Vulgar History - August 11, 2023


Author Interview: Rachel Cantor (Half-Life of a Stolen Sister)

Author Interview: Craig Shreve (The African Samurai) Mary Queen of Scots: Bonus: Mary's sister-in-law, Elisabeth of Valois

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Harmful content

Misogyny

7

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Toxicity

2

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Hate speech

3

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Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
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00:00:55.460 Hello, and welcome to Vulgar History, a feminist women's history comedy podcast.
00:01:02.280 My name is Anne Foster, and today I'm sharing with you an interview I held with author Rachel
00:01:07.440 Cantor. So her most recent book is a novel, Asterix, called Half-Life of a Stolen Sister,
00:01:13.560 a novel by Rachel Cantor. And I say Asterix because it's a novel and it's also kind of
00:01:19.060 a biography of the Bronte siblings. So Charlotte, Emily, and Anne Bronte are known as being
00:01:24.860 novelists. There were other siblings in that family as well. So it's a novel that retells
00:01:30.300 their story in an innovative and interesting way that I'll let Rachel explain what it is.
00:01:36.280 The book is described by the publisher as it reimagines the lives of the Bronte siblings,
00:01:40.840 Charlotte, Emily, Anne, and brother Branwell, from their precocious childhoods to the writing
00:01:44.880 of their great novels to their early deaths. A form shattering novel by an author praised as
00:01:50.220 laugh out loud, hilarious, and thought provokingly philosophical by the Boston Globe.
00:01:54.860 So it's, we're going to talk about the Bronte siblings as well, because we've never done
00:01:59.460 an episode about them.
00:02:00.320 So Rachel explains who they are, and then we get to talking about her innovative and
00:02:04.280 interesting and unusual book.
00:02:08.780 So I'm joined today by Rachel Cantor, who has just published her latest book, Half-Life
00:02:14.500 of a Stolen Sister, which is a reimagining of the lives of not just the Bronte sisters,
00:02:21.520 but all of the Bronte siblings.
00:02:23.920 Welcome, Rachel.
00:02:24.860 Hi, thank you so much for having me.
00:02:27.560 Yeah. So before we talk about your book, I was just hoping you could explain a bit about who
00:02:32.580 the Brontes were. Three of them are known as published authors, but there were other siblings
00:02:38.180 as well. Can you explain who was this family? Who are these people?
00:02:41.820 So the Bronte family lived in early 19th century Yorkshire in England. They were initially anyway,
00:02:48.880 There were six children. There were six children of Patrick and Maria Bronte. Patrick was a vicar, so there were six children. In descending order of age, there was Maria, Elizabeth, Charlotte Bronte, the famous author Charlotte Bronte, Branwell Bronte, who was the only boy of the six siblings, Emily Bronte, the famous author of Wuthering Heights, and Anne Bronte, who wrote two novels herself.
00:03:16.620 She was the youngest when she was the baby. The mother, Maria Bronte, died when Charlotte Bronte
00:03:22.220 was about five years old, leaving the six children without a mother. And very soon,
00:03:28.200 maybe a few years later, three or four years later, the two older sisters died, Maria and
00:03:32.940 Elizabeth. The children lived in a, they lived a sort of a very imaginative life together. They
00:03:41.640 told stories together, they wrote stories, they played, they learned together, and created these
00:03:48.080 entire universes together, this whole imaginative world, which is very, it's sort of celebrated.
00:03:54.540 They wrote little books for themselves the size of postage stamps, trying to recreate the
00:03:59.520 typescript writing. So the writing is extremely tiny and hard to read. As they became young adults,
00:04:06.160 They all tried to go out in the world and earn a living with mostly disastrous consequences because none of them really flourished away from home.
00:04:17.140 At a certain point, the three sisters decided to write, to publish a volume of poems together.
00:04:24.980 They had always written poems.
00:04:26.820 Emily was acknowledged to be the best poet of them, but the three of them published this book of poetry to universal neglect.
00:04:34.340 Nobody cared or liked their poems. At the same time, Branwell, who also fancied himself something of an artist, something of a poet, something of a writer, but didn't have the kind of the application, didn't have the steadfast kind of ability to apply himself, started to become addicted to various substances and started kind of living a very chaotic, self-destructive life.
00:04:57.300 The three sisters decided that it's partly like an artistic decision, but also partly a decision of survival that they needed to write novels because their home where they lived was entailed to their father's job.
00:05:14.120 He was a vicar and they lived in a parsonage.
