There Are No Girls on the Internet - May 18, 2022


Janet Jackson’s trauma led to the creation of YouTube. And it says a lot about the internet

Topics
The moral panic behind “groomers” is an attack on marginalized people WTF is going on at Netflix? BEST OF TANGOTI

Episode Stats


Length

43 minutes

Words per minute

160.14

Word count

6,907

Sentence count

366

Harmful content

Misogyny

25

sentences flagged

Toxicity

13

sentences flagged

Hate speech

14

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 This is an iHeart Podcast.
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00:00:37.800 844-844-iheart i survived nine months in captivity and i've spent my life exploring how other people
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00:01:33.180 is doing a live show at Caveat in New York City on Friday, May 28th. You can also attend virtually
00:01:38.820 from wherever you're at in the world. We'll have super cool guests, a meet and greet, and a lot
00:01:43.500 more. Go to tangoti.com slash live to get tickets. That's T-A-N-G-O-T-I dot com slash live. And I
00:01:51.300 cannot wait to see you there. Our bodies are open-source software, right? Like anybody can
00:01:56.740 dig in, anybody can extract, and it's just for the public good. There Are No Girls on the Internet 1.00
00:02:07.260 is a production of iHeartRadio and Unbossed Creative. I'm Bridget Todd, and this is There
00:02:15.820 are no girls on the internet. I believe in the power of technology. I wouldn't make this podcast 0.64
00:02:22.560 if I didn't. But I've also seen the ways that things like misogyny and racism are baked into
00:02:27.540 the foundation of technology in the internet. And when so much of it plays such a big part in all of
00:02:32.380 our lives, it's something we really need to contend with. And the early days of YouTube are a great
00:02:37.480 example of exactly what I mean. So the story of how YouTube got started is actually a story about
00:02:43.260 how a Black woman's trauma would be the inspiration 0.65
00:02:45.940 for an entire generation of streaming technology.
00:02:49.400 It can tell us a lot about how we all show up online.
00:02:53.020 My decision to change the Super Bowl performance
00:02:55.960 was actually made after the final rehearsal.
00:02:58.940 And unfortunately, the whole thing went wrong in the end.
00:03:03.200 So you probably remember the Super Bowl halftime show back in 2004.
00:03:07.640 Here's a quick summary of what happened.
00:03:09.340 At a high point of a historic career that spanned dance,
00:03:12.480 singing, and acting, pop music sensation Janet Jackson was performing at the Super Bowl halftime
00:03:18.260 show alongside surprise guest Justin Timberlake. As Timberlake reached the final line of the song
00:03:24.040 Rock Your Body, which goes, gonna have you naked by the end of this song, he pulls off part of
00:03:29.540 Jackson's costume, exposing her breast to 150 million viewers for a fraction of a second.
00:03:35.820 I remember the incident well and the complete media firestorm that it created. Janet Jackson
00:03:42.120 was the most searched person for 2004 and 2005.
00:03:46.980 And representatives from the television recording device TiVo
00:03:49.860 said that not only was the incident the most replayed moment
00:03:53.200 in the entire history of the device,
00:03:55.700 but it also drove more than 20,000 people to subscribe to TiVo.
00:04:00.060 Now, what I remember the clearest about this incident
00:04:02.540 is Janet herself talking about how traumatic it was for her.
00:04:06.940 It's truly embarrassing to know that 90 million people saw my breast
00:04:11.000 And then to see it blown up on the internet the size of a computer screen.
00:04:14.800 There are much worse things in the world.
00:04:16.820 And for this to be such a focus, I don't understand, she told USA Today.
00:04:21.800 This moment and our collective reaction to it
00:04:24.740 revealed a lot about intersecting issues that we sometimes have trouble talking about.
00:04:29.280 Gender, race, sexuality, all unfolding against a media climate
00:04:33.540 ready and willing to publicly denigrate a Black woman. 0.50
00:04:36.340 To better understand this moment, how it led to the creation of YouTube, and what it says about our current internet landscape for Black women, and everybody, I turn to Kimberly Foster.
00:04:48.460 My name is Kimberly Foster. I am a writer, editor, content creator, cultural critic, a whole bunch of things.
00:04:59.820 Kimberly has been unpacking Black feminist thought online for over a decade with her digital community for Black women called For Harriet. 1.00
00:05:06.340 You really have built your own lane using technology and digital media and the internet with For Harriet. And I know that this really came up at a time where there wasn't really a lot of spaces to get Black feminist thought online. I would love to know how that came to be, like how you came to be this woman who kind of made your own lane having an opinion on the internet. And what does it feel like to be such an early originator of Black feminist online discourse?
