There Are No Girls on the Internet - March 17, 2023


#OscarsSoWhite with April Reign and Dr. Jon Paul

Topics
De-influencing 101: Stuff Mom Never Told You The children of “mommy bloggers” are speaking up - Stuff Mom Never Told You

Episode Stats


Length

43 minutes

Words per minute

172.61

Word count

7,459

Sentence count

415

Harmful content

Misogyny

1

sentences flagged

Toxicity

17

sentences flagged

Hate speech

17

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:00:39.100 welcome home.
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00:01:17.180 I'm Bridget Todd, and this is There Are No Girls on the Internet.
00:01:22.520 There Are No Girls on the Internet is still on hiatus to take a little break in between seasons.
00:01:27.080 but we're coming back soon.
00:01:28.500 But in the meantime,
00:01:29.800 I had to get on the mic to talk about the Oscars.
00:01:32.700 It has been all I can talk about
00:01:34.720 and think about this whole week,
00:01:36.540 literally to the point where my friends are like,
00:01:38.520 please stop talking about the Oscars.
00:01:40.360 Don't you have a podcast?
00:01:41.640 Couldn't you talk about it there?
00:01:42.960 So that's what I'm doing.
00:01:44.700 So by now, if you watch the Oscars,
00:01:46.300 you probably know that Michelle Yeoh
00:01:47.900 made history as the first Asian woman
00:01:50.060 to win Best Actress at the Oscars
00:01:52.000 and the second woman of color
00:01:53.860 to win Best Actress at the Oscars
00:01:55.260 since Halle Berry back in 2002. For her iconic film, Everything, Everywhere, All at Once.
00:02:01.560 Now, celebrating these kinds of wins is always a little bit bittersweet for me. Because on the
00:02:06.560 one hand, it's important to acknowledge these historic achievements. But on the other hand,
00:02:12.140 I'm like, it's 2023. What took you all so long? You know, why are we celebrating historic firsts
00:02:18.200 in 2023. It's complicated. So I joined the iconic April Rain, creator of the viral hashtag turned
00:02:25.860 movement, Oscar So White, and Dr. John Paul, screenwriter and co-host of the iHeartRadio
00:02:32.300 groundbreaking podcast, BFF, Black, Fat, and Fem, for our Twitter spaces about how marginalized
00:02:38.480 creators are still celebrating our brilliance and creativity, even when we're in industries
00:02:43.320 that don't always recognize it with us.
00:02:48.200 y'all this is actually my very first ever spaces i have ever moderated so
00:02:55.920 you know it's gonna go great it's gonna be fantastic thank you all for joining us today
00:03:01.980 my name is bridget todd i am the director of public communications with ultraviolet
00:03:06.520 a national gender justice organization and the creator and host of iheart radio's
00:03:11.580 tech and culture podcast there are no girls on the internet and like a lot of y'all i just watched
00:03:17.000 the Oscars. I have a lot to say. This year's Oscars, you know, there were some historic wins,
00:03:23.380 but unfortunately, as we're pretty used to, some pretty big snubs as well. And instead of having
00:03:28.660 that same old conversation about why Hollywood keeps overlooking us, we really wanted to take
00:03:34.180 this opportunity to flip the script a little bit and say, you know, we are here, we are brilliant,
00:03:38.980 you make good work. And if the powers that be don't recognize that, it is on them and not us.
00:03:44.520 And to do that, I am joined by an iconic duo that I cannot wait to introduce, April Rain.
00:03:51.160 You might know April Rain as the creator of the online movement, Oscar So White, and screenwriter and all-around Hollywood screenwriter badass, Dr. John Paul.
00:04:03.660 Thank you both so much for being here today.
00:04:07.240 Thank you for having us. Very excited to be here on Spaces with you.
00:04:11.040 Yeah, same. I'm really happy to be in such good spaces with good people. So this is going to be
00:04:16.280 a really good time. So I would love to get started by both of you just sort of quickly
00:04:21.080 introducing yourself and telling us your connection to Hollywood for folks that might
00:04:25.680 not know or to the entertainment industry for folks that might not know.
00:04:31.360 I guess I'll go first. As you mentioned, Bridget, I created Oscars So White in January of 2015.
00:04:39.860 Before that time, I had no nexus to the entertainment industry, except that I loved TV and film and stage.
00:04:48.440 So I was an avid consumer of all of that.
00:04:51.260 And since Oscar So White, I've become an equity and inclusion consultant in the entertainment industry and have been working in this capacity for eight years now.
00:05:06.460 Awesome.
00:05:07.220 I guess I'll follow that. And by saying kind of the same thing, I am an educator by trade.
00:05:14.380 Folks see Dr. John Paul, and they usually ask, are you really a doctor? Yes, I have my doctor's
00:05:18.620 degree. Let him know. Yeah, I do have a doctor's degree in educational justice. A lot of my work
00:05:27.120 and a lot of the stuff that I started tweeting slash writing about happened right around the
00:05:30.560 time that we started seeing stuff around Oscar Grant and a lot of his, basically anything and
