There Are No Girls on the Internet - July 19, 2023


Elizabeth Holmes works the press like a pro

Topics
What is a journalism? TikTok and the future of news (w⧸ Vitus Spehar of Under the Desk News!) Moral panic over trafficking gets a movie; The writer who criticized it gets death threats. Interview with Rolling Stone’s Miles Klee

Episode Stats


Length

58 minutes

Words per minute

182.14

Word count

10,613

Sentence count

700

Harmful content

Misogyny

31

sentences flagged

Toxicity

26

sentences flagged

Hate speech

23

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:01:05.720 She checked a lot of boxes in that regard.
00:01:08.600 And she knew it.
00:01:09.740 And she worked it. 1.00
00:01:10.560 And she worked it all the way to the slammer. 1.00
00:01:18.420 There Are No Girls on the Internet
00:01:19.720 is a production of iHeartRadio and Unbossed Creative.
00:01:22.120 I'm Bridget Todd, and this is There Are No Girls on the Internet.
00:01:31.780 You probably know the story of Elizabeth Holmes, the scrappy, deep-voiced Stanford dropout 1.00
00:01:38.080 who used her college money to start Theranos, a company that promised to disrupt blood testing 0.91
00:01:43.500 with the use of a device capable of screening for everything from cancer to AIDS with a single
00:01:48.660 drop of blood. She even had a pithy little story about how she was inspired to start Theranos
00:01:54.720 because she was afraid of needles and couldn't stand to let a little prick to draw her blood
00:01:59.560 be stronger than she was. Honestly, it's kind of a great story. And it worked. In 2014, Forbes named
00:02:07.480 Elizabeth Holmes the world's youngest self-made female billionaire. And by that time, Theranos
00:02:13.280 had raised over $400 million in venture capital and was estimated to be worth billions. But it
00:02:20.060 was, of course, all a scam. Theranos' devices could never test blood. Elizabeth Holmes and
00:02:27.720 her former partner, COO Sunny Balwani, played everyone. Wealthy investors and board members,
00:02:34.580 including Rupert Murdoch, former Secretary of Education Betsy DeVos, and former Secretary of
00:02:40.340 date, Henry Kissinger, the retail pharmacies meant to house the devices, and most importantly,
00:02:46.240 the patients. Like the mother with a history of miscarriages, who Theranos devices wrongly told
00:02:52.120 that she would never be able to have a baby. Someone given a false HIV diagnosis, who then
00:02:56.860 had to wait months until they could afford a follow-up test. And someone given a false
00:03:01.220 cancer diagnosis. Elizabeth Holmes hurt real people. But that fact did not stop her from 1.00
00:03:07.800 doing a fluffy profile in the New York Times magazine back in May.
00:03:11.800 Right as her sentencing for fraud was in the headlines, 0.95
00:03:15.180 called Liz Holmes Wants You to Forget About Elizabeth. 0.89
00:03:18.400 I'm sure she does. 1.00
00:03:19.880 Where she soft launches her new nickname, Liz, not Elizabeth,
00:03:24.160 and gives us the I'm just like you treatment,
00:03:27.260 complete with glossy photographs of her cradling her newborn infant in her arms,
00:03:32.280 a la Madonna and Child.
00:03:34.260 If Madonna had been facing jail time.
00:03:37.300 Now, the piece was pretty universally reviled.
00:03:40.440 And with the recent news from last week that Elizabeth Holmes' sentence is being quietly shortened by two years,
00:03:46.520 the profile seemed like a perfect bookend.
00:03:49.560 Because Elizabeth Holmes rose to prominence with the help of slick media profiles.
00:03:54.140 And it left me wondering about the role that those exact profiles had in her rise and ultimate fall from grace.
00:04:01.320 And the business of how those slick media profiles come to be.
00:04:05.200 So I turned to an expert.
00:04:06.680 Hi, my name is Leah Goldman. I am the deputy editorial director of GeoMedia.
00:04:12.940 I also run a newsletter, a social first newsletter called Hazmat Hotel, which is media analysis and criticism, unfiltered, uncensored.
00:04:23.240 Whenever I'm looking for like an insidery media hot take, I go straight to your feed.
00:04:28.440 You know, you've always got something interesting to say. How did you get here?
00:04:31.480 I've been in media, yeah, since the dawn of time, it feels like.
00:04:34.480 I started out in Forbes magazine. I was a business reporter. I knew nothing about business,
00:04:39.700 but those were the good old days where you could learn on the job. You didn't need
00:04:42.400 advanced degree or even a J school degree. And I was there for 10 years and I learned
00:04:47.340 how to write and edit and report from some of the smartest people in the game.
00:04:51.040 Those were the days where you could get fired for a fact checking error. So we were just a very
00:04:55.660 buttoned up group. And after that, I went over to Marie Claire. I wanted to try a more general
00:05:02.120 interest magazine. And I was very fortunate because it was the, you know, media had started
00:05:07.920 to coalesce around women's media. There really wasn't a formal women's media outside of Jezebel
00:05:13.600 really at that point. So I was there, this is pre-lean in. So I was there at a very formative 0.91
00:05:19.960 time, which was kind of exciting and also strange because suddenly women were hot and in like a 0.98
00:05:25.680 business sense, right? And it was exciting. There was a lot of interest on the advertising side, 0.95
00:05:31.220 which was unusual. So that was cool. I got to do very cool things there. Then I went over to run
00:05:34.940 Refinery29's newsroom before I got recruited to work in television at A&E, which was really the, 1.00
00:05:42.480 I would say the seminal moment in my career because I got to see how the other half lives. 1.00
00:05:46.320 If you're in media, you sort of look over that fence with envy, with lust, with your nose pressed 1.00
00:05:52.860 against the wall and your tongue hanging out. I want to work in everybody, whether they'll admit
00:05:56.620 it or not, wants the story that gets optioned for a movie that becomes Argo. And so I got to work
00:06:01.920 where those things get made, and I got to see what that was really like, which blew my mind,
00:06:09.000 taught me a lot. I call it my business school. I just actually used that phrasing this morning.
00:06:13.000 It was my business school in a lot of ways. And then decided after that, I'm going to write.
00:06:19.200 I'm a writer, and I am a writer. And after I left A&E, I was working under Nancy Dubuque. Nancy
00:06:25.240 went over to Vice. So I had to write out my contract. I was writing. I was writing full
00:06:30.220 time. And then COVID came and ended up working at GO, which has been its own crazy trip. But
00:06:36.900 that's how I got here. As a pioneer of women's media, especially, how have you seen that field 1.00
00:06:42.440 evolve? Well, I'm always like a little leery of that, of being tagged with that, because in fact,
00:06:48.140 there were like real pioneers in women's media. I just got lucky to be at an establishment
00:06:55.220 kind of media outlet that happened to be in fashion and beauty. So it was flush, right?
00:07:00.600 It had resources, which a lot of the other, like Jezebel didn't have that. So they all credit where
00:07:06.520 it's due and it's not Marie Claire where it's due. But I will say this, the one thing I do
00:07:11.080 feel like I can crow about, I'm proud of it, is that when I was at Marie Claire,
00:07:16.100 I created the very first dedicated section in a women's magazine devoted to career, right? So
00:07:24.500 historically, women's magazines would cover it through the lens of money. And like the big 1.00
00:07:29.040 cliche was that credit card stuck in a block of ice. That's how we talked to women about 1.00
00:07:33.680 their careers. It was through like how you spend your money and how to be frugal, you know? So here
