00:00:00.000this is the culture study podcast and i'm ann helen peterson hi i'm sophie bishop i am the
00:00:14.200author of influencer creep uh and i'm an associate professor in media and communication at the
00:00:20.200university of leeds in the uk sophie we're gonna start super straightforward because there's a line
00:00:27.420in your book where you're like uh so I did what anyone with an MA in gender studies and a little
00:00:34.720bit of industry experience did I got a PhD and so this is like my question is how did you become
00:00:44.340interested in influencers as like something worth studying okay so yeah so I can give my yeah my
00:00:51.820my life story a bit so I was doing yeah so I was doing my master's degree in gender and media
00:00:58.420studies at the University of Sussex which was a great program it was very small for a UK
00:01:04.560um master's class there was only five of us in it and uh yeah wow yeah it was like you know we all
00:01:12.520dated each other and so on it was like it was a good time it was a very it was it was that kind
00:01:16.680of moment um so but at the same time I was working in digital marketing so I had an internship
00:01:21.880and the great thing about it was it was very kind of loosely organized so I got to do a lot of stuff
00:01:29.200as part of this internship so my role um was work to work with some of the fashion and beauty clients
00:01:35.180that we had um and my role was to find bloggers to work with so it was this was like 2010 2011
00:01:43.660so the blogosphere was kind of professionalized um and there was this awareness from brands that
00:01:50.940they could work with bloggers they could get the they could send them products and get them to talk
00:01:56.520about those products and you'd have a reach of potentially tens of thousands which was huge
00:02:01.520you know outside of the context of social media platforms um and you wouldn't have to pay very
00:02:07.180much for it if anything um so my job was yeah that was my job was to find the bloggers so
00:02:13.420I'm but obviously at the same time I was studying gender media studies and this whole space was so
00:02:20.420gendered and that was something that I found really surprising and it sounds quaint now but
00:02:26.740I think you know that time there was this real uh like euphoria or there was a real optimism maybe0.93
00:02:34.460about the internet like the potential that we could supersede the highly gendered media that
00:02:40.480we have uh you know you know the conde nast or whatever and we can make something different and
00:02:46.320that anyone could actually get an audience just making what they were passionate about
00:02:50.580but actually what was happening was that you know the most visible uh people who were like writing
00:02:56.760blogs at the time were doing exactly the same thing that had been done in these magazines like
00:03:02.200outfit reviews yep boy advice makeup advice so i was really interested in that and that's when i
00:03:09.120was like there's more to say and uh i applied for a phd and initially was rejected because they were
00:03:16.780like there's not a whole phd to write about content creators like there's not you know it's
00:03:22.920not a kind of significant enough topic situate us what what year was this so this was so this was
00:03:29.240probably 2012 13 yes that is such a 2012 phd response is like no of course not this isn't a
00:03:38.040phd so my phd work was in like celebrity gossip blog yeah the history of celebrity yeah and same
00:03:43.980sort of situation they were like like here i am like looking at perez helton they're like what
00:03:48.020the fuck are you oh my god right but that man needs to be studied like that he's begging to
00:03:54.420be studied in granular detail that back then in that moment it was still like within the academic1.00
00:04:02.280sphere it was like really interesting for us who were very plugged into the internet and what was
00:04:07.760going on in the internet and very much like I was in my 20s were you in your 20s yes yes yeah like
00:04:13.740we're like no this is interesting this is the future of the internet and trying to explain
00:04:18.080that to people who had been doing like classic Hollywood scholarship it was was difficult
00:04:24.320sometimes but yes now it seems very prescient that we were thinking about all of those things back
00:04:29.640then exactly no and it's and I think also like thinking about this moment has really reminded me
00:04:36.860how seemed a lot of possibility and hope and it really seems like maybe the internet or like
00:04:44.260content creation or like you know writing blogs that could be something that wasn't as exploitative
00:04:50.520that wasn't as uneven and unequal you know all the things that we know it to be now
00:04:55.140um it was you know it was it was a different time quite literally but also yeah you know
00:05:01.560figuratively well and as you trace in the book like there are all these dynamics that are
00:05:06.480happening in this early blogosphere both like the more professionalized beauty type fashion
00:05:11.840OOTD oriented blogs that then translates and intensifies when it's fed into social media,
