00:01:04.220Okay, so we will be giving $10,000 each to the following organizations.
00:01:08.480The first is Colorado Immigrant Rights Coalition, a statewide membership-based coalition of
00:01:13.360immigrant, faith, labor, youth, community, business, and ally organizations founded in
00:01:17.9602002 to improve the lives of immigrants and refugees by making Colorado a more welcoming,
00:01:22.680immigrant-friendly state. The second organization is the Colorado Doula Project, a grassroots
00:01:27.600nonprofit organization that provides free logistical, financial, and emotional support
00:01:31.940for people accessing abortion in Colorado. We'll hold off on announcing the third one
00:01:36.700because we're just trying to make sure that we can make the donation. But I also just wanted to
00:01:42.300shout out Colorado liar Katie, a great name, love it, who has just, you know, melted my face off0.51
00:01:51.580with her competence in all of this. And to Leslie of the Diabolical Queers, who is kind of taking0.97
00:01:57.820that lead for their group moving forward. Yeah, it's really, really exciting to see this kind of0.99
00:02:04.280take off the way that it has. And I don't know, I kind of was worried about you and I handing over
00:02:09.420the ring. It just felt very like, oh my God, not only are we giving money away, but like now we're
00:02:13.780just telling someone else to decide what to do. But I don't know, this has been the coolest
00:02:17.980experience for it to start this way where people who are more competent than I am personally be
00:02:22.360like, yeah, we actually know where to put it. And I'm like, thank God. No, I agree. I feel like the
00:02:27.820blind leap of faith has really been rewarded here. So yeah, full steam ahead. Okay. This is an
00:02:35.140episode that I have wanted to do in some capacity for a long time. I feel like this episode is like
00:02:41.980our pre-cancellation TikTok video. Why? What do you mean? Because it's like you and I privately
00:02:50.660talk so much about the ethics of being alive, the ethics of being an author, the ethics of having a
00:02:55.260podcast, the ethics of earning money. And I feel like you and I are constantly over-analyzing this
00:03:00.560to one another. So to finally have the conversation on main, I just feel like I'm prepping myself in
00:03:05.520advance. I also made a note of all the brands I would sell out for, and I would like to discuss
00:03:09.120that at one point. Okay, I would love that. Yeah, I mean, just start prepping the NoTap apology now,
00:03:13.920I guess. On that note, I just watched your recent TikTok where you were talking about five things
00:03:21.280that exist for you in this little sanctuary of stuff that you love that you just cannot be
00:03:27.180bothered to care about. You're not interested in critically analyzing them for like why they're
00:03:32.240problematic or not. You just want to enjoy them and move on. So the inherent flaw of a platform
00:03:37.600like TikTok for a cultural critic like me, but also just for anyone, is that you look on someone's0.99
00:03:41.800feed and you only see the shit that they care about. And you get this impression that a person0.98
00:03:45.580is constantly chronically online and that they care about everything. And that makes me feel
00:03:50.240tired with other people and it makes me feel really tired with myself. So I thought that I
00:03:53.540would cleanse my feed a little bit by sharing five things that I couldn't be bothered to care about,
00:03:58.420five things where I constantly just go, it's not that deep, even though it probably is that deep,
00:04:02.980as a means of just creating a small, small sanctuary for myself in a world that is rapidly0.98
00:04:07.660falling to shit. So I'm going to share my five, and if anyone else wants to share their five,0.52
00:04:11.260I would certainly be interested in hearing it. Okay, number one, Alex Earle. I am an Earle girl
00:04:15.380through and through. I could spend the rest of my life and probably will thinking about feminist1.00
00:04:19.160topics, thinking about heteronormativity, thinking about the beauty standard, and I would probably0.98
00:04:23.240never apply any of those criticisms to Alex Earle because I just enjoy watching her videos. I like
00:04:29.140watching her little get ready with me. I like, you know, getting makeup tips from her. I like
00:04:32.840her cute little pit bull. I like having a parasocial relationship with her and her1.00
00:04:36.040boyfriend, NFL man. I could create depth around any element of Alex Earle through a cultural
00:04:40.620criticism, and I never will because that is a little pocket of my life that I'm keeping sacred.
00:04:44.600And the response that you got was basically like, this is so refreshing. Or honestly,
00:04:50.840this was a delightful reframing. Like, I scrolled through so many of the comments and people were,
00:04:55.140you know oh this is how i feel about real housewives this is how i feel about the bachelor
00:05:00.180the kardashians this is how i feel about suvs somebody was like this is how i feel about the
00:05:05.440nfl i know it has a ton of issues i know it's racist i know it's like problematic but like
00:05:09.800it is an escape for me and i'm not interested in thinking about those elements of it someone else
00:05:15.180said listening to music of problematic canceled musicians someone else was like i love copaganda
00:05:21.760like law and order taylor swift rap music like it really really ran the gamut and so in the
00:05:28.720context of the conversation that i want to have today how do we yeah how do we have values and
00:05:35.420still locate ourselves on the spectrum between no ethical whatever under capitalism and you are a
00:05:43.640person with agency so when i find when you you you have some free will you certainly have some
00:05:50.100So when I finally decided to explore the subject for this show, I knew that I needed to attempt to reconcile some conflicting ideas that I had.
00:06:01.940And there were three simultaneous conversations in pop culture that made me decide it was finally time to try.
00:06:09.480So the first was, of course, something we've already covered ad nauseum.
00:06:14.500and I promise everybody we're not going to really talk about it today,
00:06:56.060In which the journalist Gia Tolentino did a paid partnership with Airbnb,
00:07:01.260a company that she has written critically about in the past,
00:07:04.200and which is a boycott divestment sanctions target
00:07:06.880because they list homes in the illegal Israeli settlements in the West Bank.
00:07:10.760And the third was the Riyadh Comedy Festival, in which the Saudi regime paid American comedians, in some cases more than a million dollars each, to perform for the Saudi royal family, but under an intense contract that outlined the jokes that they were not allowed to make.
00:07:30.140So, I'm kind of watching all of this unfold over the course of, I don't know, give or take 10 days, and I'm just thinking to myself, what is the calculus of selling out, and what does no ethical consumption under capitalism really mean?
00:07:48.920And so I wanted to explore our cultural and our historical relationship with these ideas, but I also want to have the conversation in a way that doesn't feel moralizing, because the moralizing version of this conversation to me is a little bit uninteresting, actually, because I think that in some respects it's pretty clear.
00:08:10.720And so I'm more interested in how these ideas have functioned in discourse and whether they're useful anymore, whether they've ever been useful.
00:08:20.180I told you that I went into this research feeling two very strong yet almost diametrically opposed feelings, two statements that, to me, feel true, even though they sound pretty contradictory on the surface.
00:08:31.340So, statement number one is consumerism. Shopping our way to a better world is a pretty naive way to think about this problem. And to put the responsibility for system-wide change on individual consumers to just, like, buy different stuff is not a productive way to approach the challenge of exploitation.
00:08:53.500Statement number two is that in a broken democracy where our interests are actually not being represented by the people that we are electing to represent us, withholding our money from the economy is one of the only ways that we can exercise real power.
00:09:11.460I knew we were going to at some point talk about like the no ethical consumption under capitalism claims. And I am interested in that. But I also think the question is, is there no ethical salesmanship under capitalism? Because consumption is very different from salesmanship. I think there is a big difference, although you can argue the morality of both. There's a difference between buying an Airbnb experience and selling the Airbnb experience or amplifying the validity of that product.
00:09:38.860and so I'm curious how we're going to get into that
00:10:29.180Ooh, selling out for sure. Selling out for five, Bob.
00:10:32.820Okay. Okay, well, actually, we're going to start with consumption because I'd rather
00:10:37.340talk about consumption. Okay. Me opening the door to find that it's just a wall behind.
00:10:44.580I was like, 50-50 shot, she chooses a thing that I'm actually just going to talk about anyway. So
00:10:50.100yeah, a little peek behind the curtain, folks. What a manipulative relationship.1.00
00:10:54.240I'm giving Caroline the toy steering wheel to be like, yeah, this works.1.00
00:11:00.860Never actually giving up control. Okay. Gun to head. Consumption.
00:11:04.620Gun to head. No ethical consumption under capitalism. So with this particular phrase, where I started my adventure for this episode is I was really curious like where it originated. When did this become something that people said and what was the context that they started saying it in? Do you have any sense for its origins?
00:11:24.660Ooh. This is either going to be, like, unbelievably old, like it was on, like, a tablet in Egypt, or I'm going to guess that it was maybe during, like, the 90s Riot Grrrl era.
00:11:37.240You're definitely closer with that guess than Egyptian tablet. It was 2014, so...
00:11:42.960Oh, wow. Okay, so it was Girlboss era. Interesting.
00:11:46.500So in order to get you in the correct headspace, I am now going to play Two Minutes of Dark Horse by Katy Perry featuring Juicy J.0.94
00:12:33.800Okay, I'm looking at Benedict Cumberbatch, who's wearing just an awful shirt, just a really terrible shirt.1.00
00:12:39.500And it says in like faux chicken scratch, this is what a feminist looks like.1.00
00:12:44.260Oh, was that back when we were like, we still thought that we could get anyone to care about feminism?0.95
00:12:49.200This was right before it ended, I think.
00:12:50.500I think this was near a time period where Taylor Swift was like, Lena Dunham educated me on what a feminist is. I remember this.
00:12:56.780So culturally, you are spot on about where we were. So there was this brand from the UK called Whistles that partnered with Emma Watson to make these This Is What A Feminist Looks Like t-shirts. They were selling for around 60 US dollars. And it became a scandal because the Daily Mail did an expose that claimed that these shirts were made in sweatshops by women making less than a dollar per hour.0.97
00:13:26.280So it's pretty clear that, like, the intentions of the Daily Mail were not pure.
00:13:30.880They had not made a habit, we'll say, of covering abuses in the garment industry before.
