Vulgar History - April 28, 2023


Author Interview: Valerie Fridland (Like, Literally, Dude: Arguing for the Good in Bad English)

Topics
Catherine de'Medici, Part Two Catherine de'Medici, Part Three

Episode Stats


Harmful content

Misogyny

28

sentences flagged

Toxicity

13

sentences flagged

Hate speech

41

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 Hi, Tits Out Brigade. It's me, Anne. I wanted to let you know about a fundraiser that I'm
00:00:07.660 doing all this month, the month of April 2023. Trans rights are under attack seemingly everywhere,
00:00:14.640 particularly in the United States. That's been in the news lately, but it's an issue
00:00:18.060 all over the place. And I as a person and this podcast as an entity, we stand with all
00:00:24.280 trans people everywhere. And so to raise some money, I'm running this fundraiser all
00:00:29.560 month called Tits Out for Trans Rights. So you can get all the details if you go to vulgarhistory.com
00:00:34.940 slash donate. That's vulgarhistory.com slash donate. It's two-pronged, the fundraiser. So
00:00:41.300 first of all, I'm raising money for the Trevor Project, which is an American organization that
00:00:45.620 supports LGBTQ plus people. And then also I've got a new item in the merch store, which is an item
00:00:52.200 featuring trans icon, the Chevalier Day On, who I talked about in an episode last season with guest
00:00:58.480 host, Maya Dean. And all the proceeds from sales of the Chevalier Day On merchandise this month
00:01:05.120 is going to be donated to Point of Pride, which is another American organization that helps support
00:01:10.360 trans people. If there's another organization that you're planning to support this month anyway,
00:01:14.940 somewhere close to home, something that is meaningful to you that supports trans people,
00:01:18.620 there's a form also on my website where you can just list what the donation was and who you gave
00:01:23.300 the money too. So at the end of the month, I can give a grand total of how much the Tits Out Brigade 0.84
00:01:29.040 was able to raise as part of this fundraiser. Also for everybody who wants to, I will give you
00:01:35.100 a shout out to all the people who donate in a later episode of Vulgar History. So again,
00:01:40.000 you can get all the details of this fundraiser at vulgarhistory.com slash donate. Tits out for trans rights. 0.97
00:01:53.300 Hello, welcome to Vulgar History, a feminist women's history comedy podcast. My name is
00:02:05.020 Anne Foster, and this is a super special episode. So if you haven't listened to this podcast
00:02:10.540 before, I am a person who says like a normal amount of times when I am doing these episodes,
00:02:18.660 the whole point of this show is that I talk conversationally. It's called vulgar history.
00:02:24.500 Vulgar has kind of two meanings. One of them is the one that you might be, you're probably
00:02:28.040 thinking of right now, which is kind of like vulgar. It's kind of like distasteful. It's
00:02:31.520 kind of scandalous. And that's one meaning I love. And that's one of the reasons I called my show
00:02:35.120 that. But vulgar also initially meant like the common people, like the vulgar tongue meant just
00:02:40.260 kind of like the way that normal everyday people spoke. And this show, I speak the way that I speak
00:02:44.760 in my everyday life, I don't code switch when I do this show to suddenly talk like I'm on NPR
00:02:49.580 or BBC World News. This is just how I talk. And for people who listen to this podcast,
00:02:55.140 people who continue to listen to this podcast, obviously they're okay with that.
00:02:57.860 Every now and then there are people who are not okay with that. And they're so not okay with that
00:03:01.380 that they leave bad reviews of the show, or they leave me strange comments on my social media,
00:03:06.300 or they send me messages, quote unquote, helpfully saying that I use the word like
00:03:11.200 too much, or I say, um, too much and that sort of thing. And whatever, that's how I talk. If you
00:03:16.340 don't like how I talk, listen to a different podcast. But this is why I was so excited when
00:03:20.540 I heard about this book, the author of whom I'm going to share my interview with her in just a
00:03:24.680 second. It's a book called Like Literally Dude, Arguing for the Good and Bad English. It's written
00:03:30.720 by Valerie Friedland, who is a professor of linguistics in the English department at the
00:03:34.760 University of Nevada, Reno. She writes a popular language blog on psychology today called Language
00:03:39.760 in the Wild and is also a professor for the Great Courses series. And in this book, she just kind of
00:03:44.660 goes in a really kind and helpful and thoughtful way. She goes through various different things
00:03:50.700 that bother people about current English, I guess, American English, you would say, but using the
00:03:56.480 word like, using um and uh, using the word dude, just all these different things that bother people.
00:04:04.280 And she kind of goes into linguistically, why does this happen? And where did this come from?
00:04:08.660 and why does it bother people? And it's such a really interesting book. She is a, like, she's
00:04:13.620 a linguist, but she's a linguist and she's a university professor. And this book is written
00:04:17.740 for the everyday person. It's not a textbook at all. I was so thrilled to talk to Valerie. Her
00:04:22.640 cute boxer, her dog, makes an appearance towards the end. So you can look forward to that. But
00:04:27.120 anyway, please, and I hope you will, like, enjoy this totally good conversation I have with Valerie
00:04:33.080 Friedland. So Valerie Friedland, welcome to Vulgar History. Thank you. I am truly excited
00:04:42.720 to be here. I'm really excited to talk to you about everything that we're going to talk about.
00:04:47.520 But first, can you describe what your book is? Your book has just come out.
00:04:52.200 Sure. I just wrote a book. I'm a sociolinguist, so I'm interested in language and how it changes
00:04:57.480 over time, but especially with the social factors and how those influence it. So my book
00:05:02.120 is called like literally dude arguing for the good and bad english and it's really about all
00:05:09.140 those moments that we all have and it really doesn't matter who we are we all have them where
00:05:13.680 we stop and we think oh i hate it when people say that or i'm so aware of me saying like all the
00:05:20.580 time that it makes me self-conscious you know when you say it about yourself and we all have
00:05:24.600 those things about language that i think a lot of people call pet peeves um are there insecurities
00:05:29.820 or dislikes in other people's speech or our own, and I wanted to be able to make people
00:05:37.140 more compassionate both to themselves and others by writing a book that tells people
00:05:41.320 why we say these things, how they evolve.
00:05:43.720 They're usually from a much richer and more complex history than we think with our dismissive
00:05:49.060 attitudes about them and why they came into being because they almost always serve a communicative
00:05:54.880 purpose, and how they actually are good features rather than bad, despite the fact that we
00:06:00.420 hate them so much.
00:06:01.720 And so the book kind of dives into some of the background of sociolinguistics, but mainly
00:06:06.280 every chapter is one of these ticks that we love to hate.
00:06:10.160 And I drew from my experience in talking to people and them telling me their least favored
00:06:15.540 speech habits.
00:06:17.200 So it's things like like use that's used non-traditionally, literally used non-literally,
00:06:22.620 singular they which irks a lot of people things like saying dude and bro you know those little
00:06:29.940 things that we often hear people call each other all those features every one is a chapter and I
00:06:35.720 go into the history its evolution its purpose and the research behind it in terms of whether it's
00:06:40.660 actually good for us or not and when I first contacted you about coming on the podcast you
00:06:46.060 had mentioned I think it was a TED talk that somebody afterwards was talking to you about how
00:06:50.520 about your voice or I forget which, what was it use of like, or, um, can you share that story?
00:06:56.020 Yes. Well, I, it wasn't a Ted talk. I have, I go to these conferences where it's sort of like
00:06:59.960 Ted talks. It's, um, kind of, they bring together thought leaders and then they ask you to give
00:07:04.480 talks. And so I gave this talk and probably about 200 people. And I had given this talk about sort
00:07:11.160 of how we should be compassionate about language. And I gave some evolutionary history to what
00:07:15.920 language does over time and why language change is part of our natural evolution and who the
00:07:21.280 leaders of linguistic change always are throughout history and why we should embrace it and not
00:07:25.680 dismiss it. But I did it in terms of vowel movements. And that's with an M just in case
00:07:30.780 vowel movements. I mean, sorry, with a V, not a B. And I talked all about how these changes
00:07:40.840 represent evolution. And then I realized, you know, when someone came up to me afterwards and
00:07:44.680 said, Oh my gosh, that was a fascinating talk. But can you tell people not to say like all the
00:07:48.540 time? I thought, have I not said anything up here that made sense to you? I mean, you just didn't
00:07:53.760 listen, did you? But then I realized that actually I wasn't being fair because as humans, we like to
00:07:59.040 compartmentalize things and people might see vowels as naturally evolutionary and they might
00:08:04.660 understand, okay, well, you know, we obviously don't sound like we did when you listen to old
00:08:08.340 movies. So, okay, I can accept our vowels change and that's natural and okay. But when we see these
00:08:13.640 features like like or literally or so at the beginning of sentences that annoy us,
00:08:20.760 we see those as individual isolated cases that are errors or mistakes or bad English. And so we
00:08:28.040 don't understand that that's actually the same thing as what I was talking about. So I decided,
00:08:32.320 well, let me give someone, everyone, not just this person, the tools to see the relatedness
00:08:37.980 between these larger forces I'm talking about in these talks that I was giving and those little
00:08:42.540 things you hate every day in your speech, because they're actually the same things. They're the same
00:08:47.100 processes. They're the same articulatory and psychological pressures that make us do them.
