There Are No Girls on the Internet - May 01, 2024


Her Playboy picture changed the internet forever - Stuff Mom Never Told You

TikTok ban signed into law. What happens next? Marginalized people are the lifeblood of organized labor — BEST OF TANGOTI

Episode Stats


Length

53 minutes

Words per minute

179.59

Word count

9,656

Sentence count

593

Harmful content

Misogyny

19

sentences flagged

Toxicity

8

sentences flagged

Hate speech

15

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
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00:00:34.940 I survived nine months in captivity,
00:00:38.460 and I've spent my life exploring how other people survive what should have destroyed them.
00:00:43.680 I'm Elizabeth Smart, and these are The Survivor Files.
00:00:47.300 Every week, I'm with survivors who live through the unthinkable,
00:00:51.020 abducted, stalked, controlled, and nearly silenced.
00:00:54.640 These are stories about what it takes to make it out alive.
00:00:58.720 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:01:10.380 There Are No Girls on the Internet is a production of iHeartRadio and Unbossed Creative.
00:01:18.500 I'm Bridget Todd, and this is There Are No Girls on the Internet.
00:01:21.220 Welcome to There Are No Girls on the Internet, where we explore the intersection of technology,
00:01:28.820 identity, and social media. Now, even if you've never seen the iconic image of former model 0.67
00:01:34.780 Lena Forsen, if you've ever shared a meme on the internet or texted a picture to a friend,
00:01:39.960 in some ways, you have her picture to thank for it. I joined my friends, Samantha and Annie,
00:01:44.760 over at the podcast Stuff Mom Never Told You, to dig into the Lena image and why this month,
00:01:50.220 Lena is finally retiring as the first lady of the internet.
00:01:59.660 Hey, this is Annie.
00:02:00.860 And Samantha.
00:02:01.520 And welcome to Stuff I Never Told You, a production of iHeartRadio.
00:02:13.020 And today we are once again thrilled to be joined by the fabulous, the fantastic Bridget Todd.
00:02:18.820 Welcome, Bridget.
00:02:20.220 Thank you so much for having me.
00:02:22.040 It's always such a joy when I get to start my week talking to you all.
00:02:26.560 Yes.
00:02:27.120 I feel like you have an extra glow.
00:02:29.220 Maybe it's because you've been like soaking in all of the sun on the beautiful beaches abroad.
00:02:35.060 I've been stalking you on Instagram. 0.98
00:02:36.720 And I'm like, how is this woman always traveling?
00:02:39.120 And I miss and I'm sad that I'm not invited.
00:02:41.580 I'm just kidding.
00:02:42.420 Oh, you all should have come.
00:02:43.840 So I was in Mazatlan, Mexico for the eclipse to be in the path of totality.
00:02:50.220 We actually, it was one of those trips where we'd invited all of our friends.
00:02:54.640 We were like, we're going to get a big house on the beach.
00:02:56.280 It's going to be amazing.
00:02:57.580 And then all of our friends are in.
00:02:59.120 And then one by one by one by one.
00:03:01.820 I'm just there alone, essentially.
00:03:03.820 Oh, no.
00:03:05.620 But it was very cool.
00:03:06.480 You enjoyed it.
00:03:07.420 I enjoyed it.
00:03:08.380 I love Mexico.
00:03:10.040 It is one of my favorite places.
00:03:11.440 It was my first time in Mazatlan.
00:03:13.520 10 out of 10, completely recommend.
00:03:15.600 Okay.
00:03:17.140 Did you see the eclipse in totality?
00:03:19.660 I saw the eclipse in totality.
00:03:21.480 It was my first time ever being in the path of totality of an eclipse.
00:03:25.820 Have either of you ever experienced this?
00:03:27.760 No.
00:03:28.560 Yes.
00:03:29.340 Once.
00:03:29.800 What were your thoughts, Annie?
00:03:31.200 I am dying to know.
00:03:36.000 Oh, my gosh.
00:03:37.120 If this was a different podcast, we would go into a whole separate thing
00:03:41.160 because I had like a relationship issue that was happening on this day.
00:03:45.640 And it became kind of a drama situation.
00:03:49.980 So a lot of times when I look back at it, a lot of the pictures I took, I was like, oh, wow, we were fighting.
00:03:57.340 But it was also a work event that I was at.
00:04:02.100 So there was that layer.
00:04:03.080 But it was beautiful.
00:04:03.820 It was so cool.
00:04:06.340 It sounds silly, but I love space.
00:04:08.960 Like I love the stars are like my favorite thing.
00:04:12.660 So it was really, really cool to see.
00:04:15.540 um it was not what I quite expected because the glasses Samantha and I were joking about this
00:04:21.700 recently but the glasses feel so funny because you're like looking around like they're not
00:04:25.720 working um and then you like find the the space you're supposed to look at I was just like very
00:04:33.300 very happy to see it uh honestly like all that drama I was working aside I remember thinking
00:04:40.220 this is really cool that I get to see this and I'm really happy that I get to see this
00:04:43.700 Yes. That was what I remember, too. I burst into tears. And the next day, I woke up in the middle of the night in a panic because I was worried that I will forget what it looked like being in totality. Like, that's how, like, I had never seen anything like it.
00:05:04.580 anybody who listens to their no girls on the internet is probably so sick of me talking about
00:05:08.620 this eclipse and i am fully making seeing this total eclipse like my personality for this time
00:05:14.600 being but yeah and i'm already planning where i will go for the next one so i guess i will see
00:05:20.560 y'all in i think what is it um 2044 so that's that's that's like a good one the next the next
00:05:28.140 one that you can see you have to you can go to spain and see it i think in 2026 okay so uh but
00:05:33.900 then the one that you're referring to Sam is like don't quote me on any of this but that's supposed
00:05:38.360 to be like the big one the big one that we will probably be able to see in our lifetimes and
00:05:42.840 I think it's in um parts of the African continent I want to say Morocco don't quote me on that
00:05:50.040 either yeah I did say at one point like you would be able to view it in the U.S. that's the next
00:05:54.660 time you'll be able to it I don't know if it's like the actual like the totality as you say
00:05:59.640 But like, I don't know, because I know nothing about this.
00:06:03.820 That's the only, I know the date and I know kindness.
00:06:06.860 For this past eclipse earlier this month, we had done so much planning, including like
00:06:12.240 looking at farmer's almanacs to see what the weather and cloud coverage is like this time
00:06:16.760 of year.
00:06:17.200 And that's how we settled on Mazatlan, Mexico, because it was the place that is closest to
00:06:22.340 us on the East Coast in the United States that was most likely to not have cloud coverage
00:06:28.220 in April, because you could see it from Vermont and upstate New York and Texas,
00:06:32.040 but a lot of those places in April might be cloudy. And so I have friends who were in Vermont
00:06:36.780 and upstate New York who were like, oh, we're just going to see it from our house. And I'm like,