00:05:22.060specifically into Instagram and now TikTok, right? Like you see like the influencer idea
00:05:27.920crystallize more. Can you talk a little bit about how you saw that happening, especially during
00:05:32.120COVID? Absolutely. I think so we talk about this process of platformization where everything
00:05:37.160becomes really dependent on a small number of monopoly social media platforms so you know when
00:05:44.300I was working with the bloggers like that was very distributed it wasn't always easy to find them
00:05:49.580so during COVID I was studying artists like I'd kind of moved on from studying professional
00:05:54.920influencers but COVID was this really interesting moment for people who were posting their art on
00:06:02.320instagram um because there were lots of people that were stuck in their homes uh so they had
00:06:09.460you know this growing audience we were like all looking at our phones more but also they had
00:06:14.000disposable income and people wanted to make their houses nice because they were stuck in their homes
00:06:19.300so a lot of the artists that i spoke to at this time like for this research um they had a big
00:06:25.600algorithmic bump like they got lots of followers very quickly on instagram so instagram became
00:06:32.300like really really central to how they were working like and you know a lot of people quit
00:06:37.020their jobs or if they got laid off they invested their their debt like their payments into creating
00:06:43.360a business selling art on instagram um but you become really really dependent on it so and you
00:06:49.480know that's the same that's the case for influences like you build up this audience through the
00:06:55.220platform but even if people have chosen to follow you on instagram then that doesn't necessarily
00:07:01.940mean that instagram is going to show you the content right like that's still up to them like
00:07:07.220even if you've built an audience that has expressly chosen to follow you you still might not be able
00:07:13.520to reach that audience so yeah this is where we really see the like role of the platform as being
00:07:19.460the conduit the arbiter the kind of middle man between like creators and their audience and you
00:07:26.920know it's all becomes like a lot more platform dependent right and be and creates this incredible
00:07:32.180anxiety right because like the rules are very opaque of how to actually like like it's not like
00:07:38.520oh you open up a business on main street and then you follow these five rules that you learn in
00:07:44.380business school about how to run a successful business. It's so much more dynamic. Things that
00:07:50.880work or things that did work no longer work after, I don't know, three months. Anyone who's done any
00:07:57.280sort of social media marketing knows this. And I wonder to talk about that anxiety, maybe we could
00:08:01.840talk about the example that you used to begin the book, which is you were approached by an Atlantic
00:08:07.080writer to talk about a dog foster influencer like with someone who fosters dogs who is trying to get
00:08:15.360her dogs adopted via social media the dogs that she was fostering and how much anxiety she felt
00:08:21.700around this yeah so it's actually the Atlantic journalist herself who fosters dogs and she
00:08:28.760so it is yeah and so you know this really is not her job at all right so she fosters dogs she wants
00:08:35.320to get them adopted and the way that we do that you know the like the way that we do anything more
00:08:40.340and more is through social media through instagram so she found herself doing all of this labor like
00:08:47.660you know taking amazing pictures of the dogs really showcasing their personality and writing
00:08:53.280a lot and it takes a lot right that's like a lot of work um and also you know making them kind of
00:08:58.980seem authentic and you know making sure that she's represented that faithfully but caroline's
00:09:04.860mims nice is the name of the um journalist but but she just got so much abuse like whatever she did
00:09:12.880like and that was i mean it's not funny but it's just like the in the in the piece she talks about
00:09:18.540the risks of the of the visibility like the anxiety around it like the anxiety if she did
00:09:23.400share the dogs then people would just be like why aren't you adopting the dog or commenting on how
00:09:28.400she was looking after it or you know like just making like people had like a lot of really
00:09:33.320intense feelings about it but then if she didn't post it she didn't feel like those she was doing
00:09:37.580the dogs justice because she wasn't potentially getting them like the home that they deserved
00:09:42.240because you're not reaching this wide audience so she really that is like a really nice example
00:09:47.300of that anxiety because she just felt like if she did post it was wrong if she didn't post it was
00:09:51.920wrong and yeah it was very stressful yes no and I I have felt this and I think like an interesting
00:10:00.540thing from my perspective is like as first an academic and then as a journalist I was always
