Missing Witches - February 01, 2019


MISSING WITCHES IMBOLC SPECIAL - Witches In Labs - Magic and Science

Topics
MISSING WITCHES YULETIDE SPECIAL 2018!!! Missing Witches Ostara Special - Talking 'Spiritual Bypassing' with The Birch Trail

Episode Stats


Length

53 minutes

Words per minute

147.87

Word count

7,930

Sentence count

322

Harmful content

Misogyny

29

sentences flagged

Toxicity

15

sentences flagged

Hate speech

33

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 You aren't being a proper woman, therefore you must be a witch. 1.00
00:00:03.260 Be a witch! 1.00
00:00:05.200 Be a witch! 1.00
00:00:06.720 You must be a witch. 1.00
00:00:09.420 It's the Missing Witches in Bulk special. 1.00
00:00:14.760 Witches in Max.
00:00:16.960 Magic and science. 0.99
00:00:20.880 Happy in Bulk!
00:00:25.220 This is the halfway point between the winter solstice and the spring equinox.
00:00:29.300 We made it.
00:00:30.000 the light is coming uh we're awakening from slumber we're stretching our uh couch bums out
00:00:38.900 we're stretching our our souls out we're going back outside uh so we're dedicating this special
00:00:46.440 to a coven of witches we met who are working in a lab here in montreal at concordia university
00:00:53.240 and they're just doing the beautiful good work of connecting craft and ancient craft and ideas 0.98
00:01:01.580 traditional ideas with modern science and biology i think you guys are gonna fucking 0.95
00:01:07.220 love these queens they're just so powerful every word they dropped we were 0.93
00:01:11.740 yeah um the the quote that always comes up for me is this one um from my jean
00:01:22.320 Gonzalez-Wipler in her book, The Complete Book of Spell Ceremonies and Magic. You should definitely
00:01:28.080 check it out. It's a great book. We'll put a link in our show notes. Majin Gonzalez-Wipler says,
00:01:33.800 I don't believe in the supernatural. I believe in nature and all things natural. Everything that
00:01:40.220 happens in this world always happens through natural channels and in accordance with the
00:01:44.640 immutable cosmic laws all things both real and surreal are part of the cosmos where everything
00:01:52.680 has a place and a reason for being here's our conversation with speculative life bio lab
00:01:58.780 so we're in a beautiful sunlit lab in a corner of this building in concordia in downtown montreal
00:02:10.080 You can see the snow and the blue sky outside.
00:02:13.160 And this building is a meeting point intentionally between art and engineering, art and science.
00:02:19.960 And we were so thrilled, Amy and I, reading emails after season one finished of the Missing Witches podcast
00:02:29.820 to get an email from White Feather Hunter saying, you guys need to do witches in labs.
00:02:36.780 Yeah!
00:02:37.140 we were so excited i think in part because for us um the type of witchcraft that we've sort of
00:02:47.380 improvised and practiced and what drew us to the idea of it really is a celebration of the meeting
00:02:52.780 point of art and science um and we think that science and nature are fucking magical and that
00:03:00.700 was our entry point and so we have a hard time sometimes having these conversations with people
00:03:05.820 who think that we are just very superstitious or that are sort of afraid of the language of
00:03:11.980 witchcraft coming from that perspective so to get an email from somebody that was like come to a lab
00:03:17.740 come meet witches in labs come hear about how we think about it was super exciting so maybe you
00:03:23.100 could introduce yourself in your work and then your team could introduce themselves and we can
00:03:26.520 go for sure so i'm white feather and i am a practicing bio artist and my entire practice
00:03:35.720 is rooted in craft i come from a craft background uh specifically textiles but i also have a history
00:03:46.400 of personal spiritual practice with witchcraft and there are some really obvious intersections
00:03:54.860 between textiles and spinning yarn and witchcraft already.
00:04:01.040 But when you start to get into the mythology that's behind that,
00:04:06.840 you start to realize that textiles and witchcraft
00:04:13.000 are all about manipulating natural materials and the forces of nature.
00:04:20.940 And so there's a convergence that happens there,
00:04:23.320 But also, I haven't just worked with wool and, you know, silk and things like that.
00:04:29.640 I've worked with body materials a lot in my textile practice.
00:04:34.160 And so, you know, I've worked with bone.
00:04:36.980 I've worked with flesh.
00:04:39.200 And this preference for body materials, I've worked with my own body materials a lot, too.
00:04:45.820 And this led me into the world of bioart.
00:04:48.740 And so the difference in working with biological science and art is that you're working with living systems.
00:04:56.980 And so that's another place where witchcraft intersects with bioart is it's a manipulation of living systems towards a desired outcome.
00:05:05.960 So that's where all of these worlds converge for me. 0.99
00:05:11.000 And it's obviously a very feminist practice.
00:05:15.020 And that's sort of the culture that I've worked to foster here in the lab, a really inclusive, intersectional, not just queer friendly, but queer loving vibe, I guess, where we can explore all of these themes of, you know, working with the living world and natural materials towards this future ethic of care.
00:05:45.020 for the planet, and for all of the systems on the planet.
00:05:48.520 So that's really where we're rooted here.
00:05:52.220 And so this is our little bio-art coven.
00:05:56.000 Amy and I are cheering.
00:05:57.800 I don't care.
00:05:59.880 I'm trying to be quiet.
00:06:02.580 I'm squeaking.
00:06:06.900 That's emotional for us and super exciting.
00:06:09.600 Thank you for all the work you've done to get to a point where you can do that work
00:06:14.780 and also explain it in a way that's so resonant and so exciting, yeah.
00:06:19.820 And so there's a whole group of us in here now.
00:06:24.680 When this lab first was getting up and running about two and a half years ago, I guess,
00:06:31.220 it was just me working in here, as well as I was working with Tani Duff,
00:06:37.080 who is the founder of the lab.
00:06:39.140 So we worked together to set this space up.