00:06:40.260 oh, will you? Then on the morning of the eclipse in Mazatlan, Mexico, we'd been there for a week
00:06:46.700 every single day. It's like a beautiful cloudless blue sky day. So I wake up on April 8th, the day
00:06:52.300 of the eclipse, and it's cloudy. The first cloudy day we've had in Mexico for the entire week we
00:06:57.480 had been there luckily during the eclipse time the clouds did part so we we did get to see it
00:07:03.420 but there would have been a lot of feelings had we not been able to see it it's a lot of pressure
00:07:08.780 to put on a trip like that honestly it's a lot of pressure to put on the eclipse i mean it exists
00:07:14.820 it's not their fault yeah yeah it's not like you can can contact like the manager of the sky to be
00:07:23.480 like um actually we didn't get a good view this is when we're like okay for y'all who are christians
00:07:28.460 here tell this god thing and then we get canceled we were like getting a little superstitious like
00:07:36.360 the things that we were doing to try to like ensure good skies it was getting a little
00:07:42.680 a little out there we'll just leave it at that he brought a shaman in they're like we're going in
00:07:47.460 oh my gosh bridget i want to ask so many questions about this later off mic
00:07:54.200 oh well i'm very glad that you got to see it it is it is amazing um like truly and over on the
00:08:04.360 other podcast i do savor we did a episode on like weird companies making money off of the eclipse
00:08:11.240 with their products and i have heard from so many people about the foods they made for the eclipse
00:08:16.440 and it's brought me so much joy.
00:08:18.160 So, oh, yeah, like totality, like tea.
00:08:23.120 Oh, that's good.
00:08:24.540 Oh, my gosh.
00:08:25.140 So many things like this.
00:08:26.640 So I feel like we have a couple of,
00:08:28.880 we have some years to brainstorm things like this.
00:08:32.600 The next giant celebration.
00:08:35.120 But keep that in the back of your head, you know.
00:08:38.360 Oh, next time, definitely doing a clips-themed food party
00:08:41.520 or dinner party or something.
00:08:42.800 I love that.
00:08:43.920 Yes.
00:08:44.300 There's so many puns. I will hold myself back for now. But I have to say, I am very, very excited to talk about the topic you brought today, Bridget, because it is a thing that I love of like the history of something I think a lot of people don't question the history of. And it's fascinating and I didn't know about it. So can you tell us what we're discussing today?
00:09:08.320 I feel the exact same way.
00:09:09.760 And today we are talking about the Lena image.
00:09:12.420 Is this something that either of you had ever heard of?
00:09:14.620 I do not know.
00:09:15.740 No, I have not known.
00:09:17.700 So even if you're listening and you're like, what is the Lena image?
00:09:21.000 I've never heard of this image.
00:09:22.120 I've never seen this image.
00:09:23.660 Even if you don't know the story and you don't feel like you've ever seen this image before,
00:09:27.080 you kind of do know this image because as Linda Kintzler puts it in a really meaty piece for Wired
00:09:33.060 that I'll be referencing a few times in this conversation,
00:09:35.340 She writes, whether or not you know her face, you've used the technology it helped create.
00:09:40.580 Practically every photo you've ever taken, every website you've ever visited, every meme you've ever shared owes some small debt to Lena.
00:09:48.800 And it really is exactly as you were saying, Annie, one of those stories that is foundational to the Internet and technology that you don't necessarily think of, don't necessarily think of how it came to be.
00:10:00.660 And especially, I think it's one of those stories that says a lot about technology on, you know, here on Sminty, we've had plenty of conversations about this. I've had many conversations about this on their No Girls on the Internet about how things like misogyny are kind of can sort of be baked into the foundation of technology.
00:10:20.480 And I think that is one of the reasons why tech is so often perpetuating misogyny, not because it's some sort of an unfortunate bug, but because this misogyny can be sort of foundational in some ways.
00:10:32.800 And I think this image really is a good example of what I mean.
00:10:35.880 And I think especially as we're having conversations about the rise of things like
00:10:39.880 nudify apps and AI-generated adult content creators, we're seeing what is kind of becoming
00:10:46.760 a marketplace that is men making money off of the bodies and or labor of women without
00:10:54.380 their consent, certainly without their compensation.
00:10:56.600 And I think this situation in the Lena image, where this image of a woman went on to create this entire field of technology without her consent, can perhaps really tell us something about where we're headed in 2024.
00:11:10.140 Yes, absolutely. Especially when you consider where it comes from, which I know we'll talk about. 0.62
00:11:14.160 But also, yeah, these conversations we're having now about, like, actors perhaps not giving their consent to being used in certain ways.
00:11:22.880 just and honestly it extends to all of us if you posted an image online not consenting to using an
00:11:29.400 image to an image getting used in a certain way but so much about this history is fascinating
00:11:34.780 because it feels so standardized which is odd um can you tell us about that totally so for folks
00:11:42.540 who don't know the Lena image is literally an image of this woman Lena um Lena Forsen she is
00:11:49.340 a woman from Sweden who in the 70s was a model.
00:11:52.440 So this kind of sensual image of her wearing a tan hat
00:11:56.640 with a purple feather flowing down her bare back,
00:11:59.800 staring kind of seductively over one shoulder, 0.99
00:12:02.320 that image of her was published in Playboy in 1972. 0.91
00:12:05.640 She was essentially a playmate. 0.97
00:12:07.420 That image would go on to become
00:12:09.120 what's called a standard test image.
00:12:11.280 So big caveat here, I am not an engineer.
00:12:15.540 If I say something that is, you're like,
00:12:17.500 if you're an engineer listening and you're like,
00:12:18.880 that's not totally correct. I am not an engineer, but here is a definition of what a standard test
00:12:24.020 image is that I found from Kaggle.com, which is like a developer community site. They say,
00:12:29.260 a standard test image is a digital image file used across different institutions to test image
00:12:34.460 processing and image compression algorithms. By using the same standard test images, different
00:12:39.340 labs are able to compare results both visually and quantitatively. The images are in many cases
00:12:44.320 chosen to represent natural or typical images that a class of processing techniques would
00:12:49.300 need to deal with.
00:12:50.520 Other test images are chosen because they present a range of challenges to image reconstruction
00:12:54.860 algorithms, such as the reproduction of fine detail and textures, sharp transitions and
00:12:59.860 edges, and uniform regions.
00:13:01.480 So basically, to put that in layman's terms, a standard test image is like a test image
