Dreaming Against the Machine - July 21, 2026


Episode 15: Hopeful Science Fiction, with Becky Chambers

Topics
Episode 14: Psychological Warfare, with Annalee Newitz Episode 16: What is Elon Musk? With Quinn Slobodian and Ben Tarnoff

Episode Stats


Length

50 minutes

Words per minute

166.87

Word count

8,498

Sentence count

443

Harmful content

Toxicity

2

sentences flagged

Hate speech

1

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 Welcome back to Dreaming Against the Machine. I'm your host, Adam Becker. This week's guest
00:00:07.580 is science fiction author Becky Chambers. And she is one of my favorite science fiction authors
00:00:13.080 who's working today. And the reason is just that her work is so warm and so welcoming.
00:00:20.340 A friend of mine introduced me to her first book, The Long Way to a Small Angry Planet,
00:00:24.940 right after the 2016 election, when I was very unhappy, as I imagine most of you were as well,
00:00:32.320 listeners. And I knew when I started this podcast that she was one of my dream guests,
00:00:39.020 and I feel so fortunate that I was able to have one of my favorite authors on the show.
00:00:44.680 So without any further ado, here's Becky Chambers.
00:00:47.920 becky welcome to dreaming against the machine thank you so much i'm excited to be here it's
00:00:57.460 great to have you here you are one of the people who i have wanted to have on this podcast since
00:01:01.720 i came up with the idea um you know not to you know put you on the spot or make you feel
00:01:06.280 self-conscious in any way uh no i i've been a fan of your books for quite some time and um
00:01:13.480 And it's just a delight to actually be able to talk to you. And this is one of the nice things about having a podcast is you get an excuse to call up writers who you like and say, hey, can I talk to you on my podcast person? I don't know whose work I like. So I have several other friends, some of whom are writers who are quite envious that I'm actually having a conversation with you right now.
00:01:36.360 Oh, well, I hope I live up to expectations then. I'll do my best.
00:01:41.800 Don't worry about it. I'm a giant goof. Don't worry about it. 0.94
00:01:46.360 Oh, good. That makes two of us.
00:01:47.840 Yeah, good. Perfect. Yeah. But I should actually introduce you for people who don't know who you
00:01:53.260 are, for our listeners. Becky is a science fiction author of renown and acclaim. The author of
00:02:04.580 The Long Way to a Small Angry Planet and many other books, the Monk and Robot series and
00:02:12.400 To Be Taught If Fortunate and the rest of the Wayfarer series of books that are sequels of
00:02:18.820 sorts to The Long Way to a Small Angry Planet. And the reason I had you in mind as a guest for
00:02:24.640 this podcast from the beginning is that your books are very warm and hopeful.
00:02:31.100 on purpose. Yes. Yes. It's very clear that it's on purpose in a good way. And that is
00:02:38.240 one of the things that this podcast is about. I could have created a podcast that was just about
00:02:44.860 the horrible tech people that I wrote about in my last book. But instead, I wanted to have a
00:02:50.480 podcast that felt more hopeful and was actually about, you know, thinking through what a good
00:02:56.620 future would look like. And that's in a sense what you do for a living. Um, so Becky, what does a
00:03:05.860 good future look like? How do we, how do we fix everything? Uh, how do we fix it? Oh, good. I mean,
00:03:10.520 I think I can solve that in five minutes. No problem. Here's the thing about sort of a roadmap
00:03:16.800 to a better future, right? I don't believe there is a single solution. Yes. Good. No, this is the
00:03:23.020 best possible answer fantastic because that thinking is what gets us into these problems
00:03:29.160 this idea that there is one solution or worse there is one guy who's gonna fix the whole thing
00:03:36.060 and that's that's how we end up with the aforementioned horrible tech peoples it's like
00:03:41.500 oh this guy he's brilliant he's gonna fix everything no he's not yeah he's absolutely
00:03:47.040 not. The answer comes in lots of different solutions applied where appropriate, in the
00:03:55.480 places that they are appropriate, solutions that are defined by the people affected by those
00:04:01.580 decisions. There are myriad answers to this question, and none of them are perfect. I think
00:04:07.140 that's the other thing to remember is that the work never stops, right? We all want there to be
00:04:12.140 um uh an easy fix or like a permanent fix right and here we all are in our uh our solar-powered
00:04:21.440 utopia and like it all just works now and we don't have to do anything else that would be fabulous
00:04:26.400 uh it's not going to happen because that's not how anything works the the way to so the way to
00:04:35.640 fix the future i say is if i have any idea what i'm talking about uh is to understand that our
00:04:40.540 future is a work in progress constantly. And that it may not be a future that you yourself see,
00:04:48.000 right? That it may be a future that you're helping to build for someone else, that it will look
00:04:52.640 different for someone else, that there will be problems with it. And so I think the first step
00:04:57.120 is just admitting this is complicated. This is imperfect. It is temporary. We are going to make
00:05:03.120 mistakes, but we're going to do our best anyway. That's, I think, really the only place to start.
00:05:09.420 Okay, well, that's the podcast.
00:05:11.420 That's it, cool.
00:05:12.200 It's been great having you on Dreaming Against the Machine.
00:05:13.840 Have a great rest of your day.
00:05:15.200 Have a great day, yeah.
00:05:20.120 I do want to go back to something that you said
00:05:23.740 when I was introducing you.
00:05:26.460 You said that your books are intentionally warm and hopeful.
00:05:32.800 I would love to hear more about how you do that
00:05:36.700 and why you made the choice to do that.
