Vulgar History - January 29, 2025


Author Interview: Surekha Davies (Humans: A Monstrous History)

Topics
Author Interview: Helen King (Immaculate Forms: A History of the Female Body in Four Parts) The Beyoncé of the Antebellum, Elizabeth Taylor Greenfield

Episode Stats


Harmful content

Misogyny

15

sentences flagged

Toxicity

11

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Hate speech

25

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Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:01.000 Hungry now.
00:00:04.000 Now.
00:00:07.000 What about now?
00:00:09.000 Whenever it hits you, wherever you are,
00:00:11.000 grab an O'Henry bar to satisfy your hunger.
00:00:15.000 With its delicious combination of big, crunchy, salty peanuts
00:00:19.000 covered in creamy caramel and chewy fudge with a chocolatey coating.
00:00:24.000 Swing by a gas station and get an O'Henry today.
00:00:27.000 O'Hungry, O'Henry. 1.00
00:00:30.000 Hello, and welcome to Vulgar History, a feminist women's history comedy podcast. My name is
00:00:44.680 Anne Foster. And before we get into today's episode, I have late breaking news about the
00:00:49.660 next Vulgar History in person meetup. I am going to be in Fort Myers, Florida, and I have time to
00:00:57.140 have a meetup on Friday, February 7th. That's in like two weeks. So if you're there, Fort Myers,
00:01:03.380 Florida, a place I have never been before, but where I will be attending a wedding,
00:01:08.080 but I have time to meet up with the Tits of Brigade on Friday, February 7th. So fill out
00:01:12.400 the form at vulgarhistory.com slash meet up so we can make a plan and figure out where and when we
00:01:17.720 can meet. If anyone out there lives in or near Fort Myers, Florida, again, a city I've never
00:01:23.380 been to. And getting into today's episode, so we're talking with author Sarika Davis. Her new
00:01:29.740 book is called Humans, A Monstrous History. And so she is a historian of science. And this book
00:01:37.060 really connects in really interesting ways here and there with last week's episode where we were
00:01:43.060 talking about with Helen King about her book, The Immaculate Forms, A History of the Female Body in
00:01:50.080 four parts. Because at times, women's bodies have been seen and discussed and treated as monstrous.
00:01:57.260 Sureka also looks at lots of other monster myths from different legends, stories from various
00:02:03.980 cultures. A lot of it is from the Western world, but also the Americas are involved. There's stuff
00:02:10.120 in there about the Islamic world and about Japan and lots of places. And she connects it all in
00:02:14.660 really fun ways to modern pop culture like she mentioned star trek is in here spider-man like
00:02:21.020 aliens wall-e like it's really really fascinating the way that she makes it's such a fun readable
00:02:26.660 book and throughout reading the book i was just like the leo pointing dot gif like so many things
00:02:33.860 come up in this book that we've talked about before on vulgar history she mentions um mary
00:02:39.000 toft is mentioned mary shelley is mentioned because of frankenstein she mentions pedro
00:02:43.860 Gonsalves, who was the man who he had a condition where he was all covered in hair. And then he had
00:02:49.600 a daughter, Antoinette, who's all covered in hair. And that was when I interviewed Molly Greeley
00:02:53.580 about her novel Marvelous. We talked about that history. This book also talks about John Knox
00:02:59.720 comes up. Catherine de' Medici is involved. And then also in the book, she quotes from two people,
00:03:06.260 at least two people who we've had on the show before. Friend of the podcast, Kit Hamm is quoted
00:03:10.140 from their work, as well as Greta LaFleur is quoted. And then at the back in the acknowledgements,
00:03:14.860 one of the people she thanks, who is one of her good friends, is Booker History past guest,
00:03:20.180 Leah Redmond Chang. So I was just like, this book is so connected to this podcast. I was just really
00:03:26.420 vibing with it. So I feel like you're really going to enjoy the book. And right now, you're
00:03:31.040 going to, I think, really enjoy this conversation with author Sareka Davis.
00:03:34.420 so we are joined today by sarika davis author most recently of humans a monstrous history
00:03:46.620 welcome sarika thank you for having me on can you explain and i'm sure you've been doing a lot
00:03:53.660 of interviews explaining this what your book is about humans a monstrous history is what i call
00:04:01.060 a history of humanity told through monsters and monster making. And what I mean by that is
00:04:08.000 the idea of what human means has a history. It's never been an uncontested thing, you know,
00:04:16.040 who is and isn't human. It's never been universal. It's always been changing.
00:04:21.160 And, you know, that idea of kind of human is something that people have always consciously
00:04:26.980 or unconsciously defined in relation to a whole bunch of other things. Where does the human body
00:04:32.740 end and other kinds of beings begin? Where does the environment begin? Where's the boundary between
00:04:39.140 humans and animals? What about humans and machines or gods or say extraterrestrials?
00:04:47.380 So there's a history of how people have thought about where human ends and all of those external
00:04:53.220 beings begin. And you can start that in antiquity. But there's also a history of how people have
00:04:58.900 defined various categories of humanity, male and female, for example, you know, different
00:05:07.600 ethnicities and religious groups. And what all of these categories have lying between them,
00:05:16.280 sometimes invisibly, are monsters. And what I mean by that is anytime you have categories,
00:05:23.220 Anybody who messes them up is a category breaker, so it's possible to trace who has been defined as being on the margins and turning nice, tidy little separate things into some kind of blended category.
00:05:43.320 So the history told through monster making stories about, you know, who or what was threatening the boundary between human and non-human or between groups of humans who supposedly deserve different kinds of rights, whether they were women or enslaved people or, you know, people who were framed as having bodies that were so atypical that, for example, they would be performing.
00:06:13.320 their strangeness as it were at fairs. Yeah. And so there's so many examples in your book.
00:06:20.840 What I want to say is when I was reading it, I just thought I read it all at once. And I was
00:06:25.480 like, I don't know if this is ideal. I think you need to read this, think about it, come back the
00:06:30.120 next day. Cause there's so many, there's so much new information in here. Cause you're talking about
00:06:34.340 so many different cultures and time periods, some of which I was familiar with, some of which I
00:06:40.180 wasn't familiar with. How did you go about researching so many different time periods?
00:06:48.140 In a way, I started with my first book, which was about European ideas about peoples of the
00:06:55.240 Americas and the ways in which European mapmakers and geographers had looked at writing about
00:07:02.560 peoples of, you know, Brazil and Mexico coming back, you know, from European borders of exploration.
00:07:09.420 and framed some of these people as kind of monsters in some way.
