00:02:53.560Can you first explain how you came up with the idea for this book, how it came about?
00:02:59.520Yeah, sure. I worked my whole sort of full-time editor career in women's magazines. So I started
00:03:06.240working at Elle and I worked there for a bunch of years and then I worked at Glamour. And in the
00:03:10.760course of working in those places, I felt like I was coming across a lot of incredible young women.0.98
00:03:15.820I profiled Greta Thunberg, whose name I think basically most people know, the Swedish climate0.92
00:03:20.940activist. And I talked to the teenagers from Parkland who were leading the charge against
00:03:25.980gun violence. And this was also around the time that Black Lives Matter was coalescing. And I was
00:03:31.800reading about huge 30,000 person marches that were being planned via Twitter DMs and among high
00:03:39.160school students. And I thought there's something really amazing about this generation of young
00:03:43.420women. And I thought, you know, that might be something I want to explore. And so I started
00:03:47.420thinking that maybe I would write a book about what was going on with this cohort of young women
00:03:53.280in particular. And then the more work that I did and the more that I read, the more it became clear
00:03:58.680that this was actually a very old story and that young women have been on the forefront of social
00:04:03.080change in a way that America seems to have amnesia about in every generation pretty much. And in
00:04:08.680almost every major social movement for progress. So that was true in the early labor movement of
00:04:14.620the 1800s where factory workers went on strike, most of whom were young, unmarried women and
00:04:21.120girls. And then obviously that was true during civil rights when students really helped lead
00:04:25.560some of the efforts for change. And that continues to be true until today. So the project started
00:04:32.060with one set of parameters and then it got much, much bigger. But yeah, that was kind of the origin
00:04:36.760story for me. And how did you, like, do you go into it with sort of an idea of which decades or
00:04:42.660which stories you're going to look at? Or did that kind of develop as you were starting to research?
00:04:47.780Well, initially, actually, I thought, well, the concept of a teenager isn't that old. It's sort
00:04:53.320of an invention of the 1930s and 40s. And I thought maybe the story would start then, that
00:04:57.520as soon as America sort of developed a vocabulary for this period of adolescence, that's when the
00:05:02.760story would really begin. But then when I did more research, I felt like I would be shortchanging
00:05:07.980these amazing young women from an earlier time before we necessarily had the language to describe
00:05:12.860what stage of life they were in. And so then the timeline stretched back even further. I think one
00:05:17.820of the things that I thought a lot about and that took a long time to figure out was how I wanted
00:05:24.140the book to be structured. I knew that I wanted to go in chronological order and I wanted to sort of
00:05:29.380provide this alternative history of social progress in the U.S. through the lens of teenage girls.
00:05:35.600But it's hard to choose. You know, I could have filled several books with the stories of amazing
00:05:40.940young women. And I had to figure out what are the parameters that are going to decide who is and who0.99
00:05:45.120isn't in the book. And so one of the things that I did and that developed definitely over time was
00:05:50.340I wanted to profile individual young women. And I also wanted those stories to each of those
00:05:56.480stories to illustrate a point about how girls in particular organize. And so the book is both
00:06:02.180chronological, and as you said, sort of this group biography. And also, I hope that each one of sort
00:06:07.080of the main stories of these chapters explains a little bit about how girls do their activism,
00:06:12.580whether that's through, you know, leveraging friendship as a tool of organization, or it's
00:06:18.320about the value of self-presentation in protest. And that definitely took longer to figure out.
00:06:24.640And I felt like I started writing the first draft before I totally knew how it was going to go.
00:06:31.000And over time, it became clearer and clearer that this was, you know, both a chronological story and also a story that I hope answers the question of what makes girls such capable activists.
00:06:41.960And I really found it really interesting.
00:06:43.900Like I knew broadly, like some of the eras and things you're talking about, like the labor movement and the civil rights movement, suffragettes and things like that.
00:06:52.280But you also honed in on some specific people whose names I had never heard. And you were really, I was impressed with how you were able to find, I don't know, for lack of a better word, like intersectional stories. It's not like, here's a bunch of white girls in America doing stuff. It's like, no, you have people who are Chinese immigrants. You talk about, like, obviously the civil rights era, but like, you're really, you're not just talking about just the white people.
00:07:16.280And even when you are talking about just the white people, you do, like, mention, like, and, you know, heads up, like, it was different for black people and stuff.
00:07:23.960Like, so it's not just the history of white people.