00:13:36.400But the reaction was pretty telling because I think in retrospect, as I reread a lot of the articles that came out to try to debunk the Daily Mail,
00:13:46.400is that it actually sort of served to highlight how common those conditions were in the garment industry,
00:13:53.760how there was like actually nothing atypical about this particular factory in Mauritius where they
00:14:00.780were made. And so regardless of how common those poor conditions were, I think in this particular
00:14:07.640case, the hypocrisy just felt really, really stark. Yeah. This is also just like the general
00:14:12.940exhausting of communicating any sort of progressive or good faith belief, because as soon as you do so,
00:14:18.880you now are held to account for everything else in life, which is like probably the
00:14:48.300Okay, so one debunking effort came from Dazed,
00:14:52.920who quoted a sustainability researcher and blogger who said this, if you will please read.
00:14:59.600Low wages in communal dorms may be an unpalatable contrast to the t-shirt's empowerment message,
00:15:05.240inflated price tag, and celebrity endorsement. But the reality is that work on this unglamorous
00:15:10.000side of the fashion industry has been a way out of poverty for many millions of women and men,
00:15:14.440and a first rung towards industrial development for many countries.
00:15:17.860So, online, this created a pretty extreme environment that sometimes culminated in shaming or taking a sort of moral high ground around going out of your way to purchase things that were produced, quote-unquote, ethically or, quote-unquote, sustainably.
00:15:35.840And this idea that purchasing anything else was essentially you cosigning exploitation.
00:15:41.800now obviously like we look around you know the sheen halls on the horizon like we still live in
00:15:50.580a very consumer driven culture that was just part of what i want to discuss today so it's not as
00:15:55.200though this shaming effort was very effective from the standpoint of like making people consume
00:16:00.400less but the original intention of the phrase there is no ethical consumption under capitalism
00:16:06.720which emerged as like a Tumblr meme, seemed to be a response to this push for quote-unquote
00:16:13.380ethically produced goods, which suggested that some consumerism was permissible and other
00:16:19.100consumerism was evil. Do you follow Derek Guy on Twitter? Oh yeah, the like fashion guy? The clothing
00:16:25.620guy. Yeah. Yeah, I just, I think of him now because it's like the flip of this, the no ethical
00:16:29.900consumption under capitalism, is that if you tell people what things actually cost and go,
00:16:34.280no, actually, you should spend $60 on a sweatshirt. That's actually the minimum cost it takes
00:16:38.500for ethical means to be made at 100% cotton, blah, blah, blah. As soon as you say that,
00:16:42.800people go, you're classist. And so it's like, it's such an exhausting circular conversation.
00:16:47.720I think part of the pushback really came from that reality, which is that there is no moral
00:16:54.360superiority to having the money or the time to purchase all, quote unquote, ethically made
00:17:01.000stuff in this system, which does tend to cost more, to your point, and the time to do the
00:17:07.760research on the supply chain of every single thing that you're buying. Beyond that, because
00:17:12.860of how totalizing this system is, supply chains that are ethical from start to finish are like
00:17:19.000pretty much non-existent. Katie, this is, I just realized that this might be like the episode that
00:17:25.620we air before we announce our own merch so i was right my instincts were right this is a pre-tiktok
00:17:32.860cancellation video timing wise not the best not the best and there's all this all just ends up0.91
00:17:38.800being a big merch ad oh my god bite or don't bitches it would be really funny at the end1.00
00:17:44.060be like so with that uh we are actually launching a line of feminist t-shirts our swag will go1.00
00:17:50.120harder than that swag so but our swag is also like we are using a good fat like people like
00:17:55.440we're not using like a shitty wait you wanted to go the ethical route i'm so sorry i've been
00:18:00.440going in the wrong direction i've actually been seeking out sweatshops i'm in touch with an
00:18:06.140eight-year-old bangladeshi orphan and he's been giving me amazing prices
00:18:09.760i'm not going to just bail on him now i've been talking to him for months yeah and now we have
00:18:17.200merge, but I swear these two things are not connected. It is ethical. You're good. Go on,
00:18:20.760go on, go on. Okay. So to find a truly exploitation-free supply chain, I don't even
00:18:27.420know how you would go about doing that, honestly. It's so opaque. But the big point, I think,
00:18:33.380crucially, is that it was intended to communicate this underlying truth that we cannot shop our way
00:18:40.700to a better world. So it was supposed to shift the focus back to the system. Now, to complicate
00:18:47.020this a little bit, I do think that the reflex of pointing to the system has had the practical
00:18:53.220effect of just serving the inertia of the status quo. Passivity in this context is often disguised
00:18:59.680as profundity. Like, you can be like, oh, well, there's no ethical consumption, and so here is
00:19:03.320my Sheehan Hall. One of the people that I spoke with for this episode was like, yeah, the phrase
00:19:08.240sort of, like, equalized all of these things. Like, well, if it's all unethical, then I might
00:19:12.740as well just do whatever the fuck I want, and who cares? I think that the key thing that it did,0.97
00:19:17.220and why we're talking about this today, is that it mainstreamed a debate about consumption and
00:19:24.100how individuals should be consuming. So Andrew Hartman is somebody that I spoke with for this
00:19:31.240episode. He wrote a book called Karl Marx in America. He's a history professor. And so this
00:19:37.800book is really about the history of Marxist ideas in the United States and how the dawn of
00:19:43.500neoliberalism is what initially focused people's efforts on consumption. So Hartman writes this.
00:19:53.560The two most influential libertarian thinkers of the 20th century, Friedrich Hayek and his teacher
00:19:59.560Ludwig von Mises, were Austrians who, along with like-minded colleagues, assembled in Geneva in
00:20:05.660the 1920s and 1930s to plot a self-described neoliberal revolution. Good stuff. It's like
00:20:12.060abundance. Thanks, guys. The first abundance. Derek Thompson was there. He was one of the
00:20:19.120panelists. I can't time travel to find Bernie Sanders, but he can time travel to find Ludwig
00:20:23.300von Mises. So these Austrians were like Milton Friedman's daddies. So where Marx was focused1.00
00:20:31.520on the means of production, who owned them, for whose benefit they were being used, the conditions
00:20:36.720of the labor that was being performed, etc. Von Mises focused on consumption. And so I would love
00:20:42.360for you to read from this lecture that he gave in 1952, where he was basically like shit-talking0.90
00:20:48.760Marx and being like, here's why Karl Marx is wrong. What really destroyed Marx was his idea0.83
00:20:53.400of the progressive impoverishment of workers. Marx didn't see that the most important characteristic
00:20:58.720of capitalism was large-scale production for the needs of the masses. The main objective of
00:21:03.600capitalists is to produce for the broad masses. Nor did Marx see that under capitalism, the
00:21:08.900consumer is always right. In his capacity as a wage earner, the worker cannot determine what
00:21:14.160is to be made. But in his capacity as a customer, he really is the boss and tells his boss,
00:21:19.280the entrepreneur, what to do. Ah, supply and demand.
00:21:22.560Uh-huh. Yeah. Basically, what he's saying is even though Karl Marx would tell you that the owners of capital and the bosses have all the power, that's not actually true because they're only going to make shit that the consumers will buy. And so the consumers are the ultimate boss.
00:21:40.700And Hartman writes, quote, by the time Mises gave his Marx lectures, so again, this is in the 50s, consumption was arguably the category of analysis and debate.
00:21:52.400So when we are talking about this and how we solve these problems by focusing on how we're consuming, we are sort of like inherently playing into like the neoliberal way of thought, because it's not only downstream from the ideology of the original neoliberal thinkers, but it also really emphasizes the choices of the individual as the level at which change happens.
00:22:15.900So whereas Marx might say, well, who controls the production and the generation of the desires that we have because the production is still the point at which the choices that you can choose from are being provided, the emphasis on consumerism and consuming ethically and what Marx would have called commodity fetishism, this instead is focusing on like the end product itself.
00:22:39.740And so I'd argue that that is definitely still where we are. That is still the context that this conversation is most often happening in. And so the t-shirt thing was 2014. Philosophically, all of that can be true. But like I told you at the beginning, there are still some challenges that I have with dismissing consumer choice completely.
00:22:58.740And it came into clearer focus for me when I learned about the anti-littering campaigns that were happening at the same time that von Mises was giving those lectures.
00:23:21.920There are some things that I personally would just never do, even if you made the rational case to me for, like, why my doing or not doing it doesn't make a difference.
00:33:48.940The part that jumped out at me was, like, the recycling org, like, opposed the ban on the single-use items. I was like, oh, okay, so that's what we're doing here.0.99
00:34:00.520There was 2019 reporting from The Intercept that basically got a hold of some recordings of calls that were happening between some of these organizations that found Big Coca-Cola, which produces more than 100 billion plastic bottles every year.
00:34:17.940actively undermines the efforts of the recycling organizations that they fund because they don't
00:34:25.200actually want recycling to work too well there was something about how like the virgin plastic
00:34:30.140industry really heavily influences them so like plastic that is not recycled and because they're
00:34:36.260funding these organizations the the solutions that the organizations can pursue are sort of
00:34:41.400beholden to the limits of what the corporations are are cool with and it's not just coke i mean
00:34:46.980there's other companies too um coca-cola is like not all soda bottles yeah like so there's like
00:34:51.940like the plastic producers as well so back to me uh i personally don't want to contribute to this
00:34:58.800problem of plastic overproduction by littering unquestionably i think it is still a good thing
00:35:04.060to stigmatize littering or like leaving dog shit on the ground but and this is the key i am not
00:35:11.460solving the problem by not littering. Do you see what I mean?
00:35:15.680There is an argument that allowing it to become a problem would allow it to enter the public
00:40:32.980Like it's this is true across the board.
00:40:35.420This is true with so many aspects of our life that it's just really hard to create the type of community and conversation necessary to get anything done. And the shame factor is crucial for strikes. There's a picket line. You don't cross it. If you cross it, you're a scab. There are all these different elements of social contract that you understand. And if you walk past, people will talk to you about what's happening. But when you're at home and you order something online, it's just too easy to get away with it.
