00:00:00.000Hello and welcome to For the Wild podcast. I'm Ayanna Young. Today we are speaking with
00:00:12.560Erin Manning. To open, we wanted to offer some context to Erin Manning's work as a scholar,
00:00:19.740theorist, and artist. Erin's work is grounded in scholarship on neurodiversity, blackness,
00:00:25.580and ways of being that move outside of and beyond the status quo. In this episode, Erin shares her
00:00:32.260contemplations on the role of academia, her commitment to pedagogies that make space for
00:00:38.200creativity, her understanding of autistic perception as a way of seeing life beyond
00:00:44.200neurotypical systems, and her musings on what life outside of the logic of whiteness could mean.
00:00:51.100these are all big philosophical ideas yes but just as much as aaron's work is rooted in theory it is
00:00:59.360also rooted in tangible practice she details her work with the three ecologies project and
00:01:05.420emphasizes the importance of land-based work to embody revolution if you're interested in learning
00:01:10.780more about the philosophers thinkers and concepts mentioned in this episode please visit our episode
00:01:16.780webpage at forthewild.world for more detailed information. We hope you enjoy this fascinating
00:01:22.520episode. Thanks for listening. We all live with different conditions of access based on economics,
00:01:34.580based on race, based on ableism. So thinking about relation for me is less thinking about
00:01:43.100people as inseparable than about all of the conduits of what I think of as the more than.
00:01:50.680We breathe in oxygen, we're involved in the gravitational field, we're, you know,
00:01:56.040made up of water and bacteria. So whatever we are is not in any sense separable from the earth.
00:02:07.460Aaron Manning grounds in the interstices of philosophy, aesthetics, and politics.
00:02:14.000Pedagogical experiments are central to her work, some of which occur at Concordia University in Montreal, where she is a research chair in speculative pragmatism, art, and pedagogy in the Faculty of Fine Arts.
00:02:28.280She is concerned always about alter-pedagogical and alter-economic practices. She has written the minor gesture, for a pragmatics of the useless, out of the clear, and the being of relation.
00:02:41.760her artwork is textile based relationally oriented and often participatory her current
00:02:49.140research is focused on 3e an exploration of the transversality of the three ecologies
00:02:55.800the social the environmental and the conceptual
00:02:58.740aaron thank you so much for joining us today this interview has felt like a long time coming
00:03:09.060And I know the whole team at For the Wild has really admired your work for some time now.
00:03:34.220um well I would say that um like perhaps many people I can only make sense of my trajectory
00:03:42.200um in reverse so I I don't have a trajectory that had a kind of master plan attached to it
00:03:52.140um I come um to academia sideways in the sense that it never was a goal of mine to be in
00:04:03.780academia or to pursue academia as a career um it ended up being a propitious environment to some
00:04:13.160degree uh to prolong some thought processes and engage in pedagogy um so i come i come to these
00:04:22.800uh environments that i that i populate i would say the the philosophical environment the dance
00:04:30.100world the art world I come to them across certain chance encounters I was working as an artist
00:04:41.080before I entered academia I was always surrounded by philosophy so being in contact with philosophical
00:04:49.460voices was part of my upbringing in the last 20 years I've been very involved in the growing of
00:04:59.520of a large network called sense lab and in the last three years there's been a shift to the
00:05:07.400three ecologies project um which i can talk a lot more about but i suppose the thing that i'm
00:05:13.540thinking about the most right now is the transversality of those three ecologies the
00:05:20.820social the conceptual and the environmental thinking about how um it's more interesting
00:05:29.280to me not to create a kind of binary between the philosophical and the environmental for example
00:05:35.580um to think about how the practices of everyday life are also um philosophical and pedagogical
00:05:45.520So those are thoughts that I have. I'm orienting myself toward an exhibition next June where I'm thinking a lot about the segregation of a practice toward a gallery space and how that's different from the kind of work I do in the everyday around the three ecologies.
00:06:05.220And most recently, from the philosophical perspective, I've finished a little book called The Being of Relation, which is pursuing my thinking around neurodiversity and Blackness.
00:06:20.280Wow. Well, I know it's a big question and that was a big response. So there's a lot to chew on there.
00:06:26.360And yeah, I guess I'm wondering how dance and movement, especially within the framework
00:06:33.960of disability studies and subversive expressions fit into your practice and theory.