00:13:07.360 that tests to make sure that the technology is working as it should be or like rendering
00:13:12.500 the way that it should be.
00:13:14.200 Lena's image is not the only common standard test image.
00:13:17.680 There's also one that is like a bunch of different colored jelly beans on a table.
00:13:22.560 There's another one that's called peppers.
00:13:24.420 It's just a bunch of different colored like red and green peppers, like jalapeno peppers.
00:13:27.920 So this is just a thing that becomes a way for technologists to test that the image generating technology is working correctly.
00:13:36.420 I do think this is very interesting for a lot of reasons.
00:13:39.120 But if you have like jelly beans and peppers, those are things to be consumed.
00:13:43.400 And then when you're thinking about where they got this image from of Lena, like, how did this happen?
00:13:51.020 How did this image become this standard testing thing?
00:13:56.900 So this is actually a pretty interesting story.
00:13:58.400 The story of how Lena's Playboy picture becomes this standard test image that is everywhere and very ubiquitous starts with computer and electrical engineer Alexander Sawchuck.
00:14:08.400 Sawchuck. According to the newsletter for the Institute of Electrical and Electronic
00:14:12.600 Engineering, or the IEEE, as I have found out it's sometimes called, I was talking to
00:14:17.560 somebody about this and I was like, oh, the I-E-E-E-E-E, and they were like, it's just
00:14:22.540 the IEEE.
00:14:23.480 I would definitely say it that way as well.
00:14:25.480 Yeah, I would too.
00:14:25.980 So it's the summer of 1973.
00:14:35.100 Alexander Sawchuck was an assistant professor of electrical engineering at the University of Southern California and also a grad student in the SIPI lab as a manager.
00:14:43.460 As the story goes, he's like frantically searching around the lab for a good image to scan for a colleague's conference paper.
00:14:50.420 He had just sort of gotten bored with their usual stock test images because they mostly had come from like 1960s TV standards and they were just a little bit dull.
00:14:59.120 He wanted something glossy and sort of like fresh and dynamic, but he also wanted to use a human face specifically.
00:15:06.060 Just then, as the story goes, somebody happens to walk in holding the most recent issue of Playboy magazine.
00:15:12.800 Why this person was bringing Playboy magazine into his workplace, I cannot tell you.
00:15:17.700 Happens to walk in.
00:15:18.580 I love it.
00:15:19.260 Do you know how you just come into your work?
00:15:20.620 To an actual institute.
00:15:21.520 Okay, cool, cool, cool.
00:15:22.340 Yeah, like, I mean, I do think that that sort of, like,
00:15:25.740 gives you a sense of, like, the dynamics that we're dealing with, right?
00:15:29.720 That somebody just happens to walk in with the most recent playboy under their arm.
00:15:33.760 Right.
00:15:34.720 The engineers tore away the top third of the centerfold
00:15:38.140 so they could wrap it around the drum of their Merhead wire photo scanner,
00:15:42.260 which they had outfitted with analog to digital converters,
00:15:45.760 one for each red, green, and blue channels,
00:15:47.820 and an HP 2100 minicomputer.
00:15:51.160 So all of that to say is that they effectively cropped this image 0.98
00:15:55.380 so that you can't see the model's bare ass in the image. 0.96
00:15:59.120 So it's just a picture of her from the shoulders up looking over her shoulder. 0.99
00:16:02.200 It's still like quite a seductive photo, 0.84
00:16:04.580 but the full photo has her like bare booty in it. 1.00
00:16:07.720 She's wearing like a feather boa and like thigh-high stockings looking over her shoulder.
00:16:12.700 So back in the 70s and 80s, this image was really sort of like used in very limited cases.
00:16:19.460 You could only really see it on .org domains.
00:16:22.400 It was pretty limited to like engineers.
00:16:24.340 Then in July of 1991, the image was featured on the cover of Optical Engineering alongside that other test image of the different colored peppers.
00:16:33.700 Funny enough, I took a look at that cover.
00:16:36.800 It's all black and white.
00:16:37.900 So I'm like, oh, I think they're trying to demonstrate that like these images had all these different dynamic colors, but both of them are rendered in black and white, kind of rendering that meaningless.
00:16:47.700 So this is when Playboy gets wind of this and they are not happy because it's basically copyright infringement, which I this is not related to the story, but I always have to add this.
00:16:57.880 Whenever it comes up how litigious Hugh Hefner and Playboy were, I always think this is very rich because, as y'all probably know, Hugh Hefner made an entire lucrative industry off of images of Marilyn Monroe that she did for a calendar company for which she was only paid $50.
00:17:15.780 Many years after that photo shoot, Hugh Hefner bought those photographs from the calendar company, republished them without Marilyn Monroe's consent or permission in 1953.
00:17:25.980 That was the first ever issue of Playboy. Hugh Hefner paid $500. She got $50, right? So whenever
00:17:32.680 I read about how litigious Playboy is, which they're very litigious, I always have to chuckle
00:17:37.440 at that, that, oh, like, you don't want somebody profiting off of your intellectual property but
00:17:43.440 had no problem profiting off of a woman's body without compensating her fairly or even her
00:17:49.840 consent. Interesting. 0.86
00:17:51.600 I mean, that's just, like, par for the course for him.
00:17:53.940 Oh, my God.
00:17:54.800 Don't even get me started on Hugh Hefner.
00:17:56.840 We will be here all day.
00:18:00.580 The things that came out after he died,
00:18:02.880 which I'm like, wow, he had a pretty good,
00:18:04.800 like, powerful handle on people not talking until he died.
00:18:09.600 Oh, my gosh.
00:18:10.360 I was listening to an episode of Celebrity Memoir Book Club
00:18:14.100 where they read a lot of ex-Playmate
00:18:16.660 and ex-Playboy Bunny memoirs.
00:18:18.940 Some of the things that they write about,
00:18:20.580 I'm like, oh, my God.
00:18:21.980 Like even even Lena in an interview, she talks about how in the 70s after this photo shoot, she was invited to go to the Playboy Mansion.
00:18:30.360 And the quote is something like they made it clear in the invite that I would have to spend time with Hugh Hefner while he was in his dressing robe.
00:18:38.420 And I said, no, thanks.
00:18:42.040 I mean, she already knew.
00:18:44.640 Well, he kind of was like, yeah, yeah, yeah.
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00:19:38.940 If your bookshelf and your For You page are equally important to your personality, welcome home.
00:19:44.860 This is Prose Society, the weekly podcast that's part book club,
00:19:49.260 part group chat for thought daughters, pop culture obsessives, and anyone who thinks
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00:20:36.980 See you between the pages.
00:20:44.680 So Playboy threatens to sue these engineers.
