27:50.020 So then that led me on another branch of research. At the time, I wasn't aware that Scotland was involved in slavery. That's when I discovered the denial. It Winnius, the book that was written about it, and that Scotland had plantations in the West Indies. The first plantation was Barbados in 1655.
00:28:12.340 My research on this continues, and I've been following other people on Twitter, Sir Geoffrey Palmer. He's been doing a lot of research about the slavery history. So really, the screenplay is about the intersectionality of the persecution of women and the persecution of enslaved people in Scotland.
00:28:33.500 That's so interesting, Julia.
00:28:34.680 We spoke before to Professor Gudeau, you obviously listened to him,
00:28:37.400 and he was explaining that when people said it was a black man,
00:28:41.680 that he didn't really know what it meant.
00:28:43.660 They thought they were driving maybe some physical attribute like their hair.
00:28:47.760 But what your researchers have shown is that even in those early times,
00:28:53.740 there was a link to the slave trade.
00:28:55.240 Did that mean that there were people who were slaves who were brought over to Scotland then?
00:29:01.720 Yes, there are other academics whose lectures I've listened to. There were between 70 and 90 enslaved Africans in Scotland in the 17th and 18th century.
00:29:15.460 Even though slavery was not recognized in slavery, plantation owners were allowed to bring their enslaved Africans to Scotland for the purposes of apprenticing them in trades to increase their value.
00:29:31.920 And then later on, it became a sort of status symbol to have an African or enslaved African as a servant in your household in Scotland.
00:29:42.360 And as you know, Glasgow was a big shipping port. Many of the plantation owners lived there and the proceeds for many of the plantations built Glasgow University. And I think, I don't know about Edinburgh, but I know Glasgow University profited from the plantations.
00:30:01.520 And there are streets in Glasgow named Cotton Street. So there is a whole history there that there isn't a national dialogue about. And I'm hoping that if this film gets made, it will open up a dialogue so that preparations, accountability, exonerations can begin.
00:30:20.780 Well, what you've explained to me there has certainly broadened my understanding of things. And it's a really interesting perspective on Scotland's history when we're looking at the witch trials that I simply hadn't considered before. So that's definitely something that in the future we'll want to research in a big way.
00:30:40.100 Julia, can I simply say I am so delighted that you came to speak to us today. The interest that you have in the Scottish witches is appreciated very much by us here over in Scotland and I'm absolutely delighted that your screenplay is getting all the plaudits that it no doubt deserves because that means hopefully one day in Scotland we will be able to have a premiere of your screenplay
00:31:08.320 and I very, very much hope that we can all be there supporting you.
00:31:11.120 Oh, thank you so much for having me on.
00:31:13.040 I am determined to have this film made in Scotland.
00:31:16.580 I have already scouted locations.
00:31:18.880 I already have my locations.
00:31:20.280 That's what I meant by pre-production.
00:31:22.600 So I've been doing it in COVID.
00:31:23.900 I did scout locations when I was there.
00:31:26.520 And I continue to scout locations this year.
00:31:29.180 And I think I've secured all of my shooting locations
00:31:32.100 in and around Paisley and also in Dumfries.
00:31:38.860 I've found an estate there that I think will serve my purpose as well.
00:31:42.980 And I would like to just give that back to the people of Paisley who have helped me so much with my research.
00:31:49.020 To have a production take place there in Paisley, in and around Paisley, would do so much to highlight what happened there.
00:31:57.980 Because the Renfrewshire Witch Hunt Trust has done so much to advocate for what happened to these Paisley witches who were persecuted.
00:32:07.600 and to advocate and educate about what happened there.
00:32:13.260 And I think Paisley is very invested in that history.
00:32:16.100 Up until maybe 2012 or 2014, they did yearly reenactments of the trial
00:32:23.100 and the Gallo Green up to the execution with people from the community,
00:32:29.000 which I think is really lovely that they would be so invested in the story.
00:32:34.800 Yeah, invested and engaged.
00:32:36.280 And that's why we're really hoping that we can continue to engage people Scotland wide in order to try and encourage people to join the campaign for a pardon.
00:32:47.060 And we just want to thank you for highlighting it and thank you for seeing the women's names.
00:32:52.200 It's been a great pleasure to speak to you today.
00:32:54.620 Thank you so much. It's been such a pleasure to be here.
00:32:57.740 And I have to say that I love your podcast.
00:33:00.720 I just enjoy so much what everyone has to say on it.
00:33:03.880 And, you know, as I said, one of the goals was to get all of the Scottish witches, 84% of whom were women, to get them officially pardoned because it matters.
00:33:14.720 The truth matters so much and saying their names matters so much.
00:33:26.120 Thanks so much for listening to episode nine of the Witches of Scotland podcast.
00:33:29.840 as ever please remember to tell people about the podcast to rate us to share it with people because
00:33:36.460 the more people that know about it the better a chance we have of being successful with the
00:33:40.360 campaign thanks so much bye bye like a child