00:10:10.580almost from the beginning visible on social media yeah like I got twitter very early on
00:10:15.640and then I started like a wordpress blog that was an academic blog it was called
00:10:20.120celebrity gossip academic style and like and also had like some early posts that I had written there0.93
00:10:29.180go broader and attracted the ire of what were then called the twihards like people who were
00:10:35.860very obsessed with Kristen Stewart and Robert Pattinson being together um and and so I got a
00:10:40.900ton of abuse from it but it like so it kind of I just internalized this logic of like part of being
00:10:47.100an academic and a journalist was being very public about my work which for people who had been in the
00:10:52.600industry for a long time like this was anathema like why would you have to deal with trolls about0.94
00:10:58.560this stuff like this is this is fucked up that you would like feel like you need to talk about0.94
00:11:02.740your personal life and your work do you know what I mean like that you were in any way trying to0.97
00:11:07.360create this persona like there was even a huge discussion when I was going on the job market in
00:11:12.820like the early 2010s about like branding and having a personal website and whether that was
00:11:19.600like anti-professional because it was too glossy like it was too almost like advertising you know
00:11:25.720like it was too much like an influencer we didn't have the words for that then but I do think and
00:11:30.940this is like where the idea of influencer creep is so useful is that it has happened so gradually
00:11:37.160that sometimes we forget that it wasn't always this way that you didn't have to perform your
00:11:42.040dog's personality on social media to get it fostered right right no and that's the thing
00:11:48.120because I mean it sounds very naive but really I didn't expect the artist that I spoke to as part
00:11:56.360of this second project so you know I united this ethnography of art worlds with my ethnography
00:12:05.320influences which had been going for I don't know eight years at that point and yeah I really thought
00:12:11.240it was going to be different I was really shocked I mean these conversations just kept coming up
00:12:16.160like when I went and got a tattoo I was speaking to the tattoo artist about my PhD and tattoos
00:12:23.400like you know that's a huge space where people have to be super visible on Instagram and she
00:12:28.940was telling me that she because I was studying at the time like algorithmic experts so the people
00:12:34.500who create content about how algorithms work and that's their content that's how they get their
00:12:41.220audiences they're sort of you know giving kind of like a weather forecast for the algorithm even
00:12:45.860though they can't really actually know how it works but they do experiments and tests and so on
00:12:50.900but my tattoo artist was like yeah like I listen to this person this person and I was like why are
00:12:56.680you what listening to these influencer algorithmic experts and it's because you know Instagram is so
00:13:04.840central to that world but then you know these examples come up more and more so I've talked
00:13:10.300to friends that are chefs for example and you know if you want to create if you want to put
00:13:14.680yourself out there as a chef then you have to be creating dishes and putting them online but then
00:13:18.920also potentially yourself I mean it's just like more and more it really does feel like a creep
00:13:24.100because it's wild that it's so central like these social media platforms are so now central to
00:13:31.160to everything that we're doing um and yeah it is kind of like how did we get here
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00:17:15.420Okay, so to explore some of these questions about like how influencing has crept into so much
00:17:21.680of business, all this sort of thing. We're going to go through our reader questions,
00:17:24.860which are really excellent this week. So first question comes from Alexa. And it's basically
00:17:30.440the question that your book answers. Influencers have shaped not just what we buy, but how we sell.
00:17:37.700I worked in advertising and it always makes me laugh how my brands partner with creators who
00:17:43.920aren't quote unquote, real influencers, but they know how to make content that feels like
00:17:49.460influencer content, and that's just now considered effective advertising. What really interests me
00:17:55.660is how this style has escaped the marketing world altogether. Every so often, I'll see someone I
00:18:01.500vaguely knew from high school post a video in full influencer cadence, sharing a daily routine,
00:18:08.520a life lesson, or a little POV moment, despite having no following and nothing to sell.
00:18:14.760So what is happening here? Has influencer-style content become a new mode of self-expression, just the way we now naturally narrate our lives? Has the aesthetic of creator advertising seeped so deeply into culture that we've subconsciously adopted it even when we're not influencing at all? Or is the girl who sat behind me in math senior year simply just looking for a career change?