00:07:39.020 was the first time we weren't talking about getting to the top. We were talking about what
00:07:42.040 it was like at the top. And I think that was very new. And so the idea was to focus less on the
00:07:48.380 burdens, though there were certainly burdens, and less on the challenges, though there were
00:07:52.780 absolutely challenges of getting to the top, but more like this is the view from the top.
00:07:57.600 And this is how you can change things once you get there. And this is why it's important that
00:08:01.960 you get there. And so when it feels like you're ready to quit or you feel like you don't have a
00:08:06.480 shot or you feel discouraged, just remember this is the view from the top. To really understand
00:08:13.220 Elizabeth Holmes, you need to understand the era where she rose to prominence. The 2010s were just
00:08:19.100 a different time. You kind of had to be there. It was a different time for media, a different time
00:08:24.180 for women. In 2013, Facebook's then COO, Sheryl Sandberg, released her book Lean In, which was 0.98
00:08:31.440 kind of pushed as a manifesto for a certain kind of working white lady. A year later, in 2014, 1.00
00:08:37.780 Sofia Amoroso, founder of the retailer Nasty Gal, releases Girlboss, which is kind of the same thing
00:08:44.000 as Lean In, but with an alt-y punk rock DIY ethos. That same year, Elizabeth Holmes' media
00:08:50.640 attention explodes. Fortune, Forbes, T, the New York Times Style Magazine, Inc. She's not just
00:08:56.940 in these magazines, she's on the cover. Writing about women and work and money and success
00:09:03.120 just felt hot. It's an era that Leah remembers very well.
00:09:07.460 It was an exciting time to be alive. It felt like we were on the cusp of something,
00:09:11.700 And then lo and behold, we were on the cusp of something.
00:09:14.060 What was it like to be doing this work through so many different eras, like the lean in era, the girl boss era, whatever era we're in now?
00:09:22.460 I don't even know what the era is that we're telling women through media.
00:09:26.100 Like, what has it been like to see all of these different changes?
00:09:31.980 You know, it's hard. It's hard to relive the rah-rah era. 1.00
00:09:36.400 It definitely felt like we were in the hot place, like we were in a hot zone. 0.99
00:09:44.540 There were exciting conferences.
00:09:46.220 Oh, my God.
00:09:46.680 It was all about the conferences. 1.00
00:09:48.400 It was always about the fucking conferences. 1.00
00:09:50.980 And it was always the same people you'd see both on the panels and in the audiences. 1.00
00:09:56.860 That's what I remember.
00:09:57.720 It was like, oh, she's here again.
00:09:59.420 Oh, she's here.
00:10:00.060 Like there were just, you know, people who denizens of these things.
00:10:04.860 So it was like a club, right?
00:10:07.720 And coming out of Forbes, I never felt like I belonged to a club because Forbes really
00:10:11.480 did not subscribe to this idea that there was like a media community.
00:10:15.400 It always was standoffish about being part of a club.
00:10:18.900 And so when I got to Hearst, which owned Marie Claire, I wasn't terribly well connected
00:10:23.160 because I didn't, you know, it wasn't part of my upbringing, so to speak.
00:10:26.600 And so now I was part of a club and people started knocking on my door.
00:10:30.680 And suddenly I'm editing Sophia Maruso. And suddenly I'm in a off the record conversation
00:10:35.820 with Sheryl Sandberg. And it was like, oh my God, like it was cool, you know, and it was fun. And
00:10:41.640 it came with all sorts of crazy perks. The downside obviously is like now in retrospect,
00:10:46.880 we can see how, you know, how much of a herd mentality it was. In fact, I was like,
00:10:53.600 you know, looking through, I always, I have all my stuff from that period, all my spreadsheets,
00:10:58.300 all my contacts, my Rolodex. I have like, you know, Elizabeth Holmes from Theranos. And like,
00:11:03.440 it was, we were, we were not, um, I, I, let me talk for myself. I could have done a better job
00:11:09.940 of being more circumspect and asking more questions and holding people accountable instead 1.00
00:11:15.940 of buying into this very heady era for women. And it was heady. Like it was, it was like things, 0.83
00:11:24.960 you know, it was like the era where Hillary Clinton was going to be president. Like things
00:11:27.760 were changing. Things were afoot. So obviously, we all are living with the fallout from that,
00:11:33.980 you know, that tunnel vision. And I was part of that. Like, I have to own that. I was part
00:11:40.180 of that tunnel vision. Part of Elizabeth Holmes' success is how she worked media. A young, blonde, 0.99
00:11:46.980 Stanford dropout in a black Steve Jobs turtleneck who was going to revolutionize blood testing?
00:11:52.180 It was just too perfect to pass up. Not just for women's media, but for media in general. 0.93
00:11:57.760 I think Elizabeth Holmes checked a lot of boxes. For starters, she got it. She got that for media, 0.83
00:12:04.260 not just women's media, but especially women's media, which could help drive a train. The dirty 1.00
00:12:08.800 secret about media, even now, even after all the reckonings and the closures, is that we all look
00:12:14.640 at each other. We're all like, oh, they got the exclusive or who's on their list. It's not that
00:12:21.320 we're lazy, but we're just always looking over at the other persons. Who did they get and why did
00:12:26.860 to get that person. I need to invite that person to my event. So, you know, when you made, like,
00:12:32.260 if you could get into a women's book, if you could get into a women's magazine, other, we started to
00:12:37.980 notice that other people would put these women who we had discovered, or we had, you know, and I'm
00:12:42.940 not talking about Theranos, Elizabeth specifically, but just generally, you know, they would start to
00:12:47.680 appear on other lists. So we felt like we were part of the game. And I think she understood that
00:12:51.680 innately that she could be a very, she was a very good shorthand for a certain type of woman that
00:12:58.480 fit a very accessible profile. I mean, the most obvious, the most obvious billboard for that 1.00
00:13:05.760 is her wardrobe, right? Like I'm the female Steve Jobs. Like you can't get, you can't get 0.93
00:13:11.120 a shorter shorthand than that, right? Like how easy to digest is that? So she instantly got how
00:13:17.760 to navigate media, which I find fascinating because generally speaking, I think tech people
00:13:24.020 in tech and other industries outside media still don't get media, but she got it. So she got the
00:13:28.860 look, she got the speak, she got the way to distill your story and your, uh, what your company does
00:13:35.880 in a way that made sense for like an article that was only three, you know, a little caption that
00:13:40.540 was only three sentences or a full on profile. So she understood how to, you know, she understood
00:13:46.300 how to make it sing for a media person. Like when we go into, I think, you know, it's helpful for
00:13:52.360 people to understand how it worked in the magazine business. And though it's changed considerably
00:13:56.740 since then, it'll give you a sense of why people ended up occupying the spaces in, you know, in the
00:14:03.180 culture that they did. When we would go in to pitch someone for a magazine page, it wasn't a
00:14:07.560 done deal. I couldn't just go in and be like, oh, I'm going to put so-and-so on a page. I had to get
00:14:10.680 approval. I had to get my editor's approval, the editor and she's approval. So you would always
00:14:14.180 walk in with, you know, your pitch, your, you want it. And of course you want your pitch to
00:14:18.720 get approval. You want your pitch to win and a picture, pitch in a picture. And, you know,