00:06:41.360 And at first, we weren't sure if it was going to continue because it took a while for the idea of bio art and also this feminist ethic within the biotech world to actually take root here and for people to see it as something that was really important. 1.00
00:07:02.660 But now you can see around you, we have some pretty amazing women rocking the lab here. 1.00
00:07:09.120 So, you know. 1.00
00:07:09.960 So why don't you maybe introduce how you connected with these women,
00:07:14.860 came to be part of your lab,
00:07:15.780 and then maybe you guys could talk a bit about your intersection with this work.
00:07:20.200 Yeah?
00:07:20.780 Yeah.
00:07:21.920 So going around from my left is Alex Bachmeier.
00:07:27.940 And Alex is a collaborator on one project,
00:07:33.220 but she's also just taken over as technician of the lab because I'm leaving.
00:07:36.820 So she gets to carry the torch, build the coven.
00:07:41.440 And then to Alex's left, we have Vanessa Marderasian.
00:07:46.680 Vanessa is also part of a team that Alex and I,
00:07:51.060 a research team that we're working on a specific project
00:07:53.660 that we can talk about in a bit.
00:07:56.120 And then next to you, Risa, is Jackie Beaumont. 1.00
00:07:59.280 And Jackie is like the next generation of lab witch happening here.
00:08:04.460 Jackie's a new lab member.
00:08:06.820 And so, yeah, we, I don't know, it's, we're trying to bring in more people who share this same ethic.
00:08:15.900 And it's really, really important to bring this ethic into the world of biotechnology, I think,
00:08:21.920 because for so long it's been completely sort of startup culture, dude bro, you know,
00:08:27.900 so we're providing an alternative to that.
00:08:30.420 And there is a precedent for this.
00:08:32.720 There is a slight precedent for this.
00:08:34.860 There's a group, this really, really exciting group of researchers called Gynapunk, and they are – we're having some reactions here.
00:08:46.040 Gynapunk are amazing. 0.71
00:08:47.680 I believe they're from Poland, but they're called the Cyborg Witches of DIY Gynecology. 0.89
00:08:55.060 and so they teach workshops they teach workshops on how to you know uh 3d print your own speculum 0.99
00:09:04.320 to do your own gynecological exam and culture your own microflora um so you know the we're not
00:09:12.520 alone in this this is a growing global movement i think but we're right on the crest of a wave
00:09:18.100 And so it was super exciting to, to talk about this, you know? So, yeah. Yeah. Grab your mic,
00:09:26.560 girl. Get into it. Hello. Why, why this lab? Why this work? Also, hi. Hello. Hi, Alex. Hello. 0.99
00:09:35.920 Yeah, I guess it all kind of started when I was doing a science undergrad about,
00:09:42.420 I started about 12 years ago. I was going to McGill. I was studying neuropsychology and
00:09:47.080 environmental science and I had kind of an art science background before moving to Montreal from
00:09:51.800 Vancouver and I kind of ended up going down this straight science path kind of thought I wanted to
00:09:57.860 be a doctor or a researcher was really into what I was studying but finished and something just
00:10:03.120 didn't feel by the time I was done it didn't quite feel like the environment for me and I felt like
00:10:08.760 I didn't have enough time to have my art practice and I just hadn't found some way to kind of like
00:10:13.160 reconcile these two worlds at the beginning and then took some time off and then ended up kind
00:10:18.880 of enrolling in a science, an art program at Concordia. So then I came here to study computation
00:10:24.000 arts and I was doing electronics and installations, but also started working with textiles. But
00:10:30.240 it still felt like there was something, I felt like there was like a way that I could reconcile
00:10:35.140 these two, these worlds that I was kind of like hovering and combining. And then I think it was
00:10:40.440 probably about a year and a half ago, maybe even more at this point, maybe almost two years ago,
00:10:45.520 started coming to workshops here and was like, Oh, like this is something, this is a way that
00:10:50.700 I can tie in all this work, the science work that I was doing and electronics and I don't know,
00:10:56.880 find this community where we all kind of are on the same, the same path. But yeah,
00:11:03.840 it was really wonderful. And then after doing a few workshops here, we started,
00:11:06.900 came up with this project, which I guess we'll talk about maybe in greater detail after we've
00:11:11.140 kind of gone around. Why don't you give us a little intro? Yeah, talk about it.
00:11:14.480 Yeah, sure. I mean, we had this idea. I mean, the workshop that I came to first was working
00:11:20.580 with this incredible bacteria, which we also could talk about more, was serracea, which is,
00:11:25.720 I don't know, you probably could even talk a little bit more about it better than I can, but
00:11:29.380 yeah, actually. So serracea is a pigment producing bacteria. Okay. And so we're interested in
00:11:36.740 using these bacteria that produce pigment as textile dyes, as, you know, exploring alternatives
00:11:42.440 to a very toxic dye industry. But also looking at ways to work with living systems. So yeah,
00:11:51.460 serracea was the first bacteria, but this is where it ties into witchcraft as well,
00:11:56.240 is it is also nicknamed the blood of Christ. Because this bacteria is responsible for
00:12:05.060 statues of saints crying tears of blood because it's red and so it just drips the red yeah it
00:12:13.720 grows on stone and it drips the red um but it points like there's a really interesting conflation
00:12:22.540 even though scientists will deny this some scientists will deny this there's an interesting
00:12:29.140 conflation between religion and science and you know when you're working in the lab and you're
00:12:34.120 going through all of the protocols, how ritualistic they are. And so, you know, in, in terms of a sort
00:12:40.940 of, uh, part of our project, which I'll let Alex talk about, we have really exploited this idea of
00:12:48.480 ritual as laboratory protocol. And from, from a witchcraft standpoint, from a feminist standpoint, 0.99
00:12:55.480 like what feminist rituals can we incorporate into our scientific protocols? And we've done 0.99
00:13:01.120 some pretty crazy stuff that's actually worked really well scientifically and yeah we had to
00:13:09.320 jump through a lot of hoops though to be able to do it yes we did tell me more about a science