00:07:14.880 And that was actually a story that goes back to ancient Greece and Rome.
00:07:20.340 There were kind of theories of understanding the relationship between bodies and nature
00:07:25.020 that said the body was squishy.
00:07:28.420 Move somebody to a different climate and their temperament, their constitution will change.
00:07:35.460 so you know if you have a medical system in your you know in your culture whereby bodies and minds
00:07:43.540 are affected by geography and also at the edges of habitable climates there are what were called
00:07:51.760 you know monstrous peoples then once you're traveling everywhere that does beg the question
00:07:57.140 where's the boundary between human space and monster space and so there i was thinking i was
00:08:02.640 writing a dissertation and then a first book on the 16th century, Europeans making sense of what
00:08:10.640 they saw in the Americas. But that actually was a story that had a 1500 year backstory.
00:08:17.640 So some of the homework for the new book happened then. And then it was a case of trying to figure
00:08:26.880 out what the big story was going to be. And this for me, in a way, is a story I've been figuring
00:08:32.600 out since I was a child watching, you know, Star Trek. And so, you know, the beings in the universe
00:08:40.400 is, you know, one of the things that comes out of Star Trek. Oh my goodness, are there, you know,
00:08:46.280 things that live in space and don't need air and they travel at the speed of light? Is it possible
00:08:53.220 to be telepathic? So that kind of range of taxonomy of ways of being a sentient being was
00:09:00.580 something that I guess I'd been thinking about for a long time. And when I sat down to devise
00:09:06.740 this book, the original structure was not that different from this one, because I thought, well,
00:09:11.420 where are the boundaries between human and monstrous? Well, they happen in a variety of
00:09:17.700 places from Earth to outer space. So the general structure of talking about ecology, animals,
00:09:26.460 different kinds of human groups and then things like machines and the supernatural
00:09:32.300 that overarching structure was quite straightforward and of course I missed a bit
00:09:36.360 in the middle I I used to be a history professor and I used to teach a course on monsters from
00:09:42.320 antiquity to about 1800 before Frankenstein and that was a sort of kind of Europe and European
00:09:50.140 America's kind of course so there was all of this homework that got done along the way coming to this
00:09:56.460 book. And with this book, I did think, you know, this is an opportunity to talk about monster
00:10:02.000 making all over the world. And in the early drafts, there was a fair amount of all over the
00:10:08.300 world and I wanted to put more all over the world in. But I quickly realized that it's kind of hard
00:10:14.920 to have any kind of through line if you're everywhere. And also everywhere is a fiction.
00:10:20.600 books that claim to cover like the world's thinking usually talk primarily about maybe five
00:10:28.280 different kinds of thought that is doesn't actually cover every square mile so that's also a fiction
00:10:34.280 you know oh we're gonna have china we're gonna have india we're gonna have the islamic world
00:10:38.660 you know it's still like five or ten right yeah yeah and you know so i thought well i'd like that
00:10:45.920 to be more of a more of a through line while also giving a sense of the kind of variety so
00:10:52.540 for each chapter i thought about what the what the range of ways there were for um imagining
00:10:59.960 the boundary between the human and that particular thematic like animals and i go from the micro with
00:11:07.020 the microbiome you know up to the macro i think about the soul and then i you know selected most
00:11:13.860 of my examples from Europe and the Americas in order to tell a story that had some kind of
00:11:20.100 through line and one that that was also a story about how the how the world as it's set up today
00:11:29.040 with you know a lot of you know global institutions that are you know Eurocentric how that came to be
00:11:37.260 And so, you know, a lot of my examples from around the world are also ones that help to talk about that interaction between Europe and the wider world.
00:11:49.760 So it's sort of a, it's a trans-regional book that traces various, I think, mysteries.
00:11:59.100 I hope your readers feel a sense of cliffhangers as they go through the chapters.
00:12:02.900 um and but it's you know each chapter could have been a book and i guess that's something that
00:12:10.560 you know authors often feel when they finish the books yeah i love that you mentioned just now um
00:12:17.080 star trek because in this book i want listeners to know that you're explaining all this history
00:12:22.380 but you're also tying in contemporary examples pop culture examples the first time you mentioned
00:12:27.640 the Ferengi on Deep Space Nine. I was just like, Oh my God, I was excited. I'm a Star Trek fan.
00:12:33.400 Um, and I, I do love that you do talk in this about, um, outer space and aliens and things
00:12:41.160 like that, because that's not, I've never before read about what did people in the 17th century
00:12:47.140 imagine outer space was like, which brings us to one of the examples, which was, uh, Margaret
00:12:52.440 cavendish can you just briefly explain who she was i'd never heard of her sure uh so margaret
00:12:59.100 cavendish was an english aristocrat who lived in you know the 17th century the first three 0.84
00:13:05.840 half of the 17th century um thereabouts and uh you know so she was a teenager when the english
00:13:13.540 civil war broke out and her family were royalists they were loyal to the crown and um the crown
00:13:21.880 You know, ended up escaping to Oxford where she became a lady of waiting to Queen Henrietta Maria, who was the queen of French descent who had married Charles I, who had got his head chopped off.
00:13:35.940 So Margaret Kamenich is this young woman who lived in this very tumultuous time.
00:13:40.880 She ended up, you know, kind of escaping to France with the queen because it wasn't safe for them in England.
00:13:48.960 and she became a self-taught polymath she you know being a woman she didn't have you know 1.00
00:13:58.320 the kind of uh fancy education and you know going to oxford kind of life she would have had 1.00
00:14:05.460 had she been you know an aristocratic boy child but she taught herself she read when she was in
00:14:12.060 france she met her you know husband william cavendish who become the first duke of newcastle
00:14:17.700 who was supportive of his wife's interests.
00:14:21.520 And, you know, I guess, you know, today she, you know,
00:14:25.800 she might, you know, we might call her a content creator today
00:14:28.700 or a hustler because she wrote in so many different forms. 0.97
00:14:33.560 She wrote plays, she wrote poetry, 0.81
00:14:36.840 she wrote philosophical treatises about science,
00:14:40.640 about atoms, about the nature of matter and souls.
00:14:44.380 um she uh and you know she wrote you know work of science fiction a work of which you know like
00:14:53.240 in star trek she you know used her imagination to kind of imagine another world in which life
00:14:59.860 unfolded quite differently and um you know as as a woman who was uh very learned and who you know
00:15:09.820 actually wrote and published stuff, which is seen as a bit gauche for a woman to do.