00:14:25.400 and so they're looking at it like, Oh, I want, do I, is it diverse enough? Is it, um, glossy enough?
00:14:31.980 Is it, you know, is it going to work? Like, I'm not going to bullshit you and pretend that 0.86
00:14:36.420 it was very well-meaning because there were pieces of it that weren't well-meaning. There 0.61
00:14:42.000 were pieces of it that were like, is this going to look good on a page? And I hate that that's
00:14:46.740 what it was, but it was. So she checked a lot of boxes in that regard and she knew it and she
00:14:52.140 worked it and she worked it all the way to the slammer. Let's take a quick break. 0.86
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00:15:50.020 When I was 14 years old, I was kidnapped and held captive for nine months.
00:15:55.840 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
00:16:02.200 I'm Elizabeth Smart, and these are the Survivor Files.
00:16:05.840 I just remember this low, taunting voice next to my ear saying, shut up, don't say anything.
00:16:14.360 Every week, I'm with survivors who live through the unthinkable.
00:16:18.620 I knew if he woke up, without a doubt, he was going to hurt me.
00:16:23.180 I started feeling that there was someone at the end of my bed, and I just started screaming.
00:16:30.620 They are abducted, stalked, controlled, and nearly silenced.
00:16:34.440 But these aren't stories about what's taken from them.
00:16:38.100 They're stories about what it takes to make it out alive.
00:16:41.700 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:16:55.240 And we're back.
00:16:57.260 Everyone's heard of fake it till you make it.
00:16:59.380 And it's especially a thing in tech and media.
00:17:02.320 Uber famously has never turned a profit.
00:17:05.240 But when does fake it till you make it cross over from an ethos to an actual crime?
00:17:10.560 Just ask the folks at Aussie Media, whose CEO, Carlos Watson, was arrested earlier this year for fraud for allegedly overvaluing his media company's audience in an attempt to defraud investors.
00:17:22.560 According to journalist Ben Smith at The New York Times,
00:17:25.620 the company's COO and co-founder, Samir Rao,
00:17:28.620 even went so far as disguising his voice
00:17:31.120 to impersonate a YouTube executive
00:17:33.080 on a conference call with Goldman Sachs
00:17:35.160 in an attempt to secure a $40 million investment.
00:17:39.200 Stories like this one and Theranos
00:17:41.040 makes clear how much of the shiny, flashy success
00:17:44.140 can just be a grift,
00:17:46.680 one that is buttressed by tech press
00:17:48.520 failing to peek behind the curtain
00:17:50.420 and ask the right questions.
00:17:52.640 Questions like, what's going on here?
00:17:54.500 How are you making money?
00:17:56.040 Is this whole thing legit?
00:17:58.080 Do you think that there are ways
00:17:59.720 that there are tech people
00:18:01.740 who are kind of playing that game today
00:18:03.560 where you kind of,
00:18:05.380 I don't want to use the word trick,
00:18:07.200 but you know how to play the game
00:18:08.740 and you know that journalists and media folks
00:18:10.860 might also have deadlines,
00:18:13.380 might also want their piece to look a certain way.
00:18:15.940 So they're just like,
00:18:16.500 we're not going to ask too many critical questions.
00:18:18.420 We're just going to run with this.
00:18:19.460 And if it turns out to be a scam, well, so be it.
00:18:23.860 100%.
00:18:24.260 This is like when we talk about my, so I have a nose for this.
00:18:30.880 Like it's in my DNA.
00:18:31.780 As much as I often entertain the idea of going into another industry, like I can't.
00:18:36.180 It just keeps pulling me back in.
00:18:37.940 But this is why.
00:18:39.400 Because I often have these conversations like I don't understand this.
00:18:44.980 Like I don't understand that they're there.
00:18:46.840 I get the optics of it.
00:18:48.320 I get why it works and why they're getting the press, but I don't get the there there.
00:18:52.760 And I'm going to tell you that Aussie media, I was talking about Aussie media in my, for
00:18:57.340 what it's worth.
00:18:57.960 I mean, I have no evidence of this and credit where it's due to Ben Smith, but like I was
00:19:02.520 talking about Aussie media forever because I remember those three years when Aussie Fest
00:19:06.700 was trying and they could never do an actual Aussie Fest.
00:19:09.460 But I remember seeing the ads on the subway and the tickets were expensive.
00:19:13.180 And I was like, who's going to these things?
00:19:15.380 and also like more pressingly, how did they get that talent? Because having tried to book events
00:19:20.780 at Hearst and Forbes, I know that it's hard to get even one person to agree, let alone all those
00:19:27.420 people to agree without paying them. So like, are they getting paid? And if so, where's the money
00:19:31.060 coming from? Like I had very like basic questions about how this all worked. And so it wasn't
00:19:37.440 surprising to me when it was all smoke and mirrors, but I have those conversations all
00:19:42.060 the time. There are some women and men, but some women in, in the space that I often like, I have
00:19:48.300 this, uh, parlor game I play with some friends. Like how does, how, what's it's like, um, how does
00:19:54.380 this person get by? That's the game I play. How does this person get by? Because I see, I see this
00:20:00.400 like world of success and a business, but I don't see that business in the wild. Right. Like I don't
00:20:07.860 see people using the company, the product. I don't see the copy, the content. I don't understand how
00:20:14.940 it works. And maybe I'm just not that smart, or maybe I don't understand the business. But I
00:20:20.540 sometimes ask myself, how is that a thing? And then I'm like, oh, they're playing a media game.
00:20:25.400 That has to be the only answer. Well, that really goes back to Elizabeth Holmes, where there is so
00:20:31.080 much fake it till you make it. I have that same thing where I look at people. It's a lot of men,
00:20:37.340 but not all men who are building media products, right?
00:20:41.320 And it's like, part of me is like,
00:20:42.620 I don't understand how they have this much funding,
00:20:45.480 how they have this many people on their masthead,
00:20:49.380 but it doesn't seem like people are reading this.
00:20:51.980 Like, are people subscribed that I just don't know?
00:20:53.940 Like, how is the math mapping on this?
00:20:56.060 And I do think there is this dynamic
00:20:58.800 of people faking it till they make it
00:21:03.420 and you're not supposed to really peek behind the curtain
00:21:06.020 because if you did, you might see that it's a house of cards or it's a little bit of a grift.
00:21:12.080 Yeah, absolutely. And now that I'm a little older, a little wiser, a little more bruised from
00:21:17.720 certain people or things that I myself pushed in those rah-rah days, this is partly what I do
00:21:26.920 with Hazmat Hotel is I ask those questions like, is this really someone we should be covering
00:21:32.300 with this much breathless, you know, like eyes wide, saucer eyes kind of bullishness,
00:21:41.660 or is this something we should be a little more skeptical about? And so like the Elizabeth Holmes
00:21:47.060 thing, that story that ran recently, the one, you know, after she'd been convicted and it was like
00:21:53.020 the Madonna and child picture now, like a notorious picture that they ran in the business
00:21:57.740 this section, if I recall. To me, that was scandalous. I think it's a testament to how
00:22:05.920 fractured media is that it wasn't a bigger scandal because it managed to pass all those
00:22:13.020 checkpoints and get not just the coverage, but the length. Do you know how expensive it is to
00:22:19.480 commission a photographer for a shoot like that? There were wardrobe changes in that shoot. There