00:05:35.760 everything that was happening around injustice between 2014 and 2016. And so with that being
00:05:41.160 said, when Moonlight came out in 2015, I got tapped on the shoulder after writing this very
00:05:48.520 long thread about the ways that Black queer folks are treated in television and films and the ways
00:05:55.320 our stories are not shown. And that led me to getting opportunities to write for MTV and all
00:06:02.480 these other different places, The Root, Blavity, you name it. I've written there pretty much.
00:06:09.400 And so now, kind of like April, I get pulled in to have very, there are a lot of companies and
00:06:14.280 organizations that pull me in and say, hey, we really want to do things well in entertainment,
00:06:20.160 specifically around queer LGBTQ Black stories. And usually I am the one in the room helping to
00:06:26.400 make sure those stories get told. So that's me in a nutshell. I'm so grateful for both of you.
00:06:32.480 and your voices and your presence in the space.
00:06:35.080 April, I want to come back to you.
00:06:36.780 Back in 2015, you were calling out how white the Oscars were
00:06:40.220 with the iconic tweet, quote,
00:06:42.600 Oscars so white they asked to touch my hair,
00:06:45.300 and a movement was born.
00:06:47.000 I know that Spike Lee gave you a nod
00:06:48.520 for creating the conditions for him
00:06:49.920 to win his first Oscar with Black Klansman. 0.53
00:06:52.320 What is it like to be the creator of a movement
00:06:54.420 that started on social media
00:06:55.560 and one that literally changed Hollywood?
00:06:58.680 And I guess a follow-up question would be,
00:07:00.280 How much do you think has changed since you first started Oscars So White back in 2015?
00:07:06.600 That's a lot. I don't take credit for any of the things that you mentioned, honestly.
00:07:13.700 You know, I think that I was in the right place at the right time saying the right things.
00:07:19.400 But I honestly wasn't saying anything new.
00:07:22.640 There have been people decades before me saying the same thing in a different way that, you know, we need more representation.
00:07:30.280 in entertainment, both in front of and behind the camera.
00:07:34.900 You know, I think that now still a lot more needs to be done.
00:07:43.280 You know, as you mentioned, Bridget, in the opening,
00:07:45.220 that we have had some historic wins since, you know,
00:07:49.180 and created Oscars So White in 2015,
00:07:50.780 but there's so much work that still needs to be done.
00:07:53.980 And I would honestly love to shift the conversation
00:07:57.440 from the Oscars and other awards,
00:08:01.040 which happened at the very end of a film's life
00:08:03.880 and go back to the beginning
00:08:05.120 and talk about how important it is to have,
00:08:09.120 as Dr. John mentioned,
00:08:11.520 the right people in the room from the very beginning.
00:08:14.720 Who is telling the stories
00:08:16.280 and whose stories are being told
00:08:18.500 are the most important questions we can ask,
00:08:20.980 not who is being nominated.
00:08:22.600 Because if the right stories aren't being made,
00:08:25.140 then no you're not going to get nominations because the work just isn't there
00:08:29.300 Dr. John can you relate to what April is saying? Yeah I think that that's part of the reason why
00:08:35.340 I mean I know for me watching television and what I mean I always so I tweeted this yesterday before
00:08:41.600 the Oscars the tweet you know that they showed Viola winning the Emmy and she said basically
00:08:46.820 and so and I don't know the verbatim what she said but she said you can't win an Emmy for roles that
00:08:52.220 are not there. And I think that's been the thing that's been so frustrating, right? So we're
00:08:56.060 looking at, and I say all oppression is cyclical and it's all connected, but I think that's been
00:09:01.380 my biggest frustration. We're critiqued for not, we get people, oh, well, you're mad that you
00:09:07.020 didn't win. Well, no, it's more than that. It's the idea that we're not even given a chance to
00:09:11.920 win. And when we do get a chance to win, there's so little room for opportunity for us to win that
00:09:18.180 you know, that it's, it's just, it's, it's, it's really interesting. I wrote a whole bunch of
00:09:23.840 thoughts down and it's funny because I'm trying not to like go off on this long tangent of how
00:09:28.260 frustrated I am. But I think my biggest thing is with the industry kind of going back to April's
00:09:33.620 point, you know, there are so many folks that are, that are looking at us as us being angry
00:09:38.760 and saying, well, you're just upset. You should be happy that you're even recognized. And it's
00:09:42.860 like, no, we shouldn't be happy for one or two pieces of breadcrumbs that the industry is
00:09:49.680 throwing at us. That's what it feels like at this point, that folks are throwing us breadcrumbs and
00:09:53.700 saying, here, just be happy you have something to eat, you know? So. Absolutely. Dr. John, I mean,
00:09:58.760 this space has kind of came from a place of frustration that I really saw beautifully
00:10:03.180 echoed in your piece for BET called Black Oscar Snubs Say More About the Industry That It Does