00:15:14.940 There were people who thought she was a real weirdo. They called her Mad Madge. The diarist 1.00
00:15:21.780 Samuel Pepys called her mad. She was a ridiculous woman. And he said her husband was really foolish 1.00
00:15:28.620 to let her write. And so, you know, you could say that, you know, Margaret Cavendish was 0.97
00:15:36.900 was monstrified by some of her peers. She was not behaving, you know, in a gender-appropriate way.
00:15:45.540 And what she does in her sci-fi novel, you know, description of a world called a blazing world, 0.64
00:15:51.980 because its stars were so bright and blazing. It's this, you know, extraordinary story in which she
00:15:58.880 imagines another kind of world for a woman protagonist.
00:16:05.320 I was really caught by that example in your book of Margaret Cavendish, because you also
00:16:10.320 mentioned Mary Shelley in Frankenstein. And I think, at least in the circles that I operate in
00:16:15.940 online, people are often being like, you know, science fiction was invented by a teenage girl,
00:16:21.620 like Frankenstein. People are always coming up to the defense of Mary Shelley and letting people
00:16:25.660 know that like this teenage girl wrote this book that was so important and then i thought yeah but
00:16:31.020 like 150 years earlier this woman kind of invented yeah star trek like fiction so i think margaret
00:16:39.060 cavendish she deserves to be known as well she she does um the you know the the book doesn't read
00:16:47.660 really like an action novel you know it's not very readable today and probably now all margaret
00:16:53.640 Cavendish scholars will hate me, it's compelling but a difficult read.
00:16:58.460 But the plot is extraordinary.
00:17:01.320 We start with something really nasty.
00:17:06.220 So this woman is abducted by a merchant who has fallen in love with her.
00:17:12.920 And she's kidnapped onto a ship.
00:17:14.880 And you think like, whoa, this is nasty stuff.
00:17:19.220 But pretty soon, this storm, you know, it blows up and pushes the ship to the North Pole.
00:17:28.460 You know, gods are angry.
00:17:32.260 Everybody, all the men then freeze to death.
00:17:35.400 It's kind of hilarious.
00:17:36.360 She's in her cabin, men freeze to death.
00:17:39.200 Eventually, you know, even through like the cold and the snow, the flesh starts putrefying and she realizes she can't sit in the cabin anymore.
00:17:47.160 This all happens in a very deadpan, not exciting way in my view, but it's like, oh my God, what a plot.
00:17:54.680 And she goes out on deck and sees that there are these bears who are standing like men.
00:18:02.440 So what's happened is that the North Pole, our Earth, touches another Earth, another dimension.
00:18:08.640 And if you go to the North Pole, where you end up is not in the other half of our world, but in their world.
00:18:14.060 and um you know it turns out that there are all kinds of animals that just walk on their
00:18:19.740 hind legs and speak not in english uh she meets bear men who who rescue her they bury the men's
00:18:27.920 corpses and boats and carry her there's a lot of language of oh and they carefully carried the
00:18:34.880 woman you know to you know this the capital city where the you know emperor emperor married her
00:18:42.680 she becomes an empress 1.00
00:18:44.220 and that's it 0.96
00:18:45.280 the part one 1.00
00:18:46.060 is this woman 1.00
00:18:46.580 who started off abducted
00:18:48.060 you know
00:18:49.000 gets into
00:18:50.520 kind of
00:18:50.860 dialogue with these
00:18:52.540 you know
00:18:53.200 bear people
00:18:54.660 and
00:18:55.280 fox men
00:18:57.400 and various
00:18:58.320 animal people
00:18:59.540 and negotiates
00:19:01.460 that there
00:19:01.820 you know
00:19:02.060 she becomes interested
00:19:02.980 in kind of meeting
00:19:03.760 this
00:19:04.160 this powerful man
00:19:06.000 and
00:19:06.480 she happily marries him
00:19:08.600 then
00:19:10.160 we have this huge section
00:19:11.520 where
00:19:12.020 And Margaret Cavendish really goes to town on what it would be like to be a woman who is able to have extensive conversations about physics, about mechanics, about biology, about even monsters, about alchemy and chemistry.
00:19:30.280 And, you know, she has audiences with all of these different animals that have different expertise.
00:19:35.340 You know, there are kind of ape men who are chemists, bird men who are astronomers, which I think is kind of cute because, of course, birds know something about the sky and so on.
00:19:49.780 And she develops her own kind of ninja intellectual skills, eventually saves her world from danger by inventing some special weapon. 0.66
00:20:02.900 And, you know, she talks, finally, in the third section of the book, she talks through a portal with the author, so the Duchess of Newcastle.
00:20:13.920 And so Margaret Cavendish gives herself, you know, a role in this book as the person who becomes the scribe of the woman heroine who, you know, ran off to this amazing city, having started off as a kidnap victim.
00:20:36.900 And here and there, Lady Margaret Cavendish says, I wasn't able to be a conqueror. I couldn't be Alexander or Caesar because I'm a woman. So I have imagined this world where that's possible.
00:20:57.320 So she's, you know, imagined a world in which, you know, it's the kind of women who are the heroines and who tell that story and have a, you know, happily ever after life.
00:21:10.700 I don't know if you're familiar with a book that, I don't know if it's, I interviewed this author last week and it, there's a lot, there's some beautiful overlap between her work and your work that I thought like these two books would read really well together.
00:21:24.260 Helen King's book, Immaculate Forms, A History of the Female Body in Four Parts.
00:21:29.560 Oh, great. Thank you. I've seen some of the media for that. I'm writing that down.
00:21:37.000 So I read her book last week and interviewed her and I'm interviewing you.
00:21:41.140 And you both have a similar concept at one point in both of your books where you talk about how
00:21:46.240 in much of Western history, the female body was seen as monstrous.
00:21:53.080 and something to fear and something to tame and something to be concerned about.
00:21:59.120 And now we're seeing a similar thing about trans people 1.00
00:22:03.200 and how that's the new sort of monstrous thing. 1.00
00:22:08.620 Yeah. Can you talk a bit about just what you say about that in your book?
00:22:12.940 Where to start?
00:22:14.320 And maybe I could start in the early modern where there was, you know,
00:22:19.060 this notion of monstrous bodies, which also goes back to antiquity.
00:22:25.300 And the thing is, who gets to decide what constitutes a monstrous body?
00:22:30.940 I mean, that's a story.
00:22:32.240 And all monsters, I say somewhere, you know, something like, you know,
00:22:37.100 monsters are works of imagination, but all of them are real.
00:22:40.780 Monsters are imaginary, but all of them are real.
