00:00:00.000Hello! Happy Sunday, my loves. I hope that you're listening to this while you're doing
00:00:12.420something nice for yourself. Or maybe this is the something nice for yourself and you
00:00:18.300have your AirPods in while you're doing the dishes or going for a run or watching your
00:00:25.000toddler knock over a stack of blocks. So as I said before, for Sunday Nice Things, I'm going to be
00:00:30.860doing a bunch of different things. I'm going to be dropping other people's podcasts, other women's1.00
00:00:36.320podcasts into your feed so you can have someone else tickle your ears and maybe discover something1.00
00:00:42.780else that you love. I'll also be interviewing some great authors about their books because
00:00:48.260I get to meet so many authors and I want to introduce them to you too. It's just a nice way
00:00:54.800to get to widen our circle, widen this coven that we're creating. Thank you again to everyone who
00:01:02.820has pre-ordered The Sicilian Inheritance. So many of you. We're going to have to have
00:01:08.000a crazy book club where we have everyone on virtually. And I guess I'm just going to have
00:01:13.800to travel all over the world to thank you all individually and bring you all a cannoli.
00:01:18.340You can still pre-order. And when you do, you will get a lifetime subscription to the
00:01:22.480Over the Influence newsletter, Marketing Monster, coming in hot. But again, I just appreciate all
00:01:28.860of you so much. I cry when I think about it because this community is so strong and you're
00:01:36.040all so wonderful. Today, I am dropping someone, two great women, I'm dropping two great women
00:01:43.560into your feed. And I think you're going to love this. You're going to love them.
00:01:48.340Today we have an episode of the She Pivots podcast. This is the third season of She Pivots and it was created by my friend Emily Tish Sussman. She created it out of what she calls her own personal failure, her own decision to try to reinvent herself, which I think that a lot of women are constantly trying to figure out how to do.
00:02:11.760I feel like I'm in a constant state of reinvention. I'm like, what am I going to do next?
00:02:16.860What's my next thing? And that's exhausting, right? So Emily interviews women that have gone
00:02:23.160through that pivot point and talks to them about how they got through it, what they learned,
00:02:29.080and then what was on the other side. She's talked to incredible, incredible women like Bobby Brown0.99
00:02:35.800and Misty Copeland and Neha Roosh, who we just had on the podcast. I mean, we all love us some
00:02:43.020Neha. I love the episode where she talks to Lo Bosworth about taking charge of her life after
00:02:49.380reality TV. And yeah, more of that, please. That reminds me of the time that I interviewed Spencer
00:02:56.600Pratt, by the way, for Celebrity Inc. And that was a weird fucking day. I'm going to get into that0.95
00:03:02.300on the newsletter one of these days. Anyway, anyway, this episode is with another one of my
00:03:09.720friends, Stacey London, who I actually just ran into at the She Pivots launch party. And I think
00:03:17.280that I hugged her so hard. I almost like broke a bone and I was hot and sweaty and I smelled weird
00:03:24.420because I was wearing a shearling, shearling jacket. And so I just, I got her wet, probably
00:03:29.960stinky and I might have broken her, but I love me some Stacey London. She is, I mean, she's been
00:03:38.960so many things. Stacey is a fashion icon first and foremost, but she is a very well-known
00:03:46.300television personality, a stylist, a fashion consultant, an author, a best-selling author,
00:03:52.280and a magazine editor. Stacey has been all of the things and she is also constantly reinventing
00:03:58.480herself. And that is exactly what today's episode of She Pivots is all about. You're
00:04:03.660going to love it. If you want more like this, you can find She Pivots anywhere that you
00:04:07.540get your podcasts. I hope you enjoy it.
00:04:16.620And the idea that we are holding on to what is static or the status quo about ourselves
00:04:23.860disallows for the beauty of evolution and certainly the beauty of pivoting.
00:04:34.980Welcome to She Pivots, the podcast where we talk with women who dared to pivot out of one career
00:04:41.940and into something new and explore how their personal lives impacted these decisions.
00:04:47.820I'm your host, Emily Tish Sussman. I'm so excited to introduce this episode.
00:04:53.460it was our first ever live podcast in front of an audience. I had the honor to interview
00:04:59.720the Stacey London. Yes, that Stacey London. I spent my college days obsessed with what not to0.93
00:05:08.220wear, wishing somewhat ironically that I too could be made over by the illustrious Stacey and Clinton.