00:05:34.240 Oh, well, first of all, that's so nice. Thank you so much. I appreciate that. I think I've
00:05:42.700 always been obsessed with the internet ever since I can remember. We first got on the internet when
00:05:47.620 I was in kindergarten and my mom is an engineer. So she was so pro-technology and so pro-computers
00:05:56.060 and exploration. She actually gave me my first HTML book and is like, have fun, go crazy.
00:06:03.120 And so ever since I was in elementary school, I've just been like, what is this?
00:06:07.480 And I learned that you can connect to people and create your own spaces and create your
00:06:13.020 own websites.
00:06:14.140 And as I got older, I was like, oh, wait, like I can have my own magazine.
00:06:20.340 I can have my own website where it's all my thoughts and I have complete control.
00:06:25.480 And so I was all in on that in my teenage years, blogging and on the message boards
00:06:31.660 and all of that. And then I went to college and I developed a very strong political ideology.
00:06:38.260 In college, I discovered Black feminism. And so I wanted to figure out a way to meld my obsession
00:06:46.200 with the internet, my desire to share my unique viewpoints and my own Kimberly-owned space on the
00:06:53.320 internet with this burgeoning political ideology that meant a lot to me. And so I came up with the
00:06:59.620 idea for for Harriet which would be a black feminist digital community where black women 0.87
00:07:07.060 who thought like me because of course all black women aren't progressive all black women aren't
00:07:11.680 feminists I wanted to create a congregating space where we could just talk about our lives and our
00:07:17.920 experiences and our politics and the trials and tribulations especially as a straight woman of 1.00
00:07:23.100 dealing with men, you know? And so junior year in college, I launched this space and
00:07:32.100 there's been no looking back since then. You were at Harvard, right?
00:07:36.220 I was. Did you see someone who looked like you doing this? Like, it would have never occurred
00:07:43.560 to me in college to build my own space online using the internet for other Black women who 1.00
00:07:51.060 felt like me and had my same perspectives. Was there, did you, because there just wasn't really 0.52
00:07:55.420 anybody doing that. The only thing I can think of is Khadijah from Living Single having her own
00:08:00.300 magazine, but we didn't really see that. Was there something that made you think like, oh, 0.83
00:08:04.700 I can do this, or this is a pathway for me, or were you just blazing your own, blazing your own
00:08:09.900 trail? Oh, I'm so glad that you asked this question because I always say that citation
00:08:15.820 is a fundamental part of a Black feminist ethic.
00:08:19.360 So I'm so excited I get to shout these people out.
00:08:22.020 So when I first decided that I wanted to make for Harriet, 0.99
00:08:25.700 I was starting to creep into Black feminist spaces online. 1.00
00:08:29.660 And they did exist. 1.00
00:08:30.680 There were a couple that I loved.
00:08:32.540 The Feminist Wire, which was a great collective
00:08:35.340 of Black feminist scholars in the academy 0.99
00:08:39.540 and the Crunk Feminist Collective,
00:08:41.720 which was another assembly of Black feminist women who were academics, my viewpoint, I felt
00:08:49.820 like, was a little bit different because I was still so young. I was still trying to figure it
00:08:54.780 out. And I wanted to create a way to bridge the critical, path-breaking work that these women were 1.00
00:09:02.260 doing in the academy, which, I mean, I was still in college, with some of the pop culture stuff 0.82
00:09:08.140 that I love, but just some of the normal, everyday experiences
00:09:13.280 of women who maybe wouldn't necessarily identify with feminism 1.00
00:09:17.540 but knew, like, this shit is fucked up. 1.00
00:09:20.260 Like, we got to do something else. 1.00
00:09:22.860 YouTube was initially started as a dating app
00:09:25.300 where users could upload videos of themselves
00:09:27.340 talking about what they're looking for in a partner.
00:09:29.360 But it wasn't really working.
00:09:31.360 Co-founder Jaweed Kareem told South by Southwest
00:09:33.780 that they actually had to find women on Craigslist
00:09:36.620 and offer them $20 to upload videos of themselves to YouTube.
00:09:41.160 But even with that cash incentive, people just really weren't interested.
00:09:44.860 So the co-founders had to go back to the drawing board.
00:09:47.760 Janet Jackson's Super Bowl performance happened in 2004.
00:09:51.160 And about a year later, YouTube's co-founders were talking about wanting to watch it again,
00:09:55.560 but they couldn't.
00:09:56.900 Back in 2005, there was really no way to watch the incident
00:10:00.520 or really any online content on demand online,
00:10:04.280 because this was before streaming video.
00:10:05.860 and also predates what we think of as viral videos.
00:10:09.280 Unless you happen to be recording it on TiVo or on an old-school VCR,
00:10:13.360 there kind of wasn't a way to see it.
00:10:15.920 Kareem told USA Today they thought,
00:10:18.220 wouldn't it be great if people could see and share