00:05:16.460 But when he died, they would be, you know, out on the streets and had shown very little ability to earn a living otherwise.
00:05:24.880 So they wrote their very famous novels. Very soon thereafter, because their lives were very short, three of the four remaining siblings died in a terrible, terrible nine-month period. So first Branwell at around the age of 29, 30, 31. They were all around that age. Then Emily and then Anne.
00:05:42.160 and leaving Charlotte at the age of 33, having survived five siblings, her mother, and by that
00:05:49.560 time also her mother's sister, who was the aunt who had come to live with them to take care of
00:05:54.600 them. And at age 33 or thereabouts, she was unmarried, as they all were, considered unattractive
00:06:02.400 by the standards of her day, and a spinster, obviously. And she had, at that point, to look
00:06:10.440 forward to a life very much on her own with her father, you know, with whom she had shared a
00:06:15.500 certain closeness, but not the sort of closeness she had with her siblings. And she had to kind of
00:06:19.600 face this future of terrible grief, loneliness, and there was every reason to believe that she
00:06:26.020 would spend the rest of her life alone. She managed to continue writing and being creative
00:06:31.580 through this period of grief. And she even managed at the very end of her life, which was still in
00:06:35.980 30s, to marry. So the life of this family kind of begins with a death and ends with a death,
00:06:43.360 at least in my writing of them, but encompasses so much. It encompasses creativity. It encompasses
00:06:48.920 beautiful sibling relationships, which hold with them all the kind of the messiness of family
00:06:55.980 relationships. There's jealousy. There's anger. There's disappointment. There's deep love and care.
00:07:02.700 covers the whole span of their lives.
00:07:04.900 And their lives were very, very interesting,
00:07:07.780 although most of them were spent very much within their home.
00:07:11.560 Yeah, and their books lived to tell the tale of their marvelous genius.
00:07:16.460 Do you think it was, because I find it so fascinating,
00:07:18.860 the three siblings from the same family all,
00:07:21.900 well, you said they kind of needed to write novels,
00:07:23.500 they needed to make money, 1.00
00:07:24.300 but the fact that all three of the women, 0.75
00:07:27.320 like their books are very well regarded,
00:07:29.180 they're all very well written,
00:07:30.140 do you think it was the influence,
00:07:31.500 they're sort of helping each other get better in their writing, like a little writer's group
00:07:36.680 almost. Yes. That's very insightful of you to say. I think I was very enchanted by that idea
00:07:43.860 that they had within their home, the perfect critics and support for their writing. Who among
00:07:49.800 us can say that? I mean, who among us writers can say that? They were completely, I think,
00:07:55.000 at least in my understanding of them, my interpretation of them, transparent to each
00:07:59.380 other. They had the ability to share everything about their natures and their thoughts and their
00:08:04.580 imaginings and desires and hopes and dreams with each other, especially the sisters.
00:08:08.980 And so, yes, they would, you know, famously kind of every night talk about the development of their
00:08:14.340 stories and they would walk around. I think it was walking around the table and they, you know,
00:08:18.560 it was like, it was like a, like a little, little, little walking course they would do. And as they
00:08:23.620 walked, I think that kind of maybe freed their imagination a little bit to talk through what
00:08:27.220 they've been writing. And that literary fellowship is extraordinary. You know, some of us have
00:08:33.480 writing groups or we have readers, but you know, they're not people who are necessarily engaged in
00:08:37.500 a daily basis with us when we write. And I don't mean also to suggest that because they had to
00:08:42.260 write novels in order to possibly survive, that they wouldn't have written them otherwise. It's
00:08:46.440 possible. You know, I think both Emily, I'm sorry, both Anne and Charlotte had definite ambitions to
00:08:53.180 write novels. And obviously all three of them had the talent and the genius to write them.
00:08:58.620 Emily very much did not want to write a novel. She did not want to have her name out in the world.
00:09:03.720 She did not want to share the beautiful kind of flowering of her inner world with anybody outside
00:09:10.120 the family. She was extremely private and just had very little interest in fame or the social
00:09:16.140 world out there. So it's extremely likely, at least as I understand it, that she would not
00:09:20.520 have written the novel had she not been pushed by charlotte primarily and also their you know
00:09:25.620 their very their straightened circumstances to do something you know to do something oh there's the
00:09:30.700 kitty so they published their books under pseudonyms right they used male pseudonyms can
00:09:37.060 you talk about that but they use because they use the same surname so it was like we're all men but
00:09:42.000 we're also siblings like they didn't so they made that connection clear right yes yes i think at
00:09:47.660 least, you know, I have to, I have to couch everything with saying that the research that
00:09:52.120 I did for this book, because it took me more than 10 years to write is itself 10 years old.