00:13:15.200 ritual in the lab a witchcraft ritual in the lab that worked well so much of it was i mean coming
00:13:20.900 up with with protocols but we're not coming we're coming from a place where we are drawing from
00:13:25.220 past knowledge but really having to make up or just like take the knowledge that we have and
00:13:29.800 figure out the best way we possibly could move forward within the given conditions yeah totally
00:13:35.060 diy because so basically the bacteria that we were particularly interested in working with is this
00:13:40.480 bacteria called vulgisella indigofera and it produces naturally this like beautiful blue this
00:13:45.840 beautiful deep indigo kind of color and we were like we just want to get our hands on this everybody
00:13:50.300 loves blue yes i mean and blue has this whole other mythology behind it which we can maybe even
00:13:54.920 talk about later. But, um, so this was the particular bacteria that we wanted to work
00:13:59.040 with. And so it was this whole process of having to, we got a little grant from the
00:14:03.660 textiles and materiality cluster also at Melia, um, to work with this bacteria. But
00:14:08.560 we ended up doing some research and figured out that we wanted to work with blood, blood
00:14:15.160 agar, which actually there is a, because, because the species of bacteria grows really
00:14:21.700 well in iron rich environments yes okay yeah so and we weren't the one that we weren't the first
00:14:27.500 ones to come up with this there's been kind of a precedent to work with blood agar i think it was
00:14:31.000 first talked about like in 1938 and usually people were working with horse blood or sheep's blood
00:14:35.900 sometimes human blood but people were pricking their finger and there was like a whole description
00:14:40.440 of it i think in this big history of bacteriology that was produced in the 40s so blood yeah blood
00:14:46.960 agar is pretty standard scientific protocol totally however however we couldn't really get
00:14:54.720 our hands on sheep's blood and we weren't sure we wanted to yeah but we kind of looked around
00:14:59.140 the room at each other and we're like well we bleed you know who produces a lot of blood this
00:15:03.840 guy yeah exactly 30 days just in time with the moon coincidentally yeah yeah we have a renewable
00:15:10.540 resource here. Yeah. So we tried it out and we developed a protocol for menstrual blood agar
00:15:18.420 plates and our iron loving bacteria thrived. Better than like the specific new, like the
00:15:26.180 specific agar plates that you, that it, I don't know if you're, when you're getting the bacteria
00:15:30.740 from a supplier, they provide you with, um, this other kind of agar that it's supposed to thrive
00:15:36.280 on, but it loves our menstrual blood agar so much more. Like this thick, shimmering kind of blue
00:15:43.700 iridescent color that we weren't getting from the nutrient agar that it was supposed to grow
00:15:49.300 really well on. I'm air quoting, but you can't see. Yeah. Yeah. It's pretty much like as DIY as
00:15:59.860 you can get. And then, I mean, I can imagine where there's already a sense of ritual. If
00:16:05.600 you're working with your own blood then you're kind of timing when that can happen totally oh
00:16:10.800 yeah yeah it's amazing because sometimes we'll be like i don't know if we have enough blood to do
00:16:14.220 this big project and so it's totally kind of transformed how i think about menstruating and
00:16:19.840 how i think about it as this this like precious resource and trying to like absolutely collect
00:16:25.260 and save it as much as possible and if i'm like in a spot where i can't like collect harvest or
00:16:31.360 collected it's like it feels like a waste no and it's totally shifted yeah so it's like giving this
00:16:38.460 new value to not only a waste material but also a taboo material and we had to jump through like
00:16:48.000 quite a number of bureaucratic hoops I had to go sit in a doctor's office here at Concordia
00:16:55.360 and have a discussion for over an hour with the doctor
00:16:59.660 about why I did not need to be vaccinated to handle my own menstrual blood.
00:17:06.240 They wanted me to get a hepatitis B vaccine,
00:17:09.760 which is like, okay, if you're working with other blood.
00:17:14.180 Sure, probably like samples of blood, maybe.
00:17:16.880 Whatever, yeah.
00:17:17.920 But I was like, wait a minute, I can go down the hall into the bathroom
00:17:22.620 and handle my own blood and there it's not considered a biohazard but here in the lab
00:17:29.720 it's considered enough of a risk that i have to sit in this office with you and argue about why
00:17:37.060 i don't need to get a shot so that was a really really interesting part of the process and
00:17:42.880 that's another that's another layer of ritualistic practice that goes along with
00:17:49.540 laboratory practice is this whole bureaucratic stepping like jumping through hoops the paper
00:17:57.200 machine yeah so that's something that i'm really interested in resisting it like breaking it down
00:18:04.360 understanding what this is about like is is this actually about this is a legit biohazard or is
00:18:09.880 this about the fact that this is a woman's body material this is like you know stigmatized and
00:18:21.340 it's this whole like ick factor that exists socially and so we we've been really enjoying
00:18:27.280 kind of putting this in people's faces a little bit like hey guess what this bacteria has grown
00:18:33.160 not imagine yeah so um there's so much and there's so much uh spell work that's already been done
00:18:44.300 using menstrual blood you know and it's like it's something that has been known throughout history
00:18:50.820 as containing this life force and so we're also interested in that being one of the the co-agents
00:18:58.460 in the work that we do you know and there's so much sort of power and ritual around timing with
00:19:06.720 the moon that's something that we think about a lot that like the sort of fertility for us in the
00:19:11.720 new moon and then yeah shut up to fertility in the new jackie's all about jackie step up to the mic
00:19:19.740 whoa get right in there i think uh so yeah fertility is a hot topic for me um i i my work
00:19:30.220 has kind of just randomly stumbled upon the issue of fertility uh well akin to the fact that i'm