00:10:20.780 the video of the incident whenever they wanted?
00:10:23.260 And with this, the desire to see and share 0.97
00:10:26.080 and consume Janet Jackson's breast on demand?
00:10:29.820 YouTube was born a year later.
00:10:32.440 I'm a Janet Jackson super fan.
00:10:35.200 One of my first concerts. And so one of the things that people I think don't really know a lot about is the way that this one traumatic moment in her life really did shape a lot of what it means to show up online.
00:10:48.600 And so you talked about the way that YouTube was really inspired by her wardrobe malfunction at the Super Bowl. Can you tell us a little bit about that?
00:10:56.300 yeah so i too am a janet jackson stan shout out to my mother when i was 12 years old she took me
00:11:05.280 to see the all for you tour which actually was a little a little risque some risque parts in it
00:11:10.900 but i'm so glad that she did that because it completely just opened up my mind and just made
00:11:18.440 me just hone in on janet as the originator the queen of pop do not debate me um and so i was
00:11:25.380 really excited for the two-part documentary um that she had a hand in because she's been so
00:11:32.700 historically private and of course I watched the documentary and then there's all of this
00:11:37.060 commentary about it and that commentary led me to go down all of these little rabbit holes
00:11:43.020 and learn more about the incident nipple gate and so I read I mean I watched the New York Times
00:11:51.380 little, is it, you know, those little, I hesitate to call it documentary. It's like an exploration
00:11:58.380 of the incident, watched all kinds of YouTube videos, listened to podcasts about it. And I
00:12:05.420 came away feeling differently, but really what struck me was how the furor over this incident,
00:12:13.400 The desire for people to see Janet Jackson's exposed nipple inspired these in like science, science of technology to create this technology so that people could watch it like YouTube.
00:12:32.880 Right. So the founders of YouTube were like, hey, we need to create a platform where like people can see this lady's boob on demand.
00:12:40.100 And then they're like, OK, well, let's dedicate our resources to creating this platform where people can see this woman's boob on demand, despite the fact that her entire life was derailed because of people's desire, you know, like the simultaneous desire and repulsion from her boob.
00:12:57.000 I felt like that was really interesting.
00:12:59.640 And of course, YouTube blows up and it's now, what is it, the second largest search engine
00:13:05.100 in the world?
00:13:06.580 And then Netflix, you know, the founder of, or one of the heads of Netflix was like, oh,
00:13:13.880 okay, there's a market for streaming.
00:13:18.560 So let's go all in on the streaming market that YouTube proved was viable.
00:13:24.080 So all of this comes from the desire, a very distinct desire for people to see this one particular moment that ultimately derailed Janet Jackson's career and changed her life.
00:13:38.000 And it's so unfortunate for me as a Janet Jackson stan that it's almost like you can't even mention Janet without talking about Nipplegate, when in reality, she's so much more than that.
00:13:48.740 But of course, as Black women, whenever there's an opportunity, we're always going to be reduced not only to our most humiliating moments, but we're going to be reduced down to our body parts.
00:13:58.000 And so I thought it was really important to note that that moment created these technologies that now we're spending all of our time on.
00:14:07.320 Yeah, I think that you put that so well. And I do want to note, I think that when people want to disrespect and denigrate Janet, they always say, oh, she did that at the Super Bowl because her career was in the gutter and she was just trying to get people talking about her.
00:14:23.820 If your career is in the gutter, you're not performing at the Super Bowl. 0.86
00:14:26.260 Like her career was massively successful way before that.
00:14:30.540 You know, this idea that she was like a nobody who was just trying to get attention.
00:14:33.740 It's something I hate when people say that because it's just so verifiably false.
00:14:39.220 I mean, this is the thing and not to get me off in my Janet stand bag, but I'm so glad
00:14:46.560 that that documentary highlighted the number of records that janet jackson broke throughout her
00:14:53.740 career at one point she had the biggest she signed the biggest recording deal ever for a woman in pop 0.73
00:15:01.100 music ever black white like other ever she was it there was like she had two albums where there was 0.86
00:15:08.160 like six top 10 singles like this is a huge artist selling out concerts all around the world like 0.96
00:15:15.780 it's easy for us to forget particularly when it comes to black women's accomplishments how
00:15:23.280 enormous they are but janet was it and so yes i so agree with you that the idea that she was
00:15:32.300 somehow floundering or that she had to do this because she needed money or attention or whatever