00:41:01.140And again, ordering something on Amazon may feel to you the way that throwing litter on the ground would feel to me. And so that puts us into more interesting territory to make that distinction between an individual moral choice and a choice that has consequences for, like, things improving and kind of teasing them apart a little bit.
00:41:23.740Now, beyond that, though, if we are applying this traditional lens of like, well, it's production, not consumption that needs to be central to this conversation. The other thing is a lot of the time refusing to shop on Amazon means redirecting that consumerism somewhere else.
00:41:39.260And so I think this is where things start to get a little bit murky for me, because for most Americans who do not live in, like, dense, walkable cities with abundant local cooperatively owned businesses and transportation that's public and electric and whatever, like, you're probably getting in your car and you're driving across town to buy the same product from another retailer who probably received it the same way that an Amazon warehouse would have, which is that it was shipped there on a plane or a truck.
00:42:08.880And so in that sense, like the real problem with that thing that you're buying is not the retailer you're buying it from, but the supply chain of how that thing was produced in the first place. Like the final retailer is like the last like 5% of its journey to you.
00:42:24.940So like, is it possible to maximize ethics for that last 5%? Of course it is. And of course, that is better. Those moral individual choices are better. But that does not change the fact that we are still just talking in many cases about like the final 5% of the equation.
00:42:40.480Yeah, this is also something I've experienced quite a bit over the last few weeks. I've been kind of moving around. I was in Denver seeing you and going to a booksellers conference and then I was in New York doing some book stuff and now I'm abroad. And so there were a few moments where I had to get something. Like, for example, I had to get an adapter and I wanted to get it before I went to the airport. You can't order things like, but it wasn't even me being a good person. It was like, I can't order anything online.
00:43:01.360And so I went into a few different stores and a lot of them were out of stock because all of these companies have basically adjusted to the changing consumption patterns. And so like this has happened to me several times where I live in Virginia where like you go to a Best Buy and they have to order it for you because they're so used now to people ordering like the two-day shipping online.
00:43:20.120And I think that there are certain bucks to this trend, and I think that clothing is one of them because some people still enjoy going into a clothing shop and buying a nice piece of clothing or trying it on. It's hard for me to believe that we are going to reverse this trend in any way because you just see so many other companies, like you're saying, either buying it from the same large corporation or no longer stocking it themselves and doubling down on something else.
00:43:44.120To your point about having to go to multiple stores to find what you needed, if I were really stretching the limits of devil's advocacy here, like I said, I'm pointing counterpointing all the way through today. Extend this to your entire neighborhood.
00:43:56.500Is it really better, all factors considered, for each person to get in their car and drive across town to multiple stores to buy the consumer goods that they need than for one probably electric Amazon truck with the most optimized route planned because they're trying to save fuel because that makes them more money to deliver the packages to all of those people?
00:44:17.660I don't know. That's not rhetorical. I'm just trying to stretch the limits here of this thought exercise a little bit to make a point that sometimes opting out is more about individual fulfillment of a moral code than a different effect on the outcome or the ripple effect in the world.
00:44:34.620And I do think that someone could fairly push back and say, like, well, not littering and not shopping at Amazon are different.
00:44:41.700Because by withholding your money from Amazon, you actually are impacting their bottom line.
00:44:46.060I could argue, well, as long as you're using the internet, that bottom line impact is always going to be a little bit limited by the nature of how they're actually making their money.
00:44:55.540Whereas what you do with your Coke bottle when you're done with it doesn't really impact Coca-Cola.
00:45:00.580But I think what this does, though, again, is functioning as, like, a distraction from
00:45:04.080the core challenge of what makes Amazon and every other multinational corporation capable
00:45:11.100of exploiting their labor and the Earth's resources in the first place.
00:45:16.160And it doesn't mean that, like, oh, well, the only solution here is communist revolution
00:45:20.480I am talking about, like, basic labor law stuff, basic environmental law stuff, some
00:45:25.180of it's moderate, some of it's radical.
00:45:26.720But in order to hurt Amazon by withholding consumption from them, considering where their profits are actually coming from, we would need an unthinkable number of people to stop using Amazon altogether. And even then, I'm not totally convinced it would really make a difference. I am not advocating for the like, well, it's all equal, who cares, buy whatever you want. I'm not saying that.
00:45:49.860I mean, I think this gets into the kind of conversation where it's like, well, where do I buy something? And I think something that I learned earlier on in my life, I was a nanny for this like very crunchy family in LA. And the mother was actually incredibly good at educating me where she was like, no, we're not recycling anything. We're just not consuming anything. And the kids would have like little wax papers for their sandwiches and they would put them in their lunchbox and bring them home every day and she would wash them and use them the next day.
00:46:19.180And it was an expenditure of time, absolutely. But I think the thing that I come back to is like, I agree with you. I think it's really interesting to kind of balance out the ethics of all of this. And I think what I come down to, especially with like the recycling or the throwing away, is the single best thing you can do in your life is just consume less. It's not where you consume. It's just bring less Stanley Cubs home.
00:46:38.420Yes. I think there are still excellent reasons, moral and otherwise, to personally abstain from, like, you know, ordering stuff on Amazon. But the focus of the conversation, if meaningful change is the goal here, should not be on where consumers are buying things.
00:46:55.360it kind of comes back to this idea of who is actually defining the choices that you're able
00:47:00.160to make in the first place and you may still be thinking and just totally fair like okay katie
00:47:06.260sure but like let's get real here we need to be realistic about what we can practically achieve
00:47:11.320when it comes to labor and environmental law and consumer abstention is super practical it's like
00:47:16.860easy for the most part you know compared to these other things that you're talking about
00:47:20.960At least it's something, right? And so I was curious about how other thinkers that I respect
00:47:27.140think about this question. So Grace Blakely, the author of Ultra Capitalism, she has talked about
00:47:32.860this in the past where she basically says your identity as a consumer is not an identity that
00:47:39.040can be mobilized to resist capitalism, inherently speaking. The primary function of these so-called
00:47:46.580ethical consumer goods is that it basically alleviates the people who can afford to make
00:47:51.980them from feeling guilty about that consumption. So to continue my journey into figuring this out
00:47:57.940and how I feel about this, because like I said, I do, I feel conflicted about it.
00:48:02.560I do, because I do think that like there's still something about watching a Sheehan Hall0.85
00:48:07.700that just pisses me off, where I'm like, what are we fucking doing?0.73
00:48:11.440Do you experience that conflict in your own life or just in watching the actions of others?0.90
00:48:16.580No, guys, my consumption habits are perfect, actually. Just like I'm the only person that thinks about Taylor Swift the exact correct amount, I'm the only person who consumes goods the exact correct amount.
00:48:29.900So it's like the gamification of it online, the way that people will, like, turn consumption into sport that really bothers you?
00:48:35.560Well, it's like when it shocks the conscience, I think. You ever follow those people on TikTok who, like, I call it single-use plastic TikTok, where they, like, buy all the single-use packages and then, like, make the ASMR of, like, putting them into the containers?
00:48:49.220Oh, is this clean talk? Okay, I really liked clean talk at first, and then I did, like, a video about this because at first I thought it was really soothing, and I'm naturally not organized at all.
00:48:58.260So at first I was like, oh, my God, these people are teaching me how to be organized. And then someone commented on one of my TikToks being like, Caro, girl, no, this is like consumption talk. And I was like, oh, I didn't even realize it at first.
00:49:08.900Okay, well, to be fair, I also find it soothing because the performance of competence will always comfort me. But I do think that sometimes I'll watch those videos and watch them, you know, it's a person who lives by themselves putting like a hundred single-use, like, fruit snacks contained, and I'm like, oh my god, like, this is so, I can just, like, feel the ocean crying, you know?
00:49:30.080But I think that that rage, again, is misdirected. Again, if we're focusing it on the person who's
00:49:35.700buying the stuff, we've lost the game here. I ended up reading this piece in the Harvard Business
00:49:41.620Review, and I think this is what really cracked the case for me. It was called Ethical Consumerism
00:49:46.660Isn't Dead, It Just Needs Better Marketing. And so immediately the framing struck me as interesting,
00:49:53.620And then I noticed when it was published, it was published in January 2015.
00:50:00.100Caroline, do you remember the year that the feminist t-shirt debacle happened?0.76
00:50:23.000For example, fair trade coffee or a purchase that includes a donation to a charitable cause.
00:50:28.820Now that the general idea of combining ethics and shopping has become a mainstream concept,
00:50:33.480there is a developing backlash against the idea that consumers might affect change through their purchasing habits.
00:50:39.360This pessimistic stance stems primarily from the lower sales of ethical brands.
00:50:44.480If consumers cared about moral issues, the argument goes,
00:50:47.740then companies and brands that did the right thing would have a larger market share.
00:50:51.140It is clear people must not care about these issues, and so ethical consumerism is going to fail. We cannot shop our way to a better world. And yet, the hopelessness of ethical consumerism is echoed everywhere. In the business press, in some of my students' resistance to studying moral issues in a business framework, and in conversations I have on airplanes, at parties, and with colleagues.
00:51:13.440An often quoted 2010 Wall Street Journal article, The Case Against Corporate Social Responsibility, laid out the argument clearly.
00:51:22.540The fact is that while companies can sometimes do well by doing good, more often they can't.
00:51:27.940Because in most cases, doing what's best for society means sacrificing profits, end quote.
00:51:33.480Indeed, regulation would be a more immediate and effective solution to unethical consumerism than hoping for market change.
00:51:39.660but let's be honest widespread sustainability regulation is not coming anytime soon jesus0.93
00:51:44.720fucking christ katie and would likely have some negative consequences even if it did wow this is0.94
00:51:50.540this is low-key pretty dark this marketing professor is like look would regulation obviously0.99
00:51:56.620be the better option yeah but like be honest you don't think they're actually going to regulate
00:52:01.420anything do you i actually love the honesty and then one last piece from this article because i
00:52:05.760felt like it sort of like gave the whole bag away. In another paper, published with Christine
00:52:13.300Eric in the same journal, we showed that people who care about ethical issues such as child labor
00:52:18.400will, strangely enough, avoid finding out whether their products are made using child labor.