00:10:07.980 About Black Creators. One of my favorite lines from that piece I'll read right now. Admittedly,
00:10:12.280 While much of the conversation around the Academy not nominating Black films has grown a bit stale, along with conversations about Black people needing to start their own, what folks often fail to explore is what these snubs really say about the industry as a whole.
00:10:25.140 Yes, while it might sting that we continue to be overlooked, we have to remember that our stories and creativity being overlooked has more about the Academy and its voters than it would ever say about us.
00:10:34.700 And I guess my first question is, what do you think it says about the Academy and the voters? And just a question for both of you, like, how do we shift the conversation? How do we have a different conversation that's not the same conversation we have every award season that's like, oh, they're not seeing us, we're overlooked, we're being snubbed, and that is really grounded in the fact that we make dope shit, and if people can't see that, that is on them and not on us.
00:11:00.360 Yeah, if I can before, you know, Queen April Rose, I call her Queen April. Before April goes, I did want to say that one of the notes that I made last night was and I said I was going to save it for this space because oftentimes tweets can get lost in translation.
00:11:16.160 And so I wanted to be able to say what was on my mind, but also be able to kind of back it by what I mean by it.
00:11:22.140 And I said, you know, what I wrote down is I keep thinking about why Black films and shows never get to sweep award shows.
00:11:29.100 And honestly, it's just a way to keep Black creators and creatives humble and leveled.
00:11:33.580 And I think that's the thing that I want us to really kind of like think about.
00:11:37.940 Right. Why have we like even when Black Panther came out, even with all of the money Black Panther made, even with all that it did to kind of shake and change the way we think about television or even film.
00:11:50.220 Right. There were only a few awards that were given to the folks who were connected to Black Panther.
00:11:56.360 And I think that there are two things that are at play.
00:11:58.980 I said, the industry not wanting Black creators or people to feel too powerful and to make sure
00:12:03.900 that we remember that what our place is, is not only in just the industry, but the world, right? 0.99
00:12:08.460 The idea that if we have to acknowledge that Black creators make dope shit and that it's 0.99
00:12:13.020 going to make stuff that's going to be bigger than we could ever make, then you are ultimately 0.99
00:12:16.800 saying that I have to show up and I actually have to do the work and work harder. And to
00:12:23.340 acknowledge that we are talented, even with all the hoops they put us through means we are so
00:12:27.880 remarkably powerful something that no one not i would say no white creator ever wants to say to 1.00
00:12:34.240 us they never want to admit that black people are the shit and so i think that that's the thing that 0.99
00:12:39.060 i was really trying to get out in this piece right the notion is it's not just about us not winning 1.00
00:12:44.060 it's the opportunities not being given to us to win it's because they never want to have to
00:12:48.620 acknowledge that what we could ever do is greater than what they could ever conceive
00:12:52.480 Yeah, I'm not even trying to follow. I just kept my mic on. Yeah, I think, you know, there's been a long standing question about validation, right, and seeking validation from white sources.
00:13:14.240 And so since I created Oscars So White, I've heard the pushback. Why do we even care? Why should we even be looking to the white folks to give us a handout or yada yada and all that? And there is some truth to that. I absolutely understand that argument.
00:13:32.120 And which is why I think we need to remember that there are places where we are validated by our own. Right. There's the Alma Awards, the GLAAD Awards, the NAACP Awards, who all focus on marginalized communities and the recognition that they deserve.
00:13:53.940 With respect to the Oscars, I think it can be both and, right? We want respect and validation from our peers within our community, but we also deserve validation from the industry as a whole.
00:14:11.840 We can absolutely have the conversation about what if the Oscars should be considered the pinnacle in film awards, in part because of who the voting membership is, in part because they haven't translated an award win or even a nomination isn't translatable for most, especially people of color, into increased opportunities.
00:14:38.840 there's a long list of reasons why maybe the Oscars shouldn't be seen as the end all and be
00:14:45.000 all. But as of right now, for better or worse, the Oscars are considered the pinnacle, right?
00:14:52.520 And regardless of whether you are a fry cook at McDonald's or a CEO of a Fortune 100 corporation,
00:15:00.660 you want to be recognized by people within your industry. That matters, right? There's a reason
00:15:07.460 why we talk about the fact that Beyonce still hasn't won the album of the year Grammy. It's