00:22:42.920 And it's because a monster is actually a label.
00:22:45.880 And it's an observer who has decided these are a bunch of normal categories, quote unquote normal, and here's someone who doesn't fit. And that means by my definition, they're a monster. They are failing to fit a category.
00:23:03.760 And of course, people who challenge categories were often seen and still are as threats, threats to the self. And, you know, I think the word monster may feel kind of strong to, you know, 21st century person coming across this today.
00:23:23.880 what do I really mean? What does this mean for people's lives? It means that people
00:23:28.920 got treated differently. They lost their right to bodily autonomy, to privacy, to dignity.
00:23:38.620 For example, there's this little girl called Antoinette Gonsalves, who in the mid-16th century
00:23:44.820 was examined by a physician all over her body because she was unusually hairy. She was one of
00:23:53.640 a small family of people who were all, most of whom had a lot of hair, you know, all over
00:24:02.020 their, most of their faces and bodies.
00:24:05.260 And, you know, these, you know, every so often there was in the sources, there is in the
00:24:10.280 sources, you know, accounts of people who saw or inspected the bodies of, you know,
00:24:17.140 these, you know, children or people who were too hairy or of people who were intersex.
00:24:22.120 And at the Royal Society, the premier scientific institution in England in the 17th century, there would be people who kind of physicians of the natural society would talk about having inspected.
00:24:40.160 And this was a situation that sometimes, you know, you know, parents who were kind of very poor and had, you know, they can atypically embody children, you know, sometimes, you know, children with, you know, without, you know, hands or with, you know, what today, you know, might be called kind of Siamese twins.
00:25:04.520 um these you know children would be shown for money and in some cases you know kind of adults
00:25:14.480 who were you know intersex were coerced into being being shown both at popular affairs and in
00:25:23.520 scientific settings but you know where you know woman ends and man ends and what that leaves in
00:25:33.300 between there has always been a continuum um it's what scientists will tell you today the fact that
00:25:42.220 there aren't that that the fact that the continuum isn't even doesn't mean that there isn't one um
00:25:50.700 in early christianity uh christian thinkers debated whether the original human being
00:25:58.960 might actually be androgynous.
00:26:00.940 So before Eve was split off from Adam,
00:26:04.540 was that original being actually sexless
00:26:09.320 or were they both sexes?
00:26:12.260 So that question of the relationship
00:26:14.480 between male and female
00:26:16.760 and whether there was a continuum,
00:26:19.460 whether anybody in the continuum was a threat,
00:26:22.600 that has not been a fixed story
00:26:27.840 not even in the west and not in other places either but that deciding that certain groups
00:26:37.300 are threats is something that over time we've seen move from homophobia through to now the
00:26:44.640 anti-trans movement and those fears also look very like the kind of monstrification language
00:26:54.260 Jews at times against women, at times against Jews. But, you know, there is still that question
00:27:03.400 of, all right, so you've declared that trans people are a problem. How are you going to
00:27:08.340 identify one? What's it going to take? You know, does every school child whose birth certificate
00:27:16.860 says, girl, are they going to have to show, you know, their private parts before they can do
00:27:22.540 pee or be on a sports team is you know is that really where you know the future of humanity
00:27:31.360 wants to head and it's something about and you talk about this in your book as well
00:27:35.800 the the concept of a monster it's a way to it can be a way to unite people against a common
00:27:43.720 enemy or just honorable group yeah just and it's a way to and we see that this playing out a lot
00:27:51.280 right now in in the uk and in the u.s and lots of places like immigrants or like when it's a way to
00:28:00.760 unite disparate groups by inventing a boogeyman and saying like everything that you're upset with 0.95
00:28:08.560 everything that's wrong with your life it's because of this group rather than it's it's
00:28:13.400 because of what the government has done rather it's because of what capitalism has done and so
00:28:17.920 it's a way to sort of divert people's attention. Yeah. Yeah, definitely. And, um, I guess that
00:28:26.240 kind of striking example of that is, is, um, the laws that were called the black codes in the
00:28:33.320 17th century, you know, European colonies in the Americas. And, you know, there was a point when,
00:28:41.020 And plantation workers were comprised of poor indentured servants from Europe, so white-presenting servants, and enslaved Africans who were brought over forcibly.
00:28:57.720 And what you see developing is these kind of different councils in different places, you know, in Barbados and Jamaica.
00:29:06.440 They wrote laws to define enslaved Africans as a legal category and what they called white Christian servants as a different category.
00:29:19.180 So you had black slaves and white Christian servants and different laws applied to them.
00:29:26.400 And so immediately you were kind of undercutting worker solidarity. 0.71
00:29:32.660 There would be different punishments. There'd be rewards for capturing an enslaved person who escaped. And it was also a form of monstrification. So if you declared that one group was chattel property for life, they were never going to stop living property.
00:30:01.560 They've declared that an enslaved African is enslaved for life. 0.75
00:30:08.100 Then there were laws about any children of enslaved women and laws that decreed that the child would have the same condition as the mother effectively decreed that enslavers who had children with enslaved women, 0.52
00:30:30.140 um their children basically became objects so they you know insulators love property more than
00:30:37.680 they loved their own children or i mean you know it's kind of an unthinkable kind of thing for us
00:30:43.100 today but that treating yeah it's like the legal definition of some humans as not human yeah yeah
00:30:52.720 and also disappearing the continuum you know there's no multiracial you know it's like and 0.74
00:30:58.720 And that's a kind of monster-making process to define, to erase that continuum, to create penalties for anyone being in that continuum. 0.98
00:31:11.640 The South African comedian Trevor Noah talks about this. 0.99
00:31:15.000 I mean, the title of his autobiography is Born a Crime, because it was illegal to have mixed-race children when he was born.
00:31:24.120 He was hidden away in his early childhood.