00:52:23.480But then if you give them the information, they will incorporate it into their purchasing.
00:52:28.000Ethical information is difficult to process, and it is common for consumers to want to remain
00:52:32.220willfully ignorant of it. I myself behave in this manner at least once a week.
00:52:37.100Okay, so at that point I was like, wait, wait, wait, wait, wait, wait, wait, wait, wait a second,
00:52:42.100what? This is an argument for the potency of ethical consumerism as the most practical way
00:52:47.660forward in the Harvard Business Review that straightforwardly admits I myself remain willfully
00:52:55.480ignorant of ethical information about the things I'm buying at least once per week?
00:53:01.380How do you think he made that conclusion of one per week?
00:53:04.620I'm like, okay, if the person who cares about this enough to write an article about it is like, yeah, you know, I myself purchase things made with child labor about 52 times a year.
00:53:13.300But like, I'm like, dude, this is what I'm hearing when I read this.
00:53:17.940Hey, regulation is too impractical, right?
00:53:21.720So what if instead we just tricked everyone into making perfect choices all the time with marketing nudges?
00:53:29.260I'm like, that's your practical solution?
00:53:32.060That's the thing that you think is going to work?
00:53:34.240It just, like, really shows we have a ways to go.
00:55:41.300Its greatest appeal is that it is binding. Government has the power to enforce regulation.
00:55:47.600No need to rely on anyone's best intentions.
00:55:51.380But government regulation isn't perfect, and it can even end up reducing public welfare because of its cost or inefficiency.
00:55:57.680The government also may lack the resources and competence to design and administer appropriate regulations, particularly for complex industries requiring much specialized knowledge.
00:56:06.800If the government lacks the resources to deal with an industry, that feels like a bigger problem, but okay.
00:56:11.280And industry groups might find ways to influence regulation to the point where it is ineffective or even ends up benefiting the industry at the expense of the general population.
00:56:19.960Outright corruption can make the situation even worse.
00:56:22.700What's more, all the problems of government failure are exacerbated in developing countries with weak and often corrupt governments.
00:56:29.040Still, with all their faults, governments are a far more effective protector of the public good than any campaign for corporate social responsibility.
00:56:36.720I just had this moment that I was staring at these two arguments side by side on my screen.
00:56:43.660One that on its surface sounds very Milton Friedman apologia about how like, well, shareholders and profits are the highest good.
00:56:52.620That is always going to be what corporations are going to pursue.1.00
00:56:55.580Expecting them to not be shitty is naive and dumb.0.99
00:56:58.540And the other one being a little loftier, a little more woke, being like, no, no, no, people don't show up ethically.0.99
00:57:04.120You just have to market the stuff better.
00:57:06.060You just need to make it easier for people to consume responsibly. And I'm sitting there and I'm like, wow, even though you can tell they're very skeptical of government, they do not have like a Pollyanna perspective of the government's ability to fix things. They're like, yeah, it can be corrupt. Yeah, sometimes they don't have the expertise. Like, all that considered, still better than like trying to manipulate corporations and consumers into just, well, you should behave better. You should just choose better.
00:57:33.160Well, I also I do think that there's a little bit of the what you have talked about in recent episodes about the conservative framing kind of like defining this conversation, because the assumption inherent in all of this is that like consumption will continue and people will and want to buy things. And that is not like a given. People don't aren't born wanting things. Someone isn't born wanting like a pair of like acrylic sweatpants from Aloe. You are conditioned to want things.
00:58:00.380And so any sort of, like, leftist argument about this, I think, would start way past regulation or whatever and be like, well, why do we buy things? We buy things because we're advertised to and because we're conditioned to and because it allows us to signal things to one another and, frankly, also because a lot of us are lonely and because we no longer get dopamine hits from other elements.
00:58:19.340Like, there are all these different ways in which consumerism and the rise of it has been mapped to a thousand other things taking place with humanity.
00:58:25.980And so I think even starting with the assumption that consumerism is a constant in human society, I think, gives away a lot of the bag.
00:59:06.100It feels to me like there is a difference between buying a product that has exploitation in its supply chain somewhere
00:59:13.380and accepting payment to use your personal reputational capital to promote or endorse
00:59:19.760that thing. So this kind of comes back to your original question at the outset of this episode,
00:59:24.760which is, are these things the same or are they different? But I wanted to interrogate that a
00:59:30.800little bit because I was suspicious that my feelings about it weren't inconsistent. I was
00:59:35.000much more willing to focus on the system, on the consumption side of the coin and on the
00:59:40.140selling outside of the coin. I was like, well, no, now that's agency. Now that's you just being
00:59:44.100shitty. So when I began digging into the history of selling out, the first place I visited was the0.97
00:59:50.4401990s. Have you ever seen this before? Can you describe for me what you're looking at?
01:00:00.500Yeah, I feel like I have seen that before, but I don't really have much
01:00:03.020thought about it. But I feel like I've seen this. It's a Rolling Stone cover of Nirvana.
01:00:07.020Yes. Okay. So this was 1992 cover of Nirvana. And can you read what Kurt Cobain's t-shirt says?
01:00:17.300RIP. Bless up. He's wearing a white t-shirt underneath the cardigan and the white t-shirt
01:00:22.060says corporate magazines still suck, which is edgy because he's on the cover of a corporate magazine.0.57
01:00:27.880That's right. Okay. So there is a book by Chuck Klosterman called The 90s. And he told Vulture something that jumped out at me. He said, quote,0.85
01:00:40.680It feels as though the 1990s weren't just the last decade of the 20th century, but sort of the last decade, period. The last decade with a fully formed and recognizable culture of its own.
01:00:57.180And in this interview, he is describing what selling out used to mean.
01:01:03.160The idea of selling out was something that had existed in the 80s, but the idea was almost that the obvious way to think, if you were an entertainer or an artist, was to try to be successful.
01:01:13.100The 90s was kind of a confusing time to want things or have aspirations or any desire to succeed.
01:01:18.740Like Reality Bites, the whole movie is about the problem of selling out.
01:01:22.700There was never a time when people were like, I want to be poor.
01:01:26.120They just sort of wanted to be rich with the trappings of someone who never wanted to be rich.
01:01:30.220But there's a limit to how long that could happen.
01:02:19.460People would say things like, if that guy hates fame so much, why doesn't he just stop?
01:02:23.960We did not fully believe that Kurt Cobain was actually unhappy.
01:02:27.480And then when he killed himself, it made that music suddenly weirdly true.
01:02:31.620He was presenting ideas in a culture where irony was the central understanding of all messages.
01:02:36.000And he seems to have had no ironic distance at all.
01:02:39.380It actually was incredibly sad and depressing to him that people he didn't like loved his music.
01:02:44.620It legitimately bothered him that, say, homophobes liked his music.
01:02:48.960It bothered him in a way that for other artists, it would have been seen almost as branding.
01:02:53.500This idea of sellout culture, it did not start in the 1990s.
01:02:57.060The 1990s is just sort of when it peaked.
01:02:59.620A 2017 piece in Slate reflected on sellout culture's quote-unquote recent fall from favor and outlined the history of the idea.
01:03:08.800A sellout was a slur that rose to prominence in the 1950s and early 1960s, and it meant a betrayal or a con.
01:03:17.920And the author of the slate piece, I really liked this. They said, it's a specifically American idea because it befits a country young enough to retain a faith in its own ideals. I was like, oh, that hits.
01:03:33.040But it was particularly bothersome to people when rock bands would cozy up to corporate sponsors, because rockers were seen as being inextricable from this idea of telling truth to power. They were counterculture, and nothing is more culture than, like, commercial interests.
01:03:50.460I would argue that journalists and comedians both fit this same idealistic view as truth-tellers, whose ability to entertain you or inform you, like, fully depends on them retaining a reputation as somewhat uncorrupted in that way.
01:04:06.080What's sort of funny about this idea is that if you go back far enough, artists have always needed patrons of some kind.
01:04:14.880Somebody has always been paying the people that make art.
01:04:19.400So I'm going to have you read this from this slate piece.
01:04:22.060The once explosive accusation of calling someone a sellout, aimed at artists who make accommodations with commercial industry, has come to seem obsolete and a little naive.
01:04:32.420But it once had career-threatening power.
01:04:35.320Anxiety over the interplay of art and commerce is evergreen.
01:06:16.080Yeah. So the idea, though, took on like this populist and kind of leftist tone in the early
01:06:21.9801900s, quote, as progressives fought against the growing influence of money and industry in
01:06:28.700government. And then in the 1930s, it took on a more specifically anti-corporate usage. I've read
01:06:34.920somewhere that Black jazz musicians would be criticized if they added non-Black musicians
01:06:39.840to their bands, because the idea was like, oh, you're only doing that to make your sound more
01:06:44.000palatable or slick for commercial reasons. You are prioritizing commercial success over artistic
01:06:50.160integrity to form, basically. So just one more blurb from Slate.
01:06:57.620Musicians for the next few decades found themselves in the paradoxical role of having to self-consciously manage perceptions of their authenticity.
01:07:05.420The Who's 1967 The Who Sellout, with its ironic faux endorsements and jingles, may be the first example of a backlash from the performers themselves.
01:07:13.900It was a perfect confluence of the mainstreaming of both incendiary leftist political language and the mass production of countercultural musical merchandise.
01:07:22.880Class identification remained a crucial undercurrent.
01:07:25.800In 1968, the jazz musician David Amram said,
01:07:29.320defensively, my erudition didn't make me a sellout.
01:07:32.100I mean, it really gives new context to the way you and I list our sponsors at the beginning of each episode.
01:07:38.000It's like backlash. It's like our The Who backlash.
01:07:41.740Yeah, like it's our album of like performing how not about it we are.
01:07:45.440Like, meanwhile, my newsletter is like brought to you by this actual sponsor who's paying for this newsletter.
01:07:50.720It's a self-consciously managing perceptions of your authenticity and how that actually gets absorbed into the commercialization itself.