00:18:39.520i love that question i know it's so good i think we could start by figuring out what makes someone
00:18:48.180a real influencer so like part of your research for the book was about the professionalization
00:18:54.340and like i really left the point where you're like so much of the exchange with influencers
00:19:01.440is actually especially in the beginning non-monetary right like it's not paychecks
00:19:07.060it's just goods and when someone seems to be getting free stuff that professionalizes them
00:19:13.500in the eyes of the viewer which then allows them to professionalize further blah blah blah
00:19:17.340so what makes someone a real influencer how do you say how do you ascertain oh god so yeah so
00:19:23.700this is you know it's a very challenging question and i did this like i was the specialist advisor
00:19:29.880to the uk parliamentary inquiry into influencer culture and we were trying to come up with a
00:19:35.240definition or some kind of like working concept of what an influencer was and it was a real
00:19:41.320struggle because it's kind of like do you go follower numbers do you go engagement do you go
00:19:47.720are people making money from this are they making a full-time living from this so my definition of
00:19:53.620an influencer is that you're creating content in a specific niche but it also has to be about
00:20:01.340yourself too like it has to it has to hinge on your own personality and come from some representation
00:20:08.180of your personal life for me so there's lots of different kinds of influences and but for me i'm
00:20:15.020looking at like the most commercially friendly influences there's lots of influences that don't
00:20:20.300rely on brand partnerships or rely on kind of you know more black market brand partnerships
00:20:25.140um and there's other forms of monetization but for me people who generally are successful
00:20:31.580influencers are working with brands and that's kind of directly because they're doing sponsored
00:20:37.400content where they advertise um you know whatever it may be my example for this is always like a
00:20:44.340dice and air wrap I don't know why but you know like you know they're advertising like like hair
00:20:49.240products like that i mean the on the feminized side of it you can have gaming creators and
00:20:55.280influencers that are you know advertising games gaming equipment you know you can have uh car
00:21:01.860influencers gun influences but but it has to be like you know something from themselves so they're
00:21:08.160working with advertisers directly but then they're also getting money from advertisers indirectly via
00:21:12.900the platforms that they work on because usually those platforms will have a creator fund so you're
00:21:19.100get paid like for attracting views from attracting an audience a buying audience so yeah so I think
00:21:27.040that's that's what makes an influencer but the air but it's so gray there's such a gray area now
00:21:32.940are you a content creator who's an expert in something or are you an expert in something
00:21:38.020that creates content like it's it's it's the line is really is really challenging I would say to kind
00:21:44.540to unpick right and i think a lot it's also challenging because a lot of influencers are
00:21:49.760like i'm not an influencer right yeah i follow all of these like fundamentalist trad wife influencers
00:21:56.320who are like i'm not an influencer i just am constantly creating weird videos about all of
00:22:02.440my children um and make money from all of my links but like i'm not an influencer right because there
00:22:08.520is this idea that like it and this gets into something you talk about in a solid third of
00:22:13.640your book which is the production of authenticity yeah that somehow if you announce yourself as an
00:22:18.800influencer that's not inauthentic yeah right and that's and that's the thing and I think most
00:22:24.580professional influencers don't use the term the social media platforms also don't use the term
00:22:31.480because no one likes the idea that they've been influenced it's actually not a good thing like
00:22:36.280it's like it's not it's because it goes it's I mean yeah influencer culture is so weird because
00:22:42.440like you said it hinges on this authenticity this reality this trustworthiness so there's always this
00:22:49.020missive underneath everything that's like i would never promote something unless i genuinely love it
00:22:56.080but that's not true because you have car payments you have a mortgage you know like you can kind of
00:23:01.600retrofit things that are close enough to something that you would maybe recommend but but yeah so
00:23:07.280there's this i yeah this idea that like people don't want to claim the label of influencer
00:23:12.320most people use content creator that's what the platforms use too because they don't want
00:23:19.320the idea that people are like you know influencing promoting lots of commercial content
00:23:24.720and content creator aligns more of like creativity and you know like things that sound more fun and
00:23:32.120less marketing orientated totally where do you the second part of this question about how
00:23:38.220these like the cadences the the memes and memes again can be like videos or like taking it yeah
00:23:45.180snippet of music and like reproducing it like when did you start noticing this popping up in
00:23:53.400non-official influencer content so I'm talking about like your friend's content like my friend
00:23:59.660posting a picture of her son with a cute outfit and hashtagging it ootd i mean it's interesting
00:24:07.100because influencers are the power users on social media platforms and like and instagram has
00:24:13.980intentionally torqued the its algorithms so we see more kind of professional creators because
00:24:21.500uh i actually i mean i don't actually really know the reason for that but
00:24:26.080you know there's you are gonna get like a healthy mix of professional creators amongst your friends
00:24:32.220like these are the people that we are seeing that we're consuming and this isn't like a media effects