00:31:26.680 that's that's an illustration in like living yeah absolutely yeah and i mean to me just over
00:31:34.760 and over in your book i was thinking like whenever and everything you just described as well
00:31:38.780 there is a um defense that's like well this is the natural state of things and so these laws are just
00:31:46.640 to ensure that things are kept in this proper way but it's like well if it's the natural state then
00:31:50.420 you wouldn't need a law because people wouldn't be doing this people like if you have to make a
00:31:56.680 law to enforce behavior then it's clearly not a natural thing exactly and it's clearly also not a
00:32:04.720 you know oh the law is coming now so what's been going on since the beginning of time yeah
00:32:10.580 um you also mentioned in your book on this podcast i did a whole series about mary queen of
00:32:17.680 scots and in that um john knox emerged as quite a villain um amongst myself and the listeners he is
00:32:27.140 we uh we we make fun of john knox a lot and i was really excited in your book you talk about
00:32:34.240 john knox in an unflattering way so i was like oh one of us great um but you talk about because i
00:32:41.720 was like oh that's right because his book it's called um the first blast of the trumpet against
00:32:46.460 the monstrous regiment of women so he is like monsters of course yeah can you explain about
00:32:51.900 him and his deal yeah so um this is a kind of weird and creepy deal so so he um
00:33:00.280 knox was um really angry that there was a catholic um on the throne in in england so mary the first
00:33:09.640 um who um was was also you know married to to a kind of spanish king like oh my god even even
00:33:17.900 uh worse um but so he he wrote this pamphlet that he initially published anonymously saying
00:33:27.900 and the the thrust of the the pamphlet was that it is really bad to have a kingdom ruled by a woman
00:33:35.600 He used words like abominable and monster over and over again. It was against nature that a woman was ruling. But what he was actually cross about was that Mary wasn't an Anglican. 1.00
00:33:50.940 But the way he wanted to destabilize Mary, I mean, the way that his tactic was actually to leverage the kind of misogyny of the moment by saying that, well, actually, it would be perfectly patriotic to rebel against the monstrous regiment of a woman monarch. 0.58
00:34:18.660 because a woman at the head of the body politic is like a monstrous birth.
00:34:25.780 And he drew those comparisons. 0.70
00:34:29.480 So he was kind of encouraging insurrection by saying it wouldn't be insurrection
00:34:36.420 because this Commonwealth was such an abomination to be headed by a fake. 0.68
00:34:43.200 So he's controlling queens in order to destabilize a Catholic monarch. 0.87
00:34:53.980 So rather than going directly after her religion, he tried another tactic.
00:35:01.840 Unfortunately for him, Mary died fairly quickly.
00:35:04.880 And by the time his pamphlet came out, it was Elizabeth I, who was an Anglican, who was on the throne.
00:35:10.660 so he was not flavor of the month for her well and that's just the way you describe his tactic
00:35:16.880 we see this today constantly yes maybe for some completely different agenda well and also i think
00:35:25.420 if you're really upset about one thing but it happens to be a woman who's doing it you can be
00:35:29.900 like i just don't i just don't think this is right where it's like it's not that's that's an easy way
00:35:35.820 to get a lot of people on board to be like yeah this also doesn't feel right to me like there's
00:35:39.900 just something about her i don't like and maybe it's it's her race or it's her sex but really
00:35:45.960 what you don't like is her politics you know yeah yeah but then you'd have to argue on substance
00:35:51.820 and persuade on thing that you've decided is going to be a harder sell exactly whereas the
00:36:00.540 monstrification it's so easy to tap into that for people like when it's just purely emotion and fear
00:36:07.320 and hatred yeah and there's a there's a reservoir so this is an ancient cultural reservoir
00:36:15.000 of monster making stories and techniques and these are things people you know it's worth being
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00:38:49.520 and we're back another story that you mentioned briefly in your book and i was excited that you
00:38:59.500 did because this is another episode we did in this podcast was mary toft the woman who claimed to
00:39:05.380 give birth to rabbits we did a whole episode about it um but i was i thought yeah because
00:39:10.420 you're talking about the concept in that time and place it helped me understand her story a bit
00:39:14.860 better that whatever pregnant woman thought about or saw could manifest in what she gave birth to
00:39:21.900 yeah it's um an extraordinary
00:39:27.500 additional way of heaping blame and responsibility on women i mean not only were they quote unquote
00:39:35.700 monstrous because they failed to be born as men as as the ancient greek uh naturalist aristotle
00:39:43.300 put it but you know they were also kind of potential monster incubators you know they might
00:39:50.580 give birth to someone who looked monstrous because the mother had been fantasizing about
00:39:57.100 some monstrous or alternative person and so you know Mary Toft was this
00:40:04.480 you know, unfortunate woman who suffered a miscarriage in the early 18th century.
00:40:14.860 And it seems as if someone who was there at the birth, the organ grinder's wife,
00:40:22.020 decided to encourage Mary Toft to kind of capitalize on this misfortune by pretending that she could give birth to rabbits.
00:40:32.400 It's really rather disturbing.
00:40:36.040 I kind of read more of the material than I could actually kind of bring myself to inflict on unsuspecting readers.
00:40:45.300 But so this kind of woman would keep providing Mary Toft with rabbits whenever a doctor came to examine her. 1.00
00:40:52.640 And Mary, with a sleight of hand, would produce rabbits. 0.95
00:40:57.280 But then she became like really upset and just blamed people around her for having encouraged her at this kind of moment of trauma and grief to be involved in a confidence trick.
00:41:15.200 Part of one of the reasons why I started this podcast is just to share stories with people who wanted to hear them rather than inflecting them on my friends all the time.
00:41:22.320 um and the mary toff story when i tell that to somebody often they're just like they don't
00:41:27.600 understand well how why was that the plan why would that make the money like it's such a weird
00:41:34.500 thing to do to be like oh i just gave birth to dead rabbit parts like understandably people today
00:41:40.200 are like how is that gonna why would anyone be excited about that but people like you're like
00:41:45.980 about the gonsalves family and just like people with like birth differences were brought to dinner
00:41:50.880 parties and display like people at that time, like in England at the time, were just like so
00:41:56.080 interested in, in the body and things that seemed unnatural and things that were unusual. Like
00:42:02.900 that's where, um, Kings and Queens would hot, would be excited. They would find like,
00:42:09.440 like a little person and be like, Oh great. I'm going to add them to my household. Like just 1.00
00:42:13.620 people were really excited about differences in, in a monster way, not in like a, Oh,
00:42:19.640 let's embrace these people but more just like oh a monster great like for my collection yes yes
00:42:25.520 exactly yeah um it was a you know i guess it was kind of voyeuristic um it's also a form of
00:42:33.580 entertainment um and you know in the 19th century there were all kinds of um you know
00:42:40.800 fairs and exhibitions at which not only can individuals who are unusually embodied like
00:42:46.840 People who were very tall and called them giants or were called giants would just be intense and people paid money to go and see them.
00:42:56.200 But also people from distant parts of the world, from Patagonia, from Southeast Asia, would be conned or kidnapped, coerced, and brought to be in scenes where, again, the fee-paying public in London could go to a venue and kind of be sort of a tourist.
00:43:26.200 and look at what you could call just these human zoos.