00:19:38.860 transgender and so for transgender women the uh the notion of fertility in the woman's body is
00:19:46.800 the, the pinnacle of what it is to be a woman is to have a womb and to menstruate and to be
00:19:55.540 fertile in that way. And, uh, as a transgender woman, it's just not, that's not, that's not 0.99
00:20:03.840 the biological level at which I think about fertility. I think about fertility, there,
00:20:08.540 there's two different ways at which I think about fertility now, especially after the work that I've
00:20:14.040 been doing. Um, one is that transgender women don't give birth to a child. They give birth to 1.00
00:20:22.300 themselves. Uh, and then the other, uh, side of it that I've kind of been exploring through my work
00:20:28.960 is that, um, basically, uh, for me, when I work with, uh, like living systems or like living
00:20:39.060 organisms it's a way of me nurturing and caring and giving towards something um caring for it
00:20:46.360 just like a child uh and uh sort of like allowing myself to be fertile and give love and care
00:20:55.260 towards another organism and at the end of it you do need to realize that it's a living organism
00:21:00.660 and it has its own autonomy and that it's going to do whatever it wants so um just like a child
00:21:07.520 So, yeah, that's kind of how I kind of stumbled into fertility.
00:21:16.440 And it's a hot topic within transgender issues or the transgender question especially.
00:21:23.680 And I think just being how my relation to witchcraft, as a transgender person, we don't really have anywhere else to go in terms of religious institutions.
00:21:34.900 um no one else will really have us so it's being a witch is just sort of inherently a part of being
00:21:42.860 transgender and so when i'm it's it's amazing to me the fact that i'm able to be a part of
00:21:50.800 space and be a part of these communities of women um and some of them haven't been so kind to that 0.60
00:21:57.260 But I think that it's definitely coming up now where transgender women are being more recognized within the witchcraft community.
00:22:11.220 And so, yeah, it's really exciting that we're able to be a part of these communities now.
00:22:15.880 Because I think that what's most important about it is that it gives voices to people that see the world from a different perspective.
00:22:23.040 um seeing the world as a transgender person um you see parts of the binary that someone within
00:22:31.320 the binary can't even fathom um so it's just for me it's a good way of looking at um the world i
00:22:41.720 think and it's important to at least hear us out and see what we have to say and that's what i
00:22:46.900 really love about the lab especially uh is the fact that like even though i'm a very different
00:22:52.880 type of woman um i still am just as like credible as a woman in here especially and uh yeah and i
00:23:01.800 think that art and science also mimic that in a lot of ways because um i mean they're two very
00:23:09.320 different ways of looking at the world um being like i'm a classically trained artist and my
00:23:14.920 practice definitely is more artistic. Um, but I've been a biology nerd for like, since I was
00:23:22.620 a kid. So, um, it was only natural that it progressed into this, but I've noticed that
00:23:27.980 the two worlds of artists and scientists, they think very differently. Um, and sometimes they
00:23:34.020 don't, uh, coincide, but when they do, it, it allows for a really amazing look at how we see
00:23:42.820 the world um what we yeah just just issues in the world i think that it's important to look at
00:23:49.560 these perspectives and sort of listen to these voices and see what they have to say because it
00:23:54.140 yeah you're touching on something that is also it's i mean it's an inherent part of the ethic
00:24:00.880 of this lab uh i mean we're working with incubators in here you know and essentially to
00:24:10.360 encase and embody and nurture and care for living systems and you know that's that is an expression
00:24:20.880 of empathy and care and these perspectives and also the notion of of queering science and
00:24:30.260 making uh adding these multiple perspectives is something that is critically important
00:24:36.940 to the world right now. Because all of this hyper-categorized thinking and binaries
00:24:45.240 have led us down this path of destruction for the planet that we have to do something about.
00:24:52.640 And we can only do that by looking from the perspective of the microorganisms, 1.00
00:24:58.640 looking from the queer perspective, looking from the transgender perspective. These are all really, 0.99
00:25:04.520 really valuable, um, forms of knowledge that need to no longer be disregarded. And for me,
00:25:13.080 that again comes back to witchcraft because, you know, witches are sort of the original
00:25:21.240 bio-influencers, you know, witches are the original medicine people. Um, and witches are
00:25:30.160 also non-binary completely um so you know we we have to sort of uh assert our multi multiple voices
00:25:41.600 in this way to to to get people to wake up and realize that this um really uh specialized like
00:25:50.740 boxed in professionalization way of viewing the world and categorizing living systems into these
00:25:56.880 separate um boxes is killing us yeah so yeah yeah yeah uh and and i think that that just that just 0.99
00:26:08.960 comes down to like a very matriarchal um perspective of the archetype of the witch
00:26:15.920 it's like it's a woman that is in her power um she's she's able to care and give and nurture 0.95
00:26:22.120 but she's not being taken from, which is something that the patriarchy has really instilled in women,
00:26:27.340 is that they're just capable of just being taken from over and over and over again.
00:26:34.660 And I think that in terms of, like, ecology and the way that we think about ecology,
00:26:40.060 one of the pinnacles of feminist ecology is the fact that, like, the only reason that we're able to, 0.99
00:26:45.500 um the only reason that patriarchy has allowed us to take from earth so much is the fact that
00:26:52.300 we feminized her and i mean it it's like calling her mother earth um actually signifies in the
00:27:01.600 patriarchal mindset that she's someone that you can just take from and take from and take from
00:27:06.020 and she wants to give and she wants to give and she needs nothing in return and that's that's so