00:05:38.740 I think that when telling stories about the future, which is in essence what science fiction is, we're telling stories about worlds that could be, even if they are actually impossible in our real world.
00:05:53.440 We're talking, you know, it's all one big what if.
00:05:55.800 Yeah.
00:05:56.240 Right?
00:05:56.860 What if this?
00:05:57.840 What if that?
00:05:58.300 What if we tweak this one thing?
00:05:59.700 How would that change what our reality looks like?
00:06:02.080 um you mentioned uh earlier the the the big bad tech guys that you write about right and um the
00:06:11.320 thing of it is that is the reality we live in yeah we live in a reality where especially right now
00:06:16.120 this was true at the start of my career and it has unfortunately can you continue to be
00:06:19.940 the real world way that we talk about the future is scary uh it's scary it's upsetting it's enraging
00:06:27.820 It's something that the vast majority of us have zero power over, right?
00:06:32.980 And so there is a pervasive sense of anger, exhaustion, and hopelessness when we have
00:06:41.860 conversations about the future.
00:06:43.480 It's something a lot of people despair over, right?
00:06:46.420 Science fiction is always a reflection of reality, even when we are playing really fast
00:06:53.060 and loose with the laws of physics or what's possible, it still is a reflection of the time
00:06:59.380 we're living in. We're artists and we can't help but be in this symbiotic relationship with the
00:07:06.240 time and culture that we're in. When I first started writing fiction, well, writing fiction
00:07:12.060 that I was putting out there, I've been writing stories my whole life. But when I first started
00:07:15.560 to get serious about this, I noticed that there was this imbalance, or at least I perceived an
00:07:22.200 imbalance in the kinds of futures we were telling stories about in that they were often very
00:07:27.960 grimdark, dystopian, gritty, unpleasant places to imagine yourself in. They were often about
00:07:35.600 the immediate struggle. You know, this is the collapse of the society. These are the people
00:07:40.120 trying to live within that. And, you know, you might get some glimmers of hope in there, but
00:07:44.460 often it was pretty dark. And I do think those kinds of stories are important. I really strongly
00:07:51.480 believe that. And I enjoy those stories too. They are our way of facing our fears and finding
00:07:58.640 catharsis in sharing, hey, I find this story, you know, I as a writer find this story scary. Do you
00:08:04.240 also find this scary? That there is a sense of community that you can build in that we're all
00:08:09.780 in this boat together, right? But I also felt that we weren't seeing a ton of futures that felt
00:08:18.220 like something to point your compass toward. I don't mean like, again, going back to this idea
00:08:23.820 of, and everything just works and we're all happy now, but more an idea of this is a future I
00:08:29.140 actually want to be a part of. This is a future I could see myself in. This is a future I feel
00:08:34.380 comfortable in. This feels like something that would make the struggle worth it. And so I tend
00:08:42.540 to be very interested in writing stories that take place well after the collapse or after
00:08:48.680 everything falls apart. You know, what is it that we've rebuilt? What's happening there? What are
00:08:55.440 the problems that still exist there? But really, like, what was it that made, you know, the long,
00:09:02.520 hard slog of generations past? What made that worth it? I see that as not the only ingredient
00:09:12.500 that should be in our storytelling ecosystem,
00:09:15.820 but a necessary one.
00:09:18.960 I do see it as something that is in conversation
00:09:22.100 with the scary futures, with the darker futures.
00:09:25.680 I feel like the niche I like to occupy
00:09:28.260 is balancing that out.
00:09:30.320 Why are those futures so often for you set in space?
00:09:34.840 Oh, that's a great question.
00:09:36.160 Space is what affected my whole worldview.
00:09:39.420 When I was in my tweens,
00:09:42.000 Now, granted, I grew up in a family very involved in space science. So it's weird to say that like my tweens is when I got into it. But really, like space was just kind of what my family did. Like my my dad was an aerospace engineer. My mom was an astrobiology educator. And I so I grew up in that and it was always just around. But I was really my tweens when I sort of fell in love with it on my own terms.
00:10:08.680 There was just this whole convergence of things that happened in my life then. Things like, you know, we got the National Geographic issue with the Hubble photographs. And I remember lying on my terrible carpet in my childhood bedroom, pouring through those pictures and thinking they were just the most beautiful thing I'd ever seen.
00:10:28.380 The movie Contact came out, and that was my introduction to Carl Sagan. And I just vacuumed up all of his writing. I was enormously into Star Trek as a kid. Movie First Contact came out during that time as well.
00:10:46.600 You were just hitting all of the stuff from my own childhood. This is incredible.
00:10:51.420 Right? You know, I mean, it was understanding that cosmic perspective, understanding the simultaneous beauty and insignificance of human existence, understanding things like the overview effect.
00:11:09.560 You know, how when astronauts go out to space, they often have these very profound transformative moments of looking back at Earth and coming home and being like, I need to help.
00:11:20.660 I need to, you know, they go into public service, they go into humanitarian sectors, you know, like there is something that happens to you out there.
00:11:30.420 And that understanding is what makes me want to help, makes me want to, you know, follow the campsite rule and try to leave the world, you know, just a smidge better than it was when I stepped into it.
00:11:51.220 um, you know, and I'm just one person writing books. I don't have like a, a super, um, inflated