00:08:53.280 They're the same social forces that drive us to them. And they're the same sort of value added
00:08:59.740 to our speech as the reasons that we change our vowels over the time, or the reasons we don't say
00:09:05.500 connect anymore for the word night, because over time we've lost certain sounds. You know,
00:09:11.020 I think people are accepting of that happening, but they're not accepting of other types of
00:09:14.760 change. And I realized I hadn't sort of explicitly explained that in my talk. And so I could
00:09:20.060 understand why people didn't maybe understand how what I was saying related to what they were
00:09:26.080 thinking. And that really inspired me to write this book, that one man who asked me why I couldn't
00:09:31.300 stop people from saying like. Now, of course, the other thing is, if I only had the power to
00:09:35.400 halt language in its tracks, you know, that would be a whole different conversation. But
00:09:40.460 But what I would suggest, and I'm saying this very much tongue in cheek, but also not, is there is sort of like an unofficial militia of people who are policing the use of the word like, and they come into places like comments on podcasts, reviews on podcasts, just as though someone like me doesn't know that that's, it's like, oh, did you know that you're not supposed to do that?
00:10:07.700 It's like, there's, it's this weird policing. And I see it not just like in your book, you
00:10:12.600 so many examples, you know, like news anchors and NPR and all this stuff. Like there's people
00:10:16.720 who just feel like it's their role in society to just, especially for women. Like that's very
00:10:21.280 much what I want to talk to you about. But the people who just step up to be like, like I gave
00:10:25.440 a talk ages ago and afterwards this woman came up and she's like, Oh, that was so interesting
00:10:30.160 what you said. But you know, you, you do this up talk at the end of sentences, your voice goes up.
00:10:34.740 And if you keep doing that, you know, people aren't going to take you seriously.
00:10:37.940 And I did not tell her.
00:10:39.040 I'm like, well, I have a professional career.
00:10:41.680 I have a master's degree.
00:10:43.520 Like, I'm a successful human being.
00:10:45.260 Like, who should I be trying to take me more seriously that I'm already being taken in my life?
00:10:52.100 And what gives you the authority to tell me what you think of my speech?
00:10:56.100 I mean, that's what kills me about that.
00:10:57.580 I cannot tell you how many stories like that I hear.
00:10:59.960 mostly from women who have had people in professional settings like that come up
00:11:06.440 to tell them what they should change about their voices? And would you go up to someone and say,
00:11:12.800 I don't like your name. You need to change that. I mean, I think everybody would recognize that's
00:11:17.800 totally inappropriate, but yet you're going to somebody's intensely personal vocal experience
00:11:24.560 that is part of their personality and their identity and telling them to change it.
00:11:29.460 And it's completely inappropriate.
00:11:31.180 It's very much based on historical bias that we have.
00:11:35.160 And it's almost always lobbed at women.
00:11:38.340 Our young men, young men get it too.
00:11:40.460 It's young, it's lobbed at those who are the leaders in language change
00:11:44.980 because we don't like what's new and novel.
00:11:47.340 But it's also the idea that someone has the authority to tell you that.
00:11:52.820 You know, who is this woman and why does she think she has the right to say it?
00:11:56.140 It's so crazy to me how strongly we hang on to our beliefs about what's good and bad in
00:12:00.880 language when the really funny part is they're actually usually wrong.
00:12:06.660 There are so many mistaken beliefs about what's right and what's wrong that the people that
00:12:13.120 march up there to tell you that you're doing something bad don't even know that they're
00:12:17.200 doing so many things in their speech that a century ago people would have scolded them
00:12:21.360 for.
00:12:21.760 And it's simply a matter of cultural moments that make us think our speech is better and class bias and race bias and gender bias.
00:12:32.140 I mean, those are the reasons that we police people's speech.
00:12:35.500 And it's not compassionate. It's not seeking communicative efficiency or connection.
00:12:41.420 There's nothing beneficial about it except to try to make you feel better about your own self by criticizing someone else, which I think all of us can recognize is not a positive way to live.
00:12:51.020 but yes, it irks me. I have heard so many stories about that, especially people, women in professional
00:12:56.240 setting. It's so, it just, it's stuck with me this, like, and other people have said other
00:13:00.300 things, but this one woman, like she was coming up and it was so seemingly well-intentioned.
00:13:06.340 And it's like, she was concerned for me. It was like, she was concerned. Don't you know,
00:13:09.900 people won't take you seriously if you don't change the way you talk. And I thought, well,
00:13:14.600 I was invited to give this talk. So obviously people did. No, and I think actually, you know,
00:13:21.340 I'm not trying to paint people that do this as these evil monsters. Honestly, most of us do it.
00:13:27.580 Most of us have these beliefs about language, and it may be something entirely different that we
00:13:32.640 react to and criticize someone for. I do think a lot of people, especially women, have been trained
00:13:38.480 to act a certain way, both behaviorally and vocally. And we do think we're helping someone
00:13:45.040 else when we call out things they do with their speech. And I don't think people are bad-intentioned
00:13:50.480 most of the time when they do this, but the reality is it has a bad result. And it's not
00:13:55.320 based on historical, anything that's historically valid. And I think what they don't step back to
00:14:01.100 see is the idea that somehow you come across as less certain or hesitant or powerless in your
00:14:07.580 speech, which is sort of the assumption she was making, is based on the fact of who's been speaking
00:14:12.520 in those positions for centuries, rather than there being any type of inherent hesitancy or
00:14:18.640 uncertainty in any kind of speech feature, which there isn't. We come to language with different
00:14:24.240 views about what it does for us, and every feature can be interpreted in different ways.
00:14:30.140 So, you know, young people like, like a lot. It's used a lot in their speech, and most young people
00:14:35.560 don't see something wrong with it in terms of how they communicate every day to each other.
00:14:39.880 Older speakers tend to really dislike that feature, but they don't understand the usage
00:14:44.660 that young people use it for. There are actually three very specific purposes like is put toward.
00:14:49.440 It helps with communicative efficiency. It sort of allows a subjective sensibility and a stance
00:14:57.300 that would be absent if it weren't included. It's not meaningless in any way, but if you don't
00:15:02.100 understand how to use it yourself, you may not read it that way. But if you use it that way,
00:15:08.000 you are reading it that way. So what we have is actually a mismatch in perception and use
00:15:13.060 rather than either side doing something wrong. We're just born of a certain time and place and
00:15:20.120 position and we see the world through that lens. But sometimes we need to be a little more sensitive
00:15:25.120 about the fact that maybe everybody doesn't use the same lens we do and we shouldn't judge their
00:15:29.920 speech according to it. Well, I felt like there's so much interesting stuff in your book. I loved
00:15:34.540 reading it. You gave me an early copy of it. So I was really excited to read it. And one of the
00:15:38.140 things, well, I was especially interested in the chapter about like, because I think I told you
00:15:42.120 that it's just, it's really weird to me and it's not upsetting or distressing. It's just constantly
00:15:48.620 strange to me when people say, you say like too much. And I thought, well, then don't listen to
00:15:53.080 my podcast. Why are you telling me to change when you could just not listen to my podcast? Like the
00:15:58.960 fact that people feel so strongly about it but in your book you talk about use of the word like
00:16:02.940 and it's going back to it's not a thing that people just started doing now I'm like I'm a
00:16:07.800 child of the 80s and 90s people people were doing it then you talk about valley girl and things like
00:16:11.720 that but even if you look at the 70s like scooby-doo shaggy is always saying like you go
00:16:16.540 back to the beatniks like the 50s they were saying it's not so people now who think oh young people
00:16:22.160 are saying like too much they've been saying like in these ways for what 75 years so why is it more
00:16:29.200 than that centuries centuries why is it why is it still okay explain why is it why do people think
00:16:35.300 it's a new phenomenon you know i one of it is one of the factors that goes into the way we notice
00:16:40.820 language is the amount it's being used and something called the recency illusion or the
00:16:46.260 recency bias, which is when all of a sudden you start noticing something, you notice it seemingly
00:16:52.240 everywhere. And that both of those things, this uptick in use, it's become more popular as a
00:16:58.200 feature in American English, particularly. And we've noticed it more because people have called
00:17:03.420 our attention to it. Those have contributed to this sort of idea that like is this new feature,
00:17:09.300 this new epidemic that's coming into our language. But if you look back in history,
00:17:13.680 like used as a discourse marker, which is where it goes either at the beginning of a sentence or
00:17:18.220 sometimes in the middle of a sentence, has actually existed in English well before American
00:17:23.200 speech really was a thing. It has been found in documents as far back as the 1700s, used in
00:17:29.560 exactly the same way. Like as a word, so like as a verb, it has existed in English since about 1200.