00:09:56.480 So sometimes it can be confusing for me to remember where it is the true story end and
00:10:00.960 my own interpretation or my creative work begin. But certainly they wanted pseudonyms. They wanted
00:10:06.120 to protect themselves. They want to protect their privacy, which is a really important aspect of
00:10:10.920 this. It wasn't just that they wanted to see their books in the world and therefore had to
00:10:14.820 adopt male names or at least gender kind of inconclusive names, but they also very much
00:10:21.120 wanted privacy. And Emily was kind of the, the, the, the, uh, spur to that. She, she insisted
00:10:26.340 on having that, that barrier between herself and the world out there that no one would know who
00:10:32.380 they were, but it was also a very practical requirement that if they wanted to publish
00:10:37.020 their books, which were not kind of polite drawing room comedies, they were, they were
00:10:42.640 something of a different order. If they wanted to publish those books, they would have to hide
00:10:48.500 their femaleness to a certain extent. Yeah. I find it interesting that they were doing that, 1.00
00:10:54.080 but yet they didn't hide their connection to one another.
00:10:57.220 Yes. Well, I think they were very canny in that regard. I think they recognized that there was
00:11:02.040 possibly some positive publicity to result from the idea of three related people publishing at
00:11:10.600 the same time. It would be the same thing these days. If each book was, each author was, you know,
00:11:15.640 equivalently regarded or celebrated, it would be, it would be a sensation, wouldn't it? And I think
00:11:20.240 that's what they were hoping for. They certainly were hoping for that possibly when they published
00:11:23.880 their book of poems together. I think they sold four copies that didn't, it didn't get them any
00:11:29.420 renown whatsoever, but you know, it was, they were, you know, country people. They, they were
00:11:35.320 sophisticated though, in certain ways. And I think they, they correctly understood that this would
00:11:39.840 create a kind of, if it reached the public, it would create a certain amount of interest. And
00:11:45.360 they were, they were correct. Yeah. So can you talk about what that was like when their book?
00:11:50.440 So first of all, I believe Branwell was because he was the only boy. He was the one who's like,
00:11:55.120 Hey, I have these books. Maybe you should publish them. They're totally written by men. Like he was
00:11:58.880 the liaison to publishing, right? Oh, no. Oh, no, not at all. No, no, no, no, no, no. Charlotte was
00:12:05.380 driving force. She was a driving force behind this. It was her idea. She's the one who approached
00:12:13.300 the publishers kind of famously. Once they were rejected, she would cross out the name of the
00:12:20.000 publisher and write a new one on the envelope, which obviously did not show a lot of sophistication,
00:12:25.920 that gesture. But she was a driving force. And when a publisher expressed interest in
00:12:32.760 Emily and Anne's books, because the book that went out with this first effort was a book of
00:12:40.840 Charlotte's, which was not a very good book. It was called The Professor. And that was only
00:12:44.640 published much later when she became famous. It was not really worth publishing at that stage.
00:12:49.180 But a publisher did express interest in Emily and Anne's books. Charlotte was not happy with the
00:12:56.260 offer, you know, the publication offer. But Emily and Anne were like, okay, we'll take it,
00:13:01.300 And that publisher did not treat those books with the respect that they deserved.
00:13:06.560 And Emily, I'm sorry, then Charlotte kept persisting.
00:13:09.360 She wrote then Jane Eyre and found her own publisher for that.
00:13:12.500 But still they were published at the same time, even though they had separate publishers.
00:13:16.360 And the publisher who published Jane Eyre was much more respectful, much more aware of the brilliance of his author and her potential also to write additional books and treated her manuscript with much more care.
00:13:31.300 But yes, no, it was it was her that, you know, Branwell intercepted some proofs that they were to read.
00:13:38.220 And it was there his first concrete, you know, revelation that his sisters had published a book.
00:13:45.500 I'm sorry, this is the poems. And he took the this manuscript, which he had been excluded from and and kind of strew it all over the house.
00:13:53.580 He was very upset because, you know, he assumed that a book, you know, publication, I'm sorry, he assumed that correspondence coming from a publisher would have to be addressed to him, even if it was addressed plainly to his sister.
00:14:06.560 Anyway, so, yeah, he was aware of their publication and very distressed by it because he had not been included, right?