00:15:13.760 the same type of thing. Even though we know that those particular legacy institutions don't deserve
00:15:21.020 our creativity, it is more a question of being recognized by
00:15:27.420 what is considered to be the pinnacle in your particular industry.
00:15:37.460 Let's take a quick break.
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00:17:32.800 and we're back absolutely and i think that you really drill into one of the reasons why
00:17:41.340 when people are like oh just make your own awards it's really a yes and right like i do think that
00:17:46.820 we need to you know be excited about all the different awards that are are out there that
00:17:52.040 recognize marginalized talent but also it's normal to want to be recognized by industry standards
00:17:57.640 And so the conversation really could be like, well, should the Oscars be the end-all be-all of what is considered the standard in the industry?
00:18:05.500 That is, for better or for worse, that is what the situation is right now.
00:18:09.080 And so saying like, oh, make your own award show, just really falls short and doesn't really capture what is actually happening and what folks are actually dealing with.
00:18:17.500 Well, I think that's right.
00:18:19.040 And also, the people that say that are the same folks that say that they don't see race.
00:18:25.160 Right?
00:18:25.600 and why should we be so concerned and why do we need to have black history month we need to have
00:18:31.000 you know one history you know we need to celebrate our similarities and whatever okay but if that's
00:18:37.860 true then why is it that when we you know leave you all to your own devices you say things like
00:18:44.400 well i couldn't pronounce lupita and yongo and so i didn't even watch 12 years of slave much less
00:18:49.040 vote for her for you know best actress or best supporting actress right when left to their own
00:18:54.900 devices, these same folks who say that they don't see race, they don't see color, and they don't
00:19:00.020 understand why we need to have our own special thing, aren't interested in recognizing our
00:19:06.180 excellence within their own bodies. And so that's why it's important that we ensure that we have
00:19:12.400 these other organizations that are just as important that celebrate us. Yeah. And if I can
00:19:19.740 add to that, I think the other thing that I really want folks to get in all that we're saying
00:19:24.840 And I hear us kind of saying we are all on the same wavelength, but I think the bigger thing for me is it's not just about the validation. It's the idea of knowing how much it took for us to get to the Oscars, like the thought of how much it takes for like, even for me as a black writer, right? I I'm still pre WGA and I'm still trying to break in and I'm still trying to get an opportunity. And I've done a lot of, excuse me, I've done a lot of shit in the last eight years and I'm still fighting to get in. Right.
00:19:50.960 And so for me to get to the Oscars or for me to get to the Emmys, that's validating me as a Black queer creator and saying, you went through all of that and you created this amazing thing for so many people who saw themselves.
00:20:04.320 And now we want to give you the validation you deserve by saying you did that even when you had nothing, right?
00:20:10.820 And so I think that, you know, the thing that really pains me in this conversation when we talk about the Oscars, it's not about losing, right? 0.96
00:20:17.140 it's really knowing that there are so many black brown queer non-binary people who are pouring 0.71
00:20:23.300 their hearts into the work that they're doing and it's basically being snubbed with a simple
00:20:27.760 it's not good enough or there's not that many people who can relate and it's like well if
00:20:32.640 you're not giving it the space or the opportunity or the grace for folks to be able to connect to it
00:20:36.980 then how is it going to ever change the system that that it's that it's meant to live in you
00:20:41.980 know? Absolutely. And like, not to go off on a, I know I'm a moderator, but not to go off on a
00:20:46.960 tangent, but I see that time and time again, when black stories, brown stories, queer stories,
00:20:52.180 trans stories are not really given that space to grow. Like they'll get a season on Netflix and
00:20:57.680 then they'll get pulled and then, and it'll be like, oh, well, why didn't it do better? And it's
00:21:01.780 like, well, you didn't really support it. You didn't really give it a chance to grow. And when
00:21:05.400 somebody else comes and wants to tell their black story or their queer story or their trans story,
00:21:10.680 They're going to look and say, oh, well, this one, it only lasted for a season, but actually including the fact that, like, well, we didn't really support it and we didn't, you know, we didn't really give it a chance to breathe or grow.
00:21:22.200 Yep.
00:21:24.000 And that's really, that's an issue that we don't talk about enough.
00:21:29.040 So a TV studio or a movie studio will put out a show that is, quote unquote, diverse or whatever, you know, whatever that means to them.
00:21:39.420 Right. And then but they don't support the show or the film.