00:17:37.200 and then it morphed from a verb to also having an adjectival purpose so swan like ape like that
00:17:46.100 kind of thing and then it morphed to having a prepositional and conjunctive use and that seems
00:17:51.360 to really have been where the like use as a discourse marker stems from so if you say something
00:17:56.060 like she's like a sister to me that's used as a preposition that like but if you say she's like
00:18:03.660 a sister to me you can sense that you're using it there in the same place it would have been
00:18:08.560 used as a preposition but it's becoming slightly detached from the syntax in that emphatic tone
00:18:14.140 so you can see how it certainly starts to morph as being something a little separate from
00:18:18.860 that sentence and then what if you say like she's a sister to me where that same meaning of sort of
00:18:24.640 this subjective similarity gets picked up and moved to the beginning of the senate so if you
00:18:30.380 don't hate prepositions, you shouldn't hate like because it's basically doing the same work. We've
00:18:36.800 just detached it from its original position and moved it for the same purpose of a similarity,
00:18:43.400 a comparison, an approximation, which is exactly the same thing. So that has existed for even
00:18:49.100 longer than the 1700s, that type of use where it's used for similarity. And then we see it in
00:18:55.340 recordings done in the early 20th century of British speakers that were octogenarians and
00:19:01.720 of New Zealanders that were in their 90s. So that means they were born in the middle of the 1800s
00:19:07.820 that used like all the time in their speech as a Senate starter, as a discourse particle,
00:19:14.520 just like you hear valley girl speech using like. And that suggests to us that it's very,
00:19:20.860 it's British, and it followed the British wherever they colonized. And so this idea that like is new
00:19:26.980 is a figment of our imagination. It's simply that we notice it now, probably because it caught on.
00:19:33.220 And a lot of times we see these really low level features in our speech that have been there for
00:19:37.160 centuries, used just in the way that we're using them now. But all of a sudden, somebody imbues
00:19:43.520 that feature with a quality that is enviable to others. And I think that's what happened in the
00:19:48.960 Southern California use of like around the eighties and nineties, it became imbued with this
00:19:54.700 sort of SoCal coastal hip, cool lifestyle. And that's what then made it something appealing to
00:20:02.400 others to pick up. And that's when we started seeing it everywhere. And then we get this
00:20:06.140 recency illusion, which is like, Oh my God, it's everywhere. It just came into being.
00:20:10.480 So it's a pretty cool evolution in, in the use of like, and it's also not just women that use it,
00:20:16.380 even though we strongly believe that that's true.
00:20:19.040 I don't know if you've seen the movie,
00:20:20.620 The Banshees of Inna Sharon.
00:20:22.200 Have you?
00:20:22.900 I have, yes.
00:20:24.020 And I know I've mentioned that to several people
00:20:25.780 and no one else has noticed.
00:20:27.060 They use like all the time as a discourse marker.
00:20:29.900 All the time.
00:20:30.960 I was watching that movie,
00:20:32.480 which is like mostly about men and, you know, Irish men.
00:20:36.560 The two main characters are men.
00:20:38.020 And I watch everything with subtitles
00:20:39.540 because that's how I like to watch things,
00:20:41.220 especially things where people have accents.
00:20:42.740 And so I was especially noticing
00:20:44.120 every time they said like,
00:20:45.260 and I was I told the person I was watching it with him like do you think do you think people
00:20:49.520 are reviews of this movie and say they say like too much the way they do for my podcast it's of
00:20:53.240 course they don't because it's a movie about men yeah I thought the same thing I brought that up
00:20:59.120 to several people it's so funny and everybody else was like no I didn't know I'm like oh my god how
00:21:02.980 could you not notice they say it all the time and they say it exactly sort of a usually for them it's
00:21:08.080 a and this is probably the evolution of our like is from these sort of little beginning and following
00:21:13.760 sentence markers. So when we look at early British speech, the octogenarians that we studied, we see
00:21:19.320 that they mainly use like at the beginning of a sentence. And then we see Irish English, they use
00:21:24.440 it a lot at the end of a sentence, sort of as an emphatic marker. So something like he was uneasy
00:21:29.100 like. And in fact, one of the earliest, I think it was the earliest literary use of the word like
00:21:34.960 was in a woman's book. Frances Burney was the author. The History of Emily Montague was the
00:21:41.000 name of the text. And it, she says, father was uneasy, like for fear of his lordship taking
00:21:47.140 offense. And that is actually a very similar use to what we heard in the Banshees of Incheron,
00:21:52.960 that sort of mid-sentence or end of sentence emphatic marker or adjectival sort of ending.
00:21:59.140 And it probably gets analyzed differently by different speakers, which is how it becomes
00:22:03.120 detached from the syntax. But you're absolutely right. Where are the articles in the newspaper
00:22:09.440 saying, oh my gosh, this movie was great, but the like was so distracting. You don't see it.
00:22:16.200 It's so funny. I noticed the exact same thing. I love it that you did.
00:22:19.420 Oh, I love that you did too. Cause yeah, it was, it was on my mind. And I, anyway, I'm just,
00:22:24.100 it was such a good example to me of what gets criticized and what doesn't. Yeah.
00:22:28.840 Absolutely. And you talk in your, so in, in your book, there's so many, I've, I'm just looking at,
00:22:34.360 I've got various like screenshots of like sentences that really just like resonated with me,
00:22:38.100 But one of them, so I'm just looking at one that talks about women's speech has historically been disparaged as chatty, gossipy, and less topically important than men's, something many contemporary researchers in the field of language and gender studies have interrogated.
00:22:51.080 So there's something, so I want to kind of like dive into that a bit because people in general, in society, in our society, don't like hearing women talk.
00:23:03.200 and so if you so i think it's like low-hanging fruit so again like my podcast if somebody says
00:23:11.640 oh she says like too much if i fixed that quote unquote if i stopped doing that someone would say
00:23:15.860 oh she has vocal fry and if i change that they'd say she talks too fast like there's always going 1.00
00:23:21.500 to be something to criticize about a woman talking can you talk about that yes i mean if we look 1.00
00:23:28.460 through history, back to antiquity, we find ancient philosophy texts that talk about women's 1.00
00:23:35.300 voices not being appropriate for the public sphere, and that the best kind of woman was the one that
00:23:41.660 was silent. In fact, Aristotle even has a statement, silence begets women, or something 0.98
00:23:46.980 like that. I can't remember the exact quote. But even back in thousands of years ago, back in
00:23:54.920 earlier days, we didn't have women in public positions. We didn't have women in political 1.00
00:24:00.440 positions. We didn't have women anywhere but the domestic sphere, which was where they were 1.00
00:24:04.940 relegated. And so their conversations were not important to those of men. So talking about
00:24:10.720 family, talking about life and health and the things that women in the domestic sphere were
00:24:15.920 associated with, those things were not important to men who were, you know, in the political and
00:24:21.100 economic positions of running the country or running the family household or whatever.
00:24:26.220 And so we see how that dismissiveness starts. But then we get into the Middle Ages and we find
00:24:31.440 not only are women's voices unwelcomed in public spheres, but they start to be criminalized
00:24:36.120 because women's voices can be very dangerous. We have something called intimate diversification 0.98
00:24:42.060 with women, which is where we have women that are different than men, right? Men and women are 0.94
00:24:46.460 considered different entities, different sort of physical and emotional bodies. But they live side
00:24:53.180 by side with their opposites, which is why it's called intimate diversification, which is unlike
00:24:58.200 segregation in other ways. So when we have ethnic differences, usually ethnic groups don't live
00:25:02.820 together in this intimate relationship. And even age groups, other than when you're with your
00:25:08.440 children, you don't really associate, you know, in my age group, I'm not going to say what it is,
00:25:15.040 but it's an older age group. I'm not going to hang out with a bunch of 20 year olds. We just
00:25:18.160 don't tend to do this kind of intimacy, but men and women do. And so women's voices are actually
00:25:23.660 quite powerful because they have the ear of men in the domestic sphere. And those are actually 0.78
00:25:28.760 pretty powerful voices that gets noticed as being dangerous and subversive in the middle ages. And
00:25:35.380 so in the late medieval period, we find that women were charged with 80 to 90% of the cases
00:25:41.940 of sins of the tongue, which was basically spreading gossip or malicious conversation.
