Vulgar History - October 30, 2024


French Revolution: Witnesses (part 6): Madame Tussaud

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Bonus: Ann Is Writing A Book! French Revolution: Witnesses (part 7): The Lady Painter

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Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
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00:00:30.000 hello and welcome to vulgar history of feminist women's history comedy podcast
00:00:43.480 and have a haunted halloween it's our annual halloween special which is a thing that i borrowed
00:00:49.920 from honestly dawson's creek which if you used to watch dawson's creek back in the day i don't
00:00:55.380 think they had a christmas episode but they always had a halloween episode and i just
00:01:00.000 happened to have started doing Halloween themed episodes for this and now it's always really
00:01:03.920 exciting and a bit challenging sometimes to find what's going to be the topic each year
00:01:07.680 to find something that is appropriately scary and gruesome and this actually worked out so
00:01:13.580 perfectly because a friend of the podcast Gavin Whitehead is joining us today. Gavin is the host
00:01:19.180 of The Art of Crime which is a history podcast about the unlikely collisions between true crime
00:01:24.720 and the arts. Ooh, and if you're listening, do you hear that scary sound of a cat?
00:01:33.400 Hepburn, my cat is here as well, adding to the Halloween vibes. She's my familiar.
00:01:39.080 Anyway, so Gavin is a friend of the podcast. I was on his podcast a bit ago,
00:01:44.200 and he's returning the favor. And so he just did a whole season about Madame Tussauds,
00:01:50.320 who maybe you didn't know, was a person, not just a name of an international franchise of wax
00:01:57.620 museums. And Madame Tussauds lived literally through the French Revolution. It's exactly
00:02:03.740 the time period we're talking about on the show. So it's still saying in context for this was
00:02:07.180 season seven, the whole Marie Antoinette series, but also the French Revolution. Inherently,
00:02:12.100 there's a lot of heads being chopped off and there's a lot of scary, creepy things going on,
00:02:16.040 a lot of gruesome things. Anyway, it's the perfect, perfect guest, perfect topic for this
00:02:20.700 episode. So, I mean, we're going to be talking about Madame Tussauds. So I mean, like, enjoy
00:02:25.860 if you dare. So, Gavin Whitehead, welcome to Vulgar History.
00:02:35.000 Thank you so much for having me on. I'm so happy to be here.
00:02:37.840 I'm really happy you're here. And it's just such a lovely coincidence that you just finished
00:02:41.760 your season on Madame Tussauds just as I'm doing a whole as I'm beginning to talk about the French
00:02:46.620 Revolution and her story is perfect. Yes. Yeah. To segue into that. Happy coincidence. Absolutely.
00:02:54.040 Well, and also just like returning the favor. I was on your show. I know you're on my show.
00:02:58.080 Exactly. So we were just talking before we were recording. So we're talking about Madame Tussauds
00:03:03.200 who I just want to let people know like sometimes there's a name that has become so iconic. You kind
00:03:08.120 don't think that it's a person. And Madame Tussauds, I think, is one of those names just
00:03:12.780 because the museums are so famous. Can you explain how, what we're going to call her?
00:03:18.060 So we decided before we hit the record button that we would just refer to her as Madame Tussauds
00:03:24.700 or perhaps Madame T for the entirety of the episode, just for the sake of simplicity,
00:03:30.240 but also because that's how we know her. That's how we've come to know her. And it just feels
00:03:34.820 right to refer to her by that name. Yeah, like she was not born Madame Tussauds. That is very
00:03:40.560 much her married name. I was just trying to bring up like a little document in front of myself to
00:03:45.040 follow along. And then it's like Madame Tussauds, like everything that comes up when you Google
00:03:48.640 this is just the museums. It's like, no, the person. It's a person. That's right. There was
00:03:54.520 a person. So you did a whole season about Madame Tussauds. Yes, correct. So I am the host and
00:04:01.760 creator of a podcast called The Art of Crime. It's a history podcast about the unlikely collisions
00:04:06.800 between true crime and the arts. Each season is structured around a different theme. So I just
00:04:13.160 wrapped up my third season, which is called Queen of Crime, Madame Tussauds and the Chamber of
00:04:18.320 Horrors. And so the way it works is that each episode kind of tells two stories. Over the
00:04:24.900 course of the entire season, we cover the biography of Madame Tussauds kicking off in
00:04:30.900 pre-revolutionary France and wrapping up in Victorian London, which is where she finished
00:04:35.200 her life. Each episode covers a chapter of that story. So at the same time, I chronicle the
00:04:42.440 evolution of this exhibit inside the Wax Museum called the Chamber of Horrors. And this is sort
00:04:48.400 of where the true crime component comes in. So the Chamber of Horrors exhibited likenesses of
00:04:53.920 notorious murderers, as well as various macabre relics associated with the French Revolution,
00:04:59.100 which we'll get to in due course.