00:24:38.060argument but i would argue that it these people change the culture of social media platforms
00:24:45.680because that's what we're seeing um so so i think there's definitely that and then also we're kind
00:24:53.400of all working in the very similar conditions that influencers are working in like we want an
00:24:57.900audience for our stuff like we post things because we want people to see them and similarly you know
00:25:04.920non-professional influencers who are creating content like also have to fight with the same
00:25:10.100sort of algorithmic conditions and the same expectations of creating engaging authentic
00:25:15.920content I get this question a lot which is like so are we just all copying influencers or are we
00:25:23.040in the same working in the same conditions as influencers and then we're coming up with stuff
00:25:26.660ourselves and i think the answer is kind of both to that question like we're seeing it but also we
00:25:33.360you know we do want to be visible and we are strategic people you will probably think to
00:25:38.920yourself like i posted something that you know showed me doing this with my family and a lot
00:25:44.480of people engaged with it and like that content so you're probably gonna make more of it um right
00:25:49.880or you're probably going to post something like that again right like I think sometimes people
00:25:53.700discount like most people are not using Instagram as like their personal family album right no they
00:26:00.380want people to see if they're posting a photo they want people to see it and to talk to them about it
00:26:05.400and so whatever creates that engagement you internalize whether it's like very super
00:26:12.000conscious or not you internalize what works like that's just how our minds work yeah exactly and
00:26:19.820i think you know there is this theory that instagram loves faces but then but then it's
00:26:24.680the question of like is do we do humans just love faces you know are we actually more likely to
00:26:30.320engage with something if we like see if we see a person like you know a smiley person whatever
00:26:35.560but i am obsessed with people who are like really acting like their influencers yeah yeah yeah as in
00:26:44.700you're you're like don't have a big following but you're but you you're speaking like you do
00:26:50.360um yeah and I have some family members that do that and I I kind of love it because it's really
00:26:56.080I mean it's it's so interesting but I think uh one thing that Brooke Aaron Duffy talks a lot about
00:27:04.420is aspirational labor and it's really you know potentially true that this person does want a
00:27:11.420changing career path and right I guess there there is this idea that if you just post if you
00:27:17.520just post yourself if you just you know put yourself out there then it all might kick off
00:27:24.600like you really might grow a following and I think that I yeah there is a law in that idea
00:27:31.220and you know potentially someone is really aiming towards a professional content creation job
00:27:38.520Totally. I see it so much in the TikToks that are produced during the very beginning of Rush
00:27:46.600for Bama Rush. Yes. Because you have girls who have been practicing for years and who are like
00:27:54.200very savvy to all like how to talk to the camera, how to light themselves, everything. They just
00:27:59.300get it. And then they have, there are other girls who are like, I can do this too. And for me,
00:28:04.560those are always the most interesting ones to watch because they have such a small audience
00:28:08.900but they still like push themselves and you can tell they're kind of miserable but they're pushing
00:28:15.020themselves through it like an endurance gauntlet almost because they're like well I started doing
00:28:21.040these so I guess I gotta keep doing them but it's like yeah yeah and also do you have a lot like I
00:28:28.780mean it's like it's like starting a sub stack or something it's just like totally you just like
00:28:33.580and it might catch this audience and it is it is a really good exercise like it's nice again
00:28:40.220one thing I talk about a lot is that with the current state of creative industries
00:28:45.380there's very few spaces where you can you know actually do something creative produce something
00:28:53.520and there is a pathway to a career there you know with the state of journalism with the state of
00:29:01.880like in the uk a lot of that like arts and theater funding has been slashed or
00:29:06.160has stagnated you know there's very few options like apart from especially in the uk it's very
00:29:11.840very class driven um you know if you're not from a super privileged background it's really really
00:29:17.860tough to break into creative industries but social media does offer this promise right like
00:29:23.380that you can be successful and you can make content and and and we also see that in like
00:29:30.400barma rush stuff like it's you know these oddball like goofy characters like barma morgan i followed
00:29:36.120a lot you know yeah i'm not saying that she's an oddball goofball sorry i but like i mean she was
00:29:41.280someone who that's part of what made her famous was that she wasn't acting like all of the rest
00:29:46.360of them yeah well exactly she was kind of being herself and then and yeah and she's a really like
00:29:53.460you said that's like a kind of more interesting person like you you don't know who is gonna get
00:29:58.540picked up yeah I mean that we could I could talk to you like for 75 more minutes about Bama Morgan
00:30:05.320um I know she seems fine though oh yeah but she also has like internalized I mean this is something
00:30:12.660that we can talk about in the further questions but how you begin to internalize the gaze of
00:30:17.220yeah your audience in your behavior and especially your behavior online but okay this next question
00:30:23.140is about okay influencers and their followers and what they expect from them this comes from
00:30:27.180Hilary. I'm really curious about this demand for influencers to have a position on everything.