00:14:13.640 As the only boy that was his right, he believed, to be included in this sort of endeavor, yeah.
00:14:18.260 So I promise we are going to talk about, we are going to talk about your book, but first
00:14:22.900 I'm just curious to know what was your, do you remember when you first encountered the
00:14:26.740 works of the Bronte sisters?
00:14:28.040 And if so, which book was it that you read first?
00:14:31.600 Yeah.
00:14:32.260 So I definitely remember I was 10 years old and it was Jane Eyre and I loved it beyond
00:14:37.680 all things.
00:14:38.360 And it's still, it remains my favorite book.
00:14:41.180 And the Brontes are important to so many people because I think they encountered them in childhood,
00:14:46.060 right?
00:14:46.300 And so many of them encountered Jane Eyre in childhood. And, you know, with Jane Eyre, you start with a character that you can identify with, perhaps especially if you're a bookish girl, right? Because she's in the very first scene, she is sort of hiding, if I'm remembering correctly, sort of hiding in a window seat, reading a book, right?
00:15:04.600 when when when she's but she's there's so much in that book which is so exciting for a young person
00:15:10.440 but also for an older person it's there's adventure there's injustice there's her the
00:15:16.120 wonderful character of jane right there's the the voices on the wind there's the house fires there's
00:15:22.240 the the woman in the attic there's romance there's misunderstanding and this incredible character of
00:15:28.200 jane who even though she is not conventionally attractive very much like her author even though
00:15:34.200 she's small and insignificant, very much like her author. She insists on her dignity. She insists
00:15:41.400 that she is worthy of respect. She is worthy of being treated with the same consideration as
00:15:48.980 a beautiful lady of, you know, upper class lady. She expects to be treated in a certain way and 0.60
00:15:57.300 demands it. And that's, you know, it's a very, it's a very moving book in that way. And her
00:16:02.680 character is very, it's very engrossing, I think. And, and I, yeah, so I love that book. I don't
00:16:09.000 think I read Wuthering Heights until I was an adult. It's not really a children's book. If you
00:16:14.420 think about it, it's a very dark and brutal book, very much unlike the, the, the Hollywood depictions
00:16:21.600 of Wuthering Heights. It's a very brutal and, and disturbing book. And I don't think I read
00:16:28.180 Anne's two books until much later. Yeah. So it was Jane Eyre that brought me to the Brontes,
00:16:34.780 as it did many people, I think. And so this leads me into asking you about your book. So what was
00:16:42.440 the first spark of an idea that you wanted to retell their stories in a different way?
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00:18:17.480 your next move tomorrow. And we're back. Well, I was overseas. This was about
00:18:25.420 almost 20 years ago, probably. And I was working on my first book then. And I had run out of books,
00:18:32.680 which one did back in the day before the e-books. And I went out looking for a new book to read.
00:18:38.980 And I found myself, I was in Copenhagen, and I found myself in a Danish bookstore. And I saw
00:18:43.820 Villette there, which is one of the later books of Charlotte Bronte. And I remembered Villette as
00:18:49.820 being a book that a friend of mine in college, who was a very smart English major, it had been
00:18:54.640 her favorite book. And somehow all these years later, I remembered that fact. And I picked it
00:19:00.000 up with a lot of enthusiasm. But before reading it, I read the preface to the book, which was
00:19:06.400 written by, I believe was written by one of the biographers of the Brontes. And that was when I
00:19:10.760 had my first introduction to their lives and to the life in particular of Charlotte and learned
00:19:16.780 about the death of five siblings, learned about the death of the mother when Charlotte was so
00:19:23.620 young and read about her writing Villette alone after having experienced this communion of this
00:19:33.540 kind of creative communion, but also just having experienced this loving, very close family and now
00:19:38.840 being very much alone. Just, it moved me a lot. I wanted to understand how she could move from
00:19:46.380 what must have been unfathomable grief, especially given the fact that, you know,
00:19:51.600 that Branwell, Emily, and Anne died within a nine-month period, just pow, pow, pow,
00:19:57.160 all of them gone. And she is left, you know, like I said, just a spinster with very few chances of
00:20:04.340 ever, ever finding somebody that wouldn't, that she could marry or that spend, spend her life 0.90
00:20:09.460 with. And I want to understand how she could continue being, how she could continue surviving,
00:20:13.660 first of all, how she could continue being creative. And that was, that was the idea behind,
00:20:18.280 that was the, the, the impetus behind the book was really to understand that, that
00:20:23.000 un-understandable, um, phase in her life and how she, she managed to survive. And then I read
00:20:30.440 And Vallette was just an extraordinary, extraordinary book.