00:27:11.740 wrong because it is it's our duty to give back to her and to care for her as well and to communicate
00:27:18.000 with her um so that we know how we can better ourselves in continuity with her so yeah and
00:27:27.420 one of the things that i've wanted to promote in this lab from the beginning is empathy as a lab
00:27:36.460 technique and that's something that really flies in the face of uh traditional scientific practice
00:27:43.840 because you have this whole idea of ethics and bioethics and part of um scientific practice is
00:27:57.240 well you have asepsis so asepsis is maintaining this level of sterility and not touching anything
00:28:06.480 you don't make contact you don't make contact with your hands or your skin you don't touch
00:28:11.320 anything in order to keep a sterile environment but that translates psychologically to a state
00:28:18.460 of emotional asepsis and a way of depersonalizing your work and not identifying with it on an
00:28:26.120 emotional level just in order to conduct your experiments and sort of feel like you're being
00:28:31.540 ethical about it. But I'm really interested in repersonalizing our relationships and
00:28:40.400 anthropomorphizing the materials that we work with enough that we can identify with them and
00:28:45.900 care for them in a way that they're not just experiments anymore. They are, I'm not going to
00:28:55.380 say our collaborators i i wouldn't because we're still controlling the situation and collaboration
00:29:01.720 implies a willingness that we don't we can't know if the bacteria is willing or not um but they're
00:29:09.380 they're co-agents in our creative process and they are participating in that way and
00:29:14.860 to empathize and identify with these things allows us to take a deeper look at our own human behavior
00:29:23.200 in the world as well and i think that uh by by fostering this sense of empathy for our materials
00:29:32.040 and i'm not you know i'm not saying that scientists don't care about their lab rats and things like
00:29:37.540 that because i know scientists who do take very very good care of their animal experiments and
00:29:43.720 whatnot but um from an emotional level you know i i like to tell people to talk to their experiment
00:29:52.200 Like talk to their bacteria, you know, the same way that you would talk to a plant to help it grow better.
00:30:00.780 And by identifying with it as like your child, you're naturally going to take better care of it.
00:30:08.380 And that's going to extend out from the lab into the rest of the world and the way our attitudes towards other living systems around us and decentralize the human.
00:30:22.200 And the same way that spell casting is often just talking to your environment,
00:30:29.500 sort of like gently pulling from your environment the things that you hope to see in your world.
00:30:34.460 And I think prayer is often, we're talking to the universe or we're talking to a God figure about ourselves
00:30:43.660 and it's a co-creation if we're lucky.
00:30:46.600 And I can see the beauty in bringing that into a lab where sometimes the sterility of it can make you the god figure, you know, that can make you the...
00:30:56.300 Definitely that.
00:30:57.840 And that touches on this idea of hierarchies.
00:31:01.140 And I'm really interested in flattening hierarchies and flattening knowledge hierarchies between science and art because we know that there's a distinct hierarchy there.
00:31:11.540 flattening hierarchies
00:31:14.500 between different academic levels
00:31:16.640 of researchers
00:31:17.760 whether it's undergraduate student
00:31:20.360 or graduate student
00:31:21.500 or faculty
00:31:23.820 flatten that completely
00:31:25.920 a hierarchy
00:31:28.480 that happened at a point
00:31:30.500 during
00:31:32.840 the 0.98
00:31:34.220 women's holocaust
00:31:36.020 or the witch hunts 0.79
00:31:37.360 that's not science
00:31:39.400 we're the holders of science
00:31:41.720 and so these people are dangerous
00:31:43.500 we're the professionals
00:31:44.960 you're just folk craft
00:31:47.600 whatever yeah
00:31:49.020 for sure
00:31:50.760 we have
00:31:53.100 found a lot like
00:31:54.500 recently I started this project as
00:31:57.180 non-superstitious people
00:31:59.080 witches but like science minded
00:32:00.760 our witchcraft doesn't come from 0.95
00:32:03.160 superstition it comes from our
00:32:05.020 looking at the world and saying like
00:32:07.180 well this is how we see things
00:32:08.960 happening so how do you all in particular deal with it when people who have that established
00:32:16.440 hierarchy in their mind are like patronizing for for lack of a better word one of the ways that i
00:32:21.660 deal with that is by uh contextualizing or providing a framework for witchcraft that is
00:32:33.400 rooted in an anthropological understanding of witchcraft.
00:32:38.480 And so, from an anthropological point of view,
00:32:43.440 witchcraft is, I define it as an interface methodology
00:32:48.740 between human actors and non-human unseen agents.
00:32:55.280 And that can include everything else.
00:32:58.760 And just by using that vocabulary, you basically shut down anyone who says that.
00:33:03.420 Right. I know what I'm talking about.
00:33:07.260 And just to be really specific, when you say it can include everything specifically in this lab around us,
00:33:13.440 it can include bacteria, and it can include wind patterns, and it can include...
00:33:18.400 Exactly. It can include data.
00:33:20.780 It can include electronics.
00:33:22.400 There's the agency of machines as well
00:33:26.280 That sometimes very much influence the work that we do
00:33:30.660 Because like I mentioned before
00:33:32.060 We're dependent on electronic incubators 0.96
00:33:35.180 To perform part of this act of mothering
00:33:40.100 Or caring for our projects
00:33:42.540 Literal waves of electricity coming from dams up north
00:33:47.640 Exactly
00:33:48.360 Creating the power that you rely on
00:33:50.040 Yeah. I like to refer to one author in particular who has been really influential in my thinking about my work with living systems and unseen agents as well.
00:34:03.400 And that's Jane Bennett. And Jane Bennett has written a book called Vibrant Matter.
00:34:09.400 And it's sort of a new materialism perspective, but it is acknowledging exactly that the infrastructure that exists that's behind all of the materials that we work with, as well as all of these little forces that are happening.