00:22:24.040 was probably a stylist on that shoot now did elizabeth holmes pay for it i don't know but like
00:22:28.880 we're talking this was like a resource intensive shoot for a newspaper you know over i think it
00:22:34.620 it was like three jumps front page and then two and then a spread so like that's that's a that's
00:22:41.500 an investment of a story and so that that response afterwards that like oh it's winking you know like
00:22:47.600 there's a winking aspect to the story you just don't get the joke like no no no no no no no we
00:22:52.980 don't do that at the times like you're not gq you don't get you know like no and also like don't
00:22:58.160 talk down to me that you and p.s i love the new york times i love and hate the new york times it's
00:23:02.600 like it's my bet noire i'm like obsessed with the times um but i just felt like that response did
00:23:08.540 not wash with me and i was insulted by that response because i felt like you of all people
00:23:13.260 should not go around pretending you're smarter than your audience like that's not cool that's
00:23:18.600 not the deal we have with each other that oh you didn't get the joke it was a winking story no
00:23:22.880 to know. That bothered me. What do you make of that response? Because I read the Vanity Fair
00:23:27.720 piece about how the profile came to be, and they were like, oh, it wasn't a PR piece. It was pitched
00:23:33.700 to us, and it was all above board. It certainly didn't sound that way. I agree with you. But I
00:23:39.520 read another take that was like, maybe it's a piece about how easy it is for you to get conned,
00:23:46.240 and the reporter also got scammed by Elizabeth, and it sort of meant to be like a warning piece
00:23:52.860 about how easy it is to fall for a grifter, what do you take of that, or what do you make of that
00:23:58.980 response? Well, this is exactly what I mean when I say, you know, the winking aspect of it and
00:24:06.400 why I didn't wash with me. For starters, like, look, we're in an era now where you have a
00:24:10.500 nanosecond. Even the Times maybe has two nanoseconds with its audience, like it gets the
00:24:14.320 benefit of the doubt. But broadly speaking, like, we're in an era where the competition for your
00:24:19.960 attention is ruthless. So as I tell my colleagues at GEO and beyond, you don't get the benefit of
00:24:26.560 sitting on the reader's shoulder and whispering in their ear, it's tongue in cheek. The idea that
00:24:31.560 you have that is ludicrous. It's laughable. And it's ridiculous. Like it's on its face. It's 0.94
00:24:39.060 ridiculous. And in the business section, no less, not the style. So like all of it just didn't was 0.97
00:24:43.740 like irritated me that that that's what we're going to go out with. That's the narrative we're
00:24:49.580 going to go out with this. It was a total, come on. It was a total PR thing. Listen, if I got a
00:24:55.060 call that said you can have the pre-jail Elizabeth Holmes for a Q&A, hell yeah, I would take it.
00:25:02.160 But that's not the issue. The issue is not that they took an interview with her. It's how it was
00:25:08.480 packaged and how it was delivered to us. At this moment in time, her crime, maybe not as worse
00:25:19.540 versus the WeWork guy, but according to who, right? Her crime, she hurt people. She defrauded 0.62
00:25:27.020 people. So not only is the issue this notion that we didn't get the nature of the story,
00:25:34.560 but also you're giving three pages of real estate to a woman who's had plenty of ink, by the way,
00:25:41.240 and has been convicted of very serious crimes. That bothers me. For every story you do,
00:25:48.020 there's a story you're not doing. We're in the age of limited resources for media, like notoriously,
00:25:52.460 these resources are scarce, even at a company like the Times. So for every story you're doing,
00:25:56.640 there's a story you're not doing. And that's what I spent a lot of time thinking about.
00:26:00.940 Why did this story pass muster? So like, for example, what caught my eye just recently was,
00:26:06.140 I can't remember if it was Twitter or threads, but the Washington Post was pushing a newsletter 0.97
00:26:11.560 about Barbie, which blew my fucking mind because it's the Washington Post. A newsletter, which is 0.95
00:26:18.860 a separate product that requires resources. It requires some engineering support. It requires
00:26:23.640 product support. It requires editorial support. So lots of different stakeholders, resource
00:26:27.960 intensive. It has to be populated with content. It has to have a calendar. These are all things
00:26:33.980 that go into something like that about Barbie. So that tells me Barbie's doing phenomenal numbers 0.99
00:26:39.380 for the Washington Post. Otherwise, why would they do it? Which is interesting given their
00:26:42.620 audience and their birth, right? Their remit. That's caught my eye and I just thought I need
00:26:49.560 to hear more about that. Like I need to understand how that came to be. How do you sniff it out?
00:26:54.320 Because no one is sniffing out these questions that need to be asked in stories like you.
00:27:00.560 What gets your alarm bells ringing? When you see something, you're like, I don't know about this.
00:27:04.240 Like I saw your story about Amazon Prime Day and the way that that was getting coverage, which I never thought about it before, how all of these different publications are like, here are the best deals for Amazon Prime Day.
00:27:17.620 Even publications that every other day are critical of Amazon and their business practices.
00:27:21.960 How do you sniff it out when something just doesn't seem right to you?
00:27:25.360 I just am obsessed with media.
00:27:26.620 Like I'm a media junkie. 0.98
00:27:27.780 I sound so stupid when you hear yourself say it, but I just love media. 0.99
00:27:31.840 I love it and I hate it. 1.00
00:27:32.980 I'm both tortured by it and obsessed with it. And I, you know, it's like, it's just how I'm wired at this point. So how do I sniff it out? I don't know. Like I read a lot and I ask a lot of questions. It's why I got into the business. I'm a curious cat. And I also love to talk to people. I love to talk to people and find out like what's hurting their business, what's what they're thinking about, who's up and coming in their business, who they're afraid of.
00:28:00.880 And if they'll talk to me, I will absolutely talk to them.
00:28:03.780 So there's just a lot, you know, I guess I'm just interested.
00:28:10.560 More after a quick break.
00:28:30.880 is everything run a business and not thinking about podcasting think again more americans
00:28:36.720 listen to podcasts than ad-supported streaming music from spotify and pandora and as the number
00:28:41.480 one podcaster iheart's twice as large as the next two combined so whatever your customers listen to
00:28:46.600 they'll hear your message plus only iheart can extend your message to audiences across broadcast
00:28:51.780 radio think podcasting can help your business think iheart streaming radio and podcasting
00:28:57.680 Let us show you at iHeartAdvertising.com.
00:29:00.320 That's iHeartAdvertising.com.
00:29:02.700 When I was 14 years old, I was kidnapped and held captive for nine months.
00:29:08.640 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
00:29:15.020 I'm Elizabeth Smart, and these are the Survivor Files.
00:29:18.720 I just remember this low, taunting voice next to my ear saying, 0.96
00:29:24.140 shut up, don't say anything.
00:29:26.800 Every week, I'm with survivors who live through the unthinkable. 0.98
00:29:31.340 I knew if he woke up, without a doubt, he was going to hurt me.
00:29:35.900 I started feeling that there was someone at the end of my bed, and I just started screaming.
00:29:43.340 They are abducted, stalked, controlled, and nearly silenced.
00:29:47.300 But these aren't stories about what's taken from them.