01:08:01.240To sell out could mean anything from doing a commercial for Buick or just signing with a major label.
01:08:10.680Nirvana's version of selling out was just signing to a major label, which like today seems so quaint by comparison.
01:08:18.400Cobain gave a quote to Rolling Stone about understanding why his 17-year-old punk rock
01:08:22.640fan would be pissed and think he was a sellout, but that as the kid grew up, he'd probably come
01:08:27.400to understand that, quote, there's more to life than living out your punk rock values as purely
01:08:32.100as possible. The concept of selling out has disappeared in some sense from our collective
01:08:36.940values in the 21st century, except recent events have made me wonder if maybe the pendulum is
01:08:43.200starting to swing again, which is like kind of why we're here. So I talked to Emily Topping,
01:08:48.560who is a writer for Current Affairs. She's an associate editor for Current Affairs.
01:08:53.680After I found two articles that she had written recently, both about selling out and the Riyadh
01:08:59.260Comedy Festival, which I'll link in the episode notes on Substack. But she pointed out that A-list
01:09:05.840stars used to have to travel to Japan to film ads in secret because it was so shameful to do so at
01:09:14.720home. It was just tacky. That feels very far away now. And there are a lot of theories about what
01:09:22.260sort of seeded this shift, but I'd say there are two major ones that came up a lot. The Dawn of
01:09:30.020Napster and the dawn of MTV. Most people's like historical accounts of how things changed were
01:09:37.580pointing to these two things in order to explain why our attitudes about selling out, we were a
01:09:43.440lot more comfortable with it. Can you please read this 1989 headline from the New York Times for me?
01:09:52.420The Media Business, How MTV Has Rocked Television Commercials.
01:09:56.960MTV's impact, first and foremost, is as a teacher, said Philip B. Dozenberry, chairman and chief executive of BBDO New York, the ad agency for Pepsi-Cola and Apple Computer. It has educated people, particularly young people, to accept lots of information in a short period of time. Interesting.
01:10:15.580it. Yeah, so basically like the theory is that the proximity of the ads with the music and then
01:10:22.480eventually the music in the ads quote-unquote educated young viewers about the closeness of
01:10:29.780this relationship and encouraged them to accept it. Then you have Napster in 1999, which allowed
01:10:36.540people to share music files with one another for free, which was obviously then followed by the
01:10:41.000streaming era, which totally just changed the business model for music entirely. And so as it
01:10:47.160became clearer that it was harder to make money on your music, alternate streams of revenue were
01:10:53.000then pursued. So if you will read from Slate again. Post-Napster, the music world's self-righteousness
01:11:01.660dried up along with its giant pools of money, and the patronage model was revived in the forms of
01:11:07.320commercial licensing and Kickstarter. Stravinsky, for one, would have approved. Let me say once and
01:11:13.080for all, he wrote in 1966, that I have never regarded poverty as attractive, that I do not
01:11:18.700wish to be buried in the rain unattended, as Mozart was, that the very image of Bartok's
01:11:23.640poverty-stricken demise, to mention only one of my less fortunate colleagues, was enough to fire
01:11:28.920my ambition to earn every penny that my art would enable me to extract from the society that had
01:11:33.700failed in its duty towards Bartok as it had earlier failed with Mozart. On that, both artists
01:11:39.860and labor organizers could surely agree. That reminds me of a very famous in the writing world
01:11:45.140New York Times op-ed that a writer named Jessica Knoll wrote about this. Can I share it with you?
01:11:49.960Oh yeah, please do. So this was written in 2018 and Jessica Knoll wrote a novel called
01:11:56.880Luckiest Girl Alive. It was like gangbusters viral. It has since been turned into a movie
01:12:01.720with Mila Kunis. And she has also written, she's written three books total, but her most recent one,
01:12:07.120Bright Young Women, was a really, I thought, clever reimagining of like the Ted Bundy serial
01:12:11.860killing from the perspective of the women and basically like turn this whole idea of serial0.67
01:12:16.820killers being ingenious men into like, no, they weren't ingenious. There was just an entire system
01:12:21.380that wanted men to look smart. And it was just a series of failures by police. I really admire her
01:12:26.520as a writer. And I thought this third novel of hers really, really kicked her up into another
01:12:30.460level. But anyways, she wrote this New York Times op-ed, and the title was I Want to Be Rich and
01:12:35.560I'm Not Sorry, and I just want to read a section of it for you. Success for me is synonymous with
01:12:41.120making money. I want to write books, but I really want to sell books. I want advances that make my
01:12:46.720husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights,
01:12:52.360and I want the screenwriting comp to boot. To accomplish this, I spent months researching the
01:12:57.560publishing marketplace before sitting down to write my first book. I pushed to be the one to
01:13:01.740adapt it for the studio. Now I'm working towards producing, directing, or running my own show.
01:13:06.800TV is where the money is. I don't think that's true any longer about the time it was. And to be
01:13:10.560perfectly blunt about it, I want to be rich. Rich is still a man's world. The Geena Davis Institute
01:13:16.280on Gender and Media, which is devoted to increasing female representation on screen,
01:13:20.560has a motto that may explain why. If she can see it, she can be it. Until recently,
01:13:25.400much of the content we consumed was by and for men. If the women movie makers created cared0.98
01:13:30.620about money, they showed it by scheming to marry rich, rakish antiheroes. If she can see it,1.00
01:13:35.920she can be it. I want to be it for little girls whose parents aren't saving for their educations,
01:13:40.560whose friends make fun of them for wanting too much from their lives. I want to make the kind
01:13:44.740of money that allows me to jet to Mexico on a Tuesday, to meaningful contribute to nasty
01:13:49.080politicians, to afford a shark of a lawyer if any man ever lays a finger on me again,1.00
01:13:53.960she famously wrote about her own sexual assault. If anyone calls that obnoxious, I want to do what0.86
01:13:58.200men do and shrug. This was a huge op-ed for writers. People argued about it for days and0.80
01:14:05.720days and days because as a writer— When was it published? 2018. Oh, okay. You cannot talk about
01:14:11.360wanting to make money. If you talk about being a writer and wanting to make money, you are
01:14:15.120immediately kind of sidelined as like not a serious thinker or writer. And people talk about
01:14:20.580this op-ed all the time so it feels like a really interesting echo from the one you just made me
01:14:24.060read it does sort of remind me of like the ethos though at the time that maybe wasn't common in the
01:14:29.720writing world but was common in the business world which is like if individual woman gets rich then
01:14:35.960progressive benefit to all gender and like i almost there's a part of me that wishes
01:14:41.160she would have just left it at i just want to be rich because i want to go to mexico on a tuesday
01:14:46.720and not made it about like, so other little girls can see that it's like, isn't it about those
01:14:53.000little girls or do you just want to be rich? That tension though, between like what you desire for
01:14:58.480your life and your values and how you hold that tension, we're going to get into that because I
01:15:05.000think that that's one of the most interesting dynamics that's at play here. The last thing that
01:15:10.320I wanted to show you from my deep dive into sellout culture more broadly is this piece that I found
01:15:18.220that was written by a guy named W. David Marks, The Age of the Double Sellout. And he wrote about
01:15:25.760how skepticism or suspicion of commerce transitioned into something more of like a defensive resignation
01:15:32.220to it as like a necessary evil, but that people would still have their limits with it. So I'm
01:15:39.360going to have you read a couple passages from that piece. At this point, the new ideal for an
01:15:44.760artistic career is what I would call the single sellout. The artist was allowed to make a few
01:15:49.700commercial compromises to gain attention in the increasingly competitive marketplace,
01:15:54.040but once they achieved fame and fortune, they were expected to use their vaulted platform to
01:15:58.240provide the world with meaningful and groundbreaking art. Ooh, this is interesting.
01:16:01.840This actually did happen. The Neptunes leveraged their strong track record of pop hits to push
01:16:06.820legitimately bizarre minimalist tracks like Clips's Grindin' and Snoop Dogg's Drop It Like
01:16:11.420It's Hot. Beyonce's formation was musically adventurous and the video is now considered
01:16:16.180the best of all time. The writer basically argues that like you were allowed to produce
01:16:21.340market-friendly slop to achieve fame but then if you didn't take bigger swings then with that fame
01:16:28.140that like that was shameful. I don't know if you and I talked about this but Addison Rae talked
01:16:32.840about this in her New York Times pop interview. She basically was like, yeah, I was a poor girl
01:16:38.480in Louisiana. I was like the blandest version of myself on TikTok because that was what was going
01:16:44.200to get me out of there. And so she basically was very blunt about it and was like, of course I
01:16:48.300didn't show you my obscure preferences in music. Of course I didn't show you all of the niche
01:16:53.280aspects of my personality. That was not going to get me a big enough TikTok account to get to LA.
01:16:58.160And so she essentially showed the specific commercialized packaged version of herself that would succeed on TikTok, which is like a commodified, bland white woman doing reusable TikTok dances. She has since launched, I think, a very interesting pop star career. I really like her album. And my hot take is that her album is what Life of a Showgirl wanted to be, but that's for another time.0.99
01:17:22.260We promised we wouldn't talk about Life of a Showgirl again.
01:18:40.920I think that, like, anyone who has ideas or is an artist or wants to make movies or wants to write books or wants to educate, I don't know a single person who is in that field and who doesn't want to reach as many people as possible.
01:18:55.120And I personally don't know a single person who has actively rejected the opportunity to reach a wider audience.
01:19:04.020And so I think like the stepping stone I think that Addison Rae talked about so eloquently was like it's not the first step I don't personally think is selling out. I think it's getting into the game of like doing what you want to do and being able to whether it is whether you want to be a politician or whether you want like Mom Donnie. Mom Donnie making all these compromises this summer in order to secure his mayoral nomination.
01:19:25.420Someone might call that selling out, but I think he's done a very good job of being like,
01:19:42.060I agree with what this guy is saying here.
01:19:43.800I actually would go a step further and be like, the first sellout, what Beyonce did
01:19:47.860in Destiny's Child, that's not selling out, that's getting your foot in the door.