00:06:41.500So I was a dancer before I went into the academic environment.
00:06:48.060And at the time that I did my PhD, there wasn't the opening, at least in the environments
00:06:55.560that I studied in for what we now call research creation or art-based research so they were quite
00:07:02.820separate I did my work as a dancer as a professional dancer on one side and I worked
00:07:11.800philosophically on the other end and was an artist in a third time so these things were quite
00:07:18.320segregated when I became a when I got my first academic position which is still the one I'm in
00:07:25.520at Concordia University, a number of people started to work with me who were choreographers
00:07:30.760and dancers. And now I would say, because I know more now, that these were chiefly neurodiverse
00:07:38.500folks. At the time, I had no vocabulary for that, nor did I have a vocabulary for dance.
00:07:44.260But what I did realize pretty quickly was that there was a large historical lineage of dance.
00:07:50.640You know, there was something we call dance studies, which was available and which was being produced in dance departments.
00:07:59.040A lot of it quite semiotically oriented.
00:08:02.900And I'm not saying that that wasn't good work.
00:08:05.860It's work that definitely has its place, semiotic or historical work.
00:08:10.420But it wasn't work that was involved in movement, that had a commitment to philosophies of movement.
00:08:45.540So what happened very concretely is that I started writing. And in the first period, my writing was simply there to think with the students that I was working with. And it was writing that had been started or generated by the work that I had done in Politics of Touch.
00:09:04.760but Relationscapes, the book that came out of it, was perhaps the first commitment to movement
00:09:12.240philosophy from what I now understand would be a neurodiverse perspective. But it took me a while
00:09:18.720to understand that that's what I was doing. And so, you know, I don't necessarily occupy
00:09:25.700disciplinary environments. So I don't know that I situate myself in any one place that could be
00:09:33.120call disability studies or other studies but I do think that there's something extraordinarily
00:09:39.340important about movement philosophy and how it allows us to rethink presuppositions about what
00:09:45.260a body is how a body moves how the question of the body has been mobilized in political theory
00:09:52.100political philosophy thinking around whiteness etc so so that that would be the trajectory more or
00:09:59.220yes there is something on your website and you write quote to move is to engage the potential
00:10:09.820inherent in the pre-acceleration that embodies you pre-accelerated because there can be no
00:10:16.600beginning or end to movement movement is one with the world not body world but body worlding
00:10:23.980We move not to populate space, not to extend it or to embody it, but to create it, end quote.
00:10:34.040And movement and other human actions that may seem basic are often those that fuel us the most and that can really drive change.
00:10:46.920So I'd love to hear more of your thoughts on creating scholarship that honors this type of expression.
00:10:53.980Mm hmm. I guess I would start in two directions. And again, I don't think I fully understood this when I was starting out thinking about it.
00:11:04.800I mean, it's really grown over years. The first direction would be the direction I took in Politics of Touch,
00:11:10.800which is to go back to the history of political theory in the context of European thinkers.
00:11:20.460So we're thinking here with folks who are colonially oriented in a way that I would now think about through whiteness and neurotypicality.
00:11:33.140So if we go back to those traditions, we'll find that we have a philosophy of the body that is very circumscribed.
00:11:41.960And by that, I mean that the body is bounded.
00:11:46.580Um, if you look at, at, um, descriptions, for example, of the body politic, um, you'll find a, a stationary body, a stable body. Um, and so the question I had for when I was writing Politics of Touch was what, what would happen to the political were we to begin elsewhere?
00:12:08.060Were we to take movement into account? What would theory of the human or the modern subject look like under those conditions? So that's one direction. And then the other direction would be the question itself of ecology or environment.
00:12:26.920And here, neurodiverse thinkers have really helped me out that there's a shorthand of the body that we often call the subject or that we would reduce into categories like identity that is useful in delineating subject to object relations.
00:12:48.920relations, but that is, I think, very dangerous in sort of cementing belief that there's a clear
00:12:57.860separation between body and world. And the reason I said that autistics and other neurodiverse folks
00:13:04.640have been very important to me for thinking this is that they were the ones who came to me early on
00:13:10.740in 2010, 11, 12, folks like DJ Savary's and Tito Mukhopadai and Adam Wolfand and Mel Bags and
00:13:20.200others to talk about how there was a tendency in neurotypicality toward what they called chunking.