00:30:34.880Like what's driving the desire for their opinions that are probably not terribly developed or
00:30:40.960studied and totally outside their brands? I mean, maybe this question is about parasociality.
00:30:46.700I'm not sure, but I'd love to hear some discussion on it. Talk we will. Yes, let's talk about it.
00:30:53.600i find this question really interesting because to my mind i actually think that many of the
00:30:59.660influencers i follow are very careful about what they have opinions on right and then i agree pick
00:31:06.500what they do have opinions on like yeah so tell me what you're thinking yeah so i'm a big kind
00:31:12.000of bravo fan and uh i follow like the cast of summer house bravo summer house that are all
00:31:18.800influences you know like and a lot of them like i don't know if i have to explain what summer house
00:31:25.100is but basically it's just like a reality tv show where they all go out to the hamptons every summer
00:31:29.600and um it's like so compelling i don't anyway i love it but and they're kind of all professional
00:31:35.880influences and yeah you know on the day that mandami was elected mayor in new york city like
00:31:44.180that was my whole Instagram like that was my whole Instagram stories from everyone including
00:31:51.080and that's you know mostly people in the UK who don't live in New York but from all of the
00:31:55.820Summer House cast it was completely silent which to me was wild because you know they're they're
00:32:02.340younger a little bit some of them are um they're Gen Z and you know they're quite outspoken on
00:32:07.840things like feminism or like kind of like a secure the bag type feminism like you know0.58
00:32:13.700like but still like you know men suck like that kind of thing but like but but they're quite kind0.71
00:32:20.800of outspoken and it was like absolute crickets and then i tried to post in the subreddit for0.93
00:32:25.720summer house like what and then and then the subreddit was like no talk about politics
00:32:30.620this is not the space and i was like oh no this is annoying i love that you tried to post in the
00:32:35.940subreddit to see if i was like why aren't they talking about politics but anyway this is just
00:32:42.720all to say like yeah i would say actually they like they they don't like and so there's two
00:32:49.640things here like one so in the book i talk about l'oreal's um like l'oreal have done a lot of um
00:32:56.540articles about how they find influences and how they decide to work with them and they use a lot
00:33:02.280of kind of automated software to go through every single single one of your posts that you've ever
00:33:07.000made um wow so if you've ever criticized the brand if you've ever had like a potentially
00:33:12.940um divisive political opinion if you've ever posted what they call a nude um or you know
00:33:21.360potentially like sexual content in any way like something that might be a bit risque like
00:33:26.100they are not going to work with you they check everything they're very very risk averse um so
00:33:32.100there's that like I think professional influencers know that that is the case and there's kind of a
00:33:37.580chilling effect um I also talk in the book about like Dylan Mulvaney and her experience of working
00:33:44.700with Budweiser and and um you know how a lot of these brands are really really unsupportive if
00:33:51.360actually something happens and there is a crisis they will just like cut ties immediately and
00:33:57.540yep yep so yeah so you've got that those kinds of risks it's like when you're political in any way
00:34:03.520and then also there is something I've been thinking about more as well which is like the
00:34:07.300algorithmic side of it which we know well we don't know but we I mean it really seems like
00:34:13.620Instagram depresses any kind of political speech but especially about topics like Palestine
00:34:18.640and so you know that if your whole visibility if your whole job relies on being able to reach
00:34:27.000your audience like via social media then if your account gets moderated taken down if you lose
00:34:34.000access to that audience then your job is gone so there's a huge risk about putting yourself out
00:34:40.220there like that um so i also don't see very much like from the artists that i studied or
00:34:48.300influences like in terms of political content um yeah but i wonder what other kind of positions
00:34:55.260it could it could be i mean because yeah but okay so i'm looking at the question again i'm looking
00:35:02.700at the question again and this is actually i i feel like i misinterpreted it slightly so it says
00:35:08.300she says i'm really curious about this demand for influencers to have a position on everything
00:35:14.840and i will say that i feel that all the time like i have actually said many times like talk i've
00:35:21.500talked about Palestine and my support for Palestine and against genocide all these sorts
00:35:26.020of things on my Instagram many times but I still get messages if I haven't posted in like a month
00:35:31.160yeah why are you silent on Palestine right and like I think that's there is this ongoing pressure
00:35:37.640there are some types of people who understand silence as or like any sort of like not if you're
00:35:43.380not continually posting as silence when if you think about the algorithm if you post on it then