00:20:34.240 And that also inspired me too.
00:20:36.800 So describe your book.
00:20:38.780 How do you explain it to people?
00:20:42.260 It's not your expected book, is it?
00:20:44.760 So I take this family with all their history and all their family members.
00:20:50.200 I take them to a new time and place, which is to say 21st century North American city,
00:20:57.020 mid-sized North American city.
00:20:58.960 It's an unnamed city.
00:21:00.100 So it's not your city or my city. It is just a mid-sized North American city. And I use a variety
00:21:06.560 of forms to tell their story. So it's a novel in stories. And I use a variety of forms to tell
00:21:14.840 their story. So many of the stories are told in the form of diary entries or letters or kind of
00:21:20.480 conventional tales, which are, you know, forms you might expect in a novel in stories, but also use
00:21:29.160 a match.com profile or home movie or a memo or a graphic novel page. And I use a variety of points
00:21:40.220 of view. So some of these tales or letters are told from the point of view of one of the Bronte
00:21:44.860 family members, mostly the siblings, but also Papa has his turn, aunt has her turn. But sometimes
00:21:52.300 the points of view are from people who are external to the family. So a biographer or the
00:21:57.820 publisher, Charlotte's publisher, who is an important person in her life, or a friend of
00:22:01.880 Branwell, depending on the moment in history that I wanted to write about, who could tell that story
00:22:08.400 best? Who could describe that moment in the best possible way? I would choose a point of view.
00:22:15.960 So it's kind of a multi-form, multi-vocal story that nonetheless tells a continuous tale from the
00:22:23.080 death of the mother all the way to the aftermath, really, of the death of Charlotte and how she's
00:22:29.960 remembered by her father and by her husband. So it's a long span of time, at least, you know,
00:22:35.960 considering the family life. And it's a more or less continuous story. So while it's told from
00:22:41.320 a variety of points of view, you do follow the same characters from the beginning to the end of
00:22:46.660 this story. At what point did you, was it early on or later on that you decided to make it be
00:22:53.300 this 21st century retelling rather than in the actual era in which they actually lived?
00:22:59.480 It's a funny story. I guess I'm a very instinctive, very intuitive writer,
00:23:04.660 more in this book than any other book. But I think, you know, when I write best, I'm using
00:23:09.740 this kind of, I'm accessing a sort of an unconscious or subconscious voice in my head.
00:23:15.840 So I had, I had intended strangely to write a realistic novel about them. My idea, which was
00:23:22.400 not very well formed, but it was, it was a working idea was that I would have maybe four novellas,
00:23:28.160 one for each of the surviving four Bronte children, and each would tell the story of a kind of a
00:23:33.560 critical point in their collective lives. And, you know, the four novels, novellas themselves
00:23:38.480 in one volume would collectively kind of tell you something about their, their life, but it
00:23:43.580 would be set in 19th century. Yorkshire would have that setting. And I was in, um, I had the
00:23:49.960 great, incredible good fortune to be at a, at residencies for, which is a place where writers
00:23:55.780 and other artists can go to be supported in their work and they feed you and you're, you're, you
00:24:01.260 have other creative people around you and you have no obligation except to write or do make
00:24:06.200 your art all day. And then at night you might, again, sort of like the Brontes, you would have
00:24:10.240 community at the end of the day with which to talk about your work if you wanted to,
00:24:14.260 or talk about current events or whatever you wanted, tell jokes, it doesn't matter.
00:24:17.420 You'd have that creative community and support. So I had the incredible good fortune for a period
00:24:22.280 of three months to go to two successive residencies. And I think having that space
00:24:27.160 and that space and time created a spaciousness also in my imagination so that while I thought
00:24:36.160 I was going to write a realistic book, when I sat down to write the first piece, having read
00:24:40.980 something of the historical record, the novel, certainly, but also some biography and the first
00:24:47.820 pieces of the biography, letters, what came out was a story of the four remaining siblings
00:24:54.600 running around in a park. Suddenly they weren't on the moors. They were in a city again with
00:25:00.300 a subway with a rent-controlled building. They went into a museum and started sketching dioramas.