00:13:29.820What they mean by that is that neurotypical modes of engagement enforce strong separations between
00:13:37.760bodies and worlds. They seem to feel certain that there is such a separation, whereas
00:13:45.440neurodiverse forms of perception, or what I've called autistic perception, is involved in the
00:13:51.760processes of perception where forms haven't fully consolidated, which is a sort of native
00:13:59.600way of perceiving for autistics. So when I talk about autistic perception, I don't actually mean
00:14:08.560perception that is limited to autistics, but I think of autistics as living at the core of it
00:14:16.220and being able to give us vocabulary to better understand those modes of perception. And so
00:14:22.880you put those two together, what you have is the realization that it's a very useful
00:14:28.020shorthand to separate bodies and world or to have a sort of stationary body to describe the body
00:14:36.180politic, because that's a much easier, that's just simply easier to control. And so beginning
00:14:43.240with a theory of movement, and by that I don't mean a theory of displacement, I really mean
00:14:48.860what Brian Masumi calls bear activity, so movement, potential, which is what the world is made of,
00:14:56.660I think it brings us to a different logic and it's that different logic that I'm most interested or
00:15:02.620have been most interested in. I've noticed that throughout your work, you detail the concept of
00:15:10.780autistic perception. And yeah, I would just like to talk through that in more detail and specifically
00:15:19.320maybe explain the ways that honoring neurodiverse experience is vital in dreaming towards better
00:15:26.060worlds. So if we really take seriously that there is no neurotypical person, so that neurotypicality
00:15:35.140is a systemic operation that I now think of as aligned in every sense to whiteness,0.51
00:15:41.460then I think we also have to say that there is no neurodiverse person, which is not at all to
00:15:47.560say that there aren't autistics and folks that are in all kinds of neurological difference. That's
00:15:53.640not what I'm trying to say, but that neurodiversity is a modality that is expressive of other modes
00:16:00.920of valuation, other ways of encountering the world that tend to be devalued. And this is very
00:16:07.080pragmatic. It's not speaking of things that are necessarily even backgrounded. So for example,
00:16:14.500an obvious one would be the injunction to pay attention that we all know so well. We get
00:16:22.940organized into chairs early on in our lives, those of us who go to school. And in the organization
00:16:30.980of our bodies into chairs, our whole body gets organized into a certain frontality as we face
00:16:38.020a teacher. And in that frontality, we're trained to express in a facial expressiveness how we're
00:16:47.420listening. So we get trained into a choreography very, very early on that we either fit into
00:16:56.880quite seamlessly, in which case we're practicing neurotypicality well, or we fall out of.
00:17:04.160And one thing that, you know, in my book for Pragmatics of the Useless, I begin to really
00:17:10.360think through a statement which is that Black life is neurodiverse life. And I'm trying to
00:17:19.000think through the ways in which modes of living that are adjacent to whiteness, that are outside
00:17:25.760its logic, are by nature neurodiverse modes of life. So what I would say quickly to that question
00:17:32.980is that what neurodiversity brings, first of all, is the recognition of those choreographies. And I
00:17:40.200just named one really quickly there are there are millions of others that that that organize our
00:17:46.080bodies and make them docile um that that produce performative learning bodies um that are that that
00:17:54.980down the road will delineate themselves from other bodies that are considered to be
00:18:01.040not adequately performative of knowing that's one way but the other the other aspect of
00:18:07.180neurodiversity that's really important, I think, is that I think of it as a fundamentally other
00:18:12.840logic of engagement with the world. The perceptual field, if it's open to all of the nuances of its
00:18:20.960non-separation from the world, in a kind of difference without separability, allows us to
00:19:00.180I wanted to bring up this other large topic
00:19:28.760that I know you wrestle with in your work, which is moving outside of systems of oppression.