00:43:31.500 But there was this kind of veneer of education around these events as well.
00:43:36.960 And there would be publications in the actual scientific media
00:43:41.880 about this lost tribe member,
00:43:48.540 member of a lost tribe who'd been found and brought
00:43:51.340 and language like the missing link
00:43:55.460 appears in a lot of these pamphlets
00:43:59.000 so there's something of a
00:44:02.620 sensational kind of bent to
00:44:06.620 anthropology and even before
00:44:10.740 Charles Darwin's Origin of Species was published
00:44:14.500 there was this appetite for
00:44:18.180 thinking about where human ended and ape began and that missing link language was was very much
00:44:26.760 um part of it have you ever seen the movie the greatest showman the Hugh Jackman movie
00:44:33.500 no is that about P.T. Barnum yes yes um and it is um I am not a fan of P.T. Barnum
00:44:46.240 in general i think making a movie to portray him as this altruistic champion of the differently
00:44:54.340 abled is a real choice but what the movie does show is that some people and this is this is
00:45:06.060 the thing that i've read about that's happened um where you were the bearded lady or whoever it's
00:45:12.240 like you don't fit into the society that you're in and but then within the circus you can find a
00:45:17.280 success you can find a career so there was a way that some people little people um were able to
00:45:24.020 not you know an exploitative career but it was a way that if okay if you're gonna call me a monster
00:45:30.320 then at least pay me for it sort of thing um it was you know it was a a you know they didn't
00:45:39.500 necessarily have many alternatives and you know this was this was one of them um and perhaps you
00:45:47.700 know at something like a circus or a fair there would be lots of people with you know kind of
00:45:53.960 unusual skills uh people who are differently abled who were um unusually embodied so while
00:46:02.200 you know someone might be the only uh bearded lady the lady um at a circus there would be others
00:46:09.740 who would you know be facing the same kinds of stigma and challenges for you know other ways of
00:46:18.680 being there's a movie actually i if i'm going to recommend a movie to you there's a movie called
00:46:24.520 freaks it's from i think the 1930s and it's a movie that actually casts actual people from
00:46:30.160 circus freak shows it's one of the earliest slash only movies to have like differently abled people
00:46:36.260 as characters in a movie my friend krista lopez is writing a book about disability
00:46:40.600 in film and i know that that's going to be one that she talks about just because it's
00:46:45.040 so it's just it's interesting like the monstrification is from the point of view of
00:46:49.720 the the oppressor for lack of a better word but then the people themselves like what are those
00:46:55.780 lives like like how do you live when all of society sees you as a monster and then things like
00:46:59.900 this movie kind of show like like they're playing roles their characters like these the people who
00:47:06.220 have all the people you'd never see in film even now so it's kind of the other side of that and
00:47:12.220 again it's exploitive in a way like people want to see this movie to be like oh let's see all
00:47:15.580 these circus freaks but like they were paid like they were actors it's but it's just such a complex
00:47:22.460 thing where it's like the world creates monsters and it always has yeah but how do you still live
00:47:30.660 when people call you a monster and and you know people try to you know protect themselves and
00:47:36.720 their their body and have some kind of agency over their bodies um there was you know this kind of
00:47:43.760 famously um this man called charles byrne was known as the irish giant and you know he chose
00:47:49.700 to perform at fairs
00:47:51.360 and give him whatever options he had.
00:47:54.180 I mean, this was the one that he chose.
00:47:57.500 But he left instructions
00:47:58.740 that he shouldn't be displayed
00:48:00.860 after his death
00:48:01.960 and he left some money
00:48:03.280 so that he could be given a sea burial.
00:48:06.320 And he died in his late 20s.
00:48:08.900 He was so very tall
00:48:10.600 that his heart couldn't pump
00:48:15.060 through his body forever.
00:48:18.160 And what happened
00:48:19.480 And the surgeon, John Hunter, ended up buying his body because he'd bribed the fishermen to discount Byrne's wishes.
00:48:32.500 And it didn't end there.
00:48:34.660 Hunter had Byrne's skeleton boiled in a kettle, which he later donated to the British Medical Association.
00:48:42.080 And I ended up accidentally coming across a Charles Byrne skeleton when I was wandering around the Hunterian Museum in London about 10 years ago.
00:48:55.040 And the first thing I saw was this very, very tall skeleton.
00:48:58.780 And then there was a little label that said, you know, oh, this was his life.
00:49:04.180 He didn't want to be displayed after his death.
00:49:07.060 and so i was implicated in you know this um disavow so you know what was it about charles
00:49:17.080 that meant you know what he wanted for you know his remains didn't matter he was somehow and it
00:49:26.160 wasn't even as if the remains at that moment were being used only for quote-unquote science it was
00:49:32.960 in a case, I didn't have to even pay money, I don't think, to go into that museum to see him.
00:49:39.280 Bird skeleton has now come off display. I think it was a couple of years later when that happened
00:49:44.860 and the museum reopened spring of 2023 and I went back and as they had promised, they did not
00:49:52.560 put him back on display, nor did they bury him at sea. So his bones are still available for bona
00:50:00.360 of finding his kind of medical searches yeah so there we are so even even after death the
00:50:08.540 the exploitation there is a museum i'm just saying things off the top of my head i didn't
00:50:13.720 research this before we talked but in the u.s there's a museum that recently i think they
00:50:20.300 closed because there was such a fear yeah that had all these body parts and things and then it
00:50:27.820 was like this isn't cool don't display this stuff and it was like a huge thing what was that do you
00:50:32.760 know yes that was the motor museum in uh philadelphia which had a great many skeletons
00:50:40.960 and specimens of body parts um if i remember correctly in you know in in jars i i've only
00:50:49.680 being to it once um and you know but the you know many of those um many of those human remains were
00:50:59.260 not obtained um in you know conditions where you know the people who were giving them up
00:51:07.760 had much choice so there's that question of of of um what has been done to people's bodies or the
00:51:18.420 bodies of their in their kin without consent and yet um i said was it called the morbid anatomy
00:51:27.240 museum no that's a different museum in brooklyn uh and and yet it was also a place where you know
00:51:32.900 for some people it was a place to go and see differently embodied people and differently
00:51:40.060 able people rather than them their presence in the world never being um something that was
00:51:50.520 recorded in museums so that was the you know controversy you know around the fact that they
00:51:58.040 they closed to decide how to redisplay and what to redisplay i'm glad that you knew that i just
00:52:06.200 it just occurred to me but you knew the museum name off the top of your head and i appreciate
00:52:09.680 that so your book humans a monstrous history you've i i'm sure i've been talking to lots of
00:52:16.520 people about this book and going and doing various events where can people uh keep up with you and
00:52:21.840 know what events you're doing and and that sort of thing oh thanks for asking um i have a newsletter
00:52:28.200 hosted by button down it's called notes from an everything historian it's totally free and you
00:52:35.700 can even download a free extract from humans amongst history if you subscribe um i you know
00:52:43.120 post my you know events there my most active social media channel by far is blue sky so do
00:52:50.880 come and find me there and my website is serekadavis.org and that will you know help
00:52:59.380 readers find all the places where I am and I will be on a book tour in the U.S. from the 1st of
00:53:10.760 March to the 18th of April and I have a couple of events in London at the very end of April
00:53:19.060 and there are a handful of online free Zoom book conversations and book lectures
00:53:27.060 starting on february 19th um so do come and find me to learn more about them that's wonderful and
00:53:39.120 i mean clearly just from this conversation you're you're so passionate about this topic and so
00:53:43.620 knowledgeable about it i think it'll be great to to be able to share that with people and hopefully
00:53:47.660 convince them all to read your book which i really really enjoy it and i really recommend
00:53:52.380 Oh, thank you.