00:21:43.540 And then they're like, oh, we can't figure out why it didn't work.
00:21:46.500 But we're never going to try that again.
00:21:47.900 You know, so famously, for example, Ava DuVernay said that the distribution company for her film Selma in 2014 did not send out the screeners to the Academy members.
00:22:00.540 Little inside baseball here.
00:22:03.020 You know, not everybody wants to go to a theater to see a particular film.
00:22:07.920 So to get those films out there and seen by the folks who vote for them, very often they send screeners, DVD or, you know, they send it through the laptop or whatever so that people can view them in the privacy of their own home.
00:22:22.360 Well, if a distribution company decides that they're not going to send that out, then how does one see it in order to vote for it?
00:22:29.640 Right. So, yeah, you can say, oh, we made a quote unquote black film. 0.84
00:22:33.420 And that's not even a phrase that I like to use. Right. Because we never say white film, straight film or whatever. Right. So I don't like to use that film. I prefer that phrase. I prefer to say, you know, films that reflect an aspect of the black experience. It's a lot longer.
00:22:49.460 a sexy hashtag but it is more accurate so anyway um so even when selma came out and was a fantastic
00:22:59.460 film the distribution companies can say oh yeah well we you know we made a black film it's like
00:23:04.140 but if you didn't support it then you know when it doesn't do well at the box office when it
00:23:09.520 doesn't do well during award seasons then you can go back and say oh well we tried but we don't know
00:23:14.540 what happened and so we're not going to try and do more of that right and so then it becomes a
00:23:19.480 vicious cycle so they put it out there begrudgingly but they don't support it all the way through
00:23:24.940 to the very end the the other little piece of inside baseball i wanted to share is that when
00:23:29.660 it comes to award season um film companies and studios have a finite marketing budget and so if
00:23:39.540 a particular uh company like a24 or paramount or you know whatever mgm says that you know they put
00:23:46.920 out eight films over the course of the year they decide relatively early on based on everything
00:23:54.500 that they're seeing which films they think are going to do the best at award season and then
00:24:01.820 they put their marketing dollars behind those films so if they choose two out of the eight that
00:24:08.560 they had over the year and you know the other six actually featured marginalized or traditional
00:24:15.560 traditionally underrepresented communities they're going to get paid dust and they're going to go 0.98
00:24:20.380 with the war film you know or whatever or the back office match because it's the same shit every 0.93
00:24:26.300 single year um and those are the ones that they're going to promote during award season and the other 0.61
00:24:31.780 And when they're left out to dry to, you know, to attempt to stir up award buzz all on their own.
00:24:44.560 More after a quick break.
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00:25:36.640 When I was 14 years old, I was kidnapped and held captive for nine months.
00:25:42.480 I survived, and I've spent my life exploring how other people survive what should have destroyed them.
00:25:48.800 I'm Elizabeth Smart, and these are the Survivor Files.
00:25:52.400 I just remember this low, taunting voice next to my ear saying, shut up, don't say anything.
00:26:01.000 Every week, I'm with survivors who live through the unthinkable.
00:26:05.260 I knew if he woke up, without a doubt, he was going to hurt me.
00:26:09.820 I started feeling that there was someone at the end of my bed, and I just started screaming.
00:26:17.240 They are abducted, stalked, controlled, and nearly silenced.
00:26:21.060 But these aren't stories about what's taken from them.
00:26:24.740 They're stories about what it takes to make it out alive.
00:26:28.340 Listen to The Survivor Files with Elizabeth Smart on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:26:41.340 Let's get right back into it.
00:26:44.840 So I want to switch gears a little bit.
00:26:46.860 You know, the Oscars were not without its high points.
00:26:49.000 Michelle Yeoh, at 60, made history by becoming the first Asian woman to win Best Actress at the Oscars.
00:26:54.380 Her pictures with Halle Berry were so powerful. 0.99
00:26:57.780 Like, get ready to see that shit on, like, everything, on T-shirts, this, that, and the third. 0.99
00:27:02.900 Ruth Carter became the first Black woman to win two Oscars. 0.99
00:27:05.860 I wonder, to each of you, will this always be kind of a bittersweet thing?
00:27:10.420 Because I love celebrating when we win.
00:27:14.220 I love celebrating marginalized wins. 0.54
00:27:16.260 But I always think, what took y'all so long?
00:27:18.760 It feels in 2023 bittersweet to be celebrating these wins when I wish we were seen all the time.
00:27:25.920 I wish I didn't have to wait to celebrate these wins.
00:27:28.320 I wish they were already happening.
00:27:29.680 Do you ever feel that way?
00:27:34.120 Yeah, you know, I think for me, and that's the hard part about, I think, about being, you know, it's funny because this conversation just reminds me so much of the combo I was having with a friend.