00:19:36.220And I'm wondering, how do you grapple with the tension that we must move outside of systems
00:19:45.720of oppression in order to abolish them? But simultaneously, we often solidify their
00:19:52.340existence through resistance? It's a tough question, isn't it? My tendency is to think that
00:20:00.380the rhetorical doesn't do the work outside if it's segregated from practices. My own
00:20:10.020life is completely imbricated in practice. You know, the Three Ecologies project is a project
00:20:18.440that requires daily work that is quite physical work generating conditions for living in a pretty
00:20:26.600northern climate that's off-grid so what I tend to think is that when we're doing this work that
00:20:36.420that tries to think through very complicated issues around racism around yeah neurodiversity
00:20:43.840around violence and massacres and death we have to at the same time be generating or at least
00:20:52.800thinking or working to generate other ways of living it it doesn't work otherwise um
00:20:59.820I don't think because if if we're not doing that work at the very same time we're not
00:21:05.820creating movements for those other ways so it's a sort of a long way of saying um that
00:21:12.700for years I thought that it wasn't my place to talk about these things to work on these
00:21:20.100kinds of subjects because I was white I couldn't talk about indigenous issues or because I was
00:21:25.300white I couldn't work through vocabularies of blackness in relation to other ways of living0.50
00:21:33.200and at a certain point I thought that that was wrong that precisely because I am white I have
00:21:41.080to think through these questions. I have to be engaged with them, but in a way that carries
00:21:47.200through all the other things I do in the world, not separate from them. Yeah. Well, thank you for
00:21:56.040detailing that for us a bit. And I want to move into a topic beyond and in addition to the
00:22:04.920university as a thought, because I'm interested in how you view institutions through your works
00:22:11.080specifically. And I think the university is a particularly interesting point of inquiry as
00:22:16.960a space that can hold so much radical potential and simultaneously can so easily uphold the status
00:22:25.420quo. So I'd love to hear more about how you work both within, beyond, and outside of the university
00:22:33.380through your scholarship and practice? The big, hard question. I'm very aware that when we turn
00:22:41.080our backs on the institution, the academic institution, we run the risk of engaging in
00:22:49.820a certain naivety around all the other modes of institutionalization that our worlds are made of.
00:22:55.220So I try to remember that in my frustration with the neoliberalization of the academy
00:23:02.720so that my response to it is not simply a kind of frontal response,
00:23:12.240a neurotypical response, you could say.
00:23:14.260So I think of academia as very, very good at some things.
00:23:19.520I think of it, for example, as very, very good at attracting interesting people.
00:23:24.380I think of it as fantastic at fostering encounters through the classroom.
00:23:31.360Not all of those encounters are fantastic, but there are a lot of people doing really interesting work in those classrooms.
00:23:38.740But I do think of it as a colonial institution that functions very much in the logic of capital.
00:23:45.200I mean, we get credits, and those credits buy us diplomas.
00:23:51.540The credits are organized around existing ideas of what knowledge should look like that are held together through methodologies that are very much within the logic of institutionalization, even when they're called decolonial, in my view.
00:24:09.480precisely because we maintain, in most cases,
00:24:16.300a sense of somebody as the adjudicator of those processes.
00:24:21.060And for those academic processes to be quote-unquote fruitful,
00:24:26.040i.e. for the possibility of someone being granted a diploma,
00:29:57.620in a really spectacular text on Du Bois
00:30:01.320where Chandler talks about how Du Bois finds himself in this kind of stranglehold where
00:30:09.060if he talks about Blackness, he's stuck with the vocabulary of Blackness generated by white
00:30:15.260thinkers. So there's this kind of problem that I think you were gesturing at earlier, which is that
00:30:22.380Du Bois is stuck then in a logic that has already devalued the very question of Blackness.0.53
00:30:29.340Um, and I mean, I think we can find this in so many thinkers, but what Chandler then does is he shows us how Du Bois works himself out of that process and that problem by situating the Negro as a problem for thought.0.82
00:30:48.000So the para-ontological becomes this schism in the very question of ontology, so that if Blackness can't fit into the ontological, if Blackness can't be equal to being, then we require another modality, another way of thinking existence.0.86
00:31:10.040And I see that in so many Black thinkers. And I think that in this literature, what I feel over and over and over again is that there is this, well, in the Black radical tradition, also to quote Cedric Robinson, there's a long, long history of having to be extremely creative as thinkers with respect to what else or how else those parameters might be imagined or created.0.53
00:31:38.100And so out of that comes this extraordinary concept of blackness, which is definitely in and of black people, but also much broader than black people themselves. So it's a relational concept, more so than an identitarian one. Relational in the sense of what I think of as the more than.
00:31:56.180So it is an excess of a simple sedimentation of the body as would have been produced through those modes of the body politic that keep the body stationary. It's a very, very vibratory concept. It's full of movement.