00:15:39.420 like she was the spectacle like she was it she was it i had to go off on that no it's i'm right
00:15:48.100 there with you you know why do you think that it is not like you were talking earlier about how
00:15:54.180 things like netflix and youtube but they're they're websites that we use or technologies 0.86
00:15:58.340 that we use they're commonplace we use them all the time why do you think the way that a black
00:16:04.260 woman's trauma was sort of the foundation for these things that go on to be so ubiquitous in
00:16:10.520 all of our lives. Why is that erased? Why do you think that's not a common knowledge? 0.98
00:16:16.540 I think because Black women's bodies, in particular, and our traumas generally are 1.00
00:16:23.360 seen as public property. There is generally a sense of entitlement. Like, we should just be 0.92
00:16:29.680 happy to give these things over, to sacrifice them, that they are, you know, like our bodies
00:16:36.120 are like open source software, right? Like anybody can dig in, anybody can extract and it's just for
00:16:43.380 the public good. And so there's no, like you mentioned, thought given to how is the person
00:16:49.500 you're extracting from being harmed by this? In Janet's case, and obviously historically,
00:16:54.800 I mean, that goes, that's centuries old.
00:17:00.440 Let's take a quick break.
00:17:06.700 The new Red Bull Dragonberry and Tropicberry Energizers, now at McDonald's.
00:17:13.100 Made with freeze-dried fruit and an electric burst of flavor.
00:17:17.600 The all-new Red Bull Energizers, now at McDonald's.
00:17:22.020 This product may not be right for you.
00:17:23.400 High in caffeine. Details at mcdonalds.ca.
00:17:25.120 And participating Canadian restaurants, excluding Quebec.
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00:17:53.260 you at iHeartAdvertising.com. That's iHeartAdvertising.com. When I was 14 years old,
00:18:00.020 I was kidnapped and held captive for nine months. I survived and I've spent my life exploring how
00:18:06.540 other people survive what should have destroyed them. I'm Elizabeth Smart and these are the
00:18:12.360 Survivor Files. I just remember this low taunting voice next to my ear saying, shut up, don't say 0.96
00:18:20.560 anything. Every week I'm with survivors who live through the unthinkable. I knew if he woke up
00:18:28.020 without a doubt he was going to hurt me. I started feeling that there was someone at the end of my
00:18:34.920 bed and I just started screaming. They are abducted, stalked, controlled, and nearly silenced.
00:18:42.260 But these aren't stories about what's taken from them. They're stories about what it takes to make
00:18:47.980 it out alive listen to the survivor files with elizabeth smart on the iheart radio app apple
00:18:54.380 podcasts or wherever you get your podcasts if your bookshelf and your for you page are equally
00:19:00.260 important to your personality welcome home this is prose society the weekly podcast that's part
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00:19:51.040 on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. See you between
00:19:56.600 the pages. And we're back. I've seen the ways that misogyny and misogynoir, the way that sexism
00:20:08.880 and racism intersect to oppress Black women specifically, is baked into technology. And it's
00:20:14.300 not surprising to me, given how many technological innovations were inspired by sexism. For instance,
00:20:21.420 back in 2003, a Harvard University student named Mark Zuckerberg made FaceMash, a social media
00:20:26.920 platform to rate women on their looks. Here's what Zuck himself had to say. I'm a little intoxicated,
00:20:33.140 not gonna lie. So what if it's not even 10 p.m. and it's a Tuesday night? The Kirkland dorm
00:20:38.620 Facebook is open on my desktop, and some of these people have pretty horrendous pictures.
00:20:43.660 I almost want to put some of these faces next to pictures of farm animals
00:20:46.600 and have people vote on which is more attractive.
00:20:49.260 The site was taken down by Harvard, and a year later, Facebook was born.
00:20:53.740 So we already know the world is full of things like classism, ableism, sexism, racism,
00:20:57.780 and all the other isms that keep us from being free.
00:21:00.640 And it's really tempting to be hopeful
00:21:02.680 and think that technology won't just replicate these harmful oppressions.
00:21:07.000 But Kimberly says it takes intentional unlearning and vigilance
00:21:10.220 to really see how these systems show up and intersect.
00:21:12.960 And if tech leaders are unable or unwilling to do this work, they'll just end up creating technologies that recreate these same harmful systems.
00:21:21.200 I believe misogyny, specifically misogynoir, like shout out to Moya Bailey, is baked into the foundation of so much technology and so much of the experience of being on the Internet.
00:21:32.180 And I really see this idea that YouTube was founded on this trauma that a black woman experienced so publicly is a great example of that.
00:21:39.520 Do you agree with this? What do you think about that? 0.98