00:27:45.460 And we were talking about the crabs in the barrel mentality and the question of why are crabs in the barrel in the first place?
00:27:52.060 Like, why do we should be in the ocean?
00:27:55.680 No, really.
00:27:56.640 Such a good point. Such a good point.
00:27:58.780 Like, why aren't crabs in the ocean? 0.91
00:28:01.240 But not to divert from your question, I think the biggest thing for me is that, you know, when we're so marginalized and when marginalized people have only been given scraps, right, they feel like they should celebrate whatever they can get. 0.53
00:28:15.460 And I think that that's the thing that I think is so frustrating, right? 0.60
00:28:18.300 Because it should not be in a situation where we have to pick and choose between whether
00:28:22.780 we celebrate Angela Bassett winning versus Jamie Lee Curtis, right?
00:28:26.680 It needs to be like, we're looking at this notion of the reason why people are so upset
00:28:31.000 that Angela didn't win is because for years, Angela has shown up and has done the work
00:28:35.260 and has fought and has continued to keep showing up and is still not getting what she deserves,
00:28:39.600 right?
00:28:39.920 So I think that's the frustrating part. 0.98
00:28:41.780 For me, it's like, while I really want to be happy and I want to be excited about the wins for other people, there's this long history that continues to keep telling us we've had 95 years with the Oscars telling us we don't give two shits about Black people when a Black woman has only won two. 0.92
00:29:01.200 How many other people have won?
00:29:02.940 So it's just, you know, I don't know if I'm making sense, but I guess for me, it's frustrating that we have to constantly celebrate the little bit that we get when there should be so much more progression.
00:29:15.640 I guess that's the bigger point I'm trying to make.
00:29:19.080 It's always going to be bittersweet for me because, as Dr. John Paul said, we shouldn't still be celebrating first in 2023. 1.00
00:29:29.520 you know and so that's the really frustrating part that every time someone from a traditionally
00:29:38.840 underrepresented community wins yes we're excited but it's like damn why did it take all this and
00:29:45.260 and part of that is because as talented as that person was we know that there was someone before
00:29:52.840 them that should have won right Angela Bassett this should be at least her second Oscar win
00:29:59.340 you know starting back with what's love got to do with it and you can choose whatever else you
00:30:04.120 want to put in there let them know right right for her to still be zero and zero for two
00:30:10.400 nominations um is disrespectful at this point and and you know there was a whole bunch of talk about
00:30:18.280 oh she you know she didn't whatever she didn't clap loud and laugh or whatever and it's like
00:30:23.060 listen, she displayed a very human response, right? In that moment, after all that she has
00:30:32.360 given this industry, to be looked over again has to be heartbreaking. It takes nothing away from
00:30:43.260 Jamie Lee Curtis. You know, there's a reason why I don't talk about snubs, because when you say
00:30:49.420 that someone has been snubbed, then the follow-up question always is, well, you know, if they should
00:30:54.880 have been nominated, then who would you take out? And that's not fair, right? Because all of the
00:30:59.400 performances were great, but we know that some rise to the challenge more than others. And we
00:31:07.540 also know that Academy voters vote sometimes based on legacy, history of work, right? Because for
00:31:18.060 For example, you can't tell me that Al Pacino winning the Oscar for Hua, what Scent of a Woman, was better than him winning for Godfather 2, for Serpico, for Dog Day Afternoon, like you name it.
00:31:33.600 But in my mind, you know, nobody will ever say it out loud, but in my mind, he won for Scent of a Woman because it was based on a body of work.
00:31:43.260 You know, we don't know how much longer Al is going to be acting.
00:31:45.860 overall he's a fantastic actor perhaps this wasn't his best performance but let's go ahead
00:31:50.440 and give it to him right and that's not the way things should be i believe because i i get this 0.99
00:31:57.120 a lot oh well you just want the black people to win or the queer people or whatever it's like no
00:32:01.240 i believe that movie awards nominations and wins and all awards shouldn't be you know participation
00:32:10.220 trophies. They should be based on merit. But the Academy voters are not required to view the films
00:32:18.460 before they vote. I want to hear you. Thank you. Underline that three times.
00:32:24.580 I feel like you might not know this. So that means that they're voting because they know
00:32:31.500 the director or like the director. Or again, as I said, maybe it's a legacy win. Or they didn't
00:32:36.500 voted all. It was their manager slash agent slash publicist who filled out the ballot. It's all of
00:32:42.180 these things other than, yes, I watched all of the nominees in this category and I believe this was