00:34:30.200 And so I think the witch, that's what the witch is already acknowledging.
00:34:34.380 You know, you can give it all kinds of academic categorizations.
00:34:39.540 You can call it new materialism. 0.90
00:34:41.460 Sometimes I refer to feminist materialism. 0.95
00:34:44.520 But essentially it all comes back to what witches and artists and queer people have been doing all along. 0.86
00:34:50.940 You can also call it political economy, right? 0.96
00:34:52.940 Like, it's looking at the sort of social, economic, and material structure that is unseen and is supporting all of our sort of cultural choices. 1.00
00:35:01.700 Often performed by women. 0.75
00:35:04.580 Yeah.
00:35:07.380 We're all sitting around smiling and nodding, just, like, feeling, feeling, like, out here wondering what's going on in the lab.
00:35:15.180 Yeah.
00:35:16.060 It's like we all just owned together.
00:35:17.900 one of my best friends is extremely logical she'll say like yeah when i make a list
00:35:24.800 that really helps me to organize my thoughts and i'll say to her well that's spellcasting
00:35:29.440 and she'll say well no and i'm like well tell me the difference you took your intentions
00:35:35.520 and you made them material and that's going to help you to focus your intentions and to manifest
00:35:40.900 them. So to me
00:35:42.900 they're
00:35:43.480 right.
00:35:46.840 So again, maybe
00:35:48.640 we could turn the mic to you. How do you
00:35:51.040 contend with
00:35:52.260 the real or imaginary
00:35:56.860 the ripping apart of magic
00:35:58.840 and science?
00:36:01.460 Okay, so my name is Vanessa.
00:36:03.080 I'm working as part of the
00:36:05.140 back interium team with
00:36:07.200 Whitefeather and Alex
00:36:09.040 for over a year.
00:36:10.900 And if I can just tell a bit about my background, I'm from textile design and I was working for the last 20 years in fashion.
00:36:19.080 It's when I realized that the fashion industry and the textile industry was so polluting.
00:36:24.280 So I was thinking about materiality and I wanted to come back to a more meaningful way of thinking about textiles and colors and materiality.
00:36:35.260 And I remember when I was reading Cradle to Cradle, you know, this designer, McDonough, and this scientist, Bongrat, they team up together to come back to what we call the Cradle to Cradle and the circularity in designing objects that is not going to affect our surrounding, our environment, and our health.
00:36:58.360 and they started to talk a lot about life cycle
00:37:02.640 and how when we conceive something,
00:37:05.260 we have automatically to think about the death.
00:37:08.400 So this is a life and death connection
00:37:12.280 and I was really interested in that
00:37:14.280 when I started my PhD a year ago.
00:37:17.740 And because it's an individual program
00:37:20.100 and we can mix disciplines,
00:37:22.080 to me when I got the opportunity to work in the bio lab
00:37:25.140 with Whitefeather and Alex,
00:37:26.920 I was really interested in this aspect of designing, creating from a biological point of view,
00:37:37.320 like designing from living organisms was a way of putting apart all this toxicity.
00:37:46.580 So designing with bacteria, and especially the Vorgicella bacteria,
00:37:50.940 was really amazing because we discovered when we researched a bit more about this bacteria
00:37:59.400 that it was isolated from a pond who was full of toxic waste for the last 20 years.
00:38:09.740 And I was really amazed in the life cycle once again of this bacteria
00:38:13.420 who was giving birth, not talking about fertility once again.
00:38:19.180 And it was rising from waste, like toxicity and human waste,
00:38:25.640 and a way of a lesson from nature,
00:38:29.400 like nature showing us the path and showing us the way to transform the toxicity
00:38:35.700 of these chemicals we were given since the Industrial Revolution
00:38:40.500 into something beautiful, colorful, and biodegradable,
00:38:46.460 because this bacteria, which is a colorful bacteria, is going to produce color.
00:38:51.780 And not any kind of color.
00:38:53.780 It's indigo color.
00:38:54.980 And indigo, we use it a lot in denim.
00:38:57.580 There was a documentary called The Blue River, and it's one of the most toxic colors.
00:39:03.960 And by producing an indigo who would come from a bacteria, a living organism, 0.96
00:39:10.140 with a background of toxicity behind it
00:39:14.460 and transform it into something beautiful like a sustainable color
00:39:18.180 was really the magic of it to me.
00:39:21.300 And when I started with this team
00:39:22.820 and we started to discuss about protocols, recipe,
00:39:27.440 I got really, really excited about it.
00:39:31.560 And I make the link with everything you were telling before,
00:39:33.960 like about fertility.
00:39:36.420 You know, like we call it within the team our babies.
00:39:40.140 So the babies are growing, and we got so excited because when you go to, you know, like, you go to buy a T-shirt or any kind of clothing, like, there is no value.
00:39:50.320 You know, you pay for very cheap, but there is no value.
00:39:53.200 That's why we're talking about disposable fashion these days.
00:39:56.920 But when you understand the process of it, and it's why also in my research I like to work about the transparency of the making,
00:40:04.260 how what you wear is coming from, how it is dyed,
00:40:08.560 which kind of chemicals or not chemicals,
00:40:11.840 which kind of processes, which kind of craft.
00:40:14.420 And so the clothes you're wearing, there is a bonding, a bigger bonding,
00:40:18.720 and there is more value in what you wear.
00:40:22.540 Once again, I'm talking about life cycle,
00:40:25.060 but all this problem of disposable fashion produce a lot of waste,
00:40:30.720 and this weight is very difficult to eliminate.
00:40:33.440 So if the color you're using, like in that case, indigo ferra, could be in a way biodegradable,
00:40:42.400 it's a way to improve, you know, to respect our mother's health, like you were saying before.
00:40:47.460 And the other thing is when we decided to do this blood agar,
00:40:52.760 receiving menstrual blood agar, our witch protocol, I was really amazed because during my research, 0.78
00:41:00.560 Of course, we all know I'm not going to teach anything about that.