00:05:01.460 So just as each episode of this season
00:05:04.280 advances the story of Madame Tussauds' life,
00:05:07.380 each episode is also structured around
00:05:09.840 a noteworthy crime or criminal
00:05:11.820 that was depicted in the Chamber of Horrors.
00:05:14.800 I just want to let everybody know
00:05:16.560 about the Chamber of Horrors,
00:05:18.540 which it was briefly removed
00:05:20.720 from Madame Tussauds in London,
00:05:22.460 but you broke the news to me that it's back.
00:05:24.700 It's back, baby.
00:05:25.620 It is back.
00:05:26.700 And I don't know if it's better than ever,
00:05:28.380 but it's back. Yeah, it went away for a few years. I want to say in 2016, it was a recent
00:05:34.540 development. They closed down the Chamber of Horrors and replaced it with the Sherlock Holmes
00:05:38.720 experience. So there's still a kind of murder mystery vibe with what replaced it. But I remember
00:05:44.320 feeling so sad when I heard about this because the Chamber of Horrors had been around for
00:05:48.620 well over 100 years. And in fact, its earliest antecedent goes back to like the end of the 18th
00:05:55.260 century. So it just felt like they were wiping away so much history by making that change. And
00:06:00.440 I was so glad to see that they had brought it back. I was so happy they brought it back. So
00:06:04.800 when I was a young child, my family, we went on a trip to London, I was probably like nine or 10
00:06:10.280 years old. And I don't remember much, but I remember going to Madame Tussauds and I remember
00:06:14.960 going to the Chamber of Horrors and it like imprinted on me. I remember seeing the Chamber
00:06:19.900 of Horrors and I remember seeing like the torture chambers at the Tower of London. And I was this
00:06:23.440 little kid who's just like true crime is now my passion so when i went to london a bit ago i was
00:06:30.700 like oh i want to see madame tussauds and i had thought the chamber of horrors was gone so i
00:06:34.600 didn't even go there but it's back so next time i go i need to see it yeah next time i've never
00:06:39.060 been to the chamber i've never been to the tussauds in london and so i've never been to the
00:06:42.420 chamber of horrors but it's definitely on the bucket list i'm gonna assume because this was
00:06:47.180 like when it went away it was a recent ish development and i could see they were like oh
00:06:50.960 this is maybe they thought it was a bad taste or maybe they thought it was
00:06:54.720 they wanted to.
00:06:55.480 I think Madame Tussauds,
00:06:56.740 the ads you see right now are very much like come and see all the
00:06:59.580 celebrities.
00:07:00.080 So I think they're leaning into that versus the history.
00:07:03.360 Yeah.
00:07:04.120 Yeah,
00:07:04.580 that's for sure.
00:07:05.820 But so Madame Tussauds.
00:07:07.060 So this is also,
00:07:08.100 I should mention,
00:07:08.860 we're recording this a bit earlier,
00:07:09.960 but this is our Halloween special.
00:07:11.960 Right.
00:07:12.700 So it's going to get gruesome.
00:07:15.120 Even just when I was researching this,
00:07:17.740 like every picture in the Madame Tussauds biography,
00:07:20.740 i was reading was a picture of a wax um of a wax work but some of them are so gruesome they're so
00:07:26.900 realistic looking yeah yeah yeah so it's kind of like well like halloween you know like people put
00:07:33.480 decorations on their lawn it looks gruesome but really it's just fun it was gruesome but one thing
00:07:38.140 and we'll get to this in a minute and you mentioned like you know the the museum has kind of moved
00:07:42.560 away from presenting itself as a historical institution an institution dedicated to
00:07:48.740 historical instruction. In Tussauds' lifetime, these grisly relics of the French Revolution 0.51
00:07:54.480 were seen as instructive. They were seen as tools that were teaching Victorians about what it was
00:08:01.800 like to live through the French Revolution. Yeah. And for them, it was recent history.
00:08:07.500 Yeah. It was people who they... We'll talk about this. We'll talk about this as we go. I found it
00:08:11.760 also fascinating this story really um she lived for a long time spoiler and she um her life inter
00:08:19.440 like she lived through so many major historical things and she captured them all in wax and it
00:08:26.620 was sort of like like when she really settled in england later in her life it was sort of the
00:08:31.880 you know there wasn't instagram there wasn't um tmz but it was a way that people like everyone
00:08:37.840 was talking about a famous celebrity or a royal or something but she made it so you could go to
00:08:42.360 Madame Tussauds and see what that person looked like like it was really like of the moment it was
00:08:46.920 a way I'll just say one thing because I'm I'm working on writing this book about Caroline of
00:08:52.080 Brunswick and um so like when Caroline of Brunswick when she was on her adultery trial Madame Tussauds
00:08:57.820 had a Caroline of Brunswick figure she had a figure of Caroline's husband Prinny and she made
00:09:01.620 a waxwork of Caroline's alleged lover this Italian man because people just wanted to see what these
00:09:06.740 what they look like like she just knew this is what the audiences were interested in and
00:09:10.760 yeah she really whatever was going on she made a waxwork of it it was very impressive
00:09:14.640 yes a little erotic intrigue there as well exactly so you're gonna sort of guide us through
00:09:22.460 this story and i'm just gonna i'll just pop in with questions and fun facts but so can you start
00:09:29.160 us off gavin with like madame t as a girl what where was she born what was her situation what's
00:09:34.320 what's her childhood like? So, Madame T is born Marie Grossholz in 1761 in Strasbourg.