00:11:59.000 sense of my own self-importance here. I'm just one book on the shelf, you know, but like,
00:12:03.320 that is what drives my work. And so it, it just, that's just the sandbox I love to play in. It's
00:12:13.720 the sandbox I always loved to play in as a kid. I loved, um, stories about spaceships. I loved
00:12:19.220 imagining myself in a spaceship. Um, and that hasn't changed. I mean, maybe that'll change
00:12:24.740 down the road, but, uh, for now that's, that's where my imagination lives. I love this. And not
00:12:31.080 just because, uh, you know, you're, you're basically describing my own childhood in lots
00:12:36.280 of ways, huge Star Trek fan, a huge Carl Sagan fan, uh, just vacuumed up everything I could find
00:12:43.600 of both of those, both Sagan and Star Trek
00:12:48.000 and any sort of space-based science fiction
00:12:50.900 that I could find.
00:12:53.340 And then went off and did a PhD in cosmology.
00:12:56.680 So this is all very familiar for me.
00:12:59.940 I'm going to push you a little bit though.
00:13:02.060 And I want to be clear.
00:13:03.080 This is like, I don't want this to be me
00:13:05.680 asking the questions and you answer the questions.
00:13:08.720 This is a conversation.
00:13:09.700 have you found some people maybe take it too literally you know that the future has to be
00:13:17.420 in space I think you know what I'm getting at I know exactly what you're getting at I know exactly
00:13:22.620 what you're getting at um yeah I think there are a lot of people who take it too literally
00:13:26.900 and I think there are a lot of people who clearly have read books that they didn't understand and I
00:13:34.040 don't mean that in a gatekeepy way I don't mean that in a literary snob sort of way
00:13:39.340 The point of these stories – well, let me back that up because there are definitely stories that fall into the category I'm about to describe.
00:13:50.060 If you think that humans should be in space for reasons of manifest destiny, you have missed the point entirely.
00:14:00.380 And yes, there have been plenty of works of classic science fiction that push that narrative, and we are all working within that tradition.
00:14:08.080 And there is a lot of conversation, both, you know, just sort of, you know, over the coffee table conversation and also the conversation that is happening in our work in contemporary science fiction about that legacy and how we grapple with that legacy.
00:14:24.980 Because we are dealing with a lot of ideas that are rooted in a very military, colonialist sort of future.
00:14:34.760 and i know that's not what a lot of us want you know that's not how you and i came here when we
00:14:40.940 were reading space stories as a kid that's not what we were picking up out of it no um and so
00:14:46.060 it is a complicated legacy and it's one we have to deal with and that's true in the real world
00:14:50.180 of human spaceflight as well we like to talk about it as though it's this um it's always been
00:14:56.520 this uh unifying like uh humanistic endeavor it was born out of the cold war like let's be
00:15:04.280 extremely clear about this and it is still um funded largely uh for reasons of political
00:15:13.160 posturing um and and now nowadays also out of um resource extraction and market domination like
00:15:20.480 these are not things that this is not a space program that i want to be on board with right
00:15:27.480 Like if you said, would you like to ride on this specific rocket ship?
00:15:31.120 Absolutely not.
00:15:33.160 I, I believe in space exploration for reasons of exploration.
00:15:39.180 It's right there in the world.
00:15:40.520 I want to go out there and find out what's there.
00:15:42.840 I don't want to go out there and plant a flag.
00:15:45.900 Right.
00:15:46.020 You want to seek out new life and new civilizations.
00:15:48.840 And new civilizations as respectfully as possible, right?
00:15:52.060 Like again, the campsite rule, leave it better than you found it.
00:15:55.160 Um, so yes, I, I think a lot about how science fiction is contributing to that conversation, how science fiction is contributing to, you know, the public idea about what space exploration is for, right? Like, why are we going out there? Who does this belong to?
00:16:13.960 I think there has been a dominant narrative that has been in effect for a really long time that is counter to or sort of cancels out these ideas of let's do this for all of humanity.
00:16:30.420 Let's do this, you know, just for the pure love of the game, right?
00:16:35.180 I think we really need to shift on how it is that we're thinking about space, both in fiction and in real life.
00:16:44.200 Because really, I mean, that's two sides of the same coin.
00:16:48.060 Obviously, I'm hideously biased, but I think that you might enjoy reading my most recent book, More Everything Forever.
00:16:56.380 But we can talk more about that offline.
00:16:58.240 And I don't need this podcast to be me plugging my book to you.
00:17:02.600 I mean, what else is the point of having your own podcast if not to plug your own book?
00:17:07.800 Oh, well, but I assume that most of my, if not all of my listeners already know that I have a book called More Everything Forever available wherever fine books are sold.
00:17:18.940 Coming out in paperback, I don't know, end of the year.
00:17:23.640 But please get it in hardcover.
00:17:25.120 And then also paperback.
00:17:28.240 No, I, I mean, this is something that I struggle with both as a writer and as a, I don't know what the right word is for this.
00:17:44.300 I'm just going to go with junkie, sci-fi junkie.
00:17:48.720 Like, cause I almost wanted to say consumer, but I hate that.
00:17:52.320 Oh yeah, that's gross.
00:17:53.340 Yeah, exactly. 0.53
00:17:53.960 It's super gross.
00:17:54.680 So someone who reads and has always read just copious quantities of science fiction, on the one hand, I want stories about space. On the other hand, I don't think that the future of humanity lies in space.