00:29:50.740 They're stories about what it takes to make it out alive.
00:29:53.880 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:30:08.400 Let's get right back into it.
00:30:10.700 Today, part of Leah's work is sniffing it out when media stories just don't seem right.
00:30:15.460 And more times than I'm proud of, Leah's work has challenged me to think outside of my own preconceived frameworks.
00:30:21.620 For instance, back in May, I came across a viral TikTok purporting to show boxes and boxes of books being removed from a school library in Florida.
00:30:31.980 Naturally, I instantly contextualized this story within the larger context of book bans happening in Florida and across the country.
00:30:39.660 Now, this is obviously a real thing that is happening in Florida, but that particular 30-second TikTok might not have actually been showing the full story.
00:30:48.060 I mean this as a compliment. It might not sound like it.
00:30:51.620 You often are saying it's often like not what you might think.
00:30:55.280 Right. So like your your coverage really challenges me to look beyond my own biases or my own understanding of how I think stories come together in media.
00:31:04.720 And it doesn't always align with my conventional wisdoms or, you know, biases or whatever I might be thinking like.
00:31:11.700 And you do such a good job of pulling back the layers to what's actually going on.
00:31:15.440 I'm thinking in particular of that viral TikTok where it was like a school library and they had all these boxes and boxes of books.
00:31:23.360 And presumably these are books that are being removed from the school library because they're inappropriate, really feeds into the conversation we're all having about things like book bans and, you know, books being challenged in libraries.
00:31:34.240 You called the school or called the library to actually ask, what's going on?
00:31:39.280 And there was actually more to that story than like that 30-second TikTok would have you believe, no?
00:31:45.440 Yes. I remember that. It feels like a century ago, but I think it might've been a month or
00:31:49.820 two ago. Yeah. So there was that viral TikTok of like two bins filled with books. So there was
00:31:56.900 the, the knee, I guess the knee jerk reaction is what usually catches my attention. And then I'm
00:32:02.280 like, huh, you know, in that case, I also like to test myself, right? I like to, um, see if I can
00:32:09.200 find a source who's going to give me the scoop quickly. So I'm always like, if I see that in
00:32:14.260 the morning, my goal is to get it done by the end of the day, because I want to be able to tell a
00:32:18.140 reporter, despite whatever deadlines you have, you can usually get a response by the end of the day.
00:32:23.440 So part of it is just me staying on my toes. In that way, it was pretty easy, because I think
00:32:28.300 it was Broward County, and there's like a Department of Ed there, and they put me in
00:32:32.360 touch with their comms person, so I did get an answer by the end of the day. Now, then the
00:32:35.680 inevitable follow-up I should have done to that was, do we believe the Department of Ed, right?
00:32:39.960 Like they said, if I recall correctly, they said that they are, oh yes, there was a settlement.
00:32:45.480 So that was the interesting piece of this.
00:32:47.020 I learned from calling the comms person at the Department of Ed, at the Board of Ed, 0.97
00:32:51.520 whatever it is, that there was a lawsuit several years ago from black and brown students,
00:32:57.140 the parents of them, because their schools did not have books that were as recent, as
00:33:03.040 new, as in good quality and like the breadth of books in their school libraries that the
00:33:07.740 more affluent white schools had.
00:33:09.560 So I'm pretty sure it was Broward County passed this.
00:33:12.620 There was a lawsuit in the settlement.
00:33:14.080 They agreed that every 10 years or so that they were going to upgrade the libraries.
00:33:18.040 They had to by law.
00:33:19.500 And so this was part of that settlement.
00:33:21.480 We are required to upgrade these books.
00:33:23.520 And these are the books that no longer meet our standards because they're old and they're
00:33:27.860 dated and whatever.
00:33:28.940 And so that's kind of fascinating because that turns the whole narrative on its head,
00:33:33.100 right?
00:33:33.260 Actually, they're complying with a lawsuit that's supposed to provide equity for students
00:33:38.220 who might otherwise not get it. And, and that's like, that's an important thing we should be
00:33:43.360 talking about. Now that's not to say the book bannings are not important. They a hundred percent
00:33:47.760 are. Um, but we have a big problem in this country of misinformation and people believing
00:33:53.840 that there's bias in media. And I do see it sometimes. And I think that's an example of it
00:34:01.180 where, and it's, it's not coming from a venal place. It's not coming from a malicious place.
00:34:06.300 It's coming from a place—like, it's easy to believe that.
00:34:09.320 It makes sense that that, of course, we're looking at them throwing away books that might be, you know, about subjects that we want them to learn about.
00:34:16.560 But we have to do our job.
00:34:19.900 Leah critiques journalism because she has so much respect for the field.
00:34:23.800 Journalists like Evan Gershkovic, the first American journalist to be imprisoned in Russia since the Cold War, face imprisonment, and worse, just for doing their jobs and reporting.
00:34:34.540 So journalism is something to be respected and protected.
00:34:38.060 You've opened the door to my big spiel.
00:34:39.520 My big spiel is that journalists want to be seen as a noble profession.
00:34:45.580 And there is a nobility to it.
00:34:47.720 But to be afforded the rights and privileges that reporters get in the courts, in people's minds, in culture,
00:34:56.500 you have to live up to standards that are a tradition, an honor-bound tradition of the
00:35:03.980 profession, and that is reporting and doing your due diligence. That's like fundamentally the
00:35:08.920 basics of it. You need to do your homework and you need to make the calls. And it has real-life
00:35:14.040 repercussions because we're seeing courts claw back rights and privileges for reporters all the
00:35:19.380 time. We're seeing reporters not be able to maintain confidentiality with sources in certain
00:35:25.020 cases. They have to turn over their notes. They're being imprisoned for maintaining confidentiality.
00:35:32.340 Court case after court case, this is very worrisome. I know this because I work with a
00:35:36.000 First Amendment lawyer who's like the top of the game. One of the privileges of my job is I get to
00:35:41.400 work with this well-known First Amendment lawyer, Kai Falkenberg. So I hear about these cases all
00:35:48.240 the time. And so they're having real life impact on journalists around the country. So we damn well
00:35:54.900 better do our part and not buy into narratives because they make for cheap stories.
00:36:00.140 Have I written my share of them? You bet I have. And I am embarrassed by them. I am regretful of
00:36:06.820 them. And I hope I never repeat them. But these are the lessons we have to learn from the last
00:36:12.920 decade. And it pains me to no end to see reporters just... I think that's something we need to
00:36:22.620 champion as a group. We have this, you know, this poor Wall Street Journal reporter stuck in a
00:36:26.760 Russian jail for doing exactly what he should be doing for reporting, you know, for reporting. And
00:36:33.360 he, you know, he's missing his family. He's probably suffering, Lord knows what. We can't
00:36:39.180 take for granted that there are repercussions to what we do. I think it's very serious, our jobs.