00:09:42.240 The birth certificate names Joseph Grossholz and Anna Maria Grossholz as her mother and father.
00:09:49.680 Her father ends up dying roughly two months before she's born, so she never meets him.
00:09:55.540 And not long after her birth, she and her mother move to Bern, Switzerland, which is where Anna
00:10:02.620 Maria, so Madame T's mom, gets a job as a housekeeper in the household of a guy named
00:10:08.500 Philippe Curtiou. And if you want to know about Madame T's rise to fame, you have to know a
00:10:14.780 little bit about Philippe Curtiou and who he was. So Curtiou was a practicing physician in Bern.
00:10:22.160 Now, back in the 18th century, medical students needed to know the human anatomy inside and out,
00:10:28.340 Right. But the problem was that there were limited ways of actually studying the human anatomy, because the ideal way to gain that kind of knowledge would have been to look at fresh cadavers.
00:10:40.980 Right. Actually open up human beings and see what it looks like in there. But they had limited access to refrigeration.
00:10:46.660 So there were obvious problems. So what they did as an alternative is that medical students and medical professionals would create wax anatomical models of the human body.
00:10:58.340 And that was part of how they learned where everything was inside the human body.
00:11:03.120 So Philippe Curtiou not only studies anatomical waxes, but he gets really good at making them.
00:11:09.860 And once he realizes that he has this talent as a wax modeler, he starts to branch out
00:11:15.100 and he starts to make wax portraits of wealthy people in Bern.
00:11:19.460 He also starts to make kind of more erotic wax models, some that were outright pornographic.
00:11:26.280 And he kind of makes a name for himself.
00:11:28.340 And eventually, he comes to the attention of a member of the French royal family, the Prince de Conti.
00:11:35.640 He allegedly visits Curtiu at his home in Bern, Switzerland, lays his eyes on all of his waxwork, and is so impressed that he just pledges his patronage right then and there.
00:11:48.080 He's like, listen, I want to support what you do.
00:11:51.280 This stuff is amazing, but there's a condition.
00:11:54.080 You have to move to Paris. 0.82
00:11:56.480 So Courteau accepts this deal while Madame T and her mother are still living in his household.
00:12:02.100 And he moves from Bern, leaving them behind temporarily.
00:12:06.420 He moves from Bern to Paris and sets up shop there.
00:12:10.560 Now, a few years later, he actually invites Anna Maria Grostholtz and Madame T to join him in Paris.
00:12:17.500 This is in the late 1760s.
00:12:20.760 And so the mom, Madame T's mom, she's like a servant in the household.
00:12:25.340 Exactly. Yeah. So she would have cooked meals, would have kept the house tidy. By all accounts, she could whip up a mean casserole, you know.
00:12:33.440 But Curtiou's decision to invite them to live with him in Paris has fueled speculation about the exact nature of his relationship with Madame T's mother.
00:12:44.200 Some people have wondered if there may have been some kind of romantic relationship because, you know, he could have hired a new housekeeper just fine in Paris, right?
00:12:54.260 Why would he invite her to join him there?
00:12:57.960 So the exact nature of that relationship
00:12:59.780 is a mystery for the ages.
00:13:01.980 We'll never have the answer.
00:13:03.440 But it's very clear that Madame T
00:13:06.680 had a close, almost familial kind of relationship
00:13:09.960 with Philippe Curtiu.
00:13:11.740 She referred to him as uncle for the rest of her life.
00:13:16.040 And Philippe Curtiu teaches Tussauds
00:13:19.040 everything that she knows about wax modeling.
00:13:22.600 And she starts to-
00:13:23.560 I just want to say, just pause for a second.
00:13:26.400 The incredible coincidence that this happens to be the household her mother got a job in
00:13:32.100 and that Madame T happens to have this talent in a specific thing.
00:13:37.500 It's just like, great, but like, what are the chances?
00:13:40.340 Yeah.
00:13:40.720 And it's not just that she can learn and is willing to learn,
00:13:44.360 but that she's like one of the best people in the world at it.
00:13:48.000 Yeah.
00:13:48.160 It's staggering.
00:13:49.360 Yeah.
00:13:49.520 The coincidence, as you point out.
00:13:51.900 So she learns how to model in wax at a very early age.
00:13:55.320 And I thought it might be fun to talk through this process a little bit.
00:13:58.540 Please.
00:13:59.020 Because it takes extraordinary skill and parts of the process are mind-blowing to me.
00:14:05.220 She would have started by modeling fruits and flowers, things like that,
00:14:09.760 before she graduated to representing human subjects in wax.