00:25:49.000 Anybody who talked out of turn, outside of the domestic sphere, so in the spinning circles,
00:25:54.000 at the water corners, in the public squares, when women's voices were heard there, that's
00:25:59.300 when they were most likely to be charged with these criminalized speech acts. 0.99
00:26:03.320 And they were actually physically sort of stopped from speaking by these things called 0.59
00:26:08.580 scolds bridles, which they would put in women's mouths, and it held their tongue down so they 0.85
00:26:13.560 actually couldn't speak. And all you have to do is look at these, you know, sort of sayings from 0.85
00:26:18.300 hundreds of years ago to today that talk about women's tongues, right? They wag, they are 0.83
00:26:24.000 dangerous, they're their devil's tongues. You hardly ever hear, well, what delightful things
00:26:27.760 women's tongues are. It just doesn't exist that kind of discussion. So we see this idea that women 1.00
00:26:33.100 don't belong in public places or in professional spaces for thousands of years. So it's not 0.97
00:26:40.380 surprising that whatever is in those spaces then gets valorized as appropriate to that spot as
00:26:47.680 strong as powerful, because those are usually the places of power of strength. And that doesn't mean
00:26:54.080 there's some internal strength or power to it. But that means that's the external strength and
00:26:58.140 power we put on it. And that's where we get mixed up. There's nothing, there's no such speech
00:27:02.980 feature that is strong. There's no such speech feature that's uncertain. There's our belief in
00:27:09.220 what those features do that embodies strength or weakness. And when we get used to certain people
00:27:16.660 talking in certain positions, then the sound of someone else's voice, whether that's the sound of
00:27:22.080 a woman or an ethnic group or a foreign accent don't belong. They don't fit in. And we consider 0.90
00:27:29.600 them powerless, weak, and unwelcomed, even though that's not a conscious thought we put on it. 1.00
00:27:34.180 We perceive that as too much, which is one of the reasons why we look at women's voices as being 1.00
00:27:40.200 omnipresent and everywhere, right? If you ask someone in a meeting or in a school room who 1.00
00:27:45.680 does the most talking, nine times out of 10, they'll tell you it's a woman. But when you look 0.93
00:27:50.280 at studies that actually look at who does most of the talking in those contexts, it is never a woman.
00:27:55.880 Women might talk more in our social environments, although I think that's hard to establish that
00:28:01.500 that's in fact true, but that may be more true of our experience. But when you measure speech 0.64
00:28:07.740 in professional contexts or in school rooms, most of the research suggests that it's actually boys
00:28:12.400 that talk more in school rooms and men that talk more in professional contexts. But yet,
00:28:18.480 if you ask people in those same contexts, who's doing more talking, it's women because we know 0.95
00:28:22.920 they stand out, right? We notice the exceptions. We don't notice the norm and women are exceptional 1.00
00:28:28.060 in professional and educational and other sort of public spaces. And that's why we notice what 1.00
00:28:34.180 they do. The other side of this is not only do we notice those voices more because they're not
00:28:39.500 usually there and we've historically not wanted them there. We also noticed them more because
00:28:44.740 women have for centuries been on the forefront of linguistic change. In almost every major change
00:28:51.220 that has happened to our language over time, it seems that women are the stylistic leaders that 0.96
00:28:55.840 move it forward, which means that women are usually at least a generation ahead of young
00:29:00.780 men, young women are, in whatever linguistic change is coming up, which is why we find this
00:29:06.180 pattern of associated novelties in speech with women. It's not because they're flighty and
00:29:11.460 vacuous, which is why they're usually assumed to be saying those things. It's because they're
00:29:15.840 linguistic leaders and they're a generation or two ahead of men. So in 30 years, we won't notice
00:29:21.380 that, right? We'll say, okay, this is just what everybody does because by then men have caught up
00:29:25.420 and it's not noticeable anymore. But when women are doing it more, which we find with things like 0.94
00:29:29.900 literally non-literally using like vocal fry, then we call it out because we already don't 1.00
00:29:36.780 like women's voices in those areas. And then they're doing these new things. We also don't 1.00
00:29:41.240 like because they're new. So it's a kind of double whammy for women. Yeah. And you talk about vocal 1.00
00:29:45.820 fry in your book as well, which I found really, I find that really interesting as well, because
00:29:51.180 you mentioned like Margaret Thatcher or Elizabeth Holmes, women who consciously lowered their voice
00:29:57.040 to be taken more seriously. And now, and the result of that, if anyone who speaks in a low
00:30:02.220 voice, there's going to be that rumbling sort of crackly sound and men have it too, but it's just 1.00
00:30:08.180 when women, so that's another way where it's like, oh, I don't like women that their voices are so 1.00
00:30:12.000 high pitched. Then a woman talks in a low voice. It's like, oh, I don't like that. She's talking 1.00
00:30:15.080 in a low voice. It's like, okay, you just don't like women talking. That's what's happening. 1.00
00:30:19.540 Exactly. Right. That's exactly right. And it's not even that conscious, you know, I think I'm
00:30:23.400 not trying to make people out and I don't think you are as these sort of conscious haters of
00:30:28.340 women's. No, it's all so subconscious. Yeah. Subconscious. And it's just our reaction. But
00:30:34.600 what we don't realize is we're reacting that way because of these low-level historical and social
00:30:40.260 pressures and norms that we have had operating on us all our lives. And we're socialized into
00:30:46.020 these ideas that then are so pervasive that we misconstrue them as ideas of right and wrong.
00:30:53.200 And now we're just going to take a break for a word from our sponsors.
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00:34:05.220 And we're back. I think it's a similar thing to people who are policing. And again,
00:34:10.880 it happens to young women as well, which is like, oh, you know, you really shouldn't wear a crop
00:34:14.840 top. You really shouldn't wear a miniskirt. People won't take you seriously. It's somebody
00:34:18.860 thinking like someone who is really either been gotten in trouble about that when they were
00:34:24.220 younger, or they just feel like, no, I'm looking out for you. I want you to be taken seriously.
00:34:27.700 And here's how you can do that. Where it's just like, or what if a woman with vocal fry and a 1.00
00:34:31.440 crop top comes up and defends her PhD thesis brilliantly and says the word like a lot, 1.00
00:34:37.180 how is that a problem? If you know, yeah, it's that. Yeah. If you, if you can get past dismissing
00:34:42.720 the person for the speech features you don't like, and that's what we find happens over and
00:34:47.640 over again. People just don't listen to those who do something they think is inappropriate
00:34:51.880 linguistically or stylistically. And unfortunately, that really just obscures really good diversity of
00:34:59.380 opinion, thoughts, ideas that we just dismiss because we don't like how they're delivered.
00:35:04.700 And usually that ends up quieting or silencing the woman's voice more often than the man.
00:35:11.040 Well, and I want to point out too, and that also ends up like in an intersectional way,
00:35:13.960 that ends up quieting somebody, like you said, with an accent, like people, black people,
00:35:18.860 people who have like African-American vernacular, things like that, where it's code switching. We
00:35:24.040 talk about that. There was like, it just came out. It was an American lawmaker. There was this like
00:35:29.040 fake scandal about look at him and his campaign ad. He spoke in this very quote unquote eloquent
00:35:34.360 way. And then he speaks in more of a African-American vernacular way. It's like, he's
00:35:38.500 fake. It's like, no, he knows that this is how he needs to talk in this context. And this is how he
00:35:42.360 he's talking this other context, he's the same person. He's just as capable. He's just as smart,
00:35:46.960 but it's, yeah, the code switching, I think is interesting too.
00:35:49.900 Right. Well, and we all have a linguistic repertoire. If we spoke the same way in all
00:35:54.680 contexts, then it would come across inappropriately in most of those. You wouldn't want to go hang out
00:35:59.700 with your friends and talk like you talk at work. And you wouldn't want to go talk to your boss,
00:36:02.960 like you talked to your friends. What we don't realize is, is this repertoire that we operate
00:36:07.880 within is just bigger for some speakers than others. And most of the time, it's bigger for
00:36:12.300 those that have been forced to accommodate to someone's norms that aren't their own.
00:36:16.800 And that means either by dialectal or bilingual. And what all that says is that you actually have
00:36:22.000 a broader range than other people. It doesn't make you inauthentic any more than you're
00:36:25.800 inauthentic when you go talk to your boss and you're not using like and dude all the time,
00:36:30.360 because you've style shifted to be more professional in what you think they want.
00:36:34.980 and then you go home and you talk to your friends and it's completely informal and you're dropping
00:36:39.460 your g's and you're saying dude all the time or whatever you might be doing it's our repertoire
00:36:44.640 and it is what allows us to make connections at different in different ways in our daily lives
00:36:50.240 and we all do it so it's really funny that people get upset and call it inauthentic yeah i think i
00:36:55.940 mean i'm not a fan of elizabeth holmes i don't think that what she did was right but that said
00:37:00.860 I also think it's very odd how upset people are about her voice. I mean, is that really the biggest
00:37:05.500 problem we have with her, that she uses a lower voice? You know, that may be very well part of 0.96
00:37:10.920 her natural repertoire. But again, like you said, if she had a high voice, she wouldn't be taken
00:37:15.520 seriously. But with a low voice, we're knocking her for being inauthentic. So you can't win.