00:36:45.200 And it is a noble profession. But then we have to do our part to live up to what makes it noble.
00:36:51.360 We have to report. We have to, like, make the calls. It's that simple. That's how I see it.
00:36:56.960 I briefly worked in a newsroom, and I could see myself just seeing that TikTok, for instance, and just writing it up.
00:37:03.560 Like, this gave me a big emotional reaction that aligned with my preconceived biases or my understanding of the world.
00:37:11.920 And not picking up the phone and making that call, not doing the work of actually getting that there's more to the story than what I just saw on this TikTok.
00:37:20.880 I'm really grateful that you're modeling how to not just fall right into that like easy story, easy write up and tell a fuller story because it really matters.
00:37:33.940 Well, I appreciate hearing that. I've certainly, you know, endured my sheer blowback for having that opinion because I think it's often confused or conflated with conservatism.
00:37:45.100 and I absolutely do not identify as a conservative. I think I'm pretty upfront with my
00:37:48.860 politics, which is also odd for a journalist. But I will tell you this, one of the most memorable
00:37:55.520 conversations I've had was during COVID. I started this podcast because I was home like everybody
00:38:01.420 else was and I wanted to stay sharp. So I taught myself how to podcast. And part of it was just
00:38:05.580 like figuring out who to talk to. I need to talk to smart people who have thoughts on what's
00:38:09.080 happening. And one of the first conversations I had was with Errol Lewis. And Errol Lewis is New
00:38:13.400 York famous. Like he's New York one reporter, like, like old school, like this guy is it.
00:38:19.880 Right. But he also appears on, I forget what network, but he appears on cable all the time.
00:38:24.260 He's just, he's just knows his shit. Errol Lewis is the guy. And, um, I, I had a nice conversation, 0.99
00:38:31.060 like I really memorable. I remember like listening to it again and again after, because what he said
00:38:35.540 was so, it was profound. Like I'd never thought about it like that. We talked about objectivity,
00:38:40.900 which is the hot button issue for journalists right now. And he was like, look, I have opinions.
00:38:46.260 I don't shy away from sharing my opinions, but they're informed. Like nobody knows this town
00:38:51.580 better than I do. When I show up to a meeting and I'm covering it, I know exactly what happened at
00:38:55.960 the 10 meetings before. I know who the players are and I know why they're saying what they're
00:38:59.740 saying. So I come to it with this breath and with this experience that is not challenged, by the way.
00:39:05.660 You will never hear anyone challenge Errol Lewis for bias. Why? Because he did the work.
00:39:10.900 He did the work. And so I thought that's so interesting. Like, yes, of course, of course, you're a human being like you're not 100 percent objective. You have feelings about this issue. You believe in right and wrong. You have you believe some issues fall on certain sides and you're you know, and he doesn't necessarily write it like down the line, but it's informed.
00:39:30.820 And he brings that expertise to the fore.
00:39:34.240 And I think that for me was like, that's become my North Star, whether he realizes it or not.
00:39:39.420 But he had a real impact on me, that conversation.
00:39:42.640 That girl boss, lean in era that allowed Elizabeth Holmes to rise up in the ranks has kind of come and gone. 0.73
00:39:49.820 And after all that, all that flash and promise around women in the 2010s, today, it's kind of hard to not feel like we're in a bit of a rougher place. 0.95
00:39:59.660 But one truth is that with all its flaws, women's media has always been there, telling our stories and speaking to us, even when other types of media weren't. 0.96
00:40:08.440 It's a super fraught conversation. When I was at Marie Claire, there were some things that were inviolable, right?
00:40:18.380 Women's abortion, women's reproductive rights, gay rights, LGBTQ rights.
00:40:24.460 There were certain values that the women's magazine was not negotiable on. This certainly this one. And I think that's true across women's media writ large. Like there are certain things if you're going to be and we don't speak of them. We just we just live them.
00:40:41.340 We say that because for decades, women's magazines, this like afterthought in media, this look down upon category, occupied a very, I won't even say protected, but like a special place.
00:40:56.180 We were in nail salons.
00:40:57.420 We were in hair salons, places that men weren't. 0.99
00:40:59.840 And so we could have conversations with you that you couldn't have at home because your husband would beat the shit out of you if you talked to him about it, right? 0.96
00:41:06.080 We could talk about how like, oh, I got a terrible sonogram back and I'm not sure I can keep this baby. Or, oh, my husband's beating me. Or, oh, I, you know, I'm not satisfied sexually. Like these were stories that women's media was telling. And we can hold our nose up at them and say, oh, women in peril. 0.98
00:41:23.320 And, you know, they codified certain stereotypes of women.
00:41:28.440 And there's sure, like, we can have that discussion.
00:41:31.240 But we also need to talk about how this sneered at form of media was the one place where you
00:41:39.180 could talk to a woman like she was in the bathroom at a restaurant and asked for a tampon.
00:41:45.200 Like, you couldn't do that in Us Weekly or USA Today or People Magazine.
00:41:51.040 And so I just want to acknowledge, you couldn't do that because we allowed for women that freedom. And that's part of the DNA of this repro rights thing. It just is. We take for granted that it is because it was early on. It was like this secret private forum. We could have discussions where we didn't judge women.
00:42:15.860 Maybe we judge them about their weight. 1.00
00:42:17.200 We definitely did that.
00:42:18.380 We judge them about their skin and their age.
00:42:20.180 We 100% did that. 0.54
00:42:22.840 But we also talk to them about, you know, like nothing is as black and white as like good, bad.
00:42:27.900 It was a very nuanced thing.
00:42:29.140 And so strange, but it's hard to have nuanced conversations about media with media people.
00:42:34.780 Do you ever worry that like, I don't even know how to phrase this.
00:42:38.180 That I'm going to get canceled?
00:42:39.200 Yeah.
00:42:39.640 Is this something that, because you say what's on your mind and you tell it like it is.
00:42:45.000 I don't always agree.
00:42:46.260 Like I'm always, sometimes I'll read things and I'm like, ah, that hits me, that hits
00:42:49.020 me weird, but it's not, not true.
00:42:52.160 Do you worry about being too outspoken or saying the wrong thing?
00:42:56.280 Sure.
00:42:56.640 I mean, my husband hates it, you know, he's just like, you know, what are you doing?
00:43:02.440 It's not, it's not that it's like, I don't know.
00:43:05.440 I guess like I'm a middle-aged person who's been in media for 25 years.
00:43:10.220 I've seen the best of our business.
00:43:11.640 I've seen the worst of our business.
00:43:12.960 But I've also seen the very thing that I love about this business, the wanting to talk about things and talk to people and hear what they have to say, whether you like it or not. I just don't like that we're becoming resistant to it. And I get it. I get it. I get why.
00:43:31.820 I don't have a trans child whose rights are up for grabs. I'm not raising a kid who, you know, 0.98
00:43:40.680 I'm not looking for, you know, like I don't have as much on the line as a lot of other people do.
00:43:46.800 And so I get that maybe I don't appreciate the stakes, but there's something about not being
00:43:53.620 able to talk about it. Not like, I don't like that I'm the only person or like that comes with