00:53:53.540 Thank you so much for joining me today.
00:53:55.220 This is, I was really looking forward to this
00:53:56.860 and this is such a good conversation.
00:53:58.460 Thanks so much for having me.
00:53:59.540 This has been great fun.
00:54:03.980 So the book Humans, A Monstrous History
00:54:06.460 by Sareka Davis is available in,
00:54:09.960 I think it's available in various different countries.
00:54:12.340 Sometimes we have an author on here
00:54:13.520 and the book is like only in North America
00:54:15.720 or it's only in Europe,
00:54:16.940 but this one everywhere, I think.
00:54:19.720 And as Sareka mentioned,
00:54:20.580 You can go to her website, sarikadavis.org, and you can keep up with what she's doing,
00:54:26.120 sign up for her newsletter, find her on social media, all those kinds of things.
00:54:29.820 And again, if you want to meet up with me in Fort Myers, Florida, I'm going to be there
00:54:35.580 on Friday, February 7th with some time to hang out with the gang.
00:54:39.160 So go to vulgarhistory.com slash meetup.
00:54:41.860 If you're there and want to join first ever on U.S. soil, Vulgar History Meetup.
00:54:48.120 and um just other things to let you know about so i have this new mailing list and i know at the end
00:54:57.080 of this i'm always like social media blah blah blah like here's all the places to follow me and
00:55:00.600 basically if you're on any social media look up vulgar history and i'm probably there and if i'm
00:55:05.460 not there i'll probably be there tomorrow because i like to claim that domain on all the social
00:55:09.880 medias but if you want to just get sort of like regular updates both like as things are heating up
00:55:15.440 I'm doing these live events. I've got this book that's going to be coming out. There'll be book
00:55:19.940 updates. If you want to get like once a month, just kind of like a short highlights of like
00:55:25.220 what's up with vulgar history. What's up with Ann Foster? What's up with Hepburn Foster? Who is my
00:55:29.960 cat? I'll send you one email every month on this mailing list and you can sign up for that. Oh,
00:55:35.640 also I put in book recommendations and movie recommendations because that is the thing that
00:55:40.880 I am always happy to share. Anyway, if you want to get this like once monthly mailing list,
00:55:45.100 This is going to be, I think moving forward, probably one of the best ways to keep in touch
00:55:50.660 with me as social media keeps being very strange. Anyway, you can sign up for this at vulgarhistory.com
00:55:56.500 slash news and EWS. You can also follow me on Substack, which I guess is kind of a social
00:56:04.440 media thing as well. I have, I write essays there about women in history every other week.
00:56:09.640 So if you go to vulgarhistory.substack.com, I am also there. And then the other kind of main way
00:56:16.180 where I would suggest being able to follow me is if you joined my Patreon. So we recently just got
00:56:21.140 over 800 Patreon members. We had a little Patreon party, which was just kind of like
00:56:25.720 in the comment section of the post, but it's a growing community and it's a place where you can
00:56:31.520 interact with other members of the tits out brigade. There's chats there and stuff. So if
00:56:35.720 you join the patreon so what you get at the free level is you'll be updated well more than once a
00:56:43.020 month probably like the mailing list that's for people who just like want to have like
00:56:46.300 one thing with all the stuff in it patreon like i share links there um just talking about various
00:56:53.640 things that that are of interest the sort of stuff that one might formerly have found on my
00:56:59.540 instagram page i'm sharing that more on patreon now just because it's a way that i know that
00:57:03.360 people who want to follow my content are able to see it without being to the victim of some sort
00:57:07.960 of algorithm. And you can follow me on Patreon for free. You go to patreon.com slash Anne Foster
00:57:13.260 Writer. You can choose the little free membership. Or if you want to get a little bit more from
00:57:18.080 Patreon, if you pledge $1 a month, you get early access to all episodes as well as ad-free access
00:57:24.300 to all upcoming and past episodes of Vulgo History. And then if you pledge $5 or more a
00:57:31.440 month, you get all of the above plus also bonus episodes. So that stuff like the after show where
00:57:37.040 I talk with some of the guests about topics, we just get to talking. And so I put that there so
00:57:44.280 that the actual Vulgar History episodes can try to stay on topic slightly. But also at the $5 a
00:57:50.660 month level, you get access to our whole archive of Vulgar Peace Theater episodes where Alison
00:57:54.680 Epstein, Lana Wood Johnson, and myself talk about costume dramas. We're on a bit of a hiatus from
00:57:59.520 that because Allison, Lana, and I are all incredibly busy. But once we're back, you can
00:58:04.520 hear new episodes, but there's a really good archive there. Each episode is like three hours
00:58:08.340 long. So like you've got a good amount of content there if you just join. And also episodes of So
00:58:12.640 This Asshole, which is the spin-off podcast where I talk about shitty men from history. Anyway, 0.98
00:58:17.660 also anyone who joins the Patreon at the $5 a month or more level, you get to join our Discord,
00:58:24.640 which is like a big group chat where we're talking about everything. We're talking about
00:58:27.980 at the moment, the traders, both American and UK versions, but also people share pictures of their
00:58:33.480 cats. We're providing emotional support for people living through unprecedented times,
00:58:38.340 but we're also sharing memes and jokes, book recommendations, movie recommendations.
00:58:42.840 And I'm there a lot. If you want to know what I'm working on and thinking about,
00:58:48.140 I try to post there very regularly. And we also have our brand partner, Common Era Jewelry.