00:35:49.160and that actually buries your account so it's actually silencing yourself by posting do you
00:35:55.160know what i mean it's complicated it's really complicated because it's not totally and also
00:36:02.140i'm you know i think sharing these messages of solidarity is really obviously important to show
00:36:10.100what you know who you are and where you stand but like i am thinking about you know this is like
00:36:14.480super old school but like jody dean's communicative capitalism like thinking about
00:36:20.120you know we're sharing these kind of messages on this for-profit so like you know what are we
00:36:28.140really asking from people like is it so essential i mean i think it is because it's obviously very
00:36:34.500powerful to to show that you support topics that are you know really challenging and in kind of
00:36:41.980mainstream media might not be fully representative but it yeah like you said it's a lot to ask of
00:36:48.500people so i don't know well and i think that it is like as hillary points to like there this some
00:36:55.340of this is parasociality like because we think of our consumerism as like our ability to participate
00:37:02.700in democracy now you want to be a consumer only of influencers who politics completely match your
00:37:09.380own right so either you want to push them to surface politics that match your own or you want
00:37:16.360to disaffiliate yourself from them if they don't match your own yeah so it's almost like you're
00:37:21.700like yes you're like itchy and you're like come on tell me more yeah no i need to get down there
00:37:29.500i mean but what i guess like how can we historicize this like is there a demand maybe
00:37:35.680for influencers to take more of a political position than there was a demand for a traditional
00:37:43.500celebrity like a hollywood type celebrity or a musician i know like taylor swift there's been
00:37:49.700a lot of calls for understanding her politics like more completely and everyone's very upset
00:37:55.620about sydney sweeney as well i know what is that so the so the thing that's so interesting to me
00:38:03.540about sydney sweeney is she grew up in a place that's two hours from where i grew up so i grew
00:38:08.100up in rural idaho and she grew up in a mid-sized city in eastern washington and this place is like
00:38:15.900i wonder if you can think of an analog a uk analog this it's like a town that's like had a good mall
00:38:22.220and like there are some democrats who live there but like no one's like super leftist by any means
00:38:28.500and like the thing to do like for fun is to like go out on your boat um yeah and like her politics
00:38:35.620are i think very much shaped in part by those and it's like not a super legible understanding to be
00:38:44.620like from a like to have some of those politics still because there is this understanding i think
00:38:49.100in american culture that if you're a celebrity like you are on one side or the other right like
00:38:54.320you're either super maga or you are like a leftist who's like coming out on the stage to support
00:39:00.860like democratic candidates like there's just not a lot of space in between and i think that
00:39:05.600eligibility is the scandal around her yeah that's is that she refuses to clarify and there's just
00:39:13.360so much more space now like with platforms like there is an expectation for an opinion on
00:39:19.920everything and maybe if previously you were communicating to the world through interviews
00:39:26.020with journalists you know you there's going to be a lot more vetting that's going to be a lot
00:39:30.300more sparse so we don't i guess that is that parasociality element because people don't feel
00:39:36.600as like connected and demanding of celebrities in that way um but then i don't know is that
00:39:44.720necessarily a bad thing i don't know it's so interesting thinking about this from a like
00:39:52.320historical perspective because in classic hollywood what they would do is completely
00:39:56.760efface any sort of personality yeah right if you were a star like they would like wipe you clean
00:40:02.520and then build on top of it and some people totally believed that artifice but a lot of
00:40:08.940people were like there's an actual i know there's an actual real star under there and that's why
00:40:14.220there was like so much appetite for scandal right is that like who's the real like i know they're0.99
00:40:20.080all fucking essentially like i know they're all doing drugs and i know they're all fucking and i0.98
00:40:23.980just want to find out that hunger for the the second layer of authenticity yeah um and i think0.99
00:40:30.360now there is this belief that like because we have quote-unquote unmediated access to the star
00:40:38.040vis-a-vis social media that like we're getting like we're getting the truth but we're not right
00:40:43.620like we're getting a performance of self still yeah exactly yeah and I mean but it can always
00:40:49.420only be a performance of self that's really that's like the only thing that's really
00:40:55.240possible um yeah yeah I like this question I'll I'll I can sit with it
00:41:03.400more that's that's us we're like we like this question let's keep thinking about it
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