00:20:47.240 And at this point, the engineers, it sounds like, had like grown very fond of using this image.
00:20:51.640 So they fought back.
00:20:52.880 Eventually, Playboy backed down because, as a Playboy vice president put it, quote,
00:20:57.560 we decided we should exploit this because it is a phenomenon.
00:21:00.700 So, yeah, by his own words, like, oh, let's exploit this.
00:21:05.340 No talk about the fact that this is two groups of men fighting over who owns this image of a woman,
00:21:11.960 in one case being used in a manner
00:21:15.380 that is completely without her consent or control.
00:21:17.920 It just, it already from the beginning,
00:21:19.440 it just feels to me like men fighting over
00:21:22.340 how they can use a woman's representation
00:21:24.480 that I think is so foundational
00:21:27.180 to some of the conversations we're having
00:21:28.620 about technology like AI right here in 2024.
00:21:32.200 Absolutely.
00:21:32.580 And she did become pretty foundational, right?
00:21:38.180 Oh, absolutely.
00:21:39.200 So this is when the image of Lena
00:21:40.960 really becomes super popular.
00:21:43.400 The whole drama about the cover
00:21:44.860 catapults this image into
00:21:46.860 what you might think of as like
00:21:48.480 early internet virality or popularity.
00:21:51.000 This was in 1995.
00:21:52.600 The use of the photo in electronic imaging
00:21:54.360 has been described as clearly
00:21:56.440 one of the most important events in history.
00:21:59.120 It is truly hard to overstate
00:22:00.640 how ubiquitous this one image is in technology.
00:22:03.420 There is this fascinating interactive piece
00:22:05.700 by Jennifer Ding at The Pudding.
00:22:07.860 The piece is so cool.
00:22:08.860 It's like one of those interactive pieces
00:22:10.180 It has a timeline. Definitely check it out. But in that piece, Ding actually includes a freeze frame of the show Silicon Valley on HBO, where in the background, there is a poster with the Lena image on the wall. Right.
00:22:23.940 So this image is also included in scientific journals just all over the place.
00:22:28.520 Ding found that within the .edu world, so like websites related to education, the Lena image continues to appear in homework questions, class slides, and to be hosted on educational and research sites, ensuring that it will be passed down to new generations of engineers.
00:22:44.460 So this became so popular that Lena herself is often called the first lady of the Internet.
00:22:51.340 Wow. Yeah, I can, like, her taking that picture, having no idea that this is what would happen, which, yeah, I mean, I guess that speaks to the next question. Why did this image take off the way that it did?
00:23:04.020 Well, if you ask David C. Munson, who is the editor-in-chief of the IE, or the IEEE, transactions on image processing, he said that the image happened to meet all of these requirements for a good test image because of its detail, its flat regions, shading, and texture.
00:23:22.000 But even he will not leave out the obvious fact that it's also a picture of, like, a seductive, sexy young woman.
00:23:29.520 Duh, right?
00:23:30.080 Like, that's definitely part of it. 0.91
00:23:32.140 He says, the Lena image picture is of an attractive woman.
00:23:35.540 It is not surprising to me that the mostly male image processing research community gravitated toward an image that they found attractive.
00:23:42.400 And so I do think there is something about these highly male dominated spaces where it's not just that there's a lot of men.
00:23:51.420 It's like their worldviews, their interests, their perspectives, their biases that are really taking up a lot of space in these in these spaces.
00:24:00.840 I just think that men feel like these spaces are theirs and that they are free to decorate those spaces with the pretty women that they think they feel like they should be able to use without their consent or compensation.
00:24:13.640 I just think that, like, Annie, you mentioned earlier that the other test images are these things that you consume, right?
00:24:19.360 Like peppers or jelly beans.
00:24:21.280 There's another famous one of a baboon that has different colors on its face.
00:24:25.780 it's interesting to me that it's these things that are not human things that are like animal or or that
00:24:31.920 you consume that like throwing a sexy young woman into that mix I don't think maybe seem like a huge
00:24:37.340 departure for these guys yeah and and again when we think about things um in the realm of AI or
00:24:43.960 even I know I've complained about this many times but in like the worlds of fandom or um gaming
00:24:49.920 it's like that it's like you can come into our world on our terms and you wear what we want you
00:24:53.820 You are here because we let you be here in this male-dominated space, but you're going to do what we want. It's not up to you. And that's the only way that you can be in this world. But that being said, there has been some pushback recently-ish, right, Bridget?
00:25:15.480 Yeah. So one thing about what you just said, when I was researching for this episode, some of the different engineers who had contributed to this image's popularity, they were quoted when they actually met the actual real Lena at a conference that she was invited to.
00:25:31.540 they were like I can't believe she's a real person and part of me was like you didn't even
00:25:35.860 see her as a real human they just saw her as something that they had like an image in a in
00:25:40.820 a picture that they had been consuming for decades and they had so removed her from being a real
00:25:46.220 breathing human that meeting her in real life was like they were surprised that she was real and I
00:25:52.040 think that really speaks to the sort of fandom element that you were talking about this idea
00:25:55.580 that like you can come if you are a fantasy and in some ways not even a real human. You know what
00:26:03.840 I'm saying? You're like, do I ever? Yeah. Like don't say anything that I don't like. Like keep
00:26:12.140 quiet and look the way I like. Then you can be here. But oh, you're a real person. Oh no, I don't
00:26:18.940 want you here at all. Yeah. So you're exactly right, Annie. All of this happened, but it was
00:26:25.320 not without pushback, around like the 2010s, people started publicly asking whether or not
00:26:31.880 this image of a woman from Playboy should be so foundational to technology, especially
00:26:38.740 in education settings. You know, given conversations about the need for more women 1.00
00:26:42.920 in these spaces and how to make these spaces more inclusive and more diverse, that's really 0.99
00:26:47.200 around when you start hearing like people in public being like, wait a minute, maybe this
00:26:51.080 isn't so cool. In 2015, Maddie Zug, who was then a student at the Thomas Jefferson High School for
00:26:56.500 Science and Technology right here in D.C., where I live, who I should say now is a product safety
00:27:00.800 engineer at Apple who focuses on preventing tech-enabled abuse and stalking and harassment
00:27:05.280 on Apple platforms. So like, go Maddie. Maddie sounds like she was cool in high school and is