00:37:20.880 In the same way that this gentleman was knocked for having an African-American English bent to 0.80
00:37:26.340 his speech in his casual everyday speech and doing it less when he's not in that context so 0.83
00:37:31.300 here you people are doing exactly what we ask them to do which is shift to this more formal
00:37:38.060 standard style that we want in people and then we criticize them when they do it so it's a no
00:37:43.200 win situation exactly so it's it's such a and that's where what you're talking about the the
00:37:50.340 subconscious the unconscious bias about it it's if you see a person like oh i just don't like that
00:37:55.740 hairstyle i just don't like the way they talk it's like no you just don't like subconsciously
00:37:59.700 you don't like the fact that this is their ethnicity you don't like the fact that they're 1.00
00:38:03.260 an immigrant like that's what it is but you if you can pull on something that is like more obvious 1.00
00:38:09.260 then you can oh i don't like that she says like all the time it's it's such an easy way to just
00:38:14.300 dismiss someone and sorry i just have another quote from your book that i was just looking at
00:38:17.520 um where you're talking about i think it's from the part about vocal fry but it really speaks to
00:38:21.980 a lot of other stuff you talk about. I mean, you say there's nothing inherently gentle, dumb, 0.96
00:38:27.080 sultry, or unprofessional about someone because of how they sound. Can you talk about that,
00:38:31.420 about how the way that someone talks and how that can be, how some of the things, oh, that means
00:38:38.280 this is what they're like, because this is how they talk. It's a trigger for stereotypes. That's
00:38:42.920 what basically happens with speech. It is actually a trigger for stereotypes. And what we do is we
00:38:48.500 associate the qualities that we put on the speakers that we think use those features
00:38:53.840 with the feature themselves. And that's both why we judge people in ways that are negative,
00:39:00.800 but it's also why we appropriate speech features in many cases. So one of the, I think, great
00:39:06.100 examples of this is how young white men have really embraced hip hop speech and African-American
00:39:13.040 English and appropriated it for their own speech, not because that's natural to their speech
00:39:19.500 dialect, but because of what it represents to them. And it represents not actually what
00:39:25.180 African-American English speakers are like, but what young white men stereotypes about
00:39:31.520 young black men are like. And so the reason young white men, particularly in high school and things
00:39:39.060 like that, adopt those features, is because it comes loaded with these assigned attributes like 0.92
00:39:45.600 tough, physical, macho, dangerous, subversive, which are not true of young black men that use 0.66
00:39:54.780 those features. That's not why they're using those features. That's what white men or white 1.00
00:39:59.660 people often believe about black people, that they're dangerous, they're subversive, they're 0.99
00:40:04.740 culturally different, they're physical, they're powerful, they're macho. And that we put those 0.99
00:40:11.080 on the features they use. They don't put those on the features they use. They use those features
00:40:14.780 because they are in communities where solidarity and in-group membership is very important because
00:40:21.840 they're in a space that is in opposition to dominant mainstream speech norms, that positions
00:40:29.300 them as needing to have power within their own community from alternative forms of prestige,
00:40:34.940 which come from connecting as a group, connecting your culture, your history. And you do that
00:40:41.820 through language the same way we do. The same way that when you go abroad and you meet someone else
00:40:46.820 with an American accent, even though you just came from America, all of a sudden you feel
00:40:51.440 connected to that person, right? How many times have you been, you know, in Italy or wherever,
00:40:55.420 and all of a sudden you meet an American who you should be running from because the whole point 0.59
00:40:58.460 you're there to get culture, Italian culture, but instead you're like, Oh my gosh, you're from
00:41:02.480 Milwaukee. So am I, you know, that kind of connection. That's what language gives us.
00:41:06.840 The closer our, our language, the more tied to other people we feel. And so that's why people
00:41:12.420 use different dialect features because they come to represent solidarity, intimacy, community.
00:41:19.440 And when we start then misappropriating that because of qualities we put on it based on our
00:41:25.720 stereotypes about those speakers. Um, and then we use that to judge them. So then those features
00:41:30.820 become emblematic of being tough and uneducated and, um, dangerous. Well, that's not fair because
00:41:37.860 those are our stereotypes that speech features trigger because we put them on those speech
00:41:42.460 features. So it has nothing to do with the speakers themselves, right? That they're actually
00:41:46.800 that way and everything to do with our stereotypes about those, those speakers. And we do the same
00:41:50.920 thing with women. Yeah. I don't know. I don't think this was in your book, and I don't know 1.00
00:41:56.500 if this is something you studied, but I'm curious about it. The difference between different kinds
00:42:01.440 of American English, like African-American vernacular English versus, I don't know what
00:42:06.440 you would call it, NPR, white people English. And then when you look at cultures, Chinese,
00:42:13.140 for instance, there's like, there's Mandarin and there's Cantonese where it's like, it's the same
00:42:16.120 root language? Like at what point does a vernacular become so distinct that it's a dialect and it
00:42:21.420 eventually becomes its own language? Do you know, like, can you explain that?
00:42:26.440 Yes. Well, that's, I mean, that's a really interesting question. And I actually always
00:42:29.540 talk about that as sort of one of my initial conversations about society and language in
00:42:34.260 one of my classes. So the difference between a language and dialect is actually a very difficult
00:42:39.140 one to discern on linguistic grounds because you have languages like Cantonese and Mandarin that
00:42:43.780 are mutually unintelligible. The only thing that binds those languages together is they have a
00:42:49.000 shared writing system, but they're actually not the same language. You can't understand each other
00:42:53.100 if you don't know the other's dialect. They're mutually unintelligible. Then you have things
00:42:58.720 like Southern English and Northern English that are very mutually intelligible, or British English
00:43:04.260 and American English that are also mutually intelligible, but they have differences. And so
00:43:09.500 where does that happen, right? How do we go from being a German language at one point and now not
00:43:14.340 understanding German? And that is a slow process that happens over time and is based partially on
00:43:22.540 linguistic divergence. So the more forms that you develop in isolation from each other, the more
00:43:28.920 distinct your dialect becomes. And then at one point, you get so different that you're linguistically
00:43:36.640 unintelligible. But that doesn't necessarily mean that you're a different language yet,
00:43:41.020 because look at Chinese. They consider it that same language. What really determines the
00:43:45.760 difference between a language and dialect is the army and the navy. So what social forces
00:43:52.600 claim it to be a language versus a dialect? And usually those in power claim it as a language,
00:43:58.680 and those without power end up with a dialect. And when that dialect becomes its own power,
00:44:03.780 then it becomes a separate language, which is sort of what has happened in a number of places.