00:14:13.820 But eventually she shows a lot of skill and she moves on to sculpting human beings in wax figures.
00:14:20.260 So here's how it works, basically.
00:14:22.480 The most important part of any wax figure is also the most difficult, and that is the head.
00:14:27.380 It's like if you cannot get the head of the wax figure right, the whole thing is ruined.
00:14:32.220 The way it works is that you would start by making a detailed sketch of the intended subject.
00:14:38.460 So we'll say Marie Antoinette or Madame du Barry or Napoleon Bonaparte, whoever.
00:14:43.600 You make a detailed sketch of that person's head.
00:14:46.360 then you make a clay model working from that sketch and again you want this clay model to be
00:14:52.260 as accurate and lifelike as possible once you have that clay model you coat it in liquid plaster
00:15:01.880 and then once you've done that you remove the liquid plaster so again the liquid plaster is
00:15:07.580 basically formed this kind of outer shell around the clay model if that makes sense
00:15:12.840 Once it has set, you remove it in pieces and then reassemble those pieces of liquid plaster using a sophisticated peg and socket system.
00:15:24.920 So basically now what you have is a kind of hollow cranium that is made of liquid plaster.
00:15:31.100 And here is where the wax comes in.
00:15:33.100 So you heat up wax so that it is molten and then you pour it very carefully into this plaster cast.
00:15:42.300 And you fill it up to the brim.
00:15:43.740 And again, this part of the process requires extreme care
00:15:47.520 because one wrong wobble could, again,
00:15:50.200 compromise the finished product.
00:15:52.360 It could give you a wrinkle where you don't want it to go.
00:15:54.300 There are all kinds of problems that could crop up because of it.
00:15:57.060 So you fill this caster and set it aside to let it cool.
00:16:00.680 Now, the way it works is that the wax that is actually closest
00:16:03.920 to the liquid, to the plaster cast,
00:16:06.820 it's no longer liquid at this point,
00:16:07.980 the wax that is closest to the outside will harden first.
00:16:12.300 And then once that has hardened, you dump out all of the wax that's in the middle of the head.
00:16:20.180 So basically what you're left with is, again, another shell, another outer layer of wax that is basically the outside of the head.
00:16:27.920 It's maybe two inches thick, and that is your head.
00:16:31.180 So once you have the head, this is where it gets really interesting.
00:16:35.740 You have to set glass eyeballs in the sockets. 0.63
00:16:39.300 So what Madame T would do is she would reach up through the neck of the head and then insert the glass eyeballs from the inside. 0.89
00:16:47.400 Again, this takes a lot of care because you don't want a wax figure that looks cross-eyed or squinty or anything like that.
00:16:55.040 And then this is the really crazy part. 0.97
00:16:58.520 She would insert human hair one strand at a time.
00:17:03.840 We're talking hundreds and hundreds and hundreds of individual strands of hair.
00:17:08.260 would you care to hazard hazard a guess as to how long this part of the process took to complete
00:17:13.340 i don't even know um like three months okay it's actually shorter than that but it's it's thank
00:17:20.520 god but it's still shocking it's 10 to 14 days of just intensive just hair yeah it would take
00:17:30.080 between exactly i mean think of how mind-numbing that is it would just drive me crazy to do that
00:17:36.460 Yes. And when necessary, they would insert real human teeth in the wax figures as well.
00:17:44.800 And so once you had the head, you had the hardest part done. The rest of the figure was really
00:17:50.400 actually not made of wax at this point in history. It was mostly wood and leather.
00:17:54.820 And it was sort of just like a skeleton. It was just there so that you could hang
00:17:57.840 pretty clothes on them. Because as we'll talk about probably later, you know, the costumes of
00:18:03.360 the wax figures were a huge part of the appeal of the wax museum. And Philippe Curtiou and Madame
00:18:08.820 Tussauds collaborated with some of the most august designers of the day. And so you outfitted the
00:18:15.780 wax figure and then you made the hands and then you were done. So that's the process of making
00:18:21.340 wax figures. So you asked about where Madame Tussauds grew up a little bit as a girl. So this
00:18:25.680 point she's moved to paris and around 1770 philippe curtius opens up his wax museum already
00:18:33.420 renowned within paris on a street called the boulevard de temple which is kind of at the heart
00:18:40.880 of paris's entertainment industry it sounds really awesome the wax museum is there and his house is
00:18:46.900 also there so madame t and her mother are there they're working in the wax museum all day long
00:18:53.380 making wax figures, taking money from customers, making sure the premises is neat and tidy,
00:19:01.040 et cetera, et cetera.
00:19:02.380 And who are the customers?
00:19:04.360 Are they the wealthy elites or are they just kind of like the everyday people?
00:19:09.360 I think it's a little bit of both.
00:19:11.680 It's definitely geared toward anyone who has time and money to pay to enter the wax museum.