00:18:11.600 And I think that the sort of this idea of the future inevitably being in space is doing a lot of damage right now, like in the political arena of the world in ways that I am trying to fight and everyone I know and love who is working with me on this is also trying to fight this stuff.
00:18:35.760 And like the, I don't know when this episode is going to come out, but there was the, I was on vacation last week and while I was on vacation, very rude, the SpaceX IPO happened and just absolute nonsense.
00:18:48.960 It's like finding out that someone that you hate has the same favorite movie as you and that they got, but, but then that like they, they got something completely different.
00:19:02.720 Yeah. They just didn't get it. Like, oh my God. Okay. No, I'm going to, I'm going to dunk on
00:19:07.860 someone here. Did you ever, it's not going to be the usual suspect. Do you remember a few years
00:19:14.860 back there was this media outfit called Aussie media? No, I don't remember this. No, that's good.
00:19:21.140 That's good. You don't remember it because it didn't, it wasn't something that most people
00:19:25.200 looked at. It made a big splash within the world of journalism though, by claiming that it had a
00:19:30.540 really huge readership. It did not. What ultimately happened was, uh, it was discovered
00:19:36.080 that they were engaging in a large amount of fraud, not just, you know, pumping up their, um,
00:19:40.540 their readership numbers artificially, but also like impersonating partners, like having calls
00:19:47.700 with investors where they were impersonating executives at companies that they were supposedly
00:19:51.780 partnering with, but they weren't. Um, yeah, I know. And ultimately, yeah, exactly. And ultimately
00:19:58.100 like the head of this company um got convicted of some kind of corporate fraud um and uh and then
00:20:06.040 of course his sentence was i believe commuted by trump um because you know trump loves it when
00:20:11.200 people do a fraud but um but the name of this media outfit ozzy ozy why there was an interview
00:20:21.300 with this guy carlos watson who was the head of of ozzy media the one who who you know got uh
00:20:28.020 convicted and then his sentence was commuted or he
00:20:30.060 was pardoned. I don't remember which.
00:20:33.520 Before all
00:20:34.180 that went down, when people still thought it was
00:20:36.160 like this hot new media commodity,
00:20:38.180 someone did an
00:20:40.100 interview with him asking him, hey, so why is
00:20:42.080 it called Ozzy? And he said, oh,
00:20:43.940 it's called Ozzy after my favorite
00:20:46.040 poem, Ozymandias.
00:20:47.940 Oh my God. Which, you know, I think
00:20:50.160 the message of Ozymandias is
00:20:51.800 to dream big.
00:20:54.920 Nope. Yeah.
00:20:55.880 and it's like okay yeah i don't want to gatekeep but that is not the message of ozzy man are you
00:21:02.140 kidding me i one of my uh one of my closest friends is a tolkien scholar and she is currently
00:21:10.420 perpetually frothing at the mouth over palantir yeah because like you could it the the irony is
00:21:18.800 so devastating, right? It just hurts. On the one hand, yes, you can interpret a story or a poem
00:21:27.500 however you want. The interpretation of that is going to change with the reader. That's part of
00:21:33.920 it. That's part of it. The story is molded to whatever it is you personally bring to the table.
00:21:38.040 But there is also a point at which you have failed the English test. You have failed this
00:21:44.680 assignment this high school level assignment of like what was the author saying here not what you
00:21:49.220 what do you want it to be saying yeah but what was this person saying um it's yeah it's a very
00:21:57.000 frustrating time in a lot of ways to be in science fiction this is what i wanted to talk with you
00:22:04.320 about i mean that and like okay how do we build a science fiction and a way of thinking about the
00:22:11.860 future that is more warm and welcoming and hopeful.
00:22:16.740 I think it's tricky because, um, we are dealing with, you know, the, the, the opposition here
00:22:26.140 is the richest and most powerful people on earth.
00:22:29.700 Yeah.
00:22:30.160 And that's hard.
00:22:31.920 That's hard when we're talking about, you know, the rest of us looking at this and being
00:22:36.600 like, yeah, we want to go to space, but not like this, not like this at all.
00:22:40.300 And to be clear, I don't believe in this sort of actualization thing of humans need to be in space.
00:22:53.300 That's where we're supposed to go.
00:22:55.320 No, I just think it's neat.
00:22:56.960 I think that we should be studying space however we're doing it, whether that be with robots or with people, whichever way is best.
00:23:03.120 But I think the question of why we are doing this always needs to be at the forefront.
00:23:06.860 It can't just be we should go because we should go.
00:23:09.880 that's how you break everything um so i think um it's tough right because we when i say we i'm
00:23:19.420 talking about you and me and everybody we're in community with we're talking about scientists who
00:23:23.580 are constantly scrambling for for grant money and we're talking about uh writers a famously
00:23:29.320 a stable group of people who are financially stable mentally stable uh yeah absolutely
00:23:40.100 but i mean the thing of it is it's like it's this very grubby capitalist thing right because it's
00:23:44.480 like on the one hand i don't want it to come down to who has the money and the power but that
00:23:48.620 is unfortunately what it comes down to but it doesn't mean that we are then powerless right
00:23:55.340 It's not zero sum. We have the ability to tell stories. We have the ability to still be trying to shift this narrative in our own way. We have the ability to do what's in our power to do, whether that be writing a story in which we're going about this differently, whether that be engaging in citizen science, whether that be going to a public star party, something like that.