01:19:52.040And once your foot is in the door, then you get to be in the room.
01:19:54.440And then you get to make decisions. But if you never get into the room, nothing actually matters to begin with.
01:19:59.800I do think that part of the reason I clocked this and wanted to include it was because it did remind me a little bit of the debate that we got into in our Taylor Swift album review where it was kind of like, you are the room. You're not just in the room, you are the room. So like, do something interesting with that.
01:20:17.800And my argument only holds water if there is an implicit assumption that once you get into the room, you are going to say what you want to say, you are going to paint what you want to paint, and you're not just going to be a profit maxing. So yeah, inherently, it's like, it's almost like I'm defensive of selling out, but I'm also holding the idea of the sell it to the higher standard, which is like, if that's your goal, and if you really are trying to, then you actually do have to hold yourself to a really high standard. So we're both.
01:20:42.660Well, that is the spirit of the episode, which is point-counterpoint. So if you will please read this final bit from this article.
01:20:51.940If we want different outcomes, we can change the norms, which conveniently cost no money.
01:20:56.800If we want culture to be culture and not just advertorials for a sprawling network of micro-QVCs pumping out low-quality goods, an easy step would be to reshift the norms towards, at least, don't be a double sellout.
01:21:08.440This is already a quite generous compromise in that it blesses artists to be conventional to stabilize their income and try to win over large fanbases. But this esteem must be given on the promise that the money and fame are used in pursuit of artistic or creative innovation. Yes. Double sellouts don't deserve our esteem as creative people. They should be content with the reward they chose. The money extracted from fans who snap up their mediocre commodities out of Paris social loyalty.
01:21:34.440loyalty. I just thought that that piece about esteem really jumped out at me, like the difference
01:21:42.380between reputational capital and actual capital. And the more I thought about it in the context of
01:21:47.460music, I think there is, again, point counterpoint, going to complicate things a little bit.
01:21:52.820There is an interesting paradox at play here where it is absolutely true that the compensation model
01:21:59.820on a platform like Spotify or Apple Music
01:22:02.060has completely obliterated the financial model
01:22:04.300for most musicians who used to make money
01:22:49.880So allegedly they actually bundle revenue by plan type
01:22:54.260and then they distribute around 70% of that money
01:22:58.600as royalties according to your share of total streams on the platform. So one reporter I found
01:23:06.640who did the math found out that Taylor Swift probably received around 1.3% of all royalty
01:23:12.140payments that were paid by Spotify, again, because it is a share of the total. There is this really,
01:23:18.540really strong power distribution where the most streamed artists are making the most money,
01:23:23.240and those also happen to be the artists that are going to get the deals with Pepsi and Capital One
01:23:27.020and whatever. And like the money that you're sending those small artists is fractions of
01:23:31.860fractions of cents. Yeah. I think you just get into this weird thing where like the conditions
01:23:37.620that made selling out most understandable don't even end up applying to the people who sell out
01:23:47.280the hardest. On the one hand, it felt very just to me that we're calling this what it is. But then
01:23:54.520on the other hand, it also felt pretty reminiscent of the whole like plastic isn't garbage, it's
01:23:59.020litter thing. Yeah. Zadie Smith talked about this in an interview with Ezra Klein. It was a while
01:24:04.140ago, but she was saying how like when you think about the way that younger generations use
01:24:09.600language online as a weapon, I think you and I have talked about this. It's like it's easy to
01:24:14.000make fun of that or infantilize them and be like, well, what's the point? You're just complaining
01:24:17.840online. But these are generations who have grown up knowing that language is the only weapon they
01:24:22.000have. Like they've grown up in a world where there just really isn't much of an impact with
01:24:25.900their vote. They don't really see much of a changing world. And so complaining online is
01:24:30.220a way to sort of maintain power and to, you know, grab that power. And so whether it's an end goal
01:24:36.300or not, I do think it's a little different than the trash thing because it's like a way of sort
01:24:40.780of creating a small amount of currency online. If you comment on someone's, you know, post and
01:24:45.660complain about them, then you get some likes and then you have a moment of being like, I matter.
01:24:49.680And like, oh, maybe we'll get them to take the post down or maybe they'll cancel the whatever. But even if they don't, you have a moment where like your voice almost has, quote unquote, equal weight to theirs. And also like no one cares more about this conversation about being a sellout than the artist who is being accused of being a sellout. There is a reason why a lot of famous people now limit their comments, don't allow like because it actually does bother them.
01:25:12.880How do you feel that way so confidently?
01:25:14.600First and foremost, like following so many musicians and actresses and like you see that like Taylor Swift has responded to this before. Taylor Swift has made full fucking albums. Taylor Swift wrote mean about a critic who made fun of her singing voice at the Grammys. Taylor Swift is an example. Selena Gomez is an example, I think. And I would go into the writing, but I don't want to name writing names. But like no one is more defensive of their art and the legitimacy of their art than the artist.0.99
01:25:41.200I do think that that is important that like we might think someone commenting on like a famous person's Instagram post and writing something that gets 18 likes on it, like who gives a shit? But you never know that the artist doesn't give a shit. Like think of Kurt Cobain being so sensitive to which type of people liked his music. A lot of artists are deeply within their own demographics and very aware of how people are talking about them and how people are engaging with their work and often to a detrimental degree. It's like the inherent narcissism of being an artist or a communicator.0.99
01:26:10.560I think this conversation about esteem matters, how much value people put on it. Kara, what do you know about the Riyadh Comedy Festival?
01:26:17.720Oh, my God. I actually learned about this through Marc Maron. He kind of called out these comedians who were going to, I guess they were going to Saudi Arabia for this comedy festival. Was it put on by the Saudi Arabian royal family?
01:26:29.240It was. It is time to talk about our treasured economic partner, Saudi Arabia.
01:26:33.600we are gonna watch this video from actor and comedian zach woods guys it's that special time
01:26:42.240of year it's the riad comedy festival and all of your favorite comedians are performing at the
01:26:48.460pleasure of turkey i'll shake and he is the head of the entertainment authority over there and he
01:26:54.780has so many people thrown in prison because they tweeted stuff he didn't like about the soccer team
01:26:58.660or whatever, that there's a wing of a prison
01:27:01.900nicknamed after him where they hang people
01:28:39.160I saw a comment on this that was like, yeah, this is all true.
01:28:43.120But also, this is what artists are always doing for the U.S.
01:28:46.560like actors are constantly like doing movies about the military industrial complex or just
01:28:52.100performing at the Super Bowl normalizing the NFL and I think I'm curious what you think about this
01:28:57.140even with publishing where like Sally Rooney refused and a lot of I mean Lorde a lot of
01:29:02.660artists have refused to allow their work to be distributed in Israel but they can't do that with
01:29:08.200North America even though North America is as imperialist and violent so what do you think
01:29:12.340about that. I think this is a case of two things can be bad at the same time. I asked the Marxist
01:29:17.140professor what he thought about this. And he basically was like, yeah, I mean, if you want to
01:29:21.120be mad at Bill Burr, go ahead. But like, would you be mad if they were doing this for the British
01:29:26.380government? He was like, Riyadh is blood money for sure, but the British government is like
01:29:31.340centuries of blood money. So these things are more similar than they are different. So yeah,
01:29:36.440I absolutely think that that's true. With this Riyadh Comedy Festival, just to give some like
01:29:40.680background on what's really happening here. This was part of a public relations effort by the Saudi
01:29:45.740regime called Vision 2030. And the goal was to, like, make the regime look cool, fun, normal,
01:29:51.240and not murderous. So the Saudi royal family paid for this festival. So to be clear, this wasn't a
01:29:56.660comedy festival that was just, like, happening in Saudi Arabia for its citizens. This, to me,
01:30:01.400was sort of the perfect example of this broader point of, like, the people who need the money
01:30:06.160least seem to be the ones most willing to like take a check for anything. And so I guess that
01:30:11.140there's there is a question of like, well, maybe that's how they got so much money in the first
01:30:15.580place. Kevin Hart, for example, Kevin Hart did this festival. He's worth almost half a billion
01:30:21.420dollars. Yeah. And so I'm kind of like, did you really need an extra million? Like and so I guess
01:30:28.020it just brings me back to this point of it can't be about the money after a certain point. It just
01:30:34.120wouldn't make sense for it to only be about the money. I completely agree. I don't think it's
01:30:38.660about the money. I think it's about the reputational clout. And I was actually thinking
01:30:42.960about like a lot of the comedians who are going. I think that a lot of famous people, especially
01:30:47.720who are in the middle of their careers, are really unnerved by how nothing matters anymore.
01:30:54.320Like actors have talked about this a lot, like the weirdness of being like in your mid-40s and
01:30:59.160like getting in just in time for the golden age of Hollywood or for a time when people cared about
01:31:03.900movies and then working really hard on a film with a bunch of other Oscar-nominated actors,
01:31:08.700and it doesn't even make a dent in the cultural consciousness. And I think it's a really weird
01:31:13.120shift. And I think that the same is true for a lot of singers and comedians. And I think about
01:31:17.760Louis C.K. and Kevin Hart and Pete Davidson and all these people who my best guess,
01:31:24.860if I were to put myself in their shoes, would be that you are trying to grab at relevance far more
01:31:29.840than you are at money and if you can no longer maintain relevance in North America you have a
01:31:35.920new demographic and it's like maybe I can get relevance in Saudi Arabia or maybe in doing so0.52
01:31:40.840these people I mean God knows Saudi Arabia is in bed with the U.S. in every way possible yeah for
01:31:45.480all we know the Saudi Arabia has been like yeah and then we'll also fund a tour for you in the U.S.
01:31:49.360and we will make sure that the seats are filled or we have it in with Netflix and we're going to
01:31:54.100turn the Riyadh Comedy Festival into a whitewashed documentary about comedians on Netflix and so I
01:31:59.240think that it's more about that. And I think a lot of these famous people are constantly trying
01:32:03.060to calculate how to maintain attention capture more than they are about trying to maintain money.