00:19:17.680 But the Boulevard de Temples did combine people from all strata of Parisian societies. So you can see courtiers and courtesans, but you could also see lower income people. The street was actually rife with crime. It was known as the Boulevard de Quim.
00:19:35.280 So there was a lot of money floating around in the area and there was also, you know, some more impoverished people there as well. So I think it would have been a mixture of rich and not so rich patrons at the Wax Museum at the Boulevard de Temple.
00:19:52.280 Now, they also opened another wax museum at the Palais Royale in 1784 or thereabouts.
00:19:59.760 And that definitely catered to a classier, more upper class clientele.
00:20:06.220 It was called the Salon de Seer.
00:20:07.940 So it was presented as this kind of salon.
00:20:10.160 It's very exclusive.
00:20:11.760 And you had to pay more to get in if you really wanted to inspect all the sculptures.
00:20:16.520 Well, right.
00:20:16.740 Because I want to just mention, so we've been slowly similar to what you did with your Madame Tussauds season.
00:20:22.280 I've been doing building slowly towards learning more about Marie Antoinette's life.
00:20:26.820 Eventually, we've talked on the show about like Versailles and kind of the extreme etiquette and stuff that was going on there.
00:20:34.420 So I can see that the the very wealthy, noble people were living in their own separate sphere.
00:20:42.060 So now they kind of have their own wax museum that they can go to without having to go to this other boulevard to interact with like the everyday people.
00:20:48.660 Yes. And since you mentioned Versailles, I think it's important to note that the royal family sort of had pride of place at the wax salon. So the kind of more upper crusty salon that was at the Palo Alto. And in a previous episode, you talked about what's called the Grand Couvert, that it's a weekly ritual where people could go to Versailles and watch the royal family eat dinner.
00:21:14.660 dinner. That was something that you could do. It's called the Grand Couvert. And I wanted to
00:21:19.280 bring it up because there was actually a tableau of Marie Antoinette, Louis XVI, and assorted other
00:21:26.380 individuals eating dinner as if at Versailles. That was a tableau that Curtiu introduced at
00:21:33.260 the Wax Salon in the Palais Royale. I'm just fascinated by the very idea of the Grand Couvert.
00:21:38.920 where anyone could go to see it at Versailles
00:21:41.420 so long as they adhered to the dress code.
00:21:44.280 Men had to wear wigs,
00:21:45.580 and I believe they also had to carry swords with them.
00:21:48.260 But in the event that you walked out of the house
00:21:50.440 without your sword, which has happened to all of us,
00:21:53.400 you know, you leave it at home with your umbrella
00:21:54.920 and you're like, shoot, you know,
00:21:57.000 I'm having a sword fight in the rain.
00:21:58.880 What am I to do now?
00:22:00.300 But if in the event that you walked out without your sword,
00:22:02.660 you could get one at the front door, essentially.
00:22:04.340 Okay, okay.
00:22:05.660 Like those restaurants where they give you like a jacket
00:22:07.580 if you don't have your jacket.
00:22:08.920 Yeah, exactly. Exactly. So, yeah, you'd go and watch Louis XVI and Marie Antoinette eat. And by all accounts, Marie Antoinette was always kind of like uncomfortable in the public gaze. She hardly ever touched her food. And Louis XVI, by contrast, just kind of chowed down with gusto. He was much more comfortable there.
00:22:30.880 So anyway, if you didn't have the time to make a trip out to Versailles, which could take a few hours, you could go to the wax salon and see that, you know, the royal family eating in wax.
00:22:44.540 so is this a good time to bring up madame so madame tussaud a lot of what we know about her
00:22:50.540 is she wrote her memoirs and how truthful are those memoirs who knows but one of the claims
00:22:56.600 that she makes is that she herself went to versailles um and hung out there for a while which
00:23:02.380 did she or did she not i don't know but can you explain like what she claimed she was doing there
00:23:08.080 Sure. Yeah. So Madame Tussauds claims to have developed a really intense friendship
00:23:14.500 with a member of the royal family named Madame Elizabeth, who was Louis XVI's younger sister.
00:23:20.680 And we do know for a fact that Madame Elizabeth modeled in wax. She made all kinds of religious
00:23:26.320 figures like crucifixes, things like that. And supposedly they developed this close bond and
00:23:36.180 Madame Elizabeth invited Tussauds to live at Versailles with her, sort of as a surrogate
00:23:42.580 sister, but also as a teacher, someone who would help her learn how to model and wax.
00:23:49.000 And Tussauds claims to have slept in an adjacent bedchamber and they were just inseparable.
00:23:55.000 You know, they would rise early in the morning, go horseback riding, do everything together,
00:23:59.440 you know.
00:24:00.020 And she claims to have lived there for eight years until about, I think, 1788.
00:24:04.720 So really on the eve of the French Revolution, she claims to have left.
00:24:09.760 And there have been a couple of biographies about Tussauds.
00:24:13.260 And the biographers are sort of divided on this question as to whether Tussauds really spent any time at Versailles.