00:07:26.340So, yeah, I imagine that was part of your intent with it.0.85
00:07:30.740Totally. Yeah, I think that I think one of the things that you're at a disadvantage of when you're ever you're talking about women's history, history in general is, yes, a lot of what we have recorded.
00:07:41.220We have because the people who are deciding whether to keep or toss, you know, written accounts, oral accounts, those kinds of things, someone had to be deciding those things were worth preserving.
00:07:52.480And so it's always, always going to be an uphill battle to tell a complete picture of or even a more partially complete picture of what history looks like.
00:08:01.640Since, of course, a lot of what people decided was worth preserving is a story of white people and of white men in particular.
00:08:07.720And so I wouldn't even have done the project if I didn't feel like I could at least include stories of people, yeah, who didn't appear in the history books I read in school.
00:08:17.720And as I always say, like, I got a great education or I felt like I got a really great education.
00:08:21.480And yet these stories were missing across the board.
00:08:24.520So it is always a bit of a process of sort of panning for gold to find the stories of people whose names you might not know.
00:08:32.660I think that one of the things that felt really important to me was to center the voices of the girls themselves.
00:08:40.040So in also in choosing, I didn't want to just choose young women of any background where all the stories were told about them and we didn't have anything in their own voice.
00:08:50.960So, for example, you mentioned Chinese immigration. Mabel Pinghua Li shows up in the chapter on the suffrage movement. And what was amazing was to find the minutes from the organization of Chinese students that she was part of that included her speeches, you know, the things she said on the floor.
00:09:08.640It just felt like this, I don't know, like an echo through history to be able to hear her in her own voice. And I think one of the things you have to be conscious of when you're telling other people's stories for them and they're no longer here to tell them themselves is to think, how can I center their voice as much as possible?
00:09:25.240And so when I was looking for these other stories, you know, Mexican immigrants, Native American stories across the board that weren't our conventional image of white history, I wanted to be sure that I had those quote marks, that there were places where I could put the voices of these young women.
00:09:42.100And I will say every time it felt like a huge privilege and nothing would thrill me more than for some of the names of the women in this book to start to feel as familiar to people as the names that we know better from our high school education.
00:09:57.580I wanted to also ask you about, so I think it's in the very, the introduction of your
00:10:01.120book, you're talking about one of the inspirations for the book was when you first found out
00:10:05.800about Sybil Luddington, but then as the introduction goes on, you're like, oh my God, this is a
00:10:13.240And then you learn the next layer of like, oh, actually, but did she do that?
00:10:15.780Oh, actually, there's other people who did other stuff.
00:10:17.720Can you talk a bit about your journey with that?
00:10:19.940Yeah, I think one of the things that's interesting about doing a project like this is you do,
00:10:24.080and I think this is true of writing in general, at least for me, when I'm being honest, is you go
00:10:28.360into things like this and you kind of have hopes for what you'll find. And you do, I think, have
00:10:32.780to check yourself a lot to say like, am I seeing what is really here? Am I seeing what I want to
00:10:37.600see from this story? And it's true that Sybil Ludington, who is reputed to have ridden farther
00:10:43.060and faster than Paul Revere to warn her father who had a militia in sort of early America around
00:10:48.940the time of the Revolutionary War that the British were coming. That story has been told
00:10:53.280ad nauseum by people who are interested in the metaphor, I think I would say, of Sybil
00:10:59.940Eddington. She's this teenage girl. She's done this physical feat in service of military power,
00:11:08.020in service of being a good daughter and warning her father. I first heard the story, which I
00:11:13.080mentioned in the introduction, when I was covering former Congresswoman Carolyn Maloney for a story
00:11:18.160for Elle magazine, Maloney was trying to raise money to build a women's history museum on the
00:11:24.140National Mall, which is a project anyone can read about. It's been going on for like 25 years. But
00:11:28.900the story of Sublettington was so powerful to the people that she was talking to, because it was
00:11:34.960like, here's this example of this unsung American girl. And talk about whiteness. I mean, she has0.74
00:11:40.740all the qualities I think that we think of as valorous, I guess, a good daughter,
00:11:47.700white American girl, capable, resourceful, all these things. And when I first heard the story,
00:11:54.480and I was thinking about this book at the time, I thought like perfect opener for me, you know,
00:11:58.440ideal, just what I'm looking for. And then when I started doing research into her, I found this
00:12:03.120really checkered historical record with people, some historians saying she did do that, some
00:12:09.780scholars saying she probably never, she never did. And no way to really find out. I mean,
00:12:14.900we don't have, there's no, you can't pull the surveillance footage, you know, there's no way
00:12:19.360to find out exactly what happened. And in a way I found it to be an even better place to begin
00:12:25.840to open the book with the reality that some of these things are unknown. And also that women's
00:12:31.640history, like I said, because it's been deemed unimportant for so long or not even, not even
00:12:37.100evaluated in terms of its importance, just totally ignored, there's always going to be a little bit