01:32:08.560Okay. I'm glad you said that because I think this idea of nothing
01:32:11.160mattering and basically the idea that actions no longer have consequences, positive or negative,
01:32:18.040we're going to come back to that. There was only really one major comedian that I saw that turned
01:32:22.360it down. Shane Gillis, I guess, was offered. He called it a significant bag. Some reports say,
01:32:29.240he was offered more than a million dollars to do one show and then when he said no they allegedly
01:32:34.660doubled the offer he turned it down again right he called it a principled stand and then he followed
01:32:42.160it up with you don't 9-11 your friends and I was like that's that's about the most Shane Gillis
01:32:49.660way of handling that that I can imagine he should do a Netflix special on the Riyadh Comedy Festival0.91
01:32:54.880that would be like the cool fucking artist thing to do even the fact that he's talking about this0.82
01:32:59.360on his paid podcast i'm like he's gonna turn it into content he's gonna make money on this0.96
01:33:03.960right but i also think that like that's how politics work that's how politicians
01:33:07.540operate yeah if you're gonna be an artist with a principled stance then like yeah yeah i actually
01:33:12.380think you owe it to a certain extent to people to not just say no but to communicate it and to
01:33:18.180have it i mean sally rooney is the ultimate example of how she weaves this constantly through
01:33:22.320she has it in her novels, her frustration with Gaza, and then she decides to donate her proceeds
01:33:28.060to Palestine for Action. And then she writes an op-ed about it. Like, it's not, I don't think
01:33:32.260it's like not cool or it's like selling out to shout about how you're not selling out. I think
01:33:37.840that's actually very much part of the game and I respect it. So, okay, I think we're saying the
01:33:41.920same thing. Cool. My point is when you don't sell out in the context of the Shane Gillis
01:33:47.960turning down the Riyadh comedy festival the long game that he could very well be playing here could0.97
01:33:53.020actually be more financially beneficial totally than like somebody that goes and gets shit for it0.98
01:33:59.960and then you know somebody goes oh bill burt like well fuck bill i'm not a fan of his anymore i'm not0.93
01:34:04.400gonna stream his whatever and like they share they can't share their clips on social they're0.97
01:34:07.960gonna get annihilated i actually don't know to the point of whether there are consequences or not
01:34:13.520I don't know how much the short or long game here is really going to impact anybody or how quickly it's just going to not matter. But I do think that there is a case to be made for, like, when you don't sell out, that actually can become marketable, too.
01:34:27.900Keep in mind, too, throughout this whole conversation is that comedians and artists are famously mentally ill and self-obsessed. So you're, like, posing these ethical dilemmas for people who, like—
01:34:39.240So listen to us, two mentally ill, self-obsessed women.0.99
01:34:44.080Famously mentally ill and self-obsessed.1.00
01:34:46.440And hold no hypocritical opinions.0.98
01:34:49.440My beliefs and my actions always aligned.
01:34:55.060Okay, that brings us to the Gia Airbnb discourse.
01:34:59.300Do you want to give us just a quick explainer of what happened here and then what the backlash was?
01:35:05.960Yes. So Gia Tolentino is like a household name for Katie and I, but I should describe her to other people who have, I don't know, lives and kids. Gia Tolentino is a writer for The New Yorker. She's also a screenwriter. She wrote the essay collection Trick Mirror, which was a huge deal when it came out in 2018.
01:35:22.100she is beloved for her writing, but she is also just beloved as a writer. Like, I think that she
01:35:26.940holds a very singular place right now in the zeitgeisty universe. And she has written at
01:35:34.400length about anti-capitalist beliefs. And in particular, in Trick Mirror, she wrote a lot
01:35:39.280about the nightmare of living inside a world that is constantly trying to basically like
01:35:44.180turn your brand and turn your personality and turn your identity into something commodifiable.
01:35:49.200She's also been very outspoken about Gaza. So last week or two weeks ago, she shared a post
01:35:56.120online where she said that she was breaking her RIDGID, in all caps, ban on SponCon to announce
01:36:02.140that she was doing a collaboration with Airbnb Experience. And it was going to be with McNally
01:36:06.420Jackson, which is a beloved independent bookstore in New York where a select number of people
01:36:11.040throughout November would basically get to walk up to her and say, I would love for you to like
01:36:14.920customize a bundle of books for me and people were very upset about this number one because
01:36:20.380she is known as a writer who is I think whose brand of writing is like inextricably connected
01:36:25.840to her strong ethical beliefs that she communicates through her writing and also in particular because
01:36:31.980the post that was right next to this one was a video in which she shared that she was going to
01:36:36.980be doing like a one-day fast as a way to spiritually atone for the horrors of Gaza and so I think a lot
01:36:43.440of people were looking at these two posts and being like, this is, you know, this is not a line
01:36:47.420or these are very, very contradictory claims. And so then a whole conversation was kicked off about
01:36:53.160who deserves to get their bag? What type of bag should you be getting? Does Gia Tolentino need
01:36:57.560the money? How much do we really know about her finances? What does it say that she's doing this?0.85
01:37:01.640And then a few days ago, she deleted the post. That was remarkably comprehensive. I really
01:37:06.700appreciate that. She has also written critically about Airbnb in the past. She has given the Gia
01:37:13.300essay treatment to the housing crisis as it pertains to Airbnb and how they are essentially
01:37:18.520monetizing a very bad situation and making it worse. This entire discussion felt insanely
01:37:26.460emblematic to me of the conversation that we've just been having for the last two hours. It kind
01:37:30.900of mirrors these themes that we've been talking about, which basically splits the response into
01:37:35.280two camps. One was of the mind that Tolentino is one of the most lauded millennial writers alive
01:37:41.600and could easily command a six or seven figure book advance just to write something. So like to
01:37:47.600debase herself by partnering with a company like Airbnb is totally unthinkable and like doesn't
01:37:52.220make any sense. Then the other half, I would summarize as people who basically take the
01:37:56.960don't hate the player, hate the game stance, just because she is a talented cultural critic who has
01:38:02.960written disparagingly in the past about Airbnb and believes in anti-capitalism doesn't mean that
01:38:09.020she is exempted from the pressures of capitalism.0.99
01:38:12.220She still needs to earn a living wage like anyone else.1.00
01:38:14.780Have you ever been offered like a branding deal, SpawnCon?0.99
01:38:33.820Not since I've become somebody with a platform, no.
01:38:37.460Back in the day, when I was a fitness instructor in Dallas, there would be like brands that would give me product to post about for free. Like, oh, here, we'll give you discounts on this food if you share about it. But I had like 4,000 followers at that point. I have not been offered money to post ads on my personal Instagram.
01:38:58.700Can I share the five brands that I would sell out for currently?
01:39:01.240I would love that. Who are your brands you would sell out for? Just warning everybody,
01:39:06.420these are the brands that Carrow would sell out for if a check came knocking.
01:39:10.180No, even without a check, I think I would probably do it. Okay. So number one is Loewe,
01:39:17.340which I used to think was spelled low, but they're just like my favorite designer and I love them.
01:39:21.260Celine. I would love a Celine campaign within my 40s.
01:45:19.500And I think that it becomes really difficult when you become that kind of archetype for other people
01:45:26.320because it becomes really hard to have any type of frank conversation about what's happening
01:45:30.600because everyone is projecting their own insecurities onto you and being like,
01:45:34.560well, what would I do if I were to achieve what I believe she has achieved without any real
01:45:39.900knowledge of her situation? And in that sense, I do think it's very similar to Taylor Swift,
01:45:44.100because again, that conversation about Taylor Swift in Palestine is much less about
01:45:48.000how much money she's given or what she's done, because we will actually never know that. It's
01:45:51.780about like wanting to believe that your feelings about someone are true and then therefore wanting
01:45:56.360to believe that your feelings about yourself are true. Yeah. So how do we deal with all of that?
01:46:04.600How do we make decisions in this context? And ironically, reflecting on this question actually
01:46:11.400reminded me of the core critique in that infamous Lauren Euler review of Trick Mirror. Lauren
01:46:18.240Lauren Euler's review of Trick Mirror, I think, planted a seed years ago that has only finally
01:46:25.120germinated for me in this conversation that we are having right now. So can you give us a quick
01:46:29.580little background on Lauren Euler? Who is she? Why did this become such a notorious cultural touch0.82
01:46:35.380point for a certain niche of weird nerds? Yeah, so Lauren Euler is another literary cool girl,0.99
01:46:41.220so I think that's why people cared so much when she wrote this review of Gia Tolentino's Trick
01:46:44.780Mirror. So, like I said, Trick Mirror was released to immense fanfare. It was critically received. It
01:46:49.800won several awards. And beyond that, it was commercially celebrated. Like, again, I think
01:46:53.560it cemented Gia as being, like, very much a voice of her generation. And she was largely subject to
01:46:59.240only positive reviews. And so Lauren Euler has made her name as, like, a very, very sharp critic
01:47:04.560who wrote scathing takedowns of Trick Mirror and also of Roxane Gay's Bad Feminist. And she0.99
01:47:11.520basically was the person who said the thing, quote unquote, said the thing that no one else
01:47:15.580was willing to say. And I will also say to Gia's credit, she handled it perfectly and was like,
01:47:20.520basically directed people to it and was like, I've been subject to a lot of
01:47:23.380attention and here's a review and go at it. I guess I would summarize by saying Tolentino
01:47:29.320is a very talented writer. Euler is a very talented critic. And the end result was magnetic.
01:47:36.360the result was incredible it's really exciting to me when like when people do it when they touch
01:47:43.500the live wire when something i love actually does get criticized and i can sit there and be like
01:47:50.120i agree with these criticisms i still love the original work but actually you've helped me see
01:47:56.280it in a new way the core nugget of oiler's review actually felt pretty prescient given the events of
01:48:04.120the last couple of weeks, which I think is basically, what does it mean when awareness
01:48:08.460of a problem is being treated as, like, absolution from participating or, like, contributing to the
01:48:15.020problem? And so I'm going to have you read kind of a long excerpt from that piece, and we're
01:48:20.960going to talk about it. This reminds me, there's a great Bo Burnham quote where it's like,
01:48:24.760self-awareness does not absolve you of anything. We'll get into it. Here you go.