00:27:09.940 cool now. So Maddie wrote this op-ed basically asking the question of like, should I, as a high
00:27:16.580 school student at a STEM high school be given like an image from Playboy as part of my education
00:27:23.860 in technology in STEM? She writes, I first saw a picture of Playboy magazine's Miss November 1972
00:27:30.280 a year ago as a junior at TJ. My artificial intelligence teacher told our class to search
00:27:36.000 Google for Lena Soderbergh, not the full image though, and use her picture to test our latest
00:27:41.380 coding assignment. At the time, I was 16 and struggling to believe that I belonged to the
00:27:46.340 male-dominated computer science class.
00:27:48.560 I tried to tune out the boy's sexual comments.
00:27:51.300 Why is an advanced science, technology, engineering, and mathematics school using a Playboy
00:27:55.460 centerfold in its classrooms?
00:27:57.400 Her piece ends with saying, it's time for TJ to say hello to an inclusive computer science
00:28:02.280 education and say goodbye to Lena.
00:28:04.840 So Maddie was not the only person who was like, maybe this image shouldn't be the thing
00:28:09.740 that all of our education is centered around. 0.89
00:28:11.720 In that piece for Wired I mentioned, they talked to several women in technology with 0.86
00:28:15.760 very similar stories. This one is actually pretty funny. Deanna Needle, a math professor at UCLA,
00:28:21.140 had similar memories from college. So in 2013, she and a colleague staged a quiet protest.
00:28:26.980 They acquired the rights to a headshot of the male model Fabio Lanzoni and used that for their
00:28:33.160 imaging research. So they kind of like turned it around like, oh, you're going to use a sexy woman?
00:28:38.160 Well, we'll use a sexy man. What do you think about that? I love it. So in that piece, they 0.82
00:28:45.220 actually track down and speak to the real Lena, who also called for her image to be retired. She
00:28:51.740 says, I retired from modeling a long time ago. It is time I retired from tech too. We can make a
00:28:57.540 simple change today that creates a lasting change for tomorrow. Let's commit to losing me. And
00:29:03.620 there's actually some news on that front because as of April 1st of this year, the IEEE officially
00:29:09.860 retired the use of the Lena image and announced they will no longer be using that image in their
00:29:14.620 publications. Ars Technica points out that this is kind of a really big deal that will likely have a
00:29:19.680 ripple effect in the space because the journal has been so historically important for computer
00:29:24.560 imaging development. It'll likely set a precedent removing this image from common use. In an email,
00:29:30.900 a spokesperson for the IEEE recommended wider sensitivity about the issue, writing,
00:29:35.740 in order to raise awareness of and increase author compliance with this new policy,
00:29:40.440 program committee members and reviewers should look for inclusion of this image and, if present,
00:29:44.620 should ask authors to replace the Lena image with an alternative.
00:29:49.020 Yeah, I love that from Lena herself, like, let's commit to forgetting me. That's
00:29:53.940 such a great line. But it does speak to, it speaks volumes, as you've been saying, Bridget,
00:30:01.520 to our attitude towards women on the internet and towards consent on the internet.
00:30:07.480 And so when we're thinking about this, which was foundational, what do you think
00:30:14.360 about this, the legacy of this image?
00:30:19.120 Yeah, I love that question.
00:30:20.920 You know, when I was reading about how this image came to be,
00:30:24.120 I'm imagining a very different time, right?
00:30:26.320 It's the 70s.
00:30:27.940 People aren't necessarily having a lot of public,
00:30:30.680 loud conversations about the power dynamics
00:30:33.760 of who's in the room and who's not in the room,
00:30:36.340 where a lot of this technology is getting built.
00:30:38.380 And it really made me think of like, wow, the 70s,
00:30:41.640 that probably was such a different time.
00:30:43.140 But here in 2024, we are having those conversations.
00:30:47.280 Loud voices are publicly having those conversations.
00:30:50.320 There are women and people of color and trans folks and queer folks and all kinds of folks
00:30:55.560 who are building and making the technology that shapes our world today.
00:30:59.220 And so in 2024, it almost feels like we are pretending that we're still in this 1970s,
00:31:06.720 we didn't really know who could have foreseen world, when in fact, we're not really in that
00:31:12.620 world.
00:31:12.840 People are asking the questions. People are raising the alarm. And I guess I don't think it should be several decades after AI technology becomes ubiquitous for people to start asking the question about how traditionally marginalized people like women are being used and represented and perhaps exploited without their consent in these spaces.
00:31:32.240 I think it provides a really interesting precedent for what's going on here in 2024.
00:31:37.240 And Jennifer Ding put it really well.
00:31:39.600 She writes, to me, the crux of the Lena story is how little power we have over our data and how it is used and abused.
00:31:47.160 That threat seems disproportionately higher for women who are overrepresented in Internet content, but underrepresented in Internet company leadership and decision making.
00:31:55.980 Given this reality, engineering and product decisions will continue to consciously and unconsciously exclude our needs and concerns. Right. And so I really agree with that, that this Lena story really is a story about power dynamics and who is represented in technology and who is just sort of like has their needs exploited or erased. Right. 0.96
00:32:16.800 Like women, men wanting to consume the bodies of women is like foundational to the Internet. 0.91
00:32:24.560 It's like what it's like why we have the Internet the way that we have it. 0.99
00:32:27.540 And I think we know that now it's like an objective fact about the Internet and technology.
00:32:33.860 I don't think we can still make technology that is not honest about that, because if we're not being honest about that, we can never fix that.
00:32:42.260 We can never question that. We can never have that be a dynamic that we stop perpetuating with technology.
00:32:48.600 Yeah. And I think it's like going back to the point about being in a classroom setting and being shown explicitly like this is how women are viewed in space.
00:32:58.120 This is what built a lot of what we use today.
00:33:00.720 and we're still talking about it
00:33:02.120 is telling in itself
00:33:04.060 and especially when we're seeing that
00:33:05.560 perpetuate in all of these tech spaces
00:33:09.300 where it still feels in a lot of ways, 0.99
00:33:11.840 even though women and marginalized people 0.97
00:33:13.320 have built those spaces, 1.00
00:33:15.160 that like you're the guest here
00:33:17.920 and you're only here
00:33:19.340 because we're opening our gates a little bit
00:33:22.600 to let you in.
00:33:24.120 But otherwise, get out.
00:33:28.100 And I just think that's a dynamic