00:58:54.360 so this is a small woman-owned business that creates beautiful heirloom jewelry pieces
00:58:59.000 inspired by women from history and also by history in general so the pieces are made in
00:59:05.300 new york city everybody i'm so sorry the pieces are made in new york city so everyone involved
00:59:12.000 has health care and good wages the packaging is made by a little family-owned business in chicago
00:59:16.780 so if you want to support a small business those are all good you know ethical reasons to do so
00:59:22.440 but also the jewelry is gorgeous and very feminist. So the designs are inspired by
00:59:27.380 classical mythology slash women from history. So they have some pendant necklaces and rings that 0.70
00:59:32.700 have like the profile, like a picture that Tori, the owner has created. She's designed
00:59:38.380 of women from history, like Cleopatra is there. Agrippina is there. Hatshepsut is there. Anne
00:59:44.820 Boleyn snuck her way in there. And also people from mythology, like Hecate, Medusa was a very
00:59:51.180 big seller. Every time there's some sort of shitty, like patriarchal shitty thing happens 0.84
00:59:58.980 in American news, it seems like a lot of people want to get the Medusa pendant. And I, I, I feel 0.76
01:00:05.640 that strongly anyway. So their pieces are available in solid gold as well as in more affordable gold
01:00:11.160 for me. And I think they would make for a very good Valentine's day gift for yourself,
01:00:16.100 galentine's day for oneself or if you're somebody who like someone is buying you a valentine's day
01:00:21.520 gift send them the link to get one of these pieces and when you send them a link you should
01:00:26.760 use the code everyone should use which is commonera.com slash vulgar because then you get 15
01:00:31.580 off all items or you could also use code vulgar at checkout you know what else is a great valentine's
01:00:37.260 gift is vulgar history merchandise i feel like you should also request that and or galentine's
01:00:43.980 day get it get a few gal pals you know what several months ago the most incredible thing
01:00:48.260 happened a tits of brigade member well first i saw in my merch store i'd sold a whole bunch of
01:00:54.600 i think it was the um the flying squadron theme which was the catherine de medici's like
01:01:01.620 ladies spies ladies in waiting there it was a whole bunch of just that theme like that's one
01:01:07.860 of the the designs that we have in the store and i'm like why is somebody buying so many
01:01:11.200 it was like stickers I think and then and then I was tagged I think on Instagram and that is when
01:01:17.840 I realized that it was because of tits out brigade member was having a bridal shower and the theme of 0.95
01:01:23.800 the bridal shower was the flying squadron was vulgar history slash the flying squadron they 0.97
01:01:28.520 like did like a silks flying thing um it was amazing and I think like if you have a gal pal
01:01:36.120 you know what have a have a bridal shower have a baby shower have a party for yourself and make
01:01:40.620 the theme, the Reformation Renaissance squat, make it, make the theme be like John Knox yelling 0.99
01:01:47.260 whores. Like there's, there's lots of stuff there. Like just get, get your ladies, grab your florals 0.97
01:01:51.520 and just like celebrate. So you can also get in touch with me. Oh, sorry. I didn't say the merch
01:01:56.000 you can get at vulgarhistory.com slash store. That's great for anyone in the Americas. Well,
01:02:03.300 I guess in North America, basically in the U S if you're outside the U S you can shop at
01:02:07.720 vulgarhistory.redbubble.com where shipping is a lot more reasonable. All the same stuff is
01:02:12.100 available in both of the merch stores. Get in touch with me if you would like to. If you go
01:02:17.180 to vulgarhistory.com, there's a little like contact me button and that sends me an email.
01:02:22.160 And I always love to hear from all of you. And next week, what a treat I have in store for you.
01:02:31.300 So next week, February starting, February Black History Month in America and Canada.
01:02:37.720 and I've got such an amazing, it's like, I had my whole several weeks of content planned out.
01:02:43.960 And then I read this book and I was like, I need to have this author on. I need to tell
01:02:47.180 this story on the podcast. So it's a practically an emergency episode because I was just so excited
01:02:52.960 about this book and this author and this story and the real life figure behind it. So it's a
01:02:57.200 special, it's a black history month, special episode coming up next week. Um, and until then
01:03:03.120 everyone keep your pants on and your tits out i'll talk to you all next time vulgar history 1.00
01:03:10.460 is researched written and hosted by ann foster that's me the editor is christina lumagi theme 0.99
01:03:17.000 music is by the severn duo the vulgar history show image is by deborah wong transcripts are
01:03:23.140 written by avilene malik find transcripts of recent episodes at vulgarhistory.com
01:03:28.300 Legendary stories, awe-inspiring sound, and endless adventure.
01:03:38.460 Welcome to the Realms of Peril and Glory.
01:03:44.640 Explore the mechanically magical vistas of Vale,
01:03:49.340 the paranormal mysteries of Liminal London,
01:03:53.400 and the cyberpunk chaos of Cyborg.
01:04:01.600 Fall in love with our core cast
01:04:04.380 or be awed by our incredible guests
01:04:07.380 from familiar shows like Oxventure,
01:04:10.700 Three Black Halflings,
01:04:12.380 and No Rolls Barred. 1.00
01:04:15.720 Ignite your imagination
01:04:17.020 and discover the realms of peril and glory today.
01:04:20.960 Go to RealmsPod.com
01:04:22.980 or search Realms of Peril and Glory wherever you listen to podcasts.
01:04:28.360 Two, one, you win!
01:04:31.860 Hi, listeners.
01:04:33.420 We want to tell you about a podcast we love.
01:04:36.180 It's called Rebel Girls, formerly known as Goodnight Stories for Rebel Girls.
01:04:40.600 It's about real-life women who are changing the world
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01:05:17.140 And whatever you do, stay rebel.
01:05:20.720 Do you ever watch a TV show set in a historical time period and think,
01:05:26.820 how accurate is this really?
01:05:29.000 But also, does it matter if it's accurate or not?
01:05:32.220 NeferTV is a new podcast about shows set in ancient times.
01:05:38.360 This season, we're recapping every episode of the show Spartacus, Blood and Sand.
01:05:43.620 I'm Anne Foster, and I have never seen this show before.
01:05:46.500 And I'm Gina Berry, and I have watched this show maybe too many times.
01:05:51.720 Join us every other Monday on the NeferTV podcast as we discuss the real history behind Spartacus, blood, and sand.
01:05:58.720 Follow NeferTV, that's N-E-F-E-R-T-V, wherever you get your podcasts.