00:05:15.020To say this interview is a dream come true is not far off. And to do it where I grew up
00:05:21.220and then sent my kids for school was surreal. Thank you so much to the Marlene Myers JCC
00:05:27.720in New York for hosting us and for Stacey for being the perfect first She Pivots live guest.
00:05:34.960I also just want to note that since our interview, Stacey's company that she references,
00:05:40.420State of Menopause, did their own pivot. Now they're no longer selling product,
00:05:45.400but still doing important work around menopause. Let's get into it.
00:05:51.220I am so excited to introduce one of tonight's speakers, Emily Tish Sussman.
00:06:00.580Emily is truly a force in every sense of the word.
00:06:03.800A podcast host, women's empowerment and family policy advocate, leading political strategist, contributor to Marie Claire and Parent Magazine.
00:06:12.580Please give a warm welcome to Emily Tish Sussman.
00:10:33.660I went, I was a fashion assistant at Vogue for Andre Leon Talley, Phyllis Posnick and Bronna Wolfe all at the same time.
00:10:39.880So I had a color coded office and a lot to remember.
00:10:42.300And then I went when Gabby Dupheld became the editor in chief of Mademoiselle at the same time that James Truman was the editor in chief of details.
00:10:50.040Elizabeth Saltzman was the creative director and I went to see her because I had been friendly with her at Vogue.
00:10:54.300And I said, you know, I'm not very happy and I would love to do something else.
00:10:59.480And they had hired a new fashion director from England named Debbie Mason, who to this day I simply adore,
00:11:06.740who was the first person sort of not to treat me as like a kid who didn't know anything asked my
00:11:12.460opinion. You know, I mean, it was just, it was such a revelation. So I went to work there for
00:11:17.560a couple of years. And then when Gabby was fired, pretty much everybody left. And I went, again,
00:11:24.040went freelance and thought, okay, I'll just assist all the great freelance stylists, which I did.
00:11:30.340But at some point, I had to decide, like, either I'm going to be the best freelance first assistant for fashion stylists, or I'm going to do it on my own.
00:11:40.020And I asked my dad in advance if he would help me with rent.
00:12:09.840And I was fired by the editor-in-chief that destroyed that magazine, so I feel pretty smarmy about it all.
00:12:18.660I had a lot of success early on in magazines, and it was kind of a punch in the face to be fired,
00:12:25.720but at the same time, incredibly humbling. And I do say that that was one of the most pivotal
00:12:31.500and important experiences of my life. I really spent a lot of my life trying to be an overachiever
00:12:37.200and the idea that somebody would fire me just literally never occurred to me. I thought if
00:12:41.980you do a good job, you get to keep your job. And it was very eyeopening and I really do recommend
00:12:48.120it. And I say that knowing that it sounds very privileged to say, go get yourself fired. Why
00:12:52.700not? You don't have bills to pay. But really what I mean by that is it is sometimes essential
00:12:58.260for someone or something out of your control to shut a door on you in order for you to find your
00:13:05.300path, in order for you to find the door that opens or the window or whatever metaphor really
00:13:10.260does it for you. But when I got fired, I really didn't know what I wanted to do, but I did have
00:13:15.040an agent. So I would take jobs, but they weren't fashion styling jobs. They were like, you know,
00:13:19.720dress a dad and his daughter on their way to go to a bank commercial, right? Or a high C commercial
00:13:26.020where I was like up till, you know, three o'clock in the morning, like sewing patches on, you know,
00:13:31.340denim overalls, things that felt much more like real life. It was about how do you make something
00:13:37.100believable? How do you make something feel real? How do you show off what somebody is trying to
00:13:42.940say about themselves? It was a very different experience. Like it could be that I put, you know,
00:13:47.800a mom in crop jeans and a buttoned down shirt. But the fact that I distressed those jeans or
00:13:54.080that I learned how to make that shirt look worn and yet crisp or all the different things to make
00:13:59.240that mom as believable as if she had dressed herself that day became really interesting to
00:14:05.400me. And the idea of personality expressed through style became interesting to me. How am I conveying
00:14:10.780the message that this client wants you to see in this commercial or this ad? When did you start to
00:14:16.860see yourself as a player in those narratives moving to the screen in what not to wear like
00:14:23.440did you there was no plan here guys let me just be clear I had no idea that I was going to go
00:14:28.080into television my agents got a phone call from someone okay all I know is that there was a C
00:14:33.100involved it was either ABC NBC TLC BBC they were looking for hosts they wanted somebody who had
00:14:40.640worked with celebrities which I had done a lot of covers at Mademoiselle and they wanted somebody
00:14:45.400who had dressed real people, somebody who had editorial experience, and somebody who could talk
00:14:50.620a lot without a script. And my agent said, I know exactly who you need to meet. And I did eight,
00:14:57.600maybe eight screen tests. I've told the story several times. The last one, I was on vacation
00:15:03.980with my family in Spain, and I got a phone call from my agent. She said, you've got to come back.