00:32:48.780 the best of the five or the 10, right? And that means because the Academy voting members are
00:32:56.660 still overwhelmingly white and overwhelmingly male, then that means what we really have here
00:33:02.580 is a popularity contest amongst older white men.
00:33:09.060 Exactly. And I guess, I guess, oh, sorry, Dr. John.
00:33:12.300 I was just going to say that old boys club is go always strike, honey.
00:33:17.660 Yes. And I guess sort of like against the backdrop of this being the sort of like
00:33:22.020 industry voting body and how it works as creative and industry professionals in this space,
00:33:28.140 like what fills your cup? How do both of you say tapped into your like
00:33:32.160 Black brilliance against this backdrop that we know can be so, that just can be so bad at seeing 0.99
00:33:37.980 y'all. April, I don't know if you want to take it first, but I was going to say, I think you, 1.00
00:33:46.560 you ask a really interesting question and it's funny because I get people who reach out to me
00:33:50.720 a lot and say, you know, we follow you on social and we see you winning over here, especially like
00:33:55.580 now my podcast is taking off and now I'm doing all of these little things. And I have so many
00:34:00.840 people reaching out and saying, you inspire me, how do you stay inspired? And I think it's really
00:34:06.280 looking at other creators who, you know, like, I know, I know, for me, like, I know that smile
00:34:13.060 that Angela Bassett had last night was a pained smile. But there was an element to me when I
00:34:18.480 looked at when I looked at that clip again, and seeing in her face, it was like, I know I did the
00:34:24.260 best that I could do. And that's got to be enough. And I think that that's what's been holding me
00:34:29.160 these last couple of months slash years as I've been in the industry, is knowing that my good
00:34:34.340 enough is going to have to be good enough. And that I'm not going to constantly keep equating
00:34:39.120 it to what my white colleagues are doing in their lane. I recognize that the fields are greener 0.53
00:34:44.840 with pasture for them. But I know for me, what I'm going to do over here is my best. And I'm
00:34:49.720 going to do my best to make sure that I encourage those who are around me. So I think that that's
00:34:54.180 really what holds me in this space is just saying, you know, like what Mariah's saying,
00:34:59.400 I'm going to do the best I can with what I got. That's it. That's it. If you hear snaps over here,
00:35:04.760 that's just me snapping along. That is beautiful. That is beautiful. I think for me, it's those
00:35:13.040 glimmers of hope that I see every now and again. For example, Melvin Van Peebles and Julie Dash
00:35:21.860 are now members of the Academy since Oscars So White. In my mind, they should have been members
00:35:27.880 decades ago because of their seminal work. But because of the way the Oscars used to be with
00:35:34.140 respect to inducting members, they had not been invited. So there's that. If watching Ava DuVernay
00:35:43.880 do, what, seven years, seven seasons of Clean Sugar and have nothing but female directors,
00:35:52.980 that, you know, gives me hope and keeps me energized. Because what folks don't realize 0.99
00:35:58.620 is you can do a full feature two-hour film and still not be able to get a job to, you know,
00:36:07.200 direct or show run a 30 minute show on TV. You would think that things would, you know, that
00:36:14.400 the skills are transferable, but again, it's all about the opportunities. Seeing Marse Martin be
00:36:23.140 the youngest person to ever produce a film that did really well at the box office, things like
00:36:30.560 that give me hope and energy. You know, it's finally seeing Key and Michelle, yo, win last
00:36:39.680 night. And the way that Asian and AAPI folks are finally, you know, getting a little bit of the
00:36:48.520 spotlight in the entertainment industry, despite decades and decades of phenomenal work. Those
00:36:55.200 things all make me very happy to see but it's obvious that we have so much more to go we have
00:37:02.060 so much more work to do um before i let you go april i have one curveball question for you
00:37:07.740 i know you were the co-founder of sister scotus a campaign to advocate for getting a black woman 0.98
00:37:12.320 on the supreme court and you did that shit how does that feel man thanks for that it feels 0.98
00:37:19.140 amazing. You know, it was me and three other Black women who assembled like Voltron and 0.99
00:37:24.380 knew that we couldn't start the campaign once President Biden, once there was a vacancy on
00:37:34.080 the Supreme Court, right? Because people don't really think about or care about judicial
00:37:38.580 nominations in the same way that they do, you know, for example, presidential campaigns.
00:37:42.400 And so we started work in 2020 when Biden at still nominee Biden, you know, Senator Biden, campaign front runner Biden promised to nominate a black woman to the Supreme Court.
00:37:59.320 And so now seeing her up there, it's fantastic because we know slowly but surely, again, nothing happens overnight, but slowly but surely she is going to have an impact that will last generations.