00:41:03.720 The only thing with growing and growing, because resources, natural resources, are really lowering a lot.
00:41:10.480 What is growing is population, you know, human beings.
00:41:14.960 And human beings can produce materials.
00:41:17.720 So natural materials, biological materials, like hair, like pee, poo, blood.
00:41:24.900 Which, again, comes up all the time.
00:41:26.920 You and, like, various stories of witchcraft is, like, basically anything that comes out of your body.
00:41:31.520 Yeah.
00:41:31.680 Like a magical...
00:41:32.500 Exactly.
00:41:33.320 So it was amazing to think that way.
00:41:36.900 And in that way, materiality, witch, art, and science all meet up in this biolab and make a lot of sense to me.
00:41:44.320 And to come back to, just to bring this back around to what you were asking about how do you sort of address the patronizing or what have you, this is Vanessa's PhD research.
00:42:01.020 And this is really legitimate academic research.
00:42:06.660 I'm about to head off to do my Ph.D. in bioart and biodesign,
00:42:11.520 and part of the reason I'm going to do my Ph.D. actually
00:42:13.920 is just so I can call myself a witch doctor. 0.89
00:42:24.420 Excellent. 0.97
00:42:25.960 We could go on forever.
00:42:29.080 We've been talking for about an hour.
00:42:32.100 Wow.
00:42:33.600 That's right.
00:42:34.000 I've been listening to this all day.
00:42:35.380 Me too.
00:42:36.660 it's uh i mean i have a hungry baby downstairs which makes me think you know i one of the most
00:42:43.680 emotional things that i read when i was pregnant is a piece um and we'll link to it in the show
00:42:51.680 notes if we end up using this part but um where they talk about the realization that when you're
00:42:57.940 giving birth you're giving birth to a death that part of the responsibility you have to carry
00:43:06.140 is that this being
00:43:08.200 that you will love more than anything
00:43:10.400 you know if you're lucky
00:43:12.360 and you're wired that way 0.99
00:43:13.560 postpartum doesn't fuck with you 1.00
00:43:15.120 is going to die 1.00
00:43:17.600 hormones 0.78
00:43:18.160 it's going to die
00:43:22.180 and I don't know I thought about that
00:43:24.520 while you were talking about
00:43:25.620 the sort of realization in fashion
00:43:28.180 and in industry and in production
00:43:29.880 that we have to take the death of these things
00:43:32.640 into account
00:43:33.500 you have to design for death
00:43:35.540 You have to design for death.
00:43:36.820 And we have to design our own lives and our own choices for our own deaths. 0.93
00:43:40.860 I also found it really emotional, Jacqueline, when you said that a trans woman gives birth to herself.
00:43:48.900 And we all have to take into consideration our own death in that birth given.
00:43:53.060 That was very striking to me as a cis woman who also doesn't menstruate.
00:43:56.720 for and it's infertile for lack of a better word that i really have to concentrate my fertility on
00:44:03.160 other forms of creation and i think that uh that's a really important message because
00:44:08.980 societally i get told i won't i won't say your experience but i get told that this is the
00:44:16.460 greatest love that anyone could ever experience this is the most important thing that a woman
00:44:21.240 could ever do is when you get birth to that child.
00:44:23.600 And so I've spent some time contending with that,
00:44:27.900 as I imagine you've had as well.
00:44:30.740 You know, but one of the best things
00:44:34.800 that one of my dearest friends again said to me
00:44:37.080 was that, you've taken MDMA.
00:44:39.560 You've felt the greatest love of all.
00:44:41.640 You know, because we have to end everything with a joke.
00:44:46.120 But the good point is that there are so many different ways
00:44:48.840 of being fertile in this world.
00:44:51.240 um if you want to talk about that please do and creative like that that is obviously where i
00:44:57.700 conceive what i conceive is in a creative sphere yeah no definitely and i mean like like if if
00:45:06.300 you've ever received an email from me or a letter i always sign off uh fertility uh that's like the
00:45:12.580 last thing i always type because i think fertility can and and my mom actually was like why do you
00:45:19.760 sign off your emails like that. And I was like, well, I, in my, in my mind, fertility
00:45:24.980 has so many different forms at which it can come to fruition in your life. And I think
00:45:29.940 that wishing fertility upon someone in any form is the greatest wish that you can possibly
00:45:34.980 give to someone. I mean, fertility could be a fertility of life. It could be a fertility
00:45:40.580 of prosperity in your life. It could be a fertility of happiness in any form that it
00:45:47.300 tapes but um i think that i think that fertility is just something that everyone does engage with
00:45:54.760 um and everyone just does it differently and so much of the history of witchcraft and ritual
00:46:01.960 is centered on fertility yeah and death yes whether it be that sort of planting a garden
00:46:10.320 and watching it grow the fertility or planting the seed of an idea or watching it grow or
00:46:15.600 um yeah yeah there again so many different ways of being a witch yeah yeah these circular 0.97
00:46:24.900 matriarchal models of life and death and just the way that even the way that the planet works 0.99
00:46:31.140 in terms of the seasons and everything uh the the circular model that witchcraft provides um
00:46:38.340 i think is a really important one that can be adopted in many different ways uh in in society
00:46:45.120 not just within religious institutions,
00:46:47.440 but it can just be applied pretty much anywhere. 0.99
00:46:49.860 I mean, I'm all for matriarchy, obviously. 1.00
00:46:52.940 Yay! 0.93
00:46:54.140 I'm not matriarchy, but, yeah, so. 1.00
00:46:57.960 Yeah.
00:46:59.080 In terms of what you were saying about the,
00:47:03.000 the light on this kind of thing,
00:47:04.940 Genesis was a project by Harker Kapp
00:47:07.620 where he took the phrase from Genesis that said,
00:47:11.400 let man have dominion over the fish in the sea,
00:47:13.960 the bottom of the sky and everything that moves on this great earth.
00:47:19.040 And he took this phrase, coated it into genetic proteins, and then allowed it in a viewing
00:47:26.880 space.
00:47:28.500 He developed this protein and allowed it in a viewing space on a UV light path, where