00:24:19.780 One biographer, Pauline Chapman, takes her out her word, is like, yep, she went to Versailles.
00:24:24.060 But the other two biographers are extremely skeptical about this.
00:24:27.920 And I would say with good reason.
00:24:29.720 Because, you know, if you were paid to like empty a chamber pot at Versailles for any extended period of time, there is a record of it somewhere. Like they really recorded this stuff meticulously. And there is no record of Madame Tussauds in any where it should be, where we'd expect to find it.
00:24:51.500 And she claims to have lived there for eight years.
00:24:54.880 So that definitely casts doubt on this story.
00:25:00.520 However, one thing that I would add
00:25:02.900 is that a lot of members of the royal family
00:25:05.380 did pay grade A artists
00:25:09.460 to teach them how to do whatever it was they did.
00:25:12.260 And Marie Antoinette was actually one of them
00:25:15.100 because she sought instruction
00:25:19.220 from some of the best actors
00:25:20.740 of the day because, you know, she performed in these kind of private theatricals at Versailles
00:25:26.660 playing characters like shepherdesses and so forth. And then one of my favorite examples is
00:25:32.420 the Comte d'Artois, who is Louis XVI's brother. He actually paid a tightrope walker named Le Petit
00:25:40.860 Diable, or the Little Devil, who became famous for doing a dance on a tightrope with eggs tied
00:25:47.620 around his feet without breaking them, he became like an overnight sensation doing this.
00:25:54.440 This is the kind of stuff that people love to see.
00:25:56.680 I mean, they're just like, oh my, it's amazing.
00:25:58.160 So the Comte d'Artois pays the little devil, the tightrope walker, to come give him private
00:26:05.380 instructions at Versailles and supposedly set a vogue for tightrope walking at Versailles.
00:26:12.520 I mean, can you imagine that? 0.53
00:26:13.820 Just like French royal family members. 0.78
00:26:16.820 just trying to walk with eggs on their feet yeah versailles was just its own thing it was a bizarre
00:26:25.360 universe yeah so as much as i want to believe madame t was up there and maybe i don't know
00:26:32.820 what what you said about the records and stuff it's like and what i've learned about how strict
00:26:37.820 versailles was about who could go there and it's just like it seems unlikely that she was there for
00:26:43.400 eight years and no one ever mentioned it in any written record but we'll talk about this in a bit
00:26:48.680 um one of the reasons why she might have wanted to make people think she was there is to make
00:26:54.700 because she eventually went to england and she wanted her life story to sound exciting
00:26:57.800 and so saying she was in versailles makes it sound more exciting when she like what our next
00:27:03.420 topic is going to be i think gets involved in the french revolution exactly i mean she won the
00:27:08.080 patronage of the royal family right i mean what greater honor could she hope for and then just
00:27:12.620 to close the loop because I forgot to mention this. So we do know that members of the French
00:27:17.780 royal family were paying for instruction from artists. And we do know that Madame Elizabeth
00:27:21.800 modeled in wax. So to my mind, it's possible maybe that Madame Tussauds gave a lesson or two,
00:27:30.100 maybe at Versailles or maybe elsewhere. But yeah, as you say, the claim that she lived there for
00:27:34.440 eight years just is not to be believed. Yeah, no, but I could totally see that she
00:27:41.040 might have given her a lesson or yeah and then just sort of exaggerated that later on when she 1.00
00:27:46.500 wants to make herself to she's a salesman saleswoman like she wants to make her life 1.00
00:27:51.400 story sound exciting so i don't i would understand why she would take one half hour she spent with 0.94
00:27:57.380 and turn it into like oh i lived in first five for eight years like eight years somewhere between
00:28:02.680 a half hour and eight years yeah somewhere between those two that is a radical example
00:28:07.500 of rounding up i have to say right up to the closest eight years eight years 0.98
00:28:12.340 um well because the next thing like so she's just like she's thriving basically like she
00:28:20.160 and her um mentor like the waxworks it's going great it's going great like people they're getting
00:28:25.860 they've got this patronage they're like they're doing great um and then the french revolution
00:28:30.660 happens yeah yeah yeah this things get really tricky here um because as the situation heats up
00:28:41.460 and as public sentiment really turns against the monarchy and begins to favor a republic
00:28:48.820 curtu and tussaud find themselves in trouble right because especially think back to like the
00:28:55.380 wax salon, right? Where you could go see Marie Antoinette and Louis XVI in the Grand Couvert
00:29:01.040 at dinner. I mean, they could be seen to have glorified the monarchy by representing them in
00:29:07.720 that way. And so they're like, that's not us. We're not monarchists. We're not about the royal
00:29:12.280 family. So they quietly retired the Grand Couvert as the situation got more intense. And they took
00:29:18.920 other measures to kind of align themselves and the Wax Museum as an institution with
00:29:25.840 revolutionary politics. And you can actually trace this evolution in a way that I think is pretty
00:29:30.960 cool. So they had barkers who walked around in the street and sort of called out to passersby
00:29:37.720 and were like, hey, come check out the Wax Museum. It's awesome. And those barkers had uniforms or
00:29:43.700 costumes that they wore as part of the job. Now, before the French Revolution, so up until like 0.92
00:29:49.640 1789, they dressed in vaguely aristocratic outfits. So they wore frock coats and things
00:29:56.780 like that. Suddenly, once we get into 1789, 1790, those costumes evaporate, no longer on display.