00:32:13.660And so what I'm trying to think in that quote that you foregrounded is how this paraontological concept of Blackness is always already an ecological concept.
00:32:27.800And here I'm thinking with Édouard Glissant's important work around the aesthetics of the earth.0.60
00:32:32.660So it's hard. I know it's hard. And this is really what that piece was about.
00:32:36.500it's hard to, it's hard not to, there's a struggle about white people doing this work.
00:32:43.840And I want to recognize that struggle. And I address it directly in the piece. Some people
00:32:48.620like Frank Wilderson would say that white-skinned people really can't do this work. My view on it
00:32:54.840is that there has to be, I think, a way of understanding experience that is not reducible,
00:33:03.580as I was saying in the beginning, to the segregation or into containment of a body
00:33:10.960and a separation with the world. So if we take the idea of difference without separability really
00:33:16.440seriously, then we have to understand blackness and whiteness as systemic and in that sense as
00:33:22.900going beyond those very racialized categories that have been produced by colonialism, not given to
00:33:30.260the ways in which you know du bois found himself limited in thought by those very categories and
00:33:36.680so i'm thinking here of blackness as a practice and i'm learning from black studies which i think
00:33:45.840is right now the most creative environment for thinking ecologies of resistance i'm thinking
00:33:51.900through black studies to think about what kinds of modes of of life are yeah are possible or
00:33:59.820generatable under the conditions of the world as we are living it.
00:34:06.760To go a bit further into this, I'm wondering how your land-based practices and other practices
00:34:13.460at Three Ecologies embody this. Yeah. Well, when we started the Three Ecologies project,
00:34:20.120we've been working on it for a long time. We never imagined that we'd have a land project.
00:34:24.980We actually thought we'd be in the city and we initially considered it much more as an
00:34:34.460Over years, we began to one, you know, sort of the university part started to fall out
00:34:39.180because it was sort of thinking in the same logic.
00:34:42.240You know, if you build an altar university, you're still in the logic of the university.
00:34:45.340And over time, the idea of the power institutional sort of grew in us in ways that allowed us
00:34:52.380to understand that we would always be imbricated in some ways in the institutional, and we needn't
00:34:57.080be so afraid of it, because it could foster certain kinds of openings. You just have to
00:35:03.280be careful not to allow its logic to take over. So those openings that I mentioned before about
00:35:10.520its capacity to call forth interesting groups of people and so on. So what happened was pragmatic
00:35:20.460in the end, we got priced out of the market. By the time we had some money to buy, we couldn't
00:35:25.620afford it anymore. And we fell upon this possibility up north. It's three hours north
00:35:31.480of Montreal. And we became interested in taking seriously the question of property. It's a
00:35:39.000question that I thought a lot about when I was reading The Undercommons by Stefano Hardy and
00:35:46.500Fred Moten. And the question of property, what it is, they have an extraordinary chapter in that
00:35:52.720book on credit and debt, and where they argue that we really need to owe each other everything.
00:35:59.200The problem isn't debt. The problem is a kind of logic of credit. And so Brian and I began to think
00:36:06.180that what we needed to do was to really commit to this idea of we owe each other everything
00:36:12.520through the question of property and what that means pragmatically is purchasing land and then
00:36:19.380taking that land out of the real estate market to make it a commons under conditions of three
00:36:31.400ecological thought and by that we mean you know with a mandate toward generating the best
00:36:39.240modalities of growth and preservation and fostering life where it is needed including
00:36:46.660folks being able to live you know without having to purchase property and so you know learning
00:36:53.840building a culture that reminds us that we can't own property that that actually the land is not
00:37:00.960ownable the irony of that of course is that we have to buy it in order to do that so it's um
00:37:06.460It's a complicated project that is the very opposite of an investment.
00:37:11.500It's a bit scary because it's outside of the logic of capitalism in that way.
00:37:18.020But SenseLab worked for many years on alter economies.
00:37:22.040And so I think that work really prepared us to think about other forms of economy.
00:37:31.220And so how we live this at 3E is that way, certainly thinking about taking land out of the market, out of the market economy, but also about creating conditions for practices, like I said before, that are not limited to environmental practices,
00:37:57.360including practices of thought and art practices
00:38:01.560and practices of conviviality and emergent sociality
00:38:09.540a kind of sideways, neurodiverse ways of coming into encounter.