00:21:41.620 I think that the foundations of our society are built off of misogynoir and because people are
00:21:50.820 not doing the work to actively unlearn it or to actively wrestle with it or deal with their biases
00:21:57.240 that it creeps into every facet of our society and despite the fact that people who work in
00:22:03.820 technology believe themselves to be particularly progressive and forward-thinking of course it
00:22:10.000 seeps into those worlds as well and so if we're not having conversations constantly about hey
00:22:19.400 you are perpetuating misogynoir right now it's it's just gonna be there I mean it's it's baked
00:22:25.920 into the cake it's baked into the to our psyches so yeah it's it's pretty this is depressing but
00:22:33.060 it feels in like an inevitability because most people aren't doing that work so you so you see
00:22:38.720 technology as kind of amplifying and elevating this misogynoir that's just already in society.
00:22:46.500 And so when you build something online or when you use technology to build something
00:22:50.340 and you don't intentionally work to dismantle that or unlearn that or unpack that, you are
00:22:55.800 simply baking that same misogynoir into whatever you're designing.
00:23:01.920 Absolutely.
00:23:02.560 Absolutely. And it's misogynoir and all sorts of other biases, homophobia, transphobia, classism.
00:23:10.360 It's all of that. We're just, it's easy to ignore if you don't have to grapple with it every day.
00:23:17.680 Yeah. And I, I mean, I feel like I see this, like I'm like you, I love the internet. I grew up on
00:23:24.120 the internet. The internet is, you know, my hometown in a lot of ways. And I am not really
00:23:30.180 on it like I used to be. I'm not on social media like I used to be. And one of the reasons why is
00:23:35.280 that I just see the ways that disrespecting Black women, fat women, queer Black youth will always 0.98
00:23:45.100 be a winning strategy on social media. This is one of the more exhausting parts of showing up 0.99
00:23:52.020 online as a Black woman. Putting us down will always drive engagement because platforms are 1.00
00:23:56.680 built without intentionally interrogating and unpacking things like racism and sexism.
00:24:01.280 And even more broadly, if you've ever felt like you see more negative, divisive, extreme,
00:24:05.820 or inflammatory content on your feed, rather than positive, thoughtful content, you are
00:24:10.420 absolutely right.
00:24:11.560 Researchers at Harvard analyzed 140,358 tweets and found that negativity was about 15% more
00:24:17.880 prevalent than positivity, and that negative tweets engaged more users.
00:24:21.180 And a similar Yale study found that social media platforms like Twitter amplify expressions
00:24:26.000 of moral outrage over time
00:24:27.460 because users learn
00:24:28.500 the language of outrage
00:24:30.360 gets rewarded
00:24:31.640 with an increased number
00:24:32.520 of likes and shares.
00:24:33.780 And I see this a lot on Twitter
00:24:35.580 where people will tweet
00:24:36.720 inflammatory things
00:24:37.760 specifically because they know
00:24:39.360 it'll be hard for the rest of us
00:24:40.620 to avoid engaging with it.
00:24:42.340 I see it in the way that like
00:24:43.900 if you follow some of these accounts
00:24:45.220 on places like Instagram
00:24:46.380 where they'll have a post
00:24:48.760 where it's like a picture 1.00
00:24:49.560 of a Black woman
00:24:50.160 or particularly a picture 0.93
00:24:51.360 of like a Black queer child, right? 0.99
00:24:54.260 And they'll post it 0.92
00:24:55.580 But knowing full well what they are doing, knowing full well that that is going to drive engagement, and it has this kind of sheen of plausible deniability where they're not saying anything.
00:25:09.100 They're simply posting a picture of a queer Black child and, you know, asking people what they think.
00:25:15.540 And I find that to be such an indication of the ways that social media platforms and digital platforms will always be able to count on disrespecting and denigrating marginalized people for engagement. 0.53
00:25:30.260 And in fact, that engagement is incentivized and it's baked into the experience of using some of these platforms.
00:25:35.840 yeah it's an incredibly toxic cycle the internet largely and social media platforms in particular
00:25:43.960 are fueled by outrage and abuse abuse happens we see it we experience it we're traumatized
00:25:52.580 and then of course people are outraged and that is the engagement circle you know so it's abuse
00:26:00.920 after abuse after abuse. You're trying to scold somebody, express your distaste, express your
00:26:08.400 scorn, and you're typing your little fingers away. You might even, you know, this is a thing
00:26:14.260 that I'm not sure we've reconnected with, like you're reposting abusive content to say this is
00:26:20.380 abusive. So it just travels further and further. And the outrage fuels the comments and the response
00:26:27.600 videos and the posts. And we're all really and truly in a very, a horrible, I think, psychologically
00:26:35.660 really damaging cycle with how these platforms are set up. Oh, absolutely. I mean, I used to,