00:33:29.360 we need to be questioning in 2024.
00:33:31.380 And I think, so like,
00:33:32.860 something about the use of this image,
00:33:35.500 its ubiquity in education spaces,
00:33:37.280 I find so telling.
00:33:39.620 But also, even if you're not studying
00:33:41.620 to be an engineer or something,
00:33:43.240 I think there is a dynamic that says
00:33:45.060 that if you are a person
00:33:47.020 who is traditionally marginalized,
00:33:48.780 you're not a decision maker,
00:33:49.920 you're not a power holder,
00:33:51.380 you're not doing or making anything
00:33:53.220 that anybody needs to care about.
00:33:54.700 And the entire dynamic is that
00:33:56.120 we use you, in fact, right?
00:33:58.920 So Ding actually points this out in her piece.
00:34:01.020 She says, while social norms are changing toward non-consensual data collection and data exploitation, digital norms seem to be moving in the opposite direction.
00:34:09.460 Advancement in machine learning algorithms and data storage capabilities are only making data misuse easier.
00:34:14.800 Whether the outcome is revenge porn or targeted ads, surveillance or discriminatory AI, if we want a world where our data can retire when it's outlived its time or when it's directly harming our lives, we must create the tools and policies that empower data subjects to have a say in what happens to their data, including allowing their data to die.
00:34:34.440 And so I think even if you're not somebody who is a techie, that does concern you, this dynamic that just says, we consume, we exploit, we make money from you, and you don't get to have a say about it.
00:34:46.120 That's the dynamic that I think this Lena image really did usher in without really even necessarily meaning to.
00:35:04.440 internet with a two-year term and auto pay credit visit bell.ca for details and to check
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00:35:42.640 If your bookshelf and your For You page are equally important to your personality,
00:35:47.060 welcome home. This is Prose Society, the weekly podcast that's part book club,
00:35:53.240 part group chat for thought daughters, pop culture obsessives, and anyone who thinks
00:35:57.180 Pride and Prejudice and Love Island
00:35:58.720 deserve the same level of discourse.
00:36:01.040 I'm Eli Rallo, and every week,
00:36:02.760 we're connecting the dots between books,
00:36:04.740 the internet, and the conversations
00:36:06.160 everyone can't stop having.
00:36:08.160 I'm going to have to look up this story.
00:36:10.060 I'm obsessed, so obsessed.
00:36:11.740 From best-selling authors
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00:36:14.360 to the latest pop culture moments,
00:36:16.600 nothing is off the table.
00:36:18.080 It's like if you can hide some real messages
00:36:20.960 inside compelling characters,
00:36:23.380 and that is the Trojan horse.
00:36:25.160 Whether you're looking for literary deep dives, smart pop culture conversations, or a community of readers who love to think a little too much, you're in the right place.
00:36:34.760 Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:36:40.800 See you between the pages.
00:36:41.900 there's a big conversation here on like the power of capitalism within the tech industry and what
00:36:55.000 makes money i can't help but think like with the lena image the fact that this toxicity was used
00:37:01.900 to make more profit and more power within this industry it took 40 50 years for it to even have
00:37:08.180 a conversation about like let's let's let's change it let's retire it but the fact that it had that
00:37:12.720 much pushback because they didn't care enough and they wanted to build on this toxicity because they
00:37:17.340 knew it could make money is the most concerning thing to me and then then the and then the powers
00:37:21.940 that be are saying that yeah yeah we're definitely going to control this and then just goes after an
00:37:25.780 app instead of the root of the problem seems like the biggest part of the conversation because
00:37:30.540 even in the ai world with new apps coming through new programs coming through and they're all
00:37:36.000 competing with each other, they don't want to let go of the toxicity because that's what's making
00:37:41.020 them money, which is really, really concerning. Yeah. And I mean, like, if there was one so what
00:37:46.780 of why I wanted to have this conversation, Sam, that is exactly it, that it is about money. It
00:37:52.360 is about capitalism. It is about making money off of people's own exploitation and selling that
00:37:58.080 exploitation back to them to make more money. And it's just a really toxic dynamic that I believe
00:38:05.360 is harming us and making the people who have created that dynamic rich.
00:38:11.700 All the while, they get to be like, oh, it's not a big deal for you.
00:38:14.400 Actually, this is going to be really good for you.
00:38:15.840 This is going to be convenient for you.
00:38:17.320 And I don't know, like, I woke up this morning
00:38:20.400 when I was trying to decide, like, what I wanted to talk to y'all today about.
00:38:24.200 And one of the ideas that I had that I scrapped
00:38:27.320 was just this feeling that being on the Internet just doesn't feel fun anymore.
00:38:32.220 Anytime I go on a website, anytime I Google something just to find out information, it feels like a scam.
00:38:38.800 It feels like exploitation.
00:38:40.360 I feel like I am one click away from somebody getting my social security number. 0.98
00:38:44.120 It feels like AI-generated garbage.
00:38:47.400 And I just think we have hit the wall of that feeling.
00:38:51.780 I can't imagine that I'm alone in this.
00:38:54.300 I think the feeling of showing up online today in 2024 feels exhausting.
00:38:59.900 And I think part of it is because it feels like we are being bled dry by people that we have already made rich from our own exploitation.
00:39:08.820 Do you ever feel that way?
00:39:10.160 Oh, absolutely.
00:39:11.120 I think with, because getting on TikTok, the first opening video, I'm sure you've seen it, is that content manager who's like, I'm here for the safety of TikTok.
00:39:19.560 Have you seen this?
00:39:20.520 I have not.
00:39:21.480 She's been there.
00:39:22.480 She is for safety and something.
00:39:24.280 Like she has a very specific title.
00:39:25.360 Oh, is it trust and safety?
00:39:26.620 Yes.
00:39:26.940 Susie someone. She is very white and she's very redheaded. So I was like, OK, so we've got played 1.00
00:39:32.540 into the xenophobia. She's like, look, I'm a white person. I'm going to help you out here.
00:39:35.820 Don't worry. Don't worry. I got this. But that's the first thing that I'm seeing. So like,
00:39:40.880 you know, urging TikTok users to talk to the government because they voted this in and this
00:39:45.640 is real bad and all this whatnot. And I'm just like, all right, it's going to go away next.
00:39:51.240 This is now my attitude because also I'm very tired. But also I just got an email saying that
00:39:56.620 AT&T, yes, has a record that, oh, that data breach, they have your stuff.
00:40:00.980 But good news, since you don't have a bill with us, we don't, we didn't, you didn't get any pertinent information.