00:47:33.560 the viewer could turn on and off the UV light.
00:47:36.700 And by turning it off and on, the viewer actually is just genetically mutilating this protein
00:47:42.820 structure.
00:47:43.960 um, and physically put the dominion in the hands of the viewer, and, uh, it does call
00:47:51.180 into question around, like, arts and science and religion, um, the, the, it demonstrates
00:47:59.280 how human beings are actually altering the natural world, and we do actually have, um,
00:48:05.480 power over these organisms.
00:48:07.300 For better, for worse.
00:48:08.000 For better, for worse.
00:48:09.020 And, I mean, in this case, it was for worse, because at the end of it, the, the phrase
00:48:13.160 was just completely jumbled when you
00:48:15.020 recoded it. The biblical phrase.
00:48:17.180 Yeah, the biblical phrase was just completely...
00:48:18.640 What a metaphor. I know, right?
00:48:20.760 Yeah.
00:48:22.560 But yeah, so in terms of
00:48:24.160 let there be light and all this kind of thing,
00:48:26.580 I think that there's a really strong connection.
00:48:28.860 Let there be you be.
00:48:30.340 Let there be you be.
00:48:32.700 Yeah.
00:48:34.140 I just thought I should pop that in there.
00:48:36.360 Yeah, let there be light and also let there
00:48:38.440 be dark. Exactly.
00:48:40.920 Yeah.
00:48:43.160 I think if this is our in bulk special, then we're sitting at that point.
00:48:47.920 You know, Groundhog Day has some older origins around whether, you know,
00:48:53.720 the witch who's washing her cape is making big storms
00:48:56.860 and whether we'll see if it's the end of the winter season or not,
00:49:01.520 whether she's going to, you know, turn her, like, yum, spring-like face to us,
00:49:06.700 whether the crone will reign over us for a while longer.
00:49:09.700 and we're in this turning point of crone and maiden.
00:49:13.440 So let's have both of them.
00:49:15.740 Let's cherish our crones as well. 0.99
00:49:18.280 I love that witch.
00:49:19.820 We need it all.
00:49:20.740 We might just hang on to the darkness a little bit longer.
00:49:24.200 A little bit longer.
00:49:26.180 Yeah, take your strength from the dark and bring it into the light.
00:49:30.280 Vanessa, I feel like you grabbed the mic and laid down some wisdom.
00:49:33.800 It was really great.
00:49:35.160 But we didn't direct a lot of questions towards you.
00:49:37.640 And I feel like your stories are fascinating about finding that line from fashion into this lab
00:49:43.100 and maybe into identifying as a witch.
00:49:46.160 Or was that something that you had before?
00:49:47.640 Or maybe you don't have that now?
00:49:51.420 No, it wasn't something that was in me that I knew about.
00:49:55.180 But when I went into this experience, I got really excited into it
00:49:59.660 because of these new opportunities to design from another perspective
00:50:04.720 and create some protocols, recipes, writing every ingredient and measuring them
00:50:11.060 to make sure, you know, what we do is not an accident,
00:50:13.900 but it's really like something we can redo over and over
00:50:16.720 and just being, you know, a team of women with our little spell.
00:50:22.560 What was our little spell? 0.82
00:50:24.360 We had the cauldron protocol.
00:50:27.320 Oh, can we show you our cauldron?
00:50:28.860 Yes.
00:50:29.120 Okay, where's our cauldron?
00:50:31.520 Risa, do you want to do a description?
00:50:36.580 Sure, I'll do a live narration.
00:50:39.440 They rushed around.
00:50:40.860 There's tiny, there's like a room full of white, sterile, white cupboards,
00:50:45.700 and they hovered around going, where's our cauldron?
00:50:48.100 And then they bring out a tiny black stone cauldron and put it on the table.
00:50:53.500 It's this beautiful iron cauldron.
00:50:55.380 Oh, iron.
00:50:57.020 Cast iron.
00:50:57.980 Cast iron.
00:50:58.380 So when we were imagining ways that we could work with this iron-loving bacteria, this
00:51:03.980 pigment-blue-producing bacteria, we're like, wouldn't it be amazing if we tried to grow
00:51:08.020 it in actually an iron cauldron?
00:51:10.520 And so I think we still want to try that with our menstrual blood, but within this cauldron
00:51:15.680 and culture we have there.
00:51:17.300 And there's so much kind of cooking culture around using the cat's iron, right?
00:51:23.600 Absolutely, yeah.
00:51:24.440 This little bio-art kitchen.
00:51:26.320 Yeah.
00:51:26.580 There are a lot of parallels to be drawn between the laboratory and the kitchen, especially when you bring witchcraft into it and, you know, cooking and working with herbs and spell casting and all of these, you know, fluids.
00:51:41.460 Yeah.
00:51:42.760 Our little cauldron was the very beginning of the first protocol that we wrote as a spell.
00:51:49.520 And so what was our motto was prophecies, not hypotheses.
00:51:56.580 I love you guys.
00:52:01.120 Yeah.
00:52:01.800 And I just,
00:52:02.500 I was so tender this moment with us all sitting around and just like,
00:52:07.140 I can't remember who said that,
00:52:08.360 but then it just like,
00:52:10.340 I don't know,
00:52:10.780 fostered this like lovely,
00:52:12.280 it was a group emergence.
00:52:15.060 Yeah.
00:52:15.560 Yeah.
00:52:16.180 I really,
00:52:16.740 yeah.
00:52:17.020 I don't know.
00:52:17.320 I felt like that was when we really felt cohesive together and we were
00:52:20.080 coming up with these spells,
00:52:22.280 these little spells together.
00:52:23.980 It was as a part of the process that we integrated,
00:52:26.580 into our protocols as well i remember when we were writing and they have solid scientific
00:52:33.000 underpinnings yeah yeah thank you guys just uh infinitely for uh reaching out and inviting us
00:52:42.100 to bring our questioning here and for filling us up with your energy and your wisdom and your
00:52:48.540 spells in your magic yeah as um our favorite uh internet witch gift maker says i can hear the web
00:52:59.780 singing from here um so thank you so much and i hope um that we can continue this conversation
00:53:09.780 in maybe future episodes um but yeah just thank you so much for having us
00:53:15.720 so definitely check out speculative life biolab.com and have a safe and happy 0.95
00:53:21.080 involved happy involved we love you you aren't being a proper woman therefore you must be a witch 0.81
00:53:26.760 you must be a witch the missing witches podcast returns wednesday march 20th 1.00