00:43:59.820 risks like i don't like that we're not supposed to talk about things like what's wrong with talking
00:44:04.880 about things i'm not i'm not like trying to shove policy down your throat i'm just trying to have
00:44:10.780 a conversation i'm trying to understand the world a little better trying to understand like we should
00:44:15.000 be able to talk you know who i've been spending a lot of time with um i've been spending a lot of
00:44:18.840 time watching um phil donahue oh my god my mom would if my mom were here she would be so down
00:44:26.120 for a conversation about Donahue.
00:44:28.120 I saw your tweet about wanting,
00:44:29.580 like we need a documentary,
00:44:30.980 like a look back.
00:44:32.720 Yes.
00:44:33.080 And it makes me feel very old
00:44:34.380 that you reference your mother,
00:44:35.520 but maybe I'm as old as your mother.
00:44:37.340 No, no, no, no.
00:44:38.040 Not, not yet.
00:44:38.880 No.
00:44:39.180 She just happens to love Donahue.
00:44:40.880 I love Donahue.
00:44:41.720 He was on after school when I got home.
00:44:44.560 And I remember it was the first time
00:44:45.600 I'd seen anyone with AIDS.
00:44:46.720 I can still remember that episode
00:44:47.840 with Ryan White and Jeannie White.
00:44:50.040 It was the first time I'd seen,
00:44:51.520 you know, gay men talk about,
00:44:53.400 you know, being gay.
00:44:54.880 But I just remember like there wasn't the chair throwing that came afterwards, right? Like it's not new to this era. We saw that shortly after. But he had a way about him that felt like, I don't know if it was the era or him or maybe a bit of both, but he had a way about him that opened the floor to people to talk about how they really felt and what they could learn from someone who didn't feel that way.
00:45:19.460 And there was something like nonjudgmental about it.
00:45:21.960 And he also pushed, like if you watch some of those episodes, he would push them.
00:45:25.120 So, but why do you, you know, like he was pushy.
00:45:28.040 And I just, there's like, it was special.
00:45:30.320 It was like a special thing to watch because he did not shy from hot button issues.
00:45:33.820 We could never, there could never be a show like that right now.
00:45:37.420 Never, ever, ever, ever.
00:45:38.940 And why not?
00:45:39.680 It was like, why can't we just talk to each other?
00:45:42.320 Anyway, I sound corny, but that's how I feel.
00:45:44.140 No, it doesn't, it doesn't sound corny at all.
00:45:46.780 I can't wait to, if younger listeners are like, who?
00:45:51.080 I can't wait to spark a Donahue look back.
00:45:54.780 A Donahue renaissance.
00:45:55.880 Yeah, renaissance.
00:45:56.360 We're beautiful for a Donahue renaissance.
00:45:59.120 The New York Times Magazine's profile of Elizabeth Holmes and the collective groan it inspired from readers
00:46:05.100 makes me wonder if we've just moved past the shine of the big, important public figure profile piece in general.
00:46:11.920 Take that now infamous Meghan Markle profile in the cut, for instance. 0.66
00:46:16.780 What probably would have been a standard profile about her thoughts on parenthood and her morning routine 0.59
00:46:21.860 included one small detail that gave readers a quick glance beyond the polished PR talking points
00:46:28.140 and pre-approved subjects that we're used to in these kinds of profiles.
00:46:31.840 The profile says that Megan sometimes sounds like she has a tiny bachelor producer in her brain directing what she says.
00:46:38.820 At one point in our conversation, the piece reads,
00:46:41.860 Instead of answering a question, she will suggest how I might transcribe the noise she's making.
00:46:46.600 She's making these guttural sounds,
00:46:48.240 and I can't quite articulate what it is she's feeling in the moment
00:46:50.820 because she has no word for it.
00:46:52.600 She's just moaning.
00:46:54.020 Now, that little detail about the noise that Meghan makes
00:46:56.740 before answering a question seemingly confirmed what we all know,
00:47:01.140 that a famous person's public persona is actually carefully manufactured,
00:47:06.000 and it proved just too good to resist.
00:47:08.780 But in this day and age, what exactly is the celebrity profile?
00:47:12.740 Like, what is it, and who is it for?
00:47:15.220 At best, they feed the lie that celebrities are just like us when we all know that, of course, they're not.
00:47:21.260 And at worst, they help scammers like Elizabeth Holmes rise to power.
00:47:25.840 I wanted to talk to you about the Elizabeth Holmes profile and sort of how that was a thing.
00:47:29.740 You made a really interesting point about this profile of Meghan Markle, I think in the cut, where, you know, it's this long profile about her life, blah, blah, blah.
00:47:38.020 And there's one little bit where she gives the author, like, suggestions of how she might be able to describe a specific little noise that she made.
00:47:48.860 And that tiny little throwaway thing became the thing, right?
00:47:52.840 So there's a whole profile.
00:47:54.120 That was the thing that people zeroed in on.
00:47:56.920 Do you think that we're, I don't know, kind of beyond the usefulness of the public profile?
00:48:03.500 Like, what are your thoughts on how that is evolving as a media product?
00:48:10.660 I find them mostly boring.
00:48:14.180 A lot of magazines do them because it's part of the trade-off with the entertainment industry.
00:48:18.600 It's a business decision to cover, to write a certain profile.
00:48:23.340 You know, you'll see them in all kinds of media, whether it's a CEO or what have you, but it's a trade-off.
00:48:28.060 Like, make no mistake about it.
00:48:29.400 but occasionally you'll get a story like that where something is revealed, right? And it's not
00:48:35.760 often that something is revealed about someone who we think we know everything about. And
00:48:41.140 that's interesting to me. So in the case of Elizabeth Holmes, it revealed something about
00:48:45.580 the paper and not Elizabeth, which I thought was interesting, but like a process that you didn't
00:48:50.720 know could happen there. But in the case of Meghan Markle, like what I found astonishing about it
00:48:57.000 was that it was contrarian because at the time here in the US, there was this, especially on
00:49:04.620 the coasts, there was this like, we must protect her, this kind of vibe, right? Like she deserves
00:49:12.980 our protection. She's being vilified for her race. It's racist. And in fact, that might be true, 0.98
00:49:19.940 but there was like something that went against that narrative in that piece. And it was brave
00:49:25.680 because doing so opened up the reporter to all the kinds of attacks that we see on social media
00:49:33.900 now when we don't like what someone says. But it revealed something pretty amazing.
00:49:38.840 And it confirmed this kind of other narrative about her that it's all contrived, that it's
00:49:44.340 all manufactured. I mean, it literally confirmed that. You couldn't pick a better, which is partly
00:49:49.040 why it was so juicy and delicious and tasty because she's literally confirming that this
00:49:54.660 whole thing is artifice. Not that I think it is, but that it actually is. And I thought that was
00:50:00.960 just really an incredible detail for the writer to put in, but how could she not, right? Like,
00:50:06.240 wow, what a thing to have happen in an interview with a celebrity. I've done a few celebrity
00:50:11.520 profiles. They're always negotiated to the nth degree, which is partly why I find them so boring
00:50:17.580 because publicists are so wrapped up in them. It's very rare to get a piece with someone where
00:50:21.720 a publicist is not negotiating everything from where it's at. Oh no, she doesn't want to go
00:50:28.280 to a restaurant because she doesn't want to be seen or, you know, whether you can't talk about 0.59