00:38:14.360This isn't a community that we're building.
00:38:17.740It really is a site turned toward the transversality
00:38:23.800of the social, the conceptual, and the environmental.
00:38:27.360Um, and so I suppose, you know, there's no sort of direct way.
00:38:33.980Um, I think that would be kind of fake, you know, that, that those things I write about
00:38:37.820are practiced, of course, not, not directly, but I think in the everyday of simply doing
00:38:44.420the work that it takes to run a large, uh, tract of land with three houses off grid in
00:38:51.480the North, you know, cutting the wood, according the wood, you know, we need 40 cords of wood
00:38:56.820every year we spend eight nine months of the year preparing it and then the rest of the months
00:39:03.380burning it uh you know inviting people to be here there's a cabin that's open and free for people to
00:39:10.220who want to collaborate and again collaboration is not something really parsed out collaborating is
00:39:17.340in the relation of the three ecologies so it can absolutely be their work that we then learn from
00:39:23.080So that's, you know, that's sort of the everyday practicing of it that we're doing. And, you know, its range is quite broad from, you know, gardening to building to firing local clay to learning how to tend hides to et cetera, et cetera.
00:40:23.080I want to talk a bit about this idea of what keeps us stuck. And in the being of relation,
00:40:32.520you write, quote, to repeat in the sludge of environmental degradation of settler colonial
00:40:37.960clearings, whiteness, first and foremost, polices, a logic to keep us in place, end quote.
00:40:45.620And you continue to write, quote, radical capitalism is the orienting force of the
00:40:50.760commitment to separation, even as capital itself resists any kind of limit. This double
00:40:56.360articulation keeps capitalism reinventing itself, even as it continues to amplify its gambit of
00:41:01.880inequality. I just want to talk about what keeps us stuck and how does racial capitalism keep us
00:41:09.700stuck and cemented in cycles of violence and oppression? Well, I think it goes back to what
00:41:15.860I was saying in the beginning in the these intuitions that grew with me as I was writing
00:41:20.620Politics of Touch so when we're trained in a in a belief of the individual as a marking off of
00:41:28.560existence from the world a separate entity we begin to become committed to that entity and I
00:41:37.800think that's true no matter you know whether we're talking about race or disability we're
00:41:45.060we're all susceptible to that thinking that we're an individual that we are separate um and that
00:41:52.900we're um strong in that separateness we're trained into it so early to become independent to to value
00:42:02.500that independence we hear it from our closest friends even when they're on the left that they
00:42:08.680don't want to have to count on others um they don't want to lose their independence we have
00:42:14.060you know, we just have a lot of training in that modality. But the problem with that modality is
00:42:19.400that it then also reduces the world to us. I mean, it's very systematic of that modality then to
00:42:26.480think, how am I going to change things? We reduce the complexity of the world. We bring it onto
00:42:33.920ourselves. And then, of course, we're struck by the impossibility of it. How in the world am I
00:42:41.240going to make a difference. It's impossible. I can't. So there's this kind of double bind that
00:42:46.100we're in. And then I often think about how anxiety really reinforces that. When we're
00:42:56.280anxious, our bodies feel terrorized by the world. And when you lose the sense of feeling
00:43:09.240like there's a some kind of grounding um you begin to build an environment that you call safe
00:43:18.040for that body it's it makes sense that one would do that um i struggle with depression and i know
00:43:25.300that when the depression hits it's really quick for me to go into a kind of myselfness um usually
00:43:33.000negatively, you know, and usually critically against myself, but, but nonetheless, completely
00:43:39.120imbricated in a kind of self sameness, I become small. So I think that it takes practice to get
00:43:46.980out of that. I mean, and I really mean that literally, I think whenever I say practice,
00:43:51.280I think about Sadia Hartman's book, Scenes of Subjection, where she talks about
00:43:55.620But stealing away, she uses that expression of how the folks who were enslaved would steal away in the night to gather in the forest to practice their rituals.
00:44:13.680And this stealing away into the practice allowed them to not only recall their webs of relation, but to live them.
00:44:23.980And this living of those webs allows us perhaps to begin to recognize that when we speak of the qualities of sociality as defined by, say, thinkers like Fred Moten, where sociality is an excess of the individual, is more than the individual, we're not talking about two people.
00:44:44.760We're not talking about the inter-relationship.