00:26:45.640 when I first got on TikTok, I used to follow a lot of creators who their whole thing was,
00:26:50.560 and no shade to these people. I'm not saying that like they're bad people, but it just wasn't for me.
00:26:55.000 their whole thing would be you know look at this video of someone being racist like like and you
00:27:02.200 know I guess I just and I would I would engage with these videos but they would leave me feeling
00:27:07.920 so empty and so bad and so sort of distrustful and it just reinforced this idea of you know I
00:27:17.020 can't trust when I go outside I can't trust people outside I can't trust my neighbors like
00:27:21.360 it really fueled something kind of scary in me, I guess. And it made me realize I want more. Like,
00:27:27.760 I want more from platforms. I want to be offered more than outrage and abuse and disrespect and
00:27:33.800 denigration. Can't we have better conversations and better experiences online? It seems like
00:27:39.740 maybe we can't anymore. Oh, I know people hate the phrase safe spaces. I know that that's become
00:27:47.140 kind of like a boogeyman, like the word woke has. But I do think that increasingly people are trying
00:27:54.520 to forge spaces where they're not going to be inundated with trauma and awfulness and abusive
00:28:03.700 content all the time. I think that is one of the reasons why platforms like Discord have
00:28:09.940 blown up over the past 18 months. I know for me, I spend a lot of time on private communities like
00:28:18.280 the Patreon community, which is hard, right? Because I understand you're always erecting
00:28:26.360 barriers when you are putting things behind a paywall. But for my own mental health, for my
00:28:34.640 own well-being as a public person who has experienced so much abuse I just have felt
00:28:41.260 better by saying okay I'm just not gonna have this conversation out in the big world out on
00:28:47.340 the big internet we're gonna keep it on the discord we're gonna keep it on the patreon where
00:28:51.700 maybe I can't trust all of the people who are there because I don't know some bad actors make
00:28:58.600 it in. But there's some filters. And I feel like that's increasingly what's happening. People are
00:29:06.880 moving from the open internet, open platforms to Facebook groups, to discords, to Patreons,
00:29:16.000 to private communities. Yeah, I've definitely noticed that. I mean, I still have a Facebook.
00:29:21.740 I barely use it. And the only reason that I am there at all is because of private Facebook
00:29:26.280 groups. It's the only thing that keeps me there. And it's so interesting how we have really moved
00:29:31.920 toward kind of like thinking about our internet experiences and spaces as more like campfires,
00:29:36.960 like, oh, we're going to curate who comes. We're all going to have this shared interest. And that's
00:29:42.140 what we're going to gather around as opposed to just, you know, public forums, anybody come on
00:29:46.920 in. And, you know, I know that you've talked quite a bit about this idea of scale and the way that
00:29:53.220 trying to grow things to be the biggest, biggest, biggest thing kind of will always be at odds with
00:30:02.120 like feelings like care and intention. And so it seems like one of those things where it's like,
00:30:07.460 if you're doing something behind a paywall, yeah, maybe it'll never be the biggest community with
00:30:13.420 everybody there where you're making tons of money. And maybe that's okay. Maybe being able to have a
00:30:19.720 little bit more intentionality around the communities that you build and have a little
00:30:23.260 bit more of control over it in that way, maybe that's okay. And maybe not, maybe going into
00:30:28.860 building these spaces with a goal that is not making them as big or as powerful or as lucrative
00:30:35.360 as they can be, maybe that's okay. Yeah. I mean, you mentioned incentives earlier and really the
00:30:43.420 incentive structures for everybody, including creators, are so messed up. And so I agree with
00:30:52.500 you that there are things that I'm just not going to do anymore. I'm not going to make the video
00:30:59.300 about, look at this horrible thing that just happened. Look at this Black woman being abused. 0.98
00:31:04.200 Let's be I am not in that space anymore. It's just too harmful to me. Like, I just I can't deal with it anymore. But I understand that so many creators under they see that that's where the engagement is, which means that's where the money is. 1.00
00:31:24.040 and it is already so difficult as a creator,
00:31:27.880 particularly as a Black creator, to make a living.
00:31:31.360 I see what people are doing when they're doing that.
00:31:35.100 I'm speaking from a place of extreme privilege when I say
00:31:37.900 I can opt out of doing that stuff now
00:31:40.640 because I've built up such a strong, supportive community
00:31:45.340 of people who are saying, Kim, I value your voice.
00:31:48.760 So I want to be in the community
00:31:50.080 where we can talk more intimately about things
00:31:53.180 that sometimes they are traumatic,