00:15:08.540they're doing one last like meet and greet with the top 27 candidates. And I was so offended.
00:15:15.980I mean, I don't know. I was like 27. They couldn't knock it down to 10. Like, and at that point,
00:15:21.780there had been a running joke. I mean, almost every stylist in New York auditioned for that show
00:15:26.440or said they'd already gotten the part. So I really didn't take it very seriously anymore.
00:15:31.320And I said to my agent, they have me on camera. Like, what more do they want? You know, they asked
00:15:36.640me one day in the middle of a park to pretend that I was commenting on like the Oscars red carpet
00:15:42.240and to talk, imagine just imaginary talk to, Oh, Angelina Jolie, who are you wearing? Love that
00:15:49.080dress really emphasizes your curves. How'd you choose green this season? Like make it up as you
00:15:54.440go. Right. I mean, it was crazy. So I was like, they know me if they don't, I don't know what I
00:15:58.420have to come back for. I'm not coming. And my stepmother, I got off the phone and I, you know,
00:16:04.000we went to dinner. I was saying it, telling my stepmother and my dad what happened. And my
00:16:08.180stepmother said, okay, you're an idiot. We're getting you on a plane tomorrow. You're going1.00
00:16:13.640home. You're going to that last screen test because you are going to get this job and it
00:16:17.900is going to change your life. And she was 1000% right. I got the job and it totally changed my
00:16:24.500life. I thought I'm going to do 11 episodes, which is how many were in the first season.
00:16:28.960And I will be able to charge clients more because I'll be able to say I was once on television.
00:16:34.00012 years later today's show access hollywood oprah pantene wool light dr scholls i mean
00:16:43.120lee jeans the list went on it was a much bigger opportunity than i recognized when it first
00:16:49.080happened hi courtney hi i'm clinton and i'm stacy and we're from tlc's what not to wear
00:16:56.020and now a tlc summer sneak peek of the season premiere of what not to wear
00:17:01.180It's her. It's Blossom. It's Mayim Bialik, all grown up.
00:17:05.460And this summer, it's more than just styles that are changing.
00:17:08.940So today, the two is helping us surprise Tanya.
00:17:12.120Tanya thinks she's going to have a seat at our coveted tasting table to sample Stacey's soup.0.72
00:17:17.360I mean, every episode was basically about changing these women's lives and helping them into their pivot, like helping them figure out their own confidence.
00:17:58.320So I declared an independent major in philosophy, psychology, and literature with an emphasis on
00:18:04.620the creation of self in character. And I have been obsessed with the concept of self for as
00:18:11.440long as I can remember, even in high school. And I had no idea that studying philosophy,
00:18:18.200especially German philosophy, German existentialism, would have such an impact
00:18:23.280at like something so completely different. So here I'd been trained by stylists to really
00:18:29.900understand how to style photography and film for high fashion. And then I'd gone on to learn how
00:18:36.460to dress real people and men and children and all walks of life, basically. And then I had this
00:18:44.020really funny background in understanding human psychology and philosophy. I honestly walked
00:18:51.540onto the set of What Not to Wear, and I thought, oh, I'm home. I knew exactly, I'm getting emotional
00:18:56.940even just thinking about it. I knew exactly what to do. And the most amazing thing to come out of
00:19:04.260that show for me was that the reason I was good at being snarky was because like, guess what?
00:19:10.180You know, I'm like the most self-critical person you could possibly imagine. That's where criticism,
00:19:15.120great criticism comes from being, you know, having an inner critic. But working with all of those
00:19:21.300people, which was well over 600 individuals. What I really took away from it was most of the people
00:19:28.320that we made over were women. To hear the way they thought about themselves, to hear the mean1.00
00:19:34.000things that they would say to themselves, I couldn't bear it. I mean, I saw the potential
00:19:39.200in every single one of our guests. I saw things in them that they clearly could not see.