00:44:48.640We're talking about something much, much more complex that doesn't bring two fully enclosed
00:44:55.260subjects into encounter, but recognizes something outside of that mode of chunking, where sociality
00:45:03.540is in excess of any reducible idea of individuality.
00:45:08.420there we're far less endangered in this in paradoxically because we're harder to catch
00:45:16.620we're harder to capture those modes of sociality are harder to capture i think that's something
00:45:22.880that so many black writers emphasize that that you can't you can't steal that you can't steal it0.54
00:45:31.320You can try to steal it. And certainly we have so many examples of that. But so that's what I'm trying to think about. The stuckness is whiteness. The stuckness is neurotypicality. And it is the habit of valuation that comes with them.0.99
00:45:50.600So the habit of reducing the world to that subject leading orientation, and we do it all the time, you know, we talk about agency, we think about a subject moving something rather than about worlds gathering their movement signatures in generating an emergent subjectivity.
00:46:15.960I am thinking about how as capitalism has continually proven to adapt, whether that be through capitalist solutions to the climate crisis, or gosh, there's like so many examples.
00:46:31.140I wonder how we keep up with the adaptation of capitalism, whether that be marketing or, you know, because it gets into our conditioning, even unconsciously.
00:46:46.540Yeah, I mean, that's the horror of it, isn't it?
00:46:49.500I think capitalism is extremely creative.
00:46:53.040I think we have to recognize that it's generative.
00:46:57.720It's generative of new processes continuously.
00:47:02.220There's a beautiful book that Brian Misumi wrote called 99 Theses for the Revaluation of Value that I think is such an extraordinary look at the capitalism's excesses, what he calls the surplus value of life.
00:47:18.820So it's very close to what I was talking about just now, those modalities of existence that can't be captured, that are part of the world always.
00:47:26.900but they tend to fall out from what we understand as having value, joy, for example, or laughter.
00:47:36.760I mean, there are lots and lots and lots of examples of moments that don't get colonized by capital.
00:47:44.540But you're absolutely right that capitalism is reigning logical force that reduces everything ultimately to market value.
00:47:54.900I think about this all the time you know working in an ultra-economic project I'm always aware
00:48:00.820of how we need to be as supple as possible in working across different economies it's
00:48:11.480it's sort of what I was saying in the beginning about institutions it's tempting to be anti
00:48:17.500something, but that's a hardening. And I think in the hardening of it, you could miss out the
00:48:25.480minor gestures, the leaks, the reorientations, the openings. I say this, you know, having worked
00:48:32.580many years on an altar economy with other extraordinary thinkers and a group called
00:48:37.680the Economic Space Agency. And I think that that allowed us to become a lot more astute about
00:49:14.700Yeah, absolutely. It's been something that I find myself questioning all the time. How do I break free of that creativity that capitalism seems to be so good at? And yeah, I just have been really appreciating this conversation.
00:49:35.180And as we conclude, I'm wondering how we can affirm just how inseparable we are, not just as humans, but as members of a larger ecosystem and even universe.
00:49:51.580I love the concept of difference without separability because it begins with difference so that our inseparability doesn't mean our sameness.
00:50:02.180It is not without disjunction. I think that's really important because we all live with different conditions of access based on economics, based on race, based on ableism and so on.
00:50:21.020And so thinking about relation for me is less thinking about people as inseparable than about all of the conduits of what I think of as the more than.
00:50:36.260So if I put it slightly differently from that, I never begin with a fully consolidated idea of a person.
00:52:48.240And so the difference with that separability of that encounter,
00:52:52.280I think of as also needing to be recognized
00:52:55.700within the world of capitalism in which we live.
00:52:58.180So very pragmatically up here, up north, I'm very aware that because I have access to capital, I should always pay people who come to give me their knowledge, that this is something of great value to me and to the process, to our project.
00:53:18.680And I've had conversations with them about why it is that when I go work on their land, they don't pay me. And I think that has to do with access. Again, I have access, they don't have access in this case to financial capital. And I don't think it has to be a zero sum game.
00:53:39.720So it sort of goes back to this idea of emergent sociality.
00:53:43.240How do we really take seriously what we have access to?
00:53:48.540And think of it not as benevolent, not as sharing.
00:53:51.280I think that those are too simplistic.
00:53:52.880But think of it as moving the potential around.