00:38:11.220 And now that she is there, that ceiling is broken and it's time to get even more people from marginalized communities on the court, because I think that people don't realize how important the Supreme Court is with respect to the changes that can be made.
00:38:27.400 And only now that Roe v. Wade has been overturned and other things are happening with respect to affirmative action and, you know, voting rights and all of those, that people are really starting to wake up, perhaps in a way that they weren't before, about how important the Supreme Court and judicial nominations and confirmations are throughout the country, not just at the Supreme Court level, but even at the local and judicial level.
00:38:52.720 I am so grateful for your work in the space, both of you.
00:38:56.120 Thank you so much for being here.
00:38:57.640 And thank you for the lasting impact that I know that your work will make.
00:39:00.600 You all are creating legacies that I know will reverberate for years to come.
00:39:04.200 Where can folks follow all the work you're doing?
00:39:06.920 What are you working on?
00:39:07.780 What do you want to shout out?
00:39:08.700 We love you both.
00:39:09.660 What do y'all got?
00:39:12.680 Okay, well, I'll start here.
00:39:14.000 You can listen every Tuesday to a brand new episode of the Black Fat Fam podcast hosted
00:39:20.100 by iHeartMedia.
00:39:21.040 Yeah. And now on the Outspoken Network. And you can also find me here.
00:39:26.100 You can all over the place. I have articles coming out that are like pending.
00:39:29.840 But my latest was is with BET. And, yeah, you can also go to my website at www.drjohnpaul.com.
00:39:37.940 Fantastic. April. Yeah, this is a part I hate.
00:39:43.720 I'm Reign of April across the board on all the social media platforms.
00:39:47.200 I will be on Spill as soon as it drops.
00:39:51.240 It is going to be a culture-forward app, getting back to the fun, the gifs, the memes,
00:39:57.540 what Twitter used to be five or ten years ago.
00:40:00.900 I cannot wait.
00:40:02.280 I will be there.
00:40:03.920 So definitely you can go to spill-app.com, spill-app.com to reserve your handle
00:40:12.060 because we're coming out very soon.
00:40:14.000 We just had an activation at South by and things are going great.
00:40:18.720 I know that we have like 60,000 people waiting to get in this app.
00:40:22.640 So you're not going to be alone.
00:40:24.360 And that's one of the major things I've got going on right now.
00:40:27.260 Thanks for asking.
00:40:28.000 And thank you so much for hosting, Bridget.
00:40:29.680 This has been great.
00:40:30.820 Thank you both for being here.
00:40:32.700 Thank you, John and April.
00:40:34.900 And thanks to all of you for listening for everything at the nexus of culture, gender, race, identity.
00:40:40.360 Keep following Ultraviolet.
00:40:41.780 And thanks so much for being here.
00:40:43.180 Have a great rest of your night, everybody.
00:40:45.140 All right.
00:40:45.480 Thank you, everybody.
00:40:46.180 Have a good one.
00:40:46.600 Thank you.
00:40:47.740 All right.
00:40:48.180 Bye.
00:40:52.220 If you're looking for ways to support the show, check out our merch store at tangoti.com
00:40:56.400 slash store.
00:40:58.180 Got a story about an interesting thing in tech or just want to say hi?
00:41:01.600 You can reach us at hello at tangoti.com.
00:41:03.900 You can also find transcripts for today's episode at tangoti.com.
00:41:06.960 There Are No Girls on the Internet was created by me, Bridget Todd.
00:41:10.080 It's a production of iHeartRadio and Unbossed Creative.
00:41:12.620 Edited by Joey Pat.
00:41:14.480 Jonathan Strickland is our executive producer.
00:41:16.720 Tari Harrison is our producer and sound engineer.
00:41:19.340 Michael Amato is our contributing producer.
00:41:21.380 I'm your host, Bridget Todd.
00:41:22.840 If you want to help us grow, rate and review us on Apple Podcasts.
00:41:26.140 For more podcasts from iHeartRadio, check out the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
00:41:31.160 if your bookshelf and your for you page are equally important to your personality
00:41:41.300 welcome home pro society is a weekly podcast that's part book club part group chat for anyone
00:41:47.520 who thinks pride and prejudice and love island deserve the same level of discourse each week
00:41:52.040 we're connecting the dots between books the internet and pop culture with your favorite
00:41:56.080 writers, book talk creators, and plenty of overthought opinions. Yeah, I'm obsessed. I'm
00:42:01.080 obsessed. Listen to Pro Society on the iHeartRadio app, Apple Podcasts, or wherever you get your
00:42:06.460 podcasts. I survived nine months in captivity, and I've spent my life exploring how other people
00:42:13.800 survive what should have destroyed them. I'm Elizabeth Smart, and these are the Survivor
00:42:19.100 Files. Every week, I'm with survivors who live through the unthinkable, abducted, stalked,
00:42:25.120 controlled and nearly silenced these are stories about what it takes to make it out alive listen
00:42:31.660 to the survivor files with elizabeth smart on the iheart radio app apple podcasts or wherever you get
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