00:30:04.320 Instead, they're at first dressed as members of the National Guard, which was led by the Marquis
00:30:10.060 de lafayette famously and a lot of the members of this guard were more middle class so not
00:30:17.000 aristocratic not like the poorest members of society necessarily but they're kind of more
00:30:21.780 middle class and then as the situation intensifies even more they re uh jig the costumes again and
00:30:28.720 start dressing the barkers as members of the group known as the song culotte we've talked about them
00:30:34.520 They would wear the big flowing palazzo pants and the like Smurf hats. 1.00
00:30:40.000 Exactly. Exactly. So they were dressed as sans-culottes. And of course, they were kind of
00:30:45.120 like the ordinary Parisians, workaday guys, like rank and file members of the revolution.
00:30:52.440 So by dressing their barkers, which is the first element of the wax museum you could really see
00:30:57.680 from the street, if you think about it, you're sending messages about where your political
00:31:02.020 allegiances lie to potential customers well and this is that's it's so interesting to me to read
00:31:08.400 about people like this who um as the french revolution broke out this is the first person
00:31:12.660 we've talked about on the show who like was like were working class people basically like they
00:31:18.120 couldn't leave they couldn't flee they had to just pivot their business um and keep trying to get
00:31:24.080 people to visit their wax museum in the midst of like the french revolution because like that's
00:31:28.280 their income stream so i like that they were like okay we're gonna just it's like um when the when
00:31:34.180 covid started and people are like we're gonna do you you can pick up at the door now like businesses
00:31:38.600 were just like we need to we need to keep being a business in the face of this like unprecedented
00:31:44.080 time so good for them good for them for making that pivot i mean good for them yeah as you say
00:31:48.580 part of it was about staying afloat as a business and then part of it was also just like staying
00:31:53.280 alive because there are other artists who made statements that were considered politically
00:31:59.900 dangerous and they were either imprisoned or sent to the guillotine and in fact madam t claims to
00:32:07.320 have been imprisoned we can talk about that in a minute if we want madam t claims a lot madam
00:32:11.320 she said a lot of things and in fact like a claim is rendered dubious by the very fact that madam
00:32:17.960 t made it so very much so i do want to say i don't know if you know the details of this i just
00:32:22.700 remember because i read one of the madame t biographies as well but i thought this was
00:32:26.560 interesting just when the french revolution was first starting there were some guys who the the
00:32:32.360 mob wanted to like get their heads on pikes because they hated them so much but they couldn't
00:32:37.200 get those guys but so they they went to um the wax museum and got the wax heads and they put the
00:32:42.800 wax heads on pikes and i was like oh man that's yeah it's really intense but it's things happen
00:32:48.860 a little bit differently but what you've pointed to is this amazingly fun fact this amazing fun
00:32:57.520 fact so the wax museum where madame t worked actually played a crucial role in the outbreak
00:33:03.800 of the french revolution so and what you're talking about is in um 1789 it's two days before
00:33:10.000 the fall of the bastille which was july 14th i believe so this all happens on july 12th and
00:33:14.640 And I'll summarize just for the sake of time right now,
00:33:17.860 but people are really riled up
00:33:19.820 because Louis XVI has just sacked
00:33:22.800 the finance minister, Jacques Necker.
00:33:26.560 And he was seen as a friend of the people.
00:33:29.200 And, you know, he was going to do whatever he,
00:33:30.720 everything in his power really
00:33:31.760 to keep bread prices low, that kind of thing.
00:33:34.360 So Louis XVI sacks him and people just lose it.
00:33:38.720 They gather actually at the Palais Royale,
00:33:41.080 not far from where one of Curtiss Wax Museums used to be,
00:33:44.640 A demonstration grows.
00:33:46.460 They start leaving the Palais Royale
00:33:48.960 and they go to the Boulevard de Templa,
00:33:51.580 partly because they want to shut down theaters
00:33:53.520 because, you know,
00:33:55.800 this is something to be mourned in their eyes.
00:33:57.740 The sacking of Jacques Necker
00:33:59.240 is almost like the death of a really prominent
00:34:02.260 and really beloved official.
00:34:05.100 So like this, we should not be watching plays
00:34:08.120 and enjoying live performance today.
00:34:10.140 We need to be mourning this.
00:34:11.840 So they go to shut down the theaters,
00:34:13.700 But they also pop by the Wax Museum.
00:34:16.580 And the reason they go is because they want busts of Jacques Necker, who was one of their heroes, right?
00:34:23.320 And then the other bust they want is the Duke of Orléans, who owned the Palais Royale.