00:12:42.380of a feeling of quicksand when you're wading through the archives to try to figure out what
00:12:45.620really happened. And I think that she became an even better place to begin because throughout
00:12:50.660these many decades in which her story has been invoked by feminists, by people fighting, you know,
00:12:57.740by people trying to preserve daughters of the American Revolution, you know, on the other side
00:13:01.920of the political spectrum, her story has always been useful because I think the stories of
00:13:06.240extraordinary girls have always been useful to people who are trying to make an argument about
00:13:10.460where this country is headed. And so I wanted to open the book with her and the question mark next
00:13:16.080to her contributions to American history, because I think anyone who's telling a story like this
00:13:22.400also has to interrogate themselves, which I felt I was doing a lot during this process of why am I
00:13:27.620foregrounding these stories? And what am I trying to say about American girls by telling them?
00:13:32.000So it was a useful check for me. And what do I personally think about Sylva Ludington? I'm sure she did something. But I also think our desire to ascribe this kind of quality of greatness to her says a lot about what we want from American young women.
00:13:47.180well that really connects to sort of a an overarching theme you talk about it in different
00:13:52.380ways in different chapters in the book but the concept of like looking at girls and being like
00:13:57.820they are our future you know like they are these heroes they're these perfect people and at the
00:14:02.380same time also dismissing girls and what that what that says like how did you i don't know what can
00:14:09.500you just expand on that that concept i find it so interesting because like with grega tunberg for
00:14:13.840instance, people are like, oh, she's going to like save the environment. It's like, well,
00:14:16.600why is it up to her? Yeah, completely. Yes. I think that one of the helpful ways of thinking
00:14:22.760about it for me is like to think about how we treat American child stars. There's like a similar
00:14:27.780dynamic there where on the one hand, they're kind of like our hopes and dreams, the most airbrushed
00:14:32.500version of what American childhood should be. On the other hand, we know that we're kind of
00:14:37.300putting them through a completely ridiculous, often traumatizing process by elevating them
00:14:43.040in this way. And yet they feel somehow essential to the culture that like we could never forego
00:14:48.180our child stars. I think things have changed since the peak of the Disney child star era that I grew
00:14:53.360up in. Obviously we're far away from the Shirley temples of the world. But I do think that that0.90
00:14:58.020push pull around the valorization of childhood and the obsession with childhood, and on the other
00:15:02.920hand, totally being dismissive of children and anything they might want to contribute to society
00:15:07.280outside of their cuteness is kind of like a general paradigm of American growing up. I think
00:15:12.800that with girls in particular, and with, I would say with youth activism in general, there's a
00:15:17.860feeling of relief on some level that even if we as flawed adults have made mistakes or have
00:15:24.140compromised or have abandoned our ideals in some way, every generation gets the chance to kind of
00:15:28.860do it again. And to see principled young people in a culture that is frankly obsessed with youth,
00:15:34.220I think stokes a lot of enthusiasm from people. But when you listen to what people like Greta or
00:15:40.180other climate activists or anti-gun violence activists, what they actually say is often,
00:15:46.420I wish I didn't need to be here. Greta has certainly said that. Tons of people involved in,
00:15:51.700you know, trying to get gun legislation passed have said that. Why is this my job? Remind me,
00:15:57.220why do I have to do this? I like to remind people, kids can't vote. You know, most high school
00:16:02.360students can't vote. Their microphone is really the only leverage that they have in public being
00:16:08.960able to be heard. And so we, as you know, the voting law passing group of people in society
00:16:17.220have a lot more power. And it's kind of, I think, a tricky way of absolving ourselves of responsibility
00:16:22.080to say how amazing young people are and how inspiring they are. We actually have a lot more
00:16:26.820that we could do than they can. And yet it feels nice to sit back and say how incredible they are
00:16:31.680and what good they're going to do for society. No, exactly. It's so there's that patronizing
00:16:37.260it to be like, oh, you know, like the future is bright. Everything's great. Because look at these
00:16:40.800young people, like the next generation is going to be great where it's like, yeah, but the people
00:16:44.000in power are like 70 years old. Like they're not leaving. Totally. And I think that it, I think one
00:16:50.840of the reasons why, one thing that I tried to understand when I was working on this is why is
00:16:54.460it that there are these girls in basically every single generation and yet their stories fall out
00:16:59.200of the historical record. And I think one of the reasons is because what people will say or what
00:17:04.680people on some level will think is that young women are great communicators and they've been0.99
00:17:09.460amazing messengers for causes throughout the years, but they don't have strategic power.1.00
00:17:15.080They're not political actors the way adults are. I think that's ridiculous. That's one of the0.96
00:17:20.140things I try to show in the book is that often the way these girls were organizing was incredibly0.53
00:17:24.580strategic. They're not just mouthpieces. They really are sophisticated political strategists.0.92
00:17:29.960But I think one of the things that we risk is we move the sphere of power into one group of people, like you said, a lot of white men in their 70s and increasingly in their 80s and some women.