00:31:55.760 sometimes they are hard to deal with.
00:31:59.700 Sometimes we are going deep on misogynoir
00:32:02.040 and all sorts of other oppressions,
00:32:03.940 but there's fundamentally an ethic of care
00:32:06.980 in all of those conversations.
00:32:08.920 I am so conscientious about
00:32:10.900 how I facilitate those discussions,
00:32:14.260 how I participate in them,
00:32:15.640 who was brought into them.
00:32:17.760 And that's really not possible
00:32:19.900 when your only goal is to get bigger,
00:32:25.760 when your only goal is to get more views,
00:32:28.700 more followers, more eyeballs,
00:32:31.340 everybody is coming to the conversation
00:32:33.940 and a lot of those people are coming to it with malice.
00:32:39.100 And I feel so much empathy
00:32:42.120 for the people who are stuck in that cycle
00:32:44.720 because the internet is just not created
00:32:48.360 for people to thrive and take care of their mental health.
00:32:53.540 That is so true.
00:32:54.860 And I should just say, the research is very clear
00:32:57.500 that most social media platforms really do amplify
00:33:01.020 and incentivize extremist content, inflammatory content,
00:33:05.520 outrageous content that is negative over content
00:33:08.900 that is thoughtful, that is nuanced.
00:33:10.380 And so I think what you just described,
00:33:12.640 It's like a cycle where platforms have incentivized that kind of content, and they're making money off of it, and it just keeps us all, like you said, stuck in this cycle that is not prioritizing care.
00:33:30.260 More after a quick break.
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00:34:27.980 When I was 14 years old, I was kidnapped and held captive for nine months.
00:34:33.440 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
00:34:39.820 I'm Elizabeth Smart, and these are the Survivor Files.
00:34:43.520 I just remember this low, taunting voice next to my ear saying, 0.99
00:34:48.940 Shut up. Don't say anything. 0.99
00:34:51.600 Every week, I'm with survivors who live through the unthinkable.
00:34:56.140 I knew if he woke up, without a doubt, he was going to hurt me.
00:35:00.700 I started feeling that there was someone at the end of my bed, and I just started screaming.
00:35:08.140 They are abducted, stalked, controlled, and nearly silenced.
00:35:12.100 But these aren't stories about what's taken from them.
00:35:15.540 They're stories about what it takes to make it out alive.
00:35:18.680 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:35:27.640 If your bookshelf and your For You page are equally important to your personality, welcome home.
00:35:33.560 This is Prose Society, the weekly podcast that's part book club, part group chat for thought daughters, pop culture obsessives, and anyone who thinks Pride and Prejudice and Love Island deserve the same level of discourse.
00:35:46.040 I'm Eli Rallo, and every week we're connecting the dots between books, the internet, and the conversations everyone can't stop having.
00:35:53.160 I'm going to have to look up this story. I'm obsessed. I'm obsessed.
00:35:56.680 From best-selling authors and your favorite book talk creators to the latest pop culture moments, nothing is off the table.
00:36:02.680 It's like if you can hide some real messages inside compelling characters, then that is a Trojan horse.
00:36:10.160 Whether you're looking for literary deep dives, smart pop culture conversations, or a community of readers who love to think a little too much, you're in the right place.
00:36:19.760 Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:36:25.700 See you between the pages.
00:36:28.660 So if you've ever wondered, I wonder what Bridget is up to when she's not making the podcast, then I have great news for you.
00:36:34.160 We just launched our brand new newsletter where I'm going to be writing about things I'm paying attention to online, interesting stories that didn't make it to the podcast, and a whole lot more.
00:36:43.220 I promise we will never spam you.
00:36:45.680 You can subscribe to our newsletter at tangoti.com slash newsletter.
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00:37:01.500 Let's get right back into it.
00:37:02.800 How do you think we get to a place where platforms and online spaces are not built on things like disrespect or, you know, outrageousness or being inflammatory or abuse, but can actually feel like care, you know, like the space that you've built? 0.93
00:37:17.640 Or should we just be focused on, you know, building our own shit, as I know that you are a big advocate for? 0.86
00:37:25.380 Man, people ask me this all the time. 0.98
00:37:28.680 I think that one good place to start, this is a beginning and not the end, is I think that platforms need to be very serious about paying creators better, giving out money, giving out grants, paying creators.
00:37:50.560 I mean, even when they do start to offer these incentives, like Instagram now has started offering incentives for reels and content and all of that.
00:38:01.480 It's so little money or it's so there's no rhyme or reason to how you get paid and how much you get paid.