00:34:29.040 That was kind of his house that he had opened to the public.
00:34:31.500 And he also styled himself as a friend of the people, even though he was a cousin of Louis XVI.
00:34:37.060 So they get their busts because they're heroes to them.
00:34:41.500 Oh, okay.
00:34:42.520 Exactly.
00:34:42.960 So they're not people they want their heads on pikes, but they're like worshiping.
00:34:46.600 They want to celebrate them.
00:34:47.840 Exactly, exactly.
00:34:49.020 So they start marching them through the streets in this really interesting, almost ritualized procession.
00:34:56.560 And things actually turn bloody.
00:34:58.220 So this group comes into contact with a battalion of dragoons in Plaslui the 15th.
00:35:05.720 And the situation escalates, escalates, escalates.
00:35:08.400 Stones are thrown and then the guards open fire on them.
00:35:12.280 And so this actually becomes the first bloody skirmish in Paris of the French Revolution.
00:35:17.560 And these wax busts were a part of it.
00:35:20.880 Well, thank you. Thank you for clarifying that.
00:35:22.520 I just remembered that wax busts were involved with the mob in some way.
00:35:26.120 No, it's one of my favorite stories.
00:35:27.540 So I was really hoping to tell it.
00:35:30.080 Good. I'm glad I brought it up.
00:35:31.700 So the French Revolution is happening.
00:35:34.360 So in order to stay alive, she and her mentor, Courtois,
00:35:39.200 like they're representing themselves as being on the side of the revolution basically they're like
00:35:44.320 we are with you also please pay to come to our wax museum because we are on your side etc so you
00:35:50.760 said that she claims that she was arrested and put in a jail cell with josephine boharnaise which is
00:35:57.060 like okay okay sure um but what she did in fact do um is make uh death masks of people during this
00:36:05.440 time yes so as people started going to the guillotine um what tousseau would do would be to
00:36:14.100 make essentially like wax models of their severed heads um and this was true of prominent revolutionaries
00:36:22.160 like maximilian robespierre um she made a model of his severed head and displayed it um at the
00:36:30.500 she was like hired to do this she wasn't just that's yeah yeah it's tricky this is one of those
00:36:38.220 tricky areas it's sort of like some people think that she might have been hired to do it um there
00:36:44.000 are these kind of mythical stories about how madame tussaud would almost be like at the foot
00:36:49.160 of the scaffold ready to collect you know the severed head and make the wax model those might
00:36:54.740 be kind of exaggerated like so many other claims that she made but um there is another story that
00:37:01.040 says that curtis paid the executioner for access to the severed heads so that they could like make
00:37:06.720 these models so would this be like um in terms of like it's our gruesome halloween special
00:37:12.000 so instead of making a clay head and then like casting from that like perhaps they were casting
00:37:18.900 from the actual severed head yes that's what it sounds like yeah okay that's that's one of the
00:37:24.160 yeah that's a possibility and this is where um so also like the narrative of madame t and the
00:37:31.240 life story that she would later present like it's much more effective if she says like and i was
00:37:35.520 friends with madame elizabeth i knew everyone at versailles and then oh my god i had to make
00:37:39.640 death masks of all my former friends exactly that's where that that exaggeration might come
00:37:46.320 into play so that that makes seeing the wax heads even more appealing to people to pay to come to
00:37:51.560 her museum and see them yeah and also um it also allows her to present herself as kind of a victim
00:37:58.780 right these are people that she knew and kind of developed friendships with at Versailles and
00:38:03.760 you know think about it if if she had just been making these wax heads because to appeal to morbid
00:38:09.340 curiosity she could be seen as like prop you know profiteering basically in this exploitative 0.97
00:38:14.340 immoral way but it wasn't that she was friends with these people she also claims to have been 0.97
00:38:19.960 forced to make these which i yeah she claimed to have been forced to make these against her will
00:38:24.600 by the national assembly so she had no choice and it broke her heart but you know that's what she
00:38:31.340 kind of claimed i want to just have one more i just remembered something else that i found
00:38:35.780 interesting so madame t like she was she was a great um like her two really started this kind of 0.99
00:38:41.760 industry but madame t had such good instincts for like business and stuff and part of that was 1.00
00:38:47.040 making herself a celebrity in a way which i presume because there's part of her story 0.99
00:38:53.400 during this story during part of what we've been sort of like skipping over is like she did get
00:38:58.000 married she became madame t um she becomes madame t yeah and so and she had children um and one of
00:39:04.360 her children died at a young age and then she made a wax figure of the child and put that in a museum
00:39:09.480 so it's just like that's how she's grieving like she's just making wax figures of everything
00:39:13.920 i know it's one of the more touching moments in her entire biography yeah yeah yeah i think it's
00:39:21.940 her first child yeah so just sort of like the line for her between like and i don't want to
00:39:27.480 i'm not at all here to cast like ethical or moral aspersions against her but she was just like a
00:39:33