00:44:07.800 Like when you get what used to be Serbo-Croatian is now Serbian and Croatian. What used to be
00:44:13.780 Hindi-Urdu is now Hindi and Urdu. And that's because of political divides that have developed
00:44:20.260 over time that have made those languages separate and then try to encourage the adoption of different
00:44:26.460 types of loanwords, of different divisions and sort of naturally occurring changes so that they
00:44:31.320 become more distant over time in a very conscious way. So there's really no one answer to that
00:44:37.500 question. It's social forces, historical forces, and linguistic forces that come together at
00:44:43.540 certain times and places. And someone says, this is a language. Yeah. And I think what I was
00:44:48.840 thinking about that, well, first of all, I've been studying this season on my podcast about
00:44:52.560 Scotland. And that's where I learned about Scots English. And I thought, oh, that's a separate
00:44:57.740 thing? Very much so. Yes. And, you know, actually, if you look at literature from the 1700s in
00:45:04.620 Britain, the Scots language was treated with such disdain. The commentary on all the Scots coming
00:45:13.380 to London and ruining the language, it was stunning to me when you look at that literature. 0.98
00:45:19.440 It was really considered a bastard tongue. But to the Scots, it was considered a sort of statement 0.81
00:45:26.480 of separation and value and solidarity and community. So that's where we see the value
00:45:33.680 of language is far beyond power. It's about solidarity and community and sort of brotherhood
00:45:41.320 and sisterhood. It's about connecting to others that are more like you and dismissing and separating
00:45:46.380 from others that are less like you. And actually, a lot of really interesting features in American
00:45:50.840 English are Scots-Irish in origin, and particularly in the South. So if you've ever heard people say,
00:45:57.500 I might could do that, that's actually a Scots-Irish feature. Or y'all is suggested to have
00:46:03.820 come from a Scots-Irish feature as well. No, that's interesting. It reminds me of,
00:46:09.360 I'm in Canada, and there's a theory. So Newfoundland is just, you know, geographically
00:46:15.340 separate from the rest of Canada, and they have a very strong culture that is different from
00:46:19.660 anywhere else in Canada. And they have a very different accent that's different from everywhere
00:46:23.180 else in Canada. And I've heard a theory that it's the, because they were just sort of isolated,
00:46:29.220 the British colonizers came there and because they weren't interacting with anyone else. So
00:46:33.120 that might be the most similar to like a Shakespearean English accent is how they talk
00:46:37.580 in Newfoundland. Yes. Well, they say the same about Appalachia, right? That it has a lot of
00:46:42.720 Shakespearean features because of its isolation. And we do find that isolation does really foster
00:46:49.360 linguistic developments that move away from that in other areas. Whether, you know, the idea of
00:46:54.200 Shakespearean English is sort of a funny one. And actually, you know, a lot of American English
00:46:58.640 could be claimed to be more Shakespearean than British English, because we do a lot of features
00:47:02.480 that were true of Shakespeare's day, but are no longer true in British English. So for example,
00:47:06.640 Shakespeare would have had all his R's at the time and not dropped his R's like a lot of British 1.00
00:47:11.460 English speakers do, like pock the caw. That would not have been a thing in Shakespeare's day. And 1.00
00:47:16.660 that's part of the reason why Americans don't have that kind of airdropping. But things change 0.59
00:47:22.360 still, and they just change in different directions. And while there might be some
00:47:26.120 remnant features of more Shakespearean-style English in Appalachia and where you are,
00:47:31.560 other features have changed drastically in other directions to make that dialect
00:47:35.160 just diverge more. And what we find is isolation really contributes to dialect divergence. And
00:47:41.540 that doesn't mean geographic isolation only. More often, it's social isolation. And when we get any
00:47:48.540 group of speakers separated from another group of speakers, over time, natural, inherent,
00:47:52.940 psychological, and physiological pressures that exist in language at all times will move those
00:47:59.060 two dialects further apart until over centuries, they might even be diverged so much they're not
00:48:04.420 intelligible. And, you know, a great example is the loss of R in British English and the keeping
00:48:10.800 of r in american english that's actually an underlying tendency left to its own devices
00:48:15.900 if we had no social forces language would probably get rid of liquid sounds which is l and r because
00:48:21.800 they kind of mess with syllabic structure when you have an l or an r at the end of a word not
00:48:26.920 at the beginning of the words but at the end of the words they're very vowel like they're kind
00:48:30.780 of heavy if you want to call them vowels are the heaviest sound just to make it in a way that
00:48:36.540 people can understand that they don't have phonetics background vowels are very heavy
00:48:39.960 which is why they are what syllables are. So when you remember that little game you used to do in
00:48:44.000 kindergarten where you'd be like clapping the syllables of your name, Valerie, it's actually
00:48:48.840 the vowels you're clapping. If you notice, syllables are always a vowel and other things
00:48:53.520 might be on it, but there has to be a vowel for something to be a syllable. That's because
00:48:56.900 syllables are heavy. Well, R's and L's are also heavy. They're not as heavy as vowels, but they're
00:49:02.080 still heavier than sounds like T, D, S. When you put a vowel and a heavy sound together, it actually
00:49:09.400 changes syllable weight. It makes the syllable heavier. And languages don't tend to like heavy
00:49:13.900 syllables because we like our ends of syllables to be light and our beginnings of syllables to be
00:49:17.920 heavy. So L's and R's at the beginning of words don't ever get dropped off. They often get dropped
00:49:22.060 off at the end of words. That's a natural tendency to lighten the syllable. So that's a psychological
00:49:26.260 preference. So it would happen naturally over evolutionary time. What happens though is social
00:49:32.240 forces get involved where it's considered either a low class icky feature. And so people avoid it
00:49:38.140 when they are ascribing the standard norms. Or it could get somehow associated with this
00:49:43.440 prestigious group. And then people all want to do it because it makes them sound prestigious.
00:49:48.200 And it's as simple as that, what makes one feature prestigious one place and not prestigious
00:49:53.300 another place. And here we have an example of this underlying tendency in British English
00:49:57.000 after Shakespeare's day that started to get associated with prestige. Now, interestingly
00:50:02.080 enough, it started in probably Northern, like Scots and Irish dialects and Northern British
00:50:08.840 dialects and got imported into London with mass migrations that was happening during the Industrial
00:50:13.280 Revolution. And as those features started to kind of get picked up by women, it seems, and then
00:50:20.320 brought home and used in casual, informal context, it sort of got imbued with this kind of cool hit,
00:50:27.460 in the 1700s sense, and then got picked up in the court. And that's how it became a valued
00:50:34.760 speech feature over time. But in American speech, that didn't happen. That simply didn't. It got
00:50:42.280 resisted. People kept their R's. There was a pressure sort of on the opposite that that was 0.97
00:50:47.980 part of American identity. And so we kept our R's. So here you have the same, but you still see 0.73
00:50:53.000 hints of it. So for example, the word bust and the word cuss are actually examples of words
00:50:59.780 where the R was deleted. Those are both from curse and burst. And those are underlying tendencies
00:51:06.680 that existed in American English too. And that's why we have those words. And ass instead of ours,
00:51:12.220 same exact process. So we clearly existed here, but we sort of resisted it due to different social 0.98
00:51:17.780 forces. And the only reason we have ours and British speakers don't is because social forces
00:51:23.620 made it so. The underlying tendency existed in both places. So what happens is if you have a 0.68
00:51:29.240 bunch of these over centuries, a bunch of these little changes, you end up with different languages
00:51:33.160 over time. What do you think the effect is these days? And I think, I don't know how much
00:51:40.320 different it is now from maybe 25 years ago, but that people are exposed to so many different
00:51:45.620 kinds of people's voices. I guess it is different now, like TikTok and things like you're seeing,
00:51:49.440 I'm seeing people from all different countries, all different accents. So suddenly versus a hundred
00:51:56.080 years ago, let's say, you know, you would talk to the people in your city and unless you move
00:51:59.700 to another city, you might not know what they even sound like there. But so what does, what's
00:52:04.180 the effect that you could see that having? Well, that's an interesting question. And actually,
00:52:09.500 you know, if you look back in the history of American English, you actually, you know,
00:52:13.200 the idea of a melting pot was true. So I'm not sure it was really true that in cities back 100
00:52:18.100 years ago, or 200 years ago, you weren't exposed to a lot of people with different accents,
00:52:21.780 because actually, that was when we had more first generation, because immigration and stuff. Yeah,
00:52:26.900 yeah. Yes. So immigration was definitely there. And we didn't have ways to sort of separate
00:52:33.000 ourselves the same way we do now, right? You didn't have big houses and big lawns and lots
00:52:37.280 of space between you. In fact, if you look at New York, for example, tenement housing, people were
00:52:42.440 on top of each other from different immigrant places. But whether wealthy white people have
00:52:47.480 that kind of interaction is different. And so I think you're right that there is more exposure
00:52:51.820 to that kind of thing. The difference being that exposure to things on social media and television
00:52:57.260 doesn't seem to have the same kind of powerful effect that interaction in a human face-to-face
00:53:04.100 context does, which is why babies don't pick up language from TV. So I don't care how many baby
00:53:08.860 Einstein, you know, French records you play for your baby, they're not going to speak French by
00:53:15.100 three. If you put a French speaker in the house that talks to them in French, they will speak
00:53:20.060 French by three. So there's clearly a substantive difference between listening to something in this
00:53:25.500 sort of non-interactive way, watching it and being interactive with it. And that seems to be very
00:53:31.960 important to the transmission of language and norms. That said, what social media does seem to
00:53:36.720 do is help spread underlying tendencies that are already existing in language and making people do
00:53:43.340 them more and certainly spreads vocabulary. So I think absolutely vocabulary words go viral much
00:53:49.880 faster than they used to. But whether that's a meaningful kind of language change is hard to say
00:53:54.460 because vocabulary is very superficial. It's easy to pick up. How many of us pick up accents from
00:53:59.640 watching TV? Probably quite few, unless there was already an underlying tendency towards that feature
00:54:06.220 in that existing speech community.
00:54:08.860 But what we do see in studies that look at exposure,
00:54:12.540 and they looked at exposure
00:54:13.780 in terms of actual social networks,
00:54:15.760 so people you talk to in your real day,
00:54:17.620 you know, your life, not on TV.
00:54:19.600 We do find that exposure to greater diversity
00:54:21.860 in your social network,
00:54:22.980 and that's usually in terms of languages or dialects,
00:54:25.900 does make you a more compassionate listener.