01:48:28.800That you can, as we say on the internet, just not, occurs to Tolentino as a theoretical
01:48:33.740option but not an actual one. In Always Be Optimizing, one of the essays in the collection,
01:48:39.580Tolentino uses the fad for expensive custom salad chains and boutique pure bar exercise classes to0.99
01:48:44.900show how women are, quote, genuinely trapped at the intersection of capitalism and patriarchy,0.99
01:48:49.640two systems that, at their extremes, ensure that individual success comes at the expense of
01:48:54.360collective morality. Another quote, I think the full essay, which is twice as long and probably
01:48:59.340twice as nuanced, gets more clearly at the fact that, of course, this is all optional, of course,
01:49:03.620of course, she tweeted in reply to criticism of an abridged version. That's part of the reason
01:49:08.660it's so confounding as it takes hold, end quote. The excerpt had been published because of what
01:49:13.060Tolentino elsewhere called, quote, the soul-crushing, if also very fortunate, machine of book promotion.
01:49:18.480And the full essay exhibits a similar dismissal of the likelihood of individual agency when the
01:49:23.120individual is tempted with social and financial capital, which she correctly identifies as the
01:49:27.640same thing. I agree up to a point, but that point is far away from the examples she chooses.
01:49:33.580Concerning, quote, the endlessly proliferating applications of the idea that women's bodies should increase their market performance over time, the essay describes, quote, the psychological parasite of the ideal woman, who can be, quote, whatever she wants to be as long as she manages to act upon the belief that perfecting herself and streamlining her relationship to the world can be both a matter of good work and of pleasure, of lifestyle.
01:49:54.660I like trying to look good, Tolentino writes, but it's hard to say how much you can genuinely
01:50:00.300independently like what amounts to a mandate, end quote. Parentheses. I get the sense that
01:50:05.400she must feel overwhelming pity for ugly women if she has ever met one. Yeah, Gia Tolentino is hot1.00
01:50:09.940for anyone listening. Tolentino's elective self-confinement is supposed to make her seem1.00
01:50:13.960like a martyr, but what she sells is not herself. It's a shoddy mode of thinking that says everything0.92
01:50:18.760a person does carries a heavy moral burden but also remains a matter of quote survival rather
01:50:23.600than a demonstration of priorities and desires. Okay. It was that little last bit that everything
01:50:30.100a person does carries a heavy moral burden but also remains a matter of survival rather than
01:50:37.220a demonstration of priorities and desires is, I think, the central tension of why our current0.93
01:50:45.100cultural attitudes about these things, like selling out and consumption, feel so fucking
01:50:50.460unsatisfying because we are aware of the problems. We are aware of the seriousness of what is0.58
01:50:56.100happening. And yet we don't seem to have a meaningful theory of how to fix any of it.
01:51:00.900And so our solutions are often individual and insignificant. On one hand, there is a tendency
01:51:06.080then or a temptation to minimize our agency. And on the other hand, to quote Tolentino in the essay
01:51:12.000in question, always be optimizing, quote, resistance to a system is almost always presented
01:51:39.420that she feels attracted to, obviously.
01:51:42.000It's the same way that I feel so strongly
01:51:43.740about beauty culture as a destructive force in our lives,
01:51:46.200and I still put makeup on before important video calls.
01:51:49.540I was also listening to an earlier episode of Diabolical Lies, not because I'm narcissistic,
01:51:53.420but because I'm doing like a QA before Yesteryear comes out to make sure
01:51:56.740any slurs didn't pass by unnoticed. I was listening to one of our earlier episodes where
01:52:02.640you talked about this, that like the more proximity you have to a certain type of standard,
01:52:08.000sometimes the more like obsessed with it you can be versus someone who simply opts out.
01:52:11.940And I think that Gia is similar to you and I, where it's like we are very embedded in the systems that we are constantly thinking about. And sometimes I personally have to take a beat or am forced to take a beat and remember and be like, oh, some people actually do not go to a pure bar. Some people actually do not feel the moral burden of dealing with it.
01:52:29.540And I'm saying this, like, again, as someone who goes to pure bar, but I think that that kind of gets into Lauren Euler's critique, which is like, no, some people actually do make the decisions not to participate in this.
01:52:38.480They don't escape from capitalism, but they also do not feel as coggy and machiney as some of us do feel.
01:52:45.460And that's like the inherent, I guess, grind of like actually still caring about those systems to a certain degree.
01:52:51.420Mm-hmm. Well, and I was telling you, Caro, that I often feel a lot of this internal conflict
01:52:56.560about what amounts to an attraction to or my comfort with my girlbossitis.
01:53:03.680I think part of the reason Tolentino's writing and that essay in particular are so popular is
01:53:09.320because I think a lot of people, and maybe not just women, whether they realize it or not,
01:53:13.960also feel that tension where you recognize that something is bad, bad for the world,
01:53:19.580also probably bad for you and yet there's something about it that like keeps pulling you back in the
01:53:27.500rewards the rewards of being a part of it you do feel good when you leave a pure bar class you do
01:53:31.600feel hotter if you do it for 30 days i'm not convinced that you or i or maybe even gia hates
01:53:36.540it as much as we claim we do i think we hate the idea of it and the systems behind it but i think
01:53:40.300the experience is actually quite addicting so airbnb experience of this being successful in
01:53:45.360this system i guess just to close that section out yeah victoria's secret call me i have been
01:53:50.400lifting weights i will look so good in your next show as the hot smart girl
01:53:55.320she reads books in her underwear take up her glasses she's actually hot yeah yeah yeah like1.00
01:54:03.780the the the hassan piker gq spread like i want to i want the hassan piker treatment where they're
01:54:09.180like putting him in the bathtub and being like look how hot this progressive is i'm like yeah
01:54:17.080So there was a quote that in my digging I stumbled upon that Gia gave in the press surrounding the publication of Trick Mirror to The Guardian in a 2019 article called The Journalist as Influencer, How We Sell Ourselves on Social Media that I want you to read.
01:54:35.160A good amount of my book is about how capitalism, the internet, the monetized self are all destructive to our functioning as real humans.
01:54:42.680Yet, the better I express those ideas, the better I become a marketable object myself,
01:54:47.820she explained. I've spent a lot of time while promoting Trick Mirror, wondering if the work
01:54:52.280that brings me the most meaning in life, writing, will always necessarily bring me deeper into the
01:54:56.640clutches of the things that I hate, capitalism, and a way of being in which external incentives
01:55:01.420seem more important than internal ones. This is going back to what I was saying earlier, which is
01:55:06.000people will use terms for what they like to do, which is writing or making movies or talking about
01:55:12.400finance or anything in between, but there is always an asterisk that no one wants to acknowledge,
01:55:16.740which is to as many people as possible. Because what she's talking about does not have to be
01:55:21.280connected to capitalism, but of course it is because she wants to be read by as many people
01:55:25.360as possible. I do too. That is why I am working with the publishers I'm working with. That's why
01:55:31.220I sold my film rights. It's because I don't want to be read. I don't want to be a writer.
01:55:35.560I want to be a writer who is read by as many people as possible. I'm not claiming that she
01:55:39.900intentionally left it out. But I think that is the space. That's the tether between writing
01:55:44.420and capitalism. It's, no, I actually do want to make money. It's the Jessica Knoll. It's,
01:55:48.380no, I do want to be rich. I do want as many people as possible to buy my book.
01:55:51.980But I think it's hard to communicate that without basically stepping out of the values that you are
01:55:56.740trying to square yourself within. Because I don't think that those values are not real.
01:56:03.160It's not that I think that people don't earnestly hold those values as far as not wanting to be
01:56:09.800a sellout or believing that something about the system is wrong and should change. I think that
01:56:14.200people genuinely do believe that. I'm interested in the ways in which we can continue to like and
01:56:19.460do things that would appear on the surface to live in contradiction with those values.
01:56:25.600I think, too, something that I'm thinking about right now is like, in the name of like,
01:56:29.220oh, well, everyone lives under capitalism. I think that implies a sort of momentum that people
01:56:33.620all kind of fall victim to, which is like, yeah, it is easier to consume. It is easier to do these
01:56:38.380things. But I think the important thing to note in this conversation is that anyone who is a
01:56:42.480musician or a podcaster or a writer or a director, you have to be so nakedly ambitious to succeed in
01:56:50.460these industries. Every single day, all of the momentum is taking you in the opposite direction
01:56:55.260to not continue to do what you want to do. To become a staff writer at The New Yorker or to
01:56:59.360sell a book that allows you to write more books or to run a financial platform or to
01:57:05.400write and direct your own movie that appears in Cannes, that is so hard. It is so competitive.
01:57:11.340And you have to make decisions constantly that set you up for financial viability. And so you
01:57:16.800are always opting in. And I think the game is that part of opting in is that most people have
01:57:21.760to also pretend or feel they have to pretend that that is not a part of it and that there is like a
01:57:26.600sort of purity at play. And I think that that is part of the performance of being an artist in the
01:57:31.460same way that politicians get into the game and go, I never thought I'd be president or like,
01:57:36.000I'm just, I'm just in it to change people's lives. I just want to help people. I never thought that
01:57:40.180I would be in this position. And it's like, dude, you've been positioning yourself for three
01:57:43.160decades. What are we talking about? But it's part of the contract because people don't actually like
01:57:47.100when you are honest. I should add that like Jessica Knowles op-ed was not received well
01:57:51.680by writers. People don't like being honest about what's taking place here, even if they're also a
01:57:57.500part of it. And I think that those are just like the point-counterpoint rough waters of trying to
01:58:01.660be heard, is that you have to be unbelievably cutthroat and frank about what it means. And
01:58:07.840then you have to kind of like sweep up the path behind you and pretend that it was effortless.
01:58:13.100Interesting. Okay, so I told you at the beginning, I don't have any
01:58:16.700grand sweeping conclusions. I don't have any prescriptions for you.