00:40:05.820 But I literally think every month I have been given, seen an email that says something of my information has been breached.
00:40:14.600 And it's nothing that I have done.
00:40:16.060 It is literally everything from my insurance, my dental insurance, my health care provider, my internet, which I'm like, what the hell?
00:40:24.880 My phone subscription, my cell phone, which I'm like, I'm starting to get back to that.
00:40:29.840 I think I want a landline.
00:40:31.300 I've had this moment, y'all.
00:40:32.660 To each of those things popping up on things, I'm like, I have to use that information in order for me to have health care.
00:40:39.360 So y'all let my health care information go out and they have my social security number.
00:40:43.740 There's nothing I can do about that.
00:40:45.040 As many times as I can change my password, the next email I'm getting is telling me that I've got a data breach of my information.
00:40:53.240 So what is the point? Like, at this point, the only way is to rewrite my identity and to never get online again, which would be really hard for my job.
00:41:03.660 Yes. Like if you have a phone in your in your life, if you vote, if you drive these things that that we are required to do to participate in public life should not just be avenues for somebody to make money and scam us.
00:41:20.220 But yet it feels that way. And you know what, Sam, I have actually not seen the TikTok that you're referring to because I have not opened my TikTok app in days because it's starting to feel like QVC and I cannot take it anymore.
00:41:33.300 Like, whatever happened to spaces on the Internet that were supposed to feel like safety or exploration or fun or community or connection?
00:41:41.320 I hope that somebody out there listening is like, Bridget, you're old and unhip.
00:41:45.620 We have those spaces.
00:41:46.800 They are X, Y, Z.
00:41:48.380 Tell me about them.
00:41:49.220 I want to know about them. 0.95
00:41:50.120 But I think that we really got to get back to, like, to those principles of the Internet feeling like something other than being taken for a ride on which you are the chump. 0.92
00:42:02.500 Right. 0.90
00:42:02.940 Right. And I will say a lot of people have felt like Discord and Reddit has been like brought in, but we already know Reddit has had its problems. And then I think there's a new lawsuit with Discord with its problems and its terms of service changing as well. I'm like, what?
00:42:16.540 Totally.
00:42:17.300 So there's literally no one is protecting the individual to, like, there's no protection for us at all.
00:42:24.900 But they want us to say, they want us to take away things from us, which is like the least of our worries.
00:42:31.040 Or they're just like, sorry, you're like, you can't sue us.
00:42:35.140 Yeah, I think everybody is feeling that.
00:42:37.180 But I think it is particularly dangerous for people who are traditionally marginalized.
00:42:42.100 Because, yeah, it's just the expectation that, oh, it's totally fine if people who make apps that non-consensually undress women using AI, why wouldn't they be able to advertise on Facebook or Instagram or Twitter?
00:42:57.900 They got to make money. That's a business. 0.54
00:42:59.500 Like, how easy it is to erase the human people at the heart of this dynamic, erase their concerns, erase their needs, erase their harm, because men got to make money off of it.
00:43:11.220 I'm sick of it.
00:43:12.480 Right.
00:43:12.800 Or it's tradition.
00:43:13.920 Literally, like, yeah, this image has always been here.
00:43:16.200 We need to teach it as a history.
00:43:17.440 It's historical now.
00:43:18.720 It was definitely not exploiting somebody or taking advantage of somebody or using humiliating content.
00:43:26.060 Because she wasn't humiliated, I don't think.
00:43:27.660 But, like, in the ideal of, like, it being forever and ever and ever of, like, your seductive picture being used for IT people, which is a whole different conversation in itself.
00:43:38.380 Yeah.
00:43:38.560 I mean, so Lena, the real life Lena, and again, there's a really interesting Wired article that has an interview with her.
00:43:44.700 She doesn't feel like she was exploited.
00:43:46.460 She's actually really proud of that image, even as she recognizes that it's like time for it to be retired.
00:43:50.960 However, she does wish that she had been fairly compensated for what would go on to be her like non-consensual contributions to tech.
00:43:59.780 When she took that image, there's no way that as a, you know, young playboy playmate in 1971 or whatever, you would have a sense of like, well, if this goes on to be to make me the first lady of the Internet, I better have compensation and protections.
00:44:13.480 No way. Right. So in that Wired piece, they say it makes sense that she would feel this way.
00:44:18.560 Unlike so many women in tech, Lena has at least been acknowledged, even vetted for her contribution.
00:44:24.380 She did that work, and the people started using that photo in this neat new way,
00:44:28.080 and now she has this kind of immortality woven into the design of the machine.
00:44:32.980 This is from Marie Hicks, a historian of technology and the author of Programmed Inequality.
00:44:37.560 All of this happened for a reason, Hicks writes.
00:44:39.680 If they hadn't used a Playboy centerfold,
00:44:41.600 they almost certainly would have used another picture of a pretty white woman. 0.52
00:44:44.840 The Playboy thing gets our attention,
00:44:46.540 but really what it's about is this world building that's gone on in computing from the beginning.
00:44:50.820 It's about building worlds for certain people and not for others.
00:44:55.580 I find it interesting, too, that they invited her to the conference.
00:44:58.660 Like, I'm wondering what the purpose was other than to, like, for me, because it obviously wasn't to ask her questions about tech and how she did this thing because they did not even consider human, as we know.
00:45:12.220 It was just literally to ogle her in real life.
00:45:15.740 Yeah, I was thinking about why they did that.
00:45:18.920 I don't know.
00:45:19.560 I have part of me wonders if it was like an attempt to be like, oh, we need to acknowledge the way that this woman's image was so foundational to our technology, but then like not really doing it, like still sort of treating her as like a booth babe or something like I don't know.
00:45:35.700 Right. I just find all of that interesting in this level of like, not again, of not what she was doing this for. She came in with like, whatever her ambitions were in being this model and whatnot. And then all of a sudden being told you're being used as an example for computers, like for images for computers.
00:45:58.700 And not only will you see this, but your grandkids will also, like if she has children, like any of those things, and your family members forever.
00:46:06.440 And like who would have ever thought that that's how that image would go on to be used in history?