00:54:28.740 And it makes you better able to find speech
00:54:33.020 that's not your own speech variety,
00:54:34.860 intelligible and non-accented. So it does definitely have a benefit to be exposed to
00:54:41.580 more speech. Whether we'll find that to be true of people being exposed to social media and all
00:54:46.980 these different voices, I don't know. But it's quite possible, I think, that it could make us
00:54:50.800 a little more compassionate about language differences unconsciously because we have
00:54:55.880 been trained to do it by listening to so many different voices. That reminds me of a question
00:55:00.100 that I've been trying to formulate in my mind,
00:55:02.800 but what you just said really, I think helps explain it
00:55:05.560 is that the difference between,
00:55:07.460 so somebody who decides to speak,
00:55:12.180 like a white person who decides to speak
00:55:13.980 with African-American vernacular,
00:55:15.480 like somebody like Rachel Dolezal, 0.62
00:55:17.360 like somebody who's trying to come off,
00:55:19.660 but people who actually grew up with that speech pattern
00:55:23.780 can spot the inconsistencies.
00:55:25.580 Because if you just, if you're not,
00:55:27.660 so what you were saying,
00:55:28.340 well, like if there's a French speaker in the home,
00:55:29.720 then you would pick up the way that it works, the rules of the grammar versus the real rules.
00:55:34.400 Yes. Yeah. If you just listen to like rap songs or something, you just be like, okay,
00:55:38.380 yeah, I got it. Or it's like, no, you're using it wrong. Like there's something inherent.
00:55:42.100 If you're not actually interacting with the speaker, you just wouldn't get those like
00:55:45.680 unspoken rules, right? The small, subtle differences that actually define a real
00:55:51.080 dialect. That's absolutely true. I mean, children are incredibly good at picking up 0.58
00:55:56.140 distributions of and feature patterns in language and learning those, which is why we find that
00:56:02.460 languages with small numbers of speakers like indigenous languages that have really tight-knit
00:56:06.760 speaker groups and the transmission is always from parent to child, not adult to adult, they tend to
00:56:12.520 have much more complexity than languages like English that are spoken by millions of speakers
00:56:17.480 because the transmission of these really complex rules has to be done by parent to child. That
00:56:24.880 seems to be required because those children can do that really complex statistical and
00:56:30.700 distributional analysis as babies, as young people. We don't do that anymore as adults.
00:56:35.940 And when you're just exposed to limited amounts of data from another adult speaker,
00:56:39.900 you absolutely can't do it. What you can do is pick up on the salient things that you might
00:56:44.520 notice, which is why a lot of non-Southerners, for example, say, y'all. And if you've noticed
00:56:50.940 anybody who puts on a Southern accent. They're not authentic, but they do get traits that we
00:56:56.640 all recognize. So drawing, for example, longer duration of vowels is true of the South and
00:57:02.000 using things like y'all, merging words like pin and pen. But I might be able to say, yeah,
00:57:07.600 can you hand me that PN in one context? But I probably don't understand that actually it's
00:57:12.900 not just in pin and pen. It's in any words where a I or an E vowel precede a nasal. So the word
00:57:20.720 like since and the word sense for a southerner would be merged but someone putting on that accent
00:57:27.160 wouldn't know that because they don't know the rule and the rule is what does it for a southern
00:57:31.300 speaker the individual item that's been memorized is what does it for someone putting on that accent
00:57:36.700 so that's why we can notice the difference between someone who's authentic and someone who's
00:57:40.860 inauthentic and well that's just like you know actors who put on and it's various success like
00:57:45.240 actors putting on an accent for a film people who are from that place sometimes like whoa that was
00:57:49.300 like, I wouldn't have known she wasn't from there versus like, oh, that's, that's not it.
00:57:53.760 Yeah. Yeah. Some people are better at it than others. And what I think people often forget
00:57:58.020 about actors is their acting. That's not their natural voice. And if they were just to use those
00:58:03.800 speech features in everyday speech, it would be too hard cognitively for them to constantly
00:58:08.780 monitor their speech to change it in the right way. When you're acting, you're actually in front
00:58:13.780 of a camera and you get to take it 50 million times. So you're really consciously altering
00:58:18.720 your voice every moment that you're speaking that's untenable that's untenable in daily life
00:58:24.740 which is why it sets us up for failure when we're telling people to talk a certain way
00:58:28.760 because in your daily life you can't do it and if you use a tv actor or movie actor as a model for
00:58:35.400 that well you don't get 50 takes to get it right in your everyday talking voice and when you see
00:58:41.640 those same actors on a late night show or something they're never talking in that accent they're using
00:58:46.060 their authentic voice because that's what they have to do when they're talking spontaneously
00:58:49.880 because otherwise the conscious monitoring and certainly some people are better at altering
00:58:54.680 their voice in certain directions than others and so that's why you have really good examples of
00:58:59.620 actors copying a different kind of accent and really bad examples. Well and I think the good
00:59:04.720 examples too often are people who have a family member or somebody who they know who actually
00:59:09.500 speaks like that and they're able to emulate them because then they would have that inherent
00:59:13.320 understanding of it that you can't learn. Absolutely. Absolutely. Yes. If you have
00:59:18.480 that model, it helps you out greatly. Related to that and getting back to just the,
00:59:23.320 cause we are going to wrap this up as much as I love to talk to you for hours, getting back to
00:59:27.000 the like of it all. What I also, it's similar to what you were just saying is some, some of the
00:59:32.480 comments that I see, not just on, on my stuff, but other people's stuff that if someone's
00:59:36.760 criticizing that someone says like too much, they try to be funny in the sentence they put,
00:59:41.160 for instance, she likes as like, like a lot, like, and that's not how I use it. That's not
00:59:48.320 how anyone is. It's somebody who doesn't understand how it's supposed to be used,
00:59:51.240 who doesn't understand how I'm using it. Right. And they're mocking you kind of,
00:59:55.420 it's more of a mockery than an actual legitimate use. And, you know, I've actually had people on
01:00:00.300 interviews play for me segments of young women's speech where they're saying like a lot. And I'm
01:00:07.260 not arguing that every use of like is fabulous that we love someone who really uses a lot of
01:00:12.280 the feature but you know it's the same with any word if I oh if I use any word constantly it's
01:00:16.780 going to be noticed and so a lot of people use things like um and uh a lot and they're just
01:00:22.880 heavier ummers and uhers than others and so sometimes people that don't use it to that level
01:00:28.180 find that distracting and that may be true it might be distracting I'm not saying that no one
01:00:32.820 ever uses like in a way that's not distracting. Because I found sometimes people dismiss the
01:00:37.860 reality of like, because they point to people that are extreme users of it. But that's not
01:00:41.900 the majority of people. Most of us use like in a very pattern, moderate way. And we there are
01:00:48.480 three main patterns that you use like when you're using it as a discourse marker or quotative that
01:00:53.260 are the ones that are sort of less traditional. And that's either as an approximator, where you're
01:00:58.140 using it in a one-to-one substitution for about, or it's, so that would be something such as he's
01:01:05.100 like 10 years old, right? And there's nothing useless about that. It's simply that you're
01:01:10.500 using it one-to-one for where I, as an older speaker might use about. So it's funny that we
01:01:15.480 say it's useless because it's not as useful as about. The other example is as a discourse
01:01:21.440 particle or a discourse marker. And that's where you hear it at the beginning of a sentence or in
01:01:26.180 the middle of the sentence. And that's usually used for emphasis or to convey there's my boxer
01:01:31.580 is crying. Come here. Come here. You can come talk to me. Come here. You can talk to me. But
01:01:35.620 you're using it as a subjective sort of particle to tell people this is not exact. There's an
01:01:41.440 inexactness in what I'm telling you to the actual moment I'm describing. And I want to point that
01:01:47.740 out by using like. So it's sort of an indicator of subjective sensibility. And then in its
01:01:52.820 quotative use, which is where it's used instead of the verb to say. Again, it's a one-to-one
01:01:56.700 substitution for the verb say. So, all right, come here, boxer. It's a one-to-one substitution. So
01:02:03.900 you might use it instead to say, I'm not verbatim saying this, but I'm giving you the gist. Again,
01:02:09.780 it's also subjective sensibility. So I don't know why people say it's useless and it doesn't have
01:02:14.760 a meaning because in two of the cases, it is an exact substitution for a word that American English
01:02:19.880 speakers would say does have a meaning. So what you're really reacting to in those cases is who's
01:02:24.960 using it and that you don't like it. You're not reacting to it's truly being meaningless or
01:02:30.120 uncertain because is like, I mean, sorry, is about meaningless and uncertain. Is the verb to say
01:02:35.960 meaningless and uncertain? And if those are not, then it's illogical to claim that like is when
01:02:41.020 it's used as a one-to-one substitution for those exact same words. And it's just a funny thing that
01:02:46.460 we pay attention to only certain aspects of like and ignore all the others that might argue something
01:02:51.620 different. And we very much focused on on like just because that was something honestly, like
01:02:57.660 I wanted to talk to you when I heard about your book when I read your book. And then also I want
01:03:01.900 to just have this link. So when somebody sends me a comment, I can just send them a link to this
01:03:05.840 conversation and be like, here, educate yourself. Here you go. I'd love to start that purpose for
01:03:13.180 you. But your book, I want to mention like your, so your book has different chapters and each one
01:03:18.480 is a different sort of, is it a tick you call it? So, well, I don't call it a tick, but people call
01:03:22.800 them ticks. Yes. So you have a chapter about like, you have a chapter about, um, you have a chapter
01:03:27.580 about dude. What are the other ones? You have they, which is a, that's a whole other conversation.