00:17:42.020And then we move sort of the spotlight onto young activists.
00:17:46.420We need those things to come closer together.
00:17:48.900This isn't a huge part of the book, but I am always interested in sort of the policy solutions that will start to give young people more political representation.
00:17:57.400It really can't be enough to say they're such good messengers for these causes and not take seriously what they think should be done about them.
00:18:05.160You can't say young people are our future and expect them to fix things and then not give them a seat at the table to be heard on what they think needs to be done.
00:18:11.760Well, I thought it was interesting, too, in your chapter about the suffragette, where you do like one of the kind of main characters of it is Mabel Ping-Hua Lee.
00:18:19.600And you mentioned like she was a young girl at that time and she was among many young girls.
00:18:23.700And I think you say something about that. The suffragette organizers were mostly women, like adult women, but they were like, but they knew the PR of it. Like if they had young women in their parade, like in their marches, that would look good. So they knew, they recognized the power of having young people involved, which is not dissimilar to nowadays, really.
00:18:44.780Yeah. I mean, I think of the suffragettes, they're such an interesting example, too, because, you know, when you think about that movement, it's this I think is true in all social movements or I would say at least many.
00:18:55.280But it's particularly stark in the case of advocating for the women's vote, because it was so clear and so palpable that the way to win that battle, you had to get they didn't have the voting power that was going to be needed to give them the right to vote.
00:19:11.100So you have to win over people who kind of have a basic interest in keeping things the way they are. The people who are empowered to give women the vote are men and no women can vote until they until men give women the power to vote.0.56
00:19:24.560So the optics of the campaign were especially important because they had to sell people who sort of had no obvious selfish interest in this fight in coming around.
00:19:38.620And that made it so that you couldn't just, you know, there was this debate and this comes up in that chapter over going like totally scorched earth, aggressive tactics of organizing versus trying a little bit more of like kind of the placating mode of persuasion.
00:19:55.680And I think what U.S. activists realize is you kind of need a little bit of both.
00:20:00.320And one of the things that they recognized early, I think, is that like organizing is also advertising and you need to have a good marketing campaign to pull off the kind of social change that these women were envisioning.
00:20:12.060And beautiful young women representing America's future as they do were a really big part of that.
00:20:18.420And that came at tremendous cost. And this is in that chapter two to black women who were sidelined, you know, in the in the public relations part of that campaign and to people like Mabel, who were treated as, you know, being a Chinese immigrant as she was kind of as a curiosity fetishized in this way, even though she was an extraordinarily capable and talented organizer in her own right.
00:20:41.820And so one thing I wanted to be sure to do was to never justify the real marginalization of certain women or other groups of people in favor of the overarching cause. I think we all have to be honest about who was sacrificed to achieve whatever progress is achieved, you know, in all of these movements.
00:21:01.860Well, and I think with Mabel and with some of the other figures you follow, and you're
00:21:05.380saying you're looking at their actual words, which means you're looking at when they're
00:21:07.980giving speeches and things, so you're following them into adulthood.
00:21:11.100And I find that really interesting, too.
00:21:12.840And we see that happening now today with the young activists.
00:21:15.700When they grow up, there's not that, oh, aren't they cute?
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