00:25:07.060 They were in a setting that I could understand. Now, this wasn't something I had planned. It was
00:25:12.180 just something that I was able to access in sort of the fullness of this creative space that I was
00:25:17.640 in. And I was surprised. It wasn't something I had ever planned. And I just continued. And I
00:25:26.360 considered Papa Bronte. I considered his historical, the historical record was that after his wife
00:25:34.460 dies and he has six small children to raise, he tried kind of desperately to find a new wife,
00:25:43.840 right? He wanted barely any time had passed at all. That may have been, that may have been an
00:25:48.360 acceptable action in his time and place, but what did it mean in our time and place? And I thought
00:25:53.720 about it. And I tried to think how someone like him in our current day might try to attract a
00:26:01.280 partner. And I wrote for him a match.com profile. I gave him a dating profile. And so the voice in
00:26:07.740 that case was his, obviously, and the form was this profile. And through that, I was able to
00:26:15.000 communicate, I hope, something both of the kind of the comic nature of his hopeless endeavor,
00:26:21.080 which was to find some woman who would take on the raising of six children on his vicar's salary.
00:26:29.340 Something of the comedy of that, but also something of the terrible pathos of that, 0.93
00:26:33.540 because not only was his attempt kind of hard to see succeeding just on the face of it,
00:26:39.840 but you could see something in the voice of that piece of his arrogance, of his self-absorption.
00:26:46.140 You could see from his tone that he was never going to be successful.
00:26:49.860 At the same time, you could see something of his love for his children. So that form enabled me
00:26:54.420 very succinctly without going into a lot of detail and trusting the reader to pick up on this,
00:27:00.560 to understand all this, to convey something of that moment. And you don't need me then to tell
00:27:07.220 you that he was unsuccessful. You know this from reading these three pages. This form communicated
00:27:12.480 that. And then I went on and I read some more pages from the biographies, from the letters,
00:27:17.760 and decide what was the next moment and the next form, whatever it was, the next point of view
00:27:23.460 suggested itself. It was, as I said before, it was an extremely intuitive process that I could
00:27:30.660 never have planned and could never have announced to myself ahead of time. But once it emerged,
00:27:36.000 I was extremely happy with it. I enjoyed having that creative freedom and I felt it was
00:27:41.120 a respectful or even an appropriate course to take to investigate the incredible creativity
00:27:49.040 of this family. And can you explain the title, Half-Life of a Stolen Sister?
00:27:54.640 Oh, yes. That story, that title arose out of that very first story I wrote, which told me so much
00:28:01.720 about the family. It was the title story, Half-Life of a Stolen Sister, but it's also a line
00:28:05.740 in the story. So in the story, among the many things you learn about the family,
00:28:11.120 we learn about how the children were kind of homeschooled, but even more than that,
00:28:15.840 self-educated. And they're learning about Marie Curie, which of course is not something they
00:28:21.260 would have learned about in the 19th century, but it's something they learned about in my
00:28:24.380 book. And they're also at the same time trying to reckon with the deaths of their two older
00:28:30.660 sisters, which had happened very recently, maybe a year or two before. So this is on their mind.
00:28:37.780 So they're sort of considering them in their play, stolen sisters, right? The sisters who
00:28:43.520 are stolen from them and in their childhood imaginations and their children's imaginations,
00:28:47.500 they're trying to understand that. How could they have lost these two sisters? What could be done
00:28:52.540 to save them, to rescue them, right? So half-life is something that we understand. We understand if 0.86
00:29:00.240 I'm not a physicist, but we know that it refers to the decay of an unstable substance, a radioactive substance.
00:29:08.280 And we might understand that to be a figure for grief, right?
00:29:11.660 How long does it take for grief to dissipate?
00:29:15.320 Does it dissipate altogether or is it something that just dissipates slowly with time?
00:29:20.440 And the stolen sister, again, can be understood to refer to these two sisters who were quote unquote stolen.
00:29:27.700 It might also be understood to refer later to two additional sisters who are stolen from Charlotte, which would be Emily and Anne.
00:29:35.860 So how long, how do we understand grief? How long can it last? How is it transformed?
00:29:42.100 These are the ideas that are kind of, I hope, communicated by the title, which yet also kind of is a little mysterious, right?
00:29:50.340 It's a little bit mysterious, but it does come out of that very first story.
00:29:53.720 And it's in the voice of the children.
00:29:57.700 And so your book is, it's already published. How has that been? How is the, you've,
00:30:03.740 readers finding it and reading it? Do you know, what's the response been like?
00:30:08.140 Well, I've been in sort of a whirlwind place. I've done, I think, I've lost track, six or eight
00:30:15.480 readings already. One has been virtual, but others have been in a couple, three of them in New York.