00:19:46.800and I couldn't believe it and I had such empathy and such compassion for them and it really made
00:19:53.860me realize like how can I be so awful how can I have this inner bitchy malignant critic in my head
00:20:01.480about me if I am going to spend all this time and energy really getting to know people to empathize
00:20:08.400with them to have compassion for them why can't I do that for myself you have got to give yourself
00:20:13.840a little bit of credit. You've done some great things here. You've, you've managed to create a
00:20:18.460career out of nothing and nowhere. And it really was quite meaningful to me. It changed my sense
00:20:24.620of self-esteem by being able to help others. How did you manage all of that emotion as you were,
00:20:29.920I mean, you were on that show for a very long time and I, you know, you did story after story
00:20:36.360after a story. Some were harder than others. For every minute that was aired, it took at least an
00:20:43.520hour to shoot. So there was a lot of stuff that happened that was incredibly emotional.
00:20:49.460And I have to say my co-host and a lot of the crew, they were very good at separating
00:20:54.640what happened on set as opposed to like what happened when you left set.
00:20:59.260There were a lot of episodes that really like stuck with me that were hard for me to let go of.
00:21:03.960I feel like what's an extra complication about it is that you didn't go through that emotional
00:21:08.840toll yourself, but that you had to do it with someone else because you had a co-host.
00:21:14.620I mean, it was like being married, you know, like, I mean, I had a work husband. It was very
00:21:19.020difficult. And we were, we were both under a lot of pressure in similar and different ways,
00:21:24.760you know, and we both had very big side hustles. So, you know, it was a lot of work. It was a lot
00:21:30.800of time and there were days where we wanted to kill each other and there were days where we were
00:21:35.060a complete united front against you know the man um and uh the system but we both i think had real
00:21:43.720highs and lows on that show i really do i i think we both understood in retrospect how meaningful
00:21:49.880and important it was in terms of like the dawn of unscripted television and i think we also
00:21:56.680recognize that it was really important because we made style accessible. That was the thing that
00:22:02.740also made me so proud is we made part of your everyday vernacular to talk about what you wanted
00:22:08.600to wear or what you wanted to express about yourself and what you wore or what was right
00:22:12.820for your body shape in a way that, you know, you only got from how-to pages in magazines before
00:22:17.660that. We really were a very revolutionary show and I still hold my head high. And, you know,
00:22:22.980the great thing about what not to wear was that, yeah, it was meant to be entertaining. I hope that
00:22:27.340you were entertained. We just didn't expect how emotional it was going to be. Honestly,
00:22:33.020we didn't realize how quickly it would become so educational that people would actually like
00:22:37.900take our rules and go shopping with them. I watched a couple of the English shows and I
00:22:43.420thought, why are these women like grabbing their fat and their boobs? And it was very different.0.99
00:22:47.580And we had a very different mandate as the American show. The first few seasons, we were
00:22:52.220told to be nasty. And guess what? That doesn't really work if you don't have a British accent.
00:22:57.380And also we were finding it really hard to be so mean, even though the idea was to break you down,
00:23:03.480to build you back up better, right? Even our snarkiness got more empathetic. And, you know,
00:23:08.920there were so many different heads of Discovery, which was the parent company. So many different
00:23:13.700heads of TLC in the years that I was there that we got a different mandate every couple of seasons.
00:23:18.920And we just basically did what we wanted because we just were like, all right, somebody else has another opinion.
00:23:26.180As the seasons of What Not to Wear came and went, Stacey found a world of opportunities.
00:23:31.240But from sponsorships to speaking engagements, also with the demands of hosting the show, it all became overwhelming, especially after struggling with chronic illness for years.
00:23:43.920But, you know, when I got psoriasis, I was four.
00:23:48.060There was nothing that people knew about the disease then.
00:26:58.060I think that back in the day when, you know, sort of unscripted television was just on the rise, that was 2002 when I started on What Not To Wear, we were looking for experts.
00:27:08.640We loved being told what to do by experts.
00:27:11.600We had a real interest in that, right?
00:27:13.840How to culture, how to dress, how to style your room, trading spaces, you know, we were on the forefront of that kind of television.
00:27:21.980The learning channel is what TLC was, right?
00:27:26.180And then I think as the advent of social media and just the rise of the internet started,
00:27:31.920right, one of the things was that you didn't need appointment television.
00:28:15.800That social media allowed for us to all be our own authorities in a way.
00:28:20.560And we didn't have to look to people for that same kind of how-to, certainly when it came to style, certainly when it came to personal expression.
00:28:29.080And it became much more about this is who I am, not this is what somebody told me to be.
00:28:36.200And look, if I could do What Not to Wear again, it would not be What Not to Wear.
00:45:48.180She Pivots is hosted by me, Emily Tish Sussman, produced by Emily Eda Velocik, with sound editing and mixing from Nina Pollack, and research and planning from Christine Dickinson and Hannah Cousins.