00:24:21.620 Like, there are still things we can be doing within our own communities, within our own little, you know, our tiny little ponds to be shifting this and to be, you know, getting the word out there that, no, space actually is for everybody.
00:24:39.020 You know, it sounds trite, but it's true.
00:24:41.480 We are the universe.
00:24:43.420 It equally belongs to all of us.
00:24:45.520 Back to Carl Sagan, because everything goes back to Carl Sagan.
00:24:48.500 but this idea of the momentary masters of a fraction of a dot right yeah these people who
00:24:55.040 are not reading the books and who are you know seeing the cosmos as their own playground um
00:25:02.980 they too are temporary and they too are stardust you know um it's it's tough out there right now
00:25:10.040 and it is demoralizing i think in a lot of ways but for me at least that just makes me double down
00:25:15.280 all the harder on being like, no, it doesn't have to be like this. Um, you know, and, and I think
00:25:22.260 that's all we can do when, when facing something that seems, um, impossible or inevitable is just
00:25:31.300 to say, well, no, it doesn't have to be. You are also echoing stuff that's in more everything
00:25:36.600 forever. I have to stop saying that, but, um, well, here, here, you know, what's make you feel
00:25:42.240 better i'll plug a book too oh yeah please yes uh yes now now we're both now we can both feel a
00:25:47.580 little bit grubby about it both feel a little like uh i hate doing this yeah no literal worst
00:25:53.260 thing it's the literal actual worst it's the literal actual worst um it's why i'm very glad
00:25:59.240 to be a bit of shop talk here but it's why i personally really like being traditionally
00:26:04.440 published because somebody else handles all the publicity and all the marketing stuff that makes
00:26:08.960 me want to go bury myself in a hole exactly you know um yeah no oh um but i will i will just note
00:26:15.300 uh because it is relevant um that your your question of you know how do how do i feel about
00:26:22.320 uh the current state of space exploration what are my feelings about uh human humanity in space
00:26:29.080 uh should you perhaps happen to read my upcoming book as you wake break the shell which will be
00:26:35.440 out this October, you may notice a shift in my feelings about a human future in space.
00:26:45.380 Oh, well, now I'm even more excited to read it. I'm looking forward to it.
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00:29:23.080 I actually have some sort of shop talky things I want to talk with you about. What are the nuts
00:29:29.600 and bolts of it for you? Like, how do you actually go about building a world that feels warm and
00:29:38.620 cozy and welcoming i mean like i hear people use the term like hope punk and i never love labels
00:29:45.900 how do you feel about like are there labels that you are okay with for the particular sub genre
00:29:52.640 that you work in i'm comfortable with whatever labels people want to give my work like if they're
00:29:57.900 useful for other people that's fine from my point of view i just write science fiction yeah full
00:30:02.440 stop like i i am not um i'm not trying to hit a particular sub-genre shelf i'm just writing what
00:30:11.420 i write and however people want to shelve that that's good by me you know so nuts and bolts nuts
00:30:17.200 and bolts right largely in my work i am interested in quiet stories about ordinary people within
00:30:25.160 bigger fan more fantastical universes not universally true across everything i've written
00:30:30.820 But largely, I am writing very character-driven work that is very focused on sort of small, everyday things.
00:30:39.060 I will be the first person to tell people, if you're looking for, like, a big, crunchy planet exploding plot, I am the last person you read, right?
00:30:47.380 That's my anti-promotion here.
00:30:49.820 But it's true.
00:30:50.600 Because I am interested, because my primary driver is making the reader feel like they are at home in space, that they are at home in the universe, I want to reach the reader where they're at.
00:31:03.900 And the reader is almost certainly not going to be a big mover and shaker, not going to be someone of historical importance.
00:31:10.600 They're just going to be someone sitting in their living room.
00:31:13.340 And so I want to be like, cool, let me show you somebody sitting in their living room in space.
00:31:17.220 Let me show you what that might be like.
00:31:18.720 um i take in my in my world building and also in um the things i tend to focus on um within you
00:31:28.520 know setting setting the scene i take a lot of inspiration from real life in the questions that
00:31:34.420 people ask astronauts um if you go see an astronaut speak which i highly recommend people do
00:31:41.160 because it's a fantastic experience but people all of all ages always ask the same questions
00:31:47.100 what do you eat how do you sleep and how do you go to the bathroom these are always what people
00:31:52.660 want to know and the thing about it is those are the questions we also ask ourselves when we're
00:31:58.640 traveling yeah right where am i staying what hotel am i staying at or am i staying with a friend
00:32:03.320 what's it going to be like there where can i eat um you know just i i want a sense for the
00:32:08.420 neighborhood you want to make sure that all your creature comforts are taken care of right
00:32:11.640 um so I put a lot of focus in my work on those sorts of things on everyday things yeah there's
00:32:19.500 a lot of cool tech around but just like I don't know exactly how it is that my my smartphone works
00:32:26.840 I I kind of know how my computer works I can swap out a motherboard but I can't tell you
00:32:31.780 how like I can't tell you how this thing works but I can tell you like how to make a grilled
00:32:37.920 cheese sandwich. You know, I can tell you how to do a load of laundry. Like those are things I
00:32:42.840 actually understand because I use them every day. So that's where I put my focus. I put my focus on
00:32:48.700 how do people live? Where are you sleeping? If we're talking about different alien species,