00:38:08.560 If there was transparency around that, I think that that would be really, really helpful.
00:38:12.940 But honestly, I don't think that we're ever going to get equity or anything that even looks like justice from any of the platforms that we have right now.
00:38:27.040 I think that the C word is coming. Capitalism and the goals and desires of these platforms are irreconcilable with the goal and the need for content creators, specifically marginalized content creators, to take care of themselves, to be able to take breaks, to not have to exploit every single abuse and offense.
00:38:53.260 I just don't see I just don't see the possibility for that at this time I think it's like tear it
00:39:02.820 all down and try again I mean that's so often the answer when we ask these big questions
00:39:11.100 recognizing that it's systemic it's institutional right it's like we need completely new paradigms
00:39:16.900 and new systems there's nothing that you know I definitely advocate for people particularly
00:39:21.500 marginalized creators but really anybody to take breaks when they need it from the internet all of
00:39:25.300 that but you can't take breaks or like self-care your way out of something that is structural and
00:39:30.380 so i think sometimes it's an unsatisfying answer that like oh yeah we need to burn it all down and
00:39:34.600 start again but that's the answer yeah i mean i'm not trying to bullshit people right like
00:39:41.940 i understand that twitter is always going to be about trying to optimize profits for shareholder
00:39:51.420 I understand that meta is always going to be about trying to get the most advertising dollars, trying to get the most screen time, right?
00:40:01.320 The most daily active users.
00:40:03.120 That's not going to change.
00:40:05.300 So we just got to be honest about what we're working with here.
00:40:12.920 Got a story about an interesting thing in tech or just want to say hi?
00:40:16.520 You can reach us at hello at tangody.com.
00:40:18.500 You can also find transcripts for today's episode at tangody.com.
00:40:22.260 There Are No Girls on the Internet was created by me, Bridget Todd.
00:40:24.980 It's a production of iHeartRadio and Unbossed Creative.
00:40:27.680 Jonathan Strickland is our executive producer.
00:40:29.740 Tari Harrison is our producer and sound engineer.
00:40:32.360 Michael Amato is our contributing producer.
00:40:34.380 I'm your host, Bridget Todd.
00:40:36.180 If you want to help us grow, rate and review us on Apple Podcasts.
00:40:39.760 For more podcasts from iHeartRadio, check out the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:40:48.500 I survived nine months in captivity and I've spent my life exploring how other people survive
00:41:04.660 what should have destroyed them. I'm Elizabeth Smart and these are the Survivor Files.
00:41:10.320 Every week I'm with survivors who live through the unthinkable, abducted, stalked, controlled,
00:41:16.060 and nearly silenced. These are stories about what it takes to make it out alive.
00:41:21.720 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app,
00:41:26.320 Apple Podcasts, or wherever you get your podcasts.
00:41:29.640 If your bookshelf and your For You page are equally important to your personality,
00:41:33.820 welcome home. Pro Society is a weekly podcast that's part book club, part group chat for
00:41:39.380 anyone who thinks Pride and Prejudice and Love Island deserve the same level of discourse.
00:41:43.240 Each week, we're connecting the dots between books, the internet, and pop culture
00:41:47.200 with your favorite writers, book talk creators, and plenty of overthought opinions.
00:41:51.960 Yeah, I'm obsessed. I'm obsessed.
00:41:53.740 Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:42:01.520 Hey, this is Hayes Davenport.
00:42:03.440 And Sean Clements.
00:42:04.620 We host the podcast Hollywood Handbook.
00:42:06.800 Every episode, we're trying to help our guests improve their careers by mainly focusing on how they can help us improve our careers.
00:42:12.380 The show's famously super accessible, so you can easily jump into any of our 650 episodes and understand what's going on.
00:42:18.860 We recommend some of our recent episodes with Ben Stiller, Danny McBride, Riz Ahmed, and Mary Steenburgen.
00:42:23.800 Listen to Hollywood Handbook on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:42:29.880 I'm Nick Turturro. You probably know me from NYPD Blue, The Longest Yard, or Spike Lee's Black Klansman.
00:42:35.860 And on my new podcast, Delivering Happiness with Nick Turturro, I deliver pizza to a new guest.
00:42:40.760 I've shared a slice with everyone, from Seth Rollins.
00:42:43.580 What are you doing with my belt?
00:42:44.820 To Bill Burr.
00:42:45.720 I don't think I've ever met somebody so exactly out of their mind as I am.
00:42:50.820 And now, we even have more great guests coming up, including the great John Turturro.
00:42:55.480 It's called happiness.
00:42:56.540 Delivering happiness.
00:42:57.620 And many, many more.
00:42:59.080 Open your free iHeartRadio app, search Delivering Happiness with Nick Turturro, and listen now.
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