00:46:10.900 And I really think like this is where we are today, and this is like why I wanted to talk about this, is that I think like the idea, the concept of images being shared online, the way we understand that in 2024,
00:46:23.760 The fact that this image of Lena became so foundational to that concept without her consent, you know, perhaps without like proper contribution to the way that she actually was foundational to that and building out this entire universe around it that is mostly like controlled and protected and profited off by men.
00:46:43.700 And nobody's stopping to ask about the ramifications of that until decades later.
00:46:48.240 I just think it really establishes, like, a concerning precedent for where we're going right now with AI in 2024.
00:46:54.720 And it doesn't have to.
00:46:55.960 We can learn from what we did with that Lena image if we ask the right questions, if we center the right perspectives and the right voices.
00:47:02.800 And so, yeah, I don't want to wait until 2040 to be like, oh, should we have been talking about the ways that women and girls and other marginalized people are being exploited and used to make technology companies money?
00:47:16.340 I don't want to ask that question when it's too late.
00:47:18.560 Right. And here's like the big conversation is, shouldn't we also recognize that big companies and big tech companies and big companies that are developing are purposely leaving out marginalized people because they like the old ways and that it's only making a certain amount of people money?
00:47:35.040 Yes, I would argue that's exactly what's going on. I mean, in 2024, there are so many loud, thoughtful voices from women and people of color who are really talking about AI in some interesting and thoughtful ways.
00:47:50.380 So they exist. They are out there. This is the tale as old as time when it comes to technology. It is not that they are not there. It is that they are being, whether intentionally or unintentionally, marginalized, sidelined, silenced, pushed aside to make room for voices who are just repeating the status quo, who are just saying like, well, I'm trying to get rich.
00:48:12.480 So who cares how this harms somebody? Who cares about whether or not this goes on to exploit? And I think that's really it's really like a it's a little bit of a complicated cultural dynamic and cultural shift that I think that we really got a break.
00:48:25.560 yeah yeah and it's really sad going back to your point bridget of like the internet
00:48:30.560 not being a place of joy anymore because so many times it was marginalized people who made those
00:48:36.900 spaces because they couldn't find them anywhere else um and then these companies come in and are
00:48:45.920 like okay well we can make money and then it doesn't become a joyous space anymore it becomes
00:48:52.720 a very toxic a toxic place and so like hearing this story and seeing how so much of what we use
00:49:03.080 still is based on something that was a guy walked in with the playboy magazine like
00:49:09.940 it's it's bad when you that doesn't feel so out of place and what we're talking about
00:49:17.540 in our current time.
00:49:19.680 Yeah, and again, I mean,
00:49:21.300 I opened up our conversation with this,
00:49:23.100 but I guess, and I guess I'll close with that too.
00:49:25.180 I believe people, when I say this,
00:49:27.400 people think I sound alarmist or extreme,
00:49:29.900 but I mean it the way that I mean it.
00:49:31.500 I think that these things are features, not bugs.
00:49:34.620 I think we gotta be honest about the ways
00:49:36.240 that things like misogyny and exploitation,
00:49:38.900 particularly when it comes to marginalized people,
00:49:41.340 has been foundational to technology
00:49:43.480 and the internet from the very beginning.
00:49:45.780 I love the internet.
00:49:46.920 I love technology.
00:49:48.140 It is why I do the work that I do.
00:49:50.000 But I think that until we are honest about that,
00:49:53.000 that these things are features and not bugs,
00:49:55.560 we will never get anywhere.
00:49:56.740 And so I think that it really starts
00:49:58.320 with having honest conversations about where we started
00:50:01.120 so that we can get to a place
00:50:02.800 that actually feels a little bit better for everybody.
00:50:06.040 Yes.
00:50:07.960 Yes.
00:50:09.240 Well, thank you so much as always, Bridget.
00:50:11.900 Every time you come on, I'm like,
00:50:13.100 we could talk for hours about this and this and this.
00:50:16.920 Invite me back for an episode just dragging Hugh Hefner.
00:50:20.200 Yes.
00:50:21.280 I'll be here for it.
00:50:22.580 I think we need to do this because I've been thinking about this for a minute.
00:50:26.060 Amazing.
00:50:27.260 The magazine world and jumping into like all of that.
00:50:30.320 Don't even get, I mean like, this is like, spoiler alert, I like totally had this wrong for so long in my life.
00:50:36.040 I was like, oh, Hugh Hefner was a champion for free speech and civil rights and blah, blah, blah.
00:50:40.920 Then I like grew up and learned that I was like, actually, I think he wasn't such a good guy.
00:50:45.560 Right.
00:50:45.960 We really fed into the, but read the articles.
00:50:49.400 They're so good.
00:50:50.340 Oh, my God.
00:50:50.840 They've got Gore Vidal.
00:50:53.260 Yes.
00:50:55.220 Yes.
00:50:56.080 Oh, yes.
00:50:56.940 Please come back for that, Bridget.
00:51:00.080 In the meantime, where can the good listeners find you?
00:51:03.280 Well, you can listen to my podcast. 1.00
00:51:04.580 There are no girls on the Internet. 1.00
00:51:05.740 You can follow me. 0.51
00:51:06.660 I'm not really on social media that much anymore, but you can try to find me there.
00:51:09.880 I'm on Instagram at BridgetMarie in D.C.
00:51:11.820 I am at Blue Sky, at Bridget Todd, on Threads, at Bridget Marie in D.C., sometimes on TikTok.
00:51:19.960 I'm easy to find.
00:51:20.840 You'll find.
00:51:21.100 Google me.
00:51:21.480 You'll find me.
00:51:23.200 Yes.
00:51:23.920 Google me.
00:51:24.680 That's a flex.
00:51:26.420 It's true, though.
00:51:27.420 Our listeners are smart.
00:51:28.940 They can find you.
00:51:30.540 And listeners, if you would like to contact us, you can.
00:51:32.900 Our email is stuffmediamomstuff at iheartmedia.com.
00:51:35.460 You can find us on Twitter at Most of Podcasts or on TikTok and Instagram at Stuff I Never Told You.
00:51:40.020 We're also on YouTube.
00:51:40.640 We have a TeePublic store and a book you can get wherever you get your books.
00:51:44.460 Thanks, as always, to our super producer, Christine, our executive producer, Maya, and our contributor, Joey.
00:51:48.160 Thank you.
00:51:49.060 And thanks to you for listening.
00:51:50.380 Stuff I'll Never Told You is a production of iHeartRadio.
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00:51:56.060 i survived nine months in captivity and i've spent my life exploring how other people survive
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00:53:08.100 I'm Nick Turturro. You probably know me from NYPD Blue, The Longest Yard, or Spike Lee's Black Klansman.
00:53:14.080 And on my new podcast, Delivering Happiness with Nick Turturro, I deliver pizza to a new guest.
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