00:50:33.000 the marriage, she doesn't want to talk about the marriage. And, you know, oh, she, you know,
00:50:37.140 don't ask her about anything political because we're not talking about that. Like everything is
00:50:41.140 so, you know, it's just like so massaged that I already know having seen the sausage get made 1.00
00:50:48.680 that so much of it is bullshit. So I rarely find them interesting. And I would love to see data 0.95
00:50:54.240 that shows if people actually get through these pieces, because I don't think they don't. I don't
00:50:58.060 think they do. I'm trying to think of the last profile I read. I can't remember. But they're
00:51:03.760 just like as an art form. They are for an era when we didn't have as much access to celebrities as
00:51:10.600 we do now. So they're a very dated art form in my mind. I remember being part of a team that worked
00:51:16.820 on one with a famous woman and i don't want to say who it is but people can probably guess
00:51:23.220 she had just been married to a high profile political the family a high profile political
00:51:29.000 family but the list of things that we were not supposed to talk about we could not even allude
00:51:34.160 to this wedding this recent wedding and so basically it was like what the hell are we
00:51:37.940 going to talk about like this is this is what do you think people want to talk about right it's like
00:51:42.680 who if you're reading this profile you're going to want to talk about this recent marriage right
00:51:46.240 Like, what else would you want to read about? And it was like, oh, no, you can't even allude to it in the most oblique of ways.
00:51:52.840 So it was like, well, then how is this going to be an interesting piece that anybody wants to read?
00:51:56.580 This is the one thing that people have on their mind when it comes to this person.
00:52:00.300 Well, so this goes back to I don't want to, like, make it a larger point, but it is part of a larger point in that it's partly it contributes to this overall awakening that people are having about media, that they're wise to the game and they resent it.
00:52:15.720 So that game is because we need the celebrity. We need the access to the other celebrities in that publicist roster. We need the studio not to be mad at us because then they'll invite us to important events and also maybe advertise with us, you know, or the beauty brand that that person is an ambassador for, we need their advertising. We don't want to piss them off.
00:52:37.340 And like, there's a whole like business behind those decisions and people are wise to it.
00:52:44.160 One of the, one of the most frequent questions I got asked when I was at Marie Claire and
00:52:49.720 even after was, you know, oh, tell me what mascara to use or tell me like a makeup question
00:52:54.480 or, oh, I saw that in the magazine.
00:52:56.680 And I would always be like, you don't really believe that they're, they like that.
00:53:00.920 Right.
00:53:01.560 Because it was obvious to me that it was all part of this like game about, you know,
00:53:07.180 and I learned, actually, I learned, you know, there are a certain number of credits that
00:53:10.560 credits being appearances in the magazine, that a brand is either formally or informally allowed,
00:53:17.540 like, oh, that we owe them credits. I used to hear that all the time. Like, we have to put
00:53:21.300 this on your page. We're doing a career Q&A with so-and-so, but I need to put this shoe on the
00:53:26.760 page. So we're going to do a sidebar of things you should wear to your work when you're going
00:53:30.440 out afterwards. So because we owe this brand credits, like they're not, you know, there's,
00:53:35.380 it's a business behind those decisions. It's sad, but true. And I think people are wise to it.
00:53:40.160 So I don't consider myself to be like a media insider, but for just your average consumer of
00:53:46.400 magazines, media, how important do you think it is to be sort of aware of how the sausage is made,
00:53:52.020 the business decisions that go into what we're reading and the media that we're consuming?
00:53:55.940 I think it's very important. Magazines is already such an anachronistic term. So whatever content
00:54:04.500 you're consuming wherever you're consuming it, right? You should 100% be aware of what metabolic
00:54:14.480 processes led to that moment. Now, that doesn't mean you have to sit with it. And I also don't
00:54:19.820 think it's your responsibility. There is something to be said for being an informed reader, but
00:54:24.420 there's also something to be said for being a responsible journalist. And I guess I just want
00:54:30.600 people to be aware of why we make the choices we do as a business, as a profession. So like the
00:54:40.000 whole, when a movie comes out, there's a premiere, you're going to see that celebrity do a round
00:54:45.940 robin of interviews. All those outlets are going to try to get the celebrity to say something off
00:54:50.520 the cuff. It never happens. Sometimes it happens. It's all just such canned garbage. And it's like
00:54:58.200 we have to be a little better now I think because the audiences are wiser and what's the net result
00:55:03.300 of that they're going to TikTok and they're going elsewhere where they can get a little more
00:55:07.260 authenticity from anywhere from people who you know it's like we've seen the diminished value
00:55:12.420 of celebrity culture which I'm it's not I don't have an opinion on it's just fascinating that
00:55:16.800 people are turning to forums where they are getting authenticity and less makeup and less
00:55:24.660 bullshit they're getting they want the real real and i i get it i get why because we're feeding 0.98
00:55:30.180 them canned shit and telling them look how awesome this is and they now know what awesome really 0.99
00:55:36.240 tastes like got a story about an interesting thing in tech or just want to say hi you can 0.99
00:55:50.580 reach us at hello at tangody.com you can also find transcripts for today's episode at tangody.com
00:55:55.400 there are no girls on the internet was created by me bridget todd it's a production of iheart
00:55:59.700 radio and unbossed creative jonathan strickland is our executive producer tari harrison is our
00:56:04.320 producer and sound engineer michael amato is our contributing producer i'm your host bridget todd
00:56:09.220 if you want to help us grow write and review us on apple podcasts for more podcasts from iheart
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00:56:20.580 if your bookshelf and your for you page are equally important to your personality
00:56:35.460 welcome home pro society is a weekly podcast that's part book club part group chat for anyone
00:56:41.680 who thinks pride and prejudice and love island deserve the same level of discourse each week
00:56:46.220 we're connecting the dots between books, the internet, and pop culture
00:56:49.260 with your favorite writers, book talk creators, and plenty of overthought opinions.
00:56:54.020 Yeah, I'm obsessed. I'm obsessed.
00:56:55.780 Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:57:01.840 I survived nine months in captivity,
00:57:05.060 and I've spent my life exploring how other people survive what should have destroyed them.
00:57:10.480 I'm Elizabeth Smart, and these are the Survivor Files.
00:57:13.760 Every week, I'm with survivors who live through the unthinkable, abducted, stalked, controlled, and nearly silenced.
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00:57:33.420 New school year, same beautiful mess. 0.99
00:57:36.740 Good Mom's Bad Choices is back to talk back-to-school realness. 1.00
00:57:40.600 the guilt the giggles and the choices no other show is brave enough to admit mom life is calling 0.97
00:57:46.800 and i have my last motherfucking volleyball tournament of iris club team volleyball and 0.96
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