00:30:19.540 I was in Boston. I was in Washington. I was in Philadelphia, all places where I've lived in the
00:30:26.280 past and have a number of beloveds, you know, people I know and care about. So for me, the
00:30:31.800 response, the initial response has largely been from people I know, which has been my experience
00:30:36.620 in the past. Those are the folks who are most vocal. You go to a reading and it's an incredible,
00:30:42.240 beautiful experience. Your readers may or may not have ever attended a literary reading, but
00:30:48.200 I'll sit in a bookstore and I'll talk with somebody about the book, but in the audience
00:30:52.640 will be people from all stages of my life, from elementary school, middle school. I lived in all
00:30:58.120 different kinds of places when I was growing up. So I have lots of different, lots of different
00:31:01.540 schools, graduate school, my work colleagues, other writers. And the response has been amazing.
00:31:09.700 It's been amazing. People respond to this book in a very emotional way, which is really important
00:31:16.180 to me. I think reviewers might be caught up in the unusual, innovative quality of the forms
00:31:22.240 and the transposition of the family to the modern day.
00:31:25.780 But when people, when readers read this book
00:31:28.060 and engage with the imaginative play of the children
00:31:31.640 and feel like they're in the room with them
00:31:33.520 as they're creating their worlds
00:31:35.000 or suffer with the family when one of their members die
00:31:39.640 or feel for Charlotte, you know,
00:31:41.800 when she experiences unrequited love with her teacher,
00:31:45.460 her teacher as a young adult,
00:31:47.760 then I feel like my book is, it's a success.
00:31:51.580 And people have those feelings.
00:31:53.540 People have that response.
00:31:55.140 And it's enormously gratifying, especially for a book that, in my case, I wrote over
00:32:01.600 a period of more than 10 years alone.
00:32:04.720 I did publish several of these pieces in literary magazines along the way.
00:32:09.580 But for people to see the whole of it and to respond to it in this incredibly moving,
00:32:15.480 this incredibly emotional way, really appreciating what the book is meant to convey. It's been
00:32:22.620 incredibly moving in a way that maybe earlier books, which have ironically been less personal,
00:32:29.340 maybe to me, you love to hear people's response to your book, but this book is
00:32:34.540 so much more personal. And so the response is, it's very moving. Did that answer your question?
00:32:41.220 No, it did. And that's lovely because often I interview authors before the book comes out. So
00:32:47.440 with you, I have the opportunity to actually find out what's it been like. People are reading your
00:32:52.840 book. That's fabulous. And that's so wonderful. I'm so glad that it's been finding its readers
00:32:58.540 and they're getting out of it what you had hoped. Yeah. I think some people are baffled
00:33:04.020 because they come to it with no introduction. They haven't read anything I've written about
00:33:08.340 the book or they haven't seen me talk about it. And they're thinking it's going to be something
00:33:12.220 it's not. They see the pictures of the Brontes on the cover and they have to adapt their expectations
00:33:17.160 when the very first story, it plainly takes place in the current day. And so it's not what
00:33:23.980 they're expecting. And hopefully the reader can stick with me, the reader who's not been introduced
00:33:28.520 to what the book is, except maybe on the back page, whatever, the back cover, that they can
00:33:33.500 stick with it and find through this innovative way of telling the story of this family that
00:33:39.960 they can find themselves a new way of, a closer way of understanding the family, which is less
00:33:44.980 maybe tied up with all the romantic stories we have of them, right? All the myth of them.
00:33:51.600 They can find a new way to relate to them themselves. I hope. That's my dream anyway.
00:33:56.860 Can you let everybody know if they want to keep up with what you're doing,
00:34:00.640 a website and social media and things? I do. Yes, yes, yes. So I have a website in which I have
00:34:07.520 the basics of all the events I'm doing. I will still have, so we're speaking now at the end of
00:34:12.860 July. I still have several events coming up in New York. I'm going to be at the Toronto Literary
00:34:19.040 Festival at the end of September. I'm not sure about the date of that yet. Also the Boston Book
00:34:23.200 Festival, which is in the middle of October. But that events listing in my website, which is
00:34:28.000 rachelcantor.com will always be updated. And that will also contain more information about the book
00:34:33.720 reviews, which have all been positive. Thank heavens. Reviews and some more about the book,
00:34:40.640 all the pieces that I'm publishing, you know, kind of adjacent to the book about the book will
00:34:44.680 also be linked there. You can read about the book and some of the things I've written about it
00:34:49.260 there as well. And hopefully soon I'll have some of the, you know, this podcast and others will
00:34:54.720 also be linked to there. So folks who are interested in the book can find out about it
00:34:58.400 there, but I'm on Facebook and I'm on Instagram and I'm on Twitter or whatever it's calling itself
00:35:05.540 these days. Who knows? Yeah. I am tentatively on threads. You can find me easily. I think Rachel
00:35:13.680 Cantor in any of these social medias and I'm also, you can also link to them through my website.