01:03:32.140 They is a pronoun. Yeah. Whole other conversation. Right. I talk about the history of they and why
01:03:36.900 it bothers us so much. And then one that I think is unexpected, but I love telling people about it
01:03:41.920 because it's so different than what people expect is past verbal participles. So progressive ING,
01:03:47.820 like walking and talking that we think of as dropping a G. It's a fascinating history. And
01:03:53.680 in fact, what you learn in that chapter is sort of the big twist is that the ING that we think
01:04:00.700 of as correct is actually historically incorrect. And there are a lot of false beliefs we have about
01:04:06.980 that marker. And when we say people are careless or lazy, if we actually look back at the history
01:04:11.540 of how we evolve that ing progressive marker it is completely the opposite of what people think
01:04:17.460 and i love i love that you're coming in here like in your book and on this podcast just with the
01:04:21.920 facts because people who just inherently feel this is the rule of grammar that person is breaking it
01:04:27.380 i must correct them and your book really just explains that kind of there there are sort of
01:04:32.900 socially acceptable understood rules but there's not there's not a book that says here is how
01:04:38.000 speech should be. And yeah, it changes over time. Yeah, it does. And I think, you know,
01:04:44.980 I'm not telling people they shouldn't have beliefs about grammar. You know, I'm not saying
01:04:49.320 prescriptivism is never appropriate for people and in their lives and their workplaces. That's
01:04:54.740 not my argument here. My argument is prescriptivism is one view, and it's a very recent view. People
01:05:01.600 don't realize that prescriptivism is really only dating back to about the 18th century.
01:05:06.200 These beliefs, these rules that we so firmly believe in, like don't end the sentence with a preposition, don't split your infinitives, those are actually rules that were created by people in the 18th century on the basis of Latin.
01:05:19.340 And they weren't considered even then steadfast rules of English.
01:05:23.080 They were just guidelines of what made more elegant speech to the speakers of that day.
01:05:27.980 So really what I'm trying to argue is if we look at the real linguistic rules, if we understand the cognitive processes and the articulatory forces that really drive language, that created language, that allow language to exist and change and become what we think of as American English or British English or whatever language you're speaking,
01:05:46.740 we will come to understand that the things that we believe so firmly today are really just
01:05:53.000 sort of figments of our standard prescriptivist imagination. And while we can embrace them as
01:06:00.100 social norms, we can embrace them as preferences. We shouldn't be embracing them as good and bad
01:06:06.020 rules because that is just a fallacy. And so by breaking down the history of all these things,
01:06:11.080 I'm hoping that people will see the science and the history tells us something different than what
01:06:16.120 we often believe based on the things we learn in school. And what I would add to that is that
01:06:20.740 of course, like you can, everyone has pet peeves. There's things that bother you. And if something
01:06:25.380 bothers you about the way a podcast host talks, then maybe don't leave a bad review. Maybe just
01:06:31.320 stop listening to that podcast. That'd be my advice. I think that's very good advice.
01:06:38.640 Thank you so, so much. I was, I'm, I was so excited to talk to you and thank you for,
01:06:43.640 for just blowing my mind with your book and with this conversation. It's all so fascinating.
01:06:47.200 Oh, absolutely. And thank you for reading it. That means a lot.
01:06:52.000 Okay. I feel so justified in, in the way I talk and how it's okay. And, you know,
01:06:58.960 I feel compassion for the, for the haters a bit, maybe, but I was, what a conversation.
01:07:05.160 I had such a, such a fun time talking with her and learning from her. I'm definitely
01:07:09.460 going to follow along her blog now, which she does on psychology today. So yeah, Valerie Friedland,
01:07:14.840 her book is called Like Literally Dude, Arguing for the Good in Bad English. And she is a professor
01:07:20.820 of linguistics at the English department at the University of Nevada, Reno. And she also did that
01:07:24.820 Great Courses series. So you should, you should watch that too, if you use the Great Courses.
01:07:29.080 And this is Vulgar History. And you can keep up with me and this podcast. If you want to send me
01:07:35.040 compliments or hate, you can do that. I'm on Instagram at vulgarhistorypod. I'm on TikTok
01:07:40.700 at vulgarhistory, which is I've just been using TikTok for a couple months now and I'm leaning
01:07:45.660 into it and I'm enjoying it and found a nice community and it's all good vibes. But every
01:07:49.660 now and then, I guess when my TikTok shows up on somebody's For You page who is just
01:07:53.660 horrified because I talk on my TikTok like I talk on this show, like me. And some people
01:08:00.760 criticize the way I talk on there as well. But whatever, it bounces off me. She says after
01:08:06.560 having done an hour long defensive podcast about how I'm fine. I don't know. It's just interesting
01:08:12.160 to me that this is such a consistent thing that so clearly really bothers some people. Use of the
01:08:17.460 word like, use of the word um. And you should read this book. So you can also keep up with me.
01:08:22.620 My website is wilgherstie.com. And we're just getting towards the end of April. And I've been
01:08:27.760 doing this fundraiser all month where we're raising money for the Trevor Project. And we're
01:08:33.320 also, I'm selling merch to raise money for Point of Pride. And if you want to help out with this
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01:09:03.960 the people who I thought you were which is awesome people who care about trans rights and also this
01:09:08.820 past week or this past Monday I was a guest on the worst bestsellers podcast which was a dream
01:09:15.520 I manifested a while ago I didn't ask me anything on Instagram and somebody asked what would be your
01:09:20.380 Dream Podcast collab. And I said, worst bestsellers. And they saw that and they invited
01:09:24.980 me on. And we talk about The Other Boleyn Girl by Philippa Gregory. And it's a really good,
01:09:30.060 fun conversation. If you don't listen to their podcast, I really enjoy it. They also say like
01:09:33.800 a normal amount. The two hosts, Renata and Kate. Anyway, so if you want to hear more of me,
01:09:38.240 listen to the worst bestsellers podcast because I was a guest. And I think that's all my
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01:09:48.160 you get free u.s shipping titso 10 you get 10 off and that's also you can find the merch that
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01:09:57.940 merch it was designed by a non-binary artist named jan yupiter and it's beyond my expectations it's
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01:10:15.680 at bonus episodes, etc. Very recently, I just did an emergency bonus episode with Alison Epstein
01:10:22.720 because I was learning about Australian bush rangers, which is a whole thing that anyway,
01:10:31.220 so if you can hear that it's on Patreon now that particular episode, eventually it'll be on the
01:10:35.680 main feed. But if you can't wait to hear, like I have not freaked out about a person in history
01:10:40.600 who came into my life completely randomly since maybe Lola Montez when I started reading about
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01:11:00.960 Do I do an Australian accent in the episode? You know, if you're on the Patreon, you'll know
01:11:05.200 that the answer is good day. So anyway, thank you so much for listening to this podcast.
01:11:11.160 And I'll talk to you all next time. Keep your pants on and your tits out. 0.99
01:11:16.860 Folger History is hosted, written and researched by Anne Foster and edited by Christina Lumagi. 0.99
01:11:22.220 The Paranormal Mysteries of Liminal London
01:11:52.220 and the cyberpunk chaos of Cyborg.
01:11:59.700 Fall in love with our core cast,
01:12:02.800 or be awed by our incredible guests
01:12:05.440 from familiar shows like Oxventure,
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01:12:26.420 Two, one, you win!
01:12:29.560 Goodbye, Kyle!
01:12:30.940 Did the sound of those words call to you like Pavlov's dog?
01:12:34.000 Then you might enjoy our podcast, Turtle Time.
01:12:36.660 Every week you can join me, Riley Hamilton, and my co-host, Amy Scarlotta,
01:12:41.060 as we cover the most pressing Bravo news and dig into the new episodes
01:12:44.860 to answer important questions like,
01:12:46.840 who the hell is Adrian Maloof in this world?
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01:12:54.680 New episodes every Wednesday and Friday.
01:12:57.420 Do you ever watch a TV show set in a historical time period and think,
01:13:01.120 how accurate is this really?
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01:13:06.520 NeferTV is a new podcast about shows set in ancient times.
01:13:12.620 This season, we're recapping every episode of the show Spartacus, Blood and Sand.
01:13:17.680 I'm Anne Foster, and I have never seen this show before.
01:13:21.440 And I'm Gina Berry, and I have watched this show maybe too many times.
01:13:25.880 Join us every other Monday on the NeferTV podcast
01:13:28.960 as we discuss the real history behind Spartacus, blood, and sand.
01:13:33.000 Follow NeferTV, that's N-E-F-E-R-T-V, wherever you get your podcasts.