00:32:54.480 how is that different for them? What are we eating? What does it smell like? What does it feel like?
00:32:59.220 I love doing that kind of work also because it, you know, when you're talking about food and
00:33:04.220 material trade. That's how you build the politics of a place. That's how you understand the history
00:33:09.340 of a place. That's how you understand the environment of a place. It all comes down to
00:33:12.880 what do we actually have to use? What can we actually eat? All those little details are where
00:33:21.340 I start. And yeah, that just gives me endless fuel for telling stories from there.
00:33:29.020 okay i'm gonna get like really inside baseball not just in terms of writing but also in terms
00:33:36.400 of like details of your books there is a moment in the long way to a small angry planet that i
00:33:43.500 think about a lot well i think about a bunch of different things in your books a lot um i i really
00:33:49.580 like your books there's a moment in that one though it's a conversation between two people
00:33:57.360 on the ship where most of the book takes place and they're talking about like what they're
00:34:05.220 going to do that day and it's like it's a it's a fairly mundane day on the ship and one of them
00:34:11.300 says something like well i don't want to play because like the the the book is it takes place
00:34:16.820 on a ship with multiple different species on it and humans are just one of them um and one of them
00:34:24.100 says to the other well i don't want to play one of those you know competitive human board games
00:34:29.220 let's play one of those other games from like i don't remember which one uh which species that
00:34:34.960 where like we work together to solve a problem or or you know something like that and
00:34:40.120 i think about that a lot because i i like games i like board games and so many of them are
00:34:50.240 competitive and i mean there are cooperative ones um and and they're also cooperative activities
00:34:55.640 that we don't think of as games per se like maybe jigsaw puzzles things like that but little
00:35:04.580 details like that that feel i mean i'm gonna reveal my politics here though though i don't
00:35:13.180 know you probably already know them and everybody listening definitely does if they've listened to
00:35:17.100 any other episodes of this show uh little details like that that both feel very like warm and
00:35:23.060 comfortable and also pretty explicitly anti-capitalist yeah i don't think that's a
00:35:29.620 surprise to anybody reading my books or just the way that you talk about mars as a place that was
00:35:39.040 eaten by human capitalism how did you make the decision to do things like that that's it and
00:35:46.860 have to rewind when i was writing a long way which but i mean the writing was on the wall
00:35:52.280 then right like science fiction is never meant to like predict anything that's absolutely not
00:35:57.560 um what i'm doing here it's you know it we're just we're just telling stories like that's it
00:36:03.240 we're sitting around a campfire but there is a part of me that looks at the world building in
00:36:08.140 the long way which i wrote in 2012 uh and had started working on in the aughts was when i
00:36:15.860 started thinking about that book you know this idea of all the rich people went to mars when
00:36:22.440 the earth's ecosystem started to collapse and all the people left on earth it was a huge catastrophe
00:36:30.220 for them and they had to scramble to leave earth because earth was no longer habitable by humans
00:36:37.200 and so what you end up with uh several hundred years later is this big cultural split between
00:36:43.560 between the humans who stayed in the solar system, um, largely anchored around Mars and the humans
00:36:50.640 who boarded generation ships to go elsewhere. And this is something that is explored a lot
00:36:57.300 through the whole series. Right. And this again, goes back to the thing I said at the start of,
00:37:02.800 there is no one solution for everyone. And if you have a society that is so defined by the haves
00:37:10.440 and have nots um who is your future in space really for and what does that mean for the people
00:37:17.900 you leave behind right yeah i mean that was that was a huge i that was a huge piece of how i thought
00:37:25.380 about humans in that story but also things like i'm really glad you brought up the the board games
00:37:30.420 because um uh i too love games that probably also comes across yes i love i love games um
00:37:38.420 um but um you know these ideas that um you see a lot of in in things like star trek which i love
00:37:45.940 with my whole heart yes but it's like everybody has a version of chess yes right like or everybody
00:37:51.000 has um you know these these pastimes or these social structures that are very analogous to us
00:37:58.260 everybody has marriage right like and it's like why like that's everywhere and so um i really i
00:38:05.820 I really like being contrary with the things we are told are human nature or like a universal human trait.
00:38:16.140 Oh, we're, you know, we're inherently competitive.
00:38:18.160 We're inherently warlike.
00:38:19.460 It's like, you don't even have to leave this planet to see that that is not true in the history of our species, right?
00:38:27.540 Um, and so those are the, those are the things I, I eternally love to play with is just, well, why does the game have to be competitive? Why does a culture have to have a military? Why do they have to have a religion? Like, that's my job, right? Just to pick at those things and say, well, what about this instead? Not because I have some grand agenda about it or because it's like, and the moral of the story is not, it's just saying it could be different.
00:38:54.200 Yeah.
00:38:54.640 Who's to say it's not?
00:38:55.520 I feel obliged to, to say, I like your books. And one of the things I didn't like was this idea that, oh, there's an ecological collapse on earth. So we have to go to Mars and go to generation ships. Because there's just no way. I mean, and I know that you weren't saying that that's what's going to happen.
00:39:17.600 sure but i just i was like i really love this world and i'm so tired of of people saying oh
00:39:26.980 well you know earth is doomed so let's go to mars uh you know earth is doomed so we got to get in
00:39:33.400 generation ships and like okay first of all generation ships are like a crime against future
00:39:38.460 generations and second there's nothing that could happen to earth that would make it less hospitable
00:39:45.840 than mars uh unless it was literally completely destroyed but i like your books anyway
00:39:53.780 because like because the other thing is like i love star trek i'm i'm a physicist
00:39:59.920 you know warp drive is not happening we're not going faster than the speed of light that's just
00:40:05.780 not gonna happen let me be a hundred percent clear in real life mars is not happening yeah
00:40:11.480 like there it's not like if if we manage that it would be the most miserable existence we are not
00:40:18.500 terraforming mars it would be so much easier to put our resources into sustaining habitability
00:40:25.520 on our own planet the planet that we evolved for that that is you know this is the difference right
00:40:31.180 this is where we we we jump away from science fiction and say okay what do i really think what
00:40:35.800 was it really like we're not going to mars yeah you know um this is one of those things that i
00:40:41.360 I feel is important, not for you specifically.
00:40:44.180 I know you know this.
00:40:45.440 A lot of people, when they read science fiction,
00:40:48.060 think that this is like a manifesto from the writer's point of view.
00:40:52.960 Like, ah, you must think that we should do this.
00:40:55.680 And it's like, well, no, that didn't work out well at all in the book.
00:41:00.360 That didn't work out well for anybody.
00:41:02.100 But usually it's just, this is an interesting story.
00:41:05.380 You know, what do I actually think?
00:41:07.120 I think I like Earth a lot.
00:41:09.660 And I think we should take better care of it.
00:41:11.360 Um, and however we want to go explore everything else, cool, but Mars ain't happening.
00:41:18.980 No, I'm right there with you.
00:41:20.800 Oh man, this is, this is just turning into me fanboying out and I'm just going to have
00:41:25.000 to look at that.
00:41:26.120 But this is so in, in the third book in the series, the name of which I'm blanking on
00:41:30.500 record of a space born.
00:41:32.220 That's the one.
00:41:33.360 Yeah.
00:41:34.200 You do a nice job of talking about these sorts of generation ships as these closed ecological
00:41:40.860 systems. And then somewhere toward the end of the book, or maybe it was in the acknowledgements,
00:41:46.920 I don't remember, you know, you, you point out, well, you know, this is a closed system too here
00:41:52.940 on earth. And, and, you know, these, these systems, our activities throw them out of whack
00:41:59.160 the same way that the characters in that book end up having to deal with that happening
00:42:03.860 on their ships it was interesting to see such an ecological focus in an entirely artificial
00:42:15.140 ecology in the book i i think that i think this is obvious from that book that i think
00:42:20.400 generation ships are a fantastic metaphor for our planet um you know it's that it's that that
00:42:27.340 classic Buckminster Fuller idea of spaceship Earth, right? I think it would be, I think part
00:42:34.460 of our problem in a global sense is that it is so hard for us to understand the scale of things
00:42:44.100 and the interconnected nature of things. And that's just a limitation of our biology. Honestly,
00:42:50.800 we're just animals. We're probably not smart enough to be able to grasp everything the way
00:42:57.720 we want to. And I think it would, in a lot of ways, be easier to have the sort of focus that
00:43:05.780 the people in that fictional culture do on resource management and on understanding that
00:43:13.640 they do not have any more stuff coming from anywhere else. They're floating around in space.
00:43:19.080 They do not get more metal. They do not get more water. Like this is what they have and they have to be able to reuse it. That is also true for us. We're just dealing with it on a scale that isn't as tangible. It's so abstract for us. You know, you can understand that extractive methods of producing construction materials or, you know, the raw metals we need for the technology we're using to speak right now.
00:43:49.080 you can understand to a point that like, oh, this is finite. We can't just pull this out of
00:43:56.620 the ground forever. We will run out. That's very different than looking in your pantry and
00:44:01.880 understanding I don't have any more food. So that sort of shift in scale for me was a fun place to
00:44:11.320 play in because it meant that I could, as you said, play around with those ecological ideas,
00:44:17.100 but in a way that felt more instinctively easier to grasp.
00:44:23.700 Have you read Aurora by Kim Stanley Robinson?
00:44:28.140 It is on my shelf, and I have so many books.
00:44:32.020 Oh, well.
00:44:32.380 I have so many books.
00:44:34.980 There are so many.
00:44:36.480 Do you have any idea?
00:44:37.540 This camera shot that I'm in right now,
00:44:40.120 that I'm in for most of my podcasts,
00:44:41.380 is just about the only camera shot in my entire place
00:44:44.440 where there wouldn't be books in the background.
00:44:46.380 God, I mean, listeners can't see this, but you can see this stack of books behind me right now. Those are just mine. Those aren't even as anybody else's.
00:44:55.700 I've got the same problem. There's so many. Well, the reason I bring up Aurora, though, and also Stan is a lovely guy. We've had him on the podcast. He's wonderful.
00:45:06.940 But that book does such a nice job, I think, of articulating in the context of science fiction, like, exactly why generationships are such a – the word that keeps coming to mind for me is crime.
00:45:22.680 Mm-hmm. It is.
00:45:23.760 And I'm going to spoil a scene at the end of the book. There's a moment where someone who has unexpectedly returned from a generation ship journey to Earth is at a public event with advocates of generation ships. And, you know, this person is saying, no, no, no, no, no, no, don't send more of these.
00:45:45.960 and one of the advocates throws out
00:45:48.480 that old line that goes back to the
00:45:50.280 rocketry pioneer Tsiolkovsky
00:45:52.200 Earth is the cradle of humanity
00:45:54.180 but you can't stay in the cradle forever
00:45:55.840 Yeah, and in response
00:45:58.500 that character who
00:45:59.880 went through quite a bit and almost
00:46:02.540 died and all sorts of stuff and saw a lot of
00:46:04.420 their friends and family die
00:46:06.260 has to be restrained from
00:46:08.120 attacking this guy
00:46:09.720 Yeah, rightly so
00:46:11.640 because it's such an arrogant thing
00:46:14.080 and I mean this goes back to Manifest Destiny
00:46:15.760 This idea of, well, we must leave, and it's some sort of sign of maturity, sign of a successful civilization or whatever. It's like, what if a successful civilization is just one that is able to live on a planet without destroying it? I don't know. I think that would count as a success in my book.
00:46:36.900 Yeah. No, I think that's exactly right. While we're on the subject of Generationships, though, I have to plug one of the lesser known works by, and maybe you've read this one, my favorite sci-fi author, probably full stop, is Ursula Le Guin, and I talk about her a lot on here.
00:46:56.400 Yeah, yeah, exactly. And she, as far as I know, only ever wrote about Generationships once. It's a novella in her collection, The Birthday of the World. Do you know this one?
00:47:08.780 Yes, yes, I do. Yes.
00:47:10.960 Okay, so you're the only other person I've ever met who has read it.
00:47:15.460 I love Le Guin. Le Guin is also, you know, going back to, like, Carl Sagan, Star Trek, all of that is why I loved space.
00:47:24.080 Ursula Le Guin is why I wanted to write science fiction, like full stop.
00:47:27.820 She's the one who made me realize what you could do with science fiction, that it didn't
00:47:35.380 just have to be robots and lasers as much as I love, I genuinely wholeheartedly love
00:47:41.540 robots and lasers, but she was doing something else.
00:47:44.960 And listeners who haven't read Birthday of the World, it's a fantastic collection of
00:47:51.060 short stories.
00:47:51.680 I recommend it enormously.
00:47:54.080 It's so good.
00:47:54.940 No, there's so many good ones in there.
00:47:56.260 I mean, that one also has The Matter of Segri,
00:47:58.660 which is one of my favorite things ever written, actually.
00:48:03.280 I mean, but also that Generationship story is, it's a lot.
00:48:07.480 It's incredible.
00:48:09.240 It's devastating.
00:48:10.360 It's occasionally hilarious.
00:48:12.660 It's quite remarkable.
00:48:15.000 I'm so glad that you've read it.
00:48:15.940 She never pulls any punches.
00:48:18.320 No, she does not, does she?
00:48:20.280 Yeah.
00:48:20.820 There's never been one like her, right?
00:48:22.420 But she's also wonderful to go back and reread, especially because reading her in my teens, there was a lot of it that I didn't quite get yet.
00:48:35.660 Or at least I got in a way that was appropriate for me at the time, but then going back 10, 20 years later, it's like, oh.
00:48:43.220 Yep.
00:48:43.440 I knew about her for years, but I didn't really start reading her in earnest until I was in college. And then, you know, went back and reread some of these things years later and found, oh, I get a lot more out of the dispossessed when I'm in my, you know, say 30s than I did when I was 19.
00:49:01.540 Yeah.
00:49:02.200 And yeah, some of that is that the world is in a different state as well. But mostly it's me.
00:49:09.060 Yeah.
00:49:09.500 Oh, it's been such a delight talking with you. I think we do have to wrap up. And I can't think
00:49:15.580 of a better place to leave it than everybody should read The Birthday of the World and also
00:49:19.640 Everything Else by Le Guin. Look, we've done it. We've plugged somebody else's book.
00:49:23.860 Hell yeah. Hell yeah. And that's the beginning of wisdom. It's the way you break out of the
00:49:32.280 cycle of samsara, which I'm pretty sure- Exactly. We have broken out of the cycle 0.66
00:49:35.480 of self-promotion.
00:49:36.360 Yeah, I was about to say,
00:49:37.100 I'm pretty sure samsara
00:49:38.100 is just a word for self-promotion
00:49:39.640 because that's what suffering is
00:49:40.920 at the end of the day.
00:49:44.820 Oh, man.
00:49:45.980 Okay, well, Becky,
00:49:46.980 this has been lovely
00:49:47.980 and we clearly need to talk more
00:49:51.620 and it's been a delight
00:49:53.300 having you on the show.
00:49:54.720 Yeah, likewise.
00:49:55.360 This has been awesome
00:49:56.420 and thank you so much for having me.
00:49:58.300 Thank you.
00:50:00.220 Thanks again to this week's guest,
00:50:01.780 Becky Chambers.
00:50:03.080 Next week,
00:50:03.820 we have Quinn Slobodian and Ben Tarnoff
00:50:06.940 trying to answer the very important question,
00:50:10.780 what is Elon Musk?
00:50:14.220 To submit questions for future guests
00:50:17.340 and to suggest other guests
00:50:18.840 and to see more pictures of Babka,
00:50:22.000 join the conversation on Patreon.
00:50:24.140 You can also find us on YouTube,
00:50:26.020 on Instagram at DATMPod,
00:50:28.460 on the web and on Blue Sky
00:50:30.100 at DreamingAgainstTheMachine.com
00:50:32.380 or just find us wherever you get your podcasts.
00:50:35.800 Dreaming Against the Machine is a proud member of Multitude Productions.
00:50:39.880 Our executive producer is Nick Carissimi.
00:50:42.660 Our theme music is by Jared Emerson Johnson.
00:50:45.680 Our show logo is by Nick James.
00:50:48.400 And our fearless leader is Babka, the greatest cat in the observable universe.
00:50:53.240 I'm Adam Becker, and I'll see you next week.