00:35:18.380 Well, thank you so much for talking with me today about your book. It's,
00:35:21.700 it's such a treat I did I got a an early copy of it and I read it and it's so innovative and
00:35:27.100 it's so interesting and I was I'm always excited to learn from authors how they came to the place
00:35:32.400 of writing this book and it sounds like it was sort of a yes a faded thing for you I don't know
00:35:37.920 it just sort of like happened it just came out this way what a lovely way to think of it I don't
00:35:42.160 think of it that way but I was on my mind for so long and it started so early you know if you think
00:35:47.700 about it, starting with the Brontes when I was 10 years old. I won't say how many years have
00:35:52.420 passed since that moment. I love this book enormously. And so maybe you're right. Maybe
00:35:59.340 it was faded. Thank you for putting it that way. Well, thank you so much for talking with me today.
00:36:03.960 Thank you, Anne.
00:36:07.100 So again, the title of this book is Half-Life of a Stolen Sister by Rachel Cantor, and it's
00:36:12.180 available everywhere where you get your books from. There's a little link in the show notes
00:36:15.940 if you buy a copy through bookshop.org, then a little bit of money goes to help support
00:36:19.780 me and this podcast. And again, you can keep up with Rachel at her website,
00:36:23.840 rachelcantor.com. We'll put that link in the show notes as well. And if you want to keep up
00:36:28.540 with me in this podcast, so we're at vulgarhistorypod on Instagram and threads on TikTok
00:36:34.620 at vulgarhistory. You can send me an email if you want to at vulgarhistorypod at gmail.com.
00:36:41.840 And also, if you go to the website, vulgarhistory.com, that's where you can find links to all the
00:36:47.780 episodes, but also we're working on getting transcriptions for all of the recent episodes,
00:36:52.120 kind of working backwards. And that's courtesy of Avalyn Malek from The Wordery. Thank you so
00:36:56.520 much for transcribing my sometimes mumbling pronunciations of strange and unusual names,
00:37:02.260 Avalyn. Anyway, we also have merch at vulgarhistory.com slash store, or if you prefer
00:37:07.360 to shop at Redbubble, which works better shipping fees wise for people in international countries.
00:37:13.380 That's at vulgarhistory.redbubble.com. And I also have a Patreon. If you want to get early
00:37:19.020 and add free access to all of my episodes, you can get that by going to patreon.com
00:37:23.100 slash Anne Foster Writer. Yeah. So next week, we're going to be back with some more episodes.
00:37:28.580 I'm just double checking to make sure that I'm giving you accurate information. Yeah. Next,
00:37:32.180 the next episode, we're going to be doing another Mary, Queen of Scots adjacent thing. And so I
00:37:38.780 can't wait to talk to you all again. And until next time, keep your pants on and your tits out. 1.00
00:37:46.400 Vulgar History is hosted, written and researched by Anne Foster and edited by Christina Lumagi. 0.99
00:37:52.040 Transcription by CastingWords
00:38:22.040 Stay in control of how your money moves.
00:38:25.140 Adyen, fintech built for your next move.
00:38:52.040 The war is over and both sides lost.
00:39:04.080 Kingdoms were reduced to cinders and armies scattered like bones in the dust.
00:39:09.080 Now the survivors claw to what's left of a broken world, praying the darkness chooses someone else tonight.
00:39:16.940 But in the shadow dark, the darkness always wins.
00:39:21.300 This is old school adventuring at its most cruel.
00:39:24.760 Your torch ticks down in real time.
00:39:27.100 And when that flame dies, something else rises to finish the job.
00:39:30.680 This is a brutal rules light nightmare with a story that emerges organically based on the decisions that the characters make.
00:39:38.160 This is what it felt like to play RPGs in the 80s.
00:39:40.720 And man, it is so good to be back.
00:39:43.000 Join the Glass Cannon podcast as we plunge into the shadow dark every Thursday night at 8 p.m. Eastern on youtube.com slash the glass cannon.
00:39:50.300 with the podcast version dropping the next day.
00:39:53.680 See what everybody's talking about
00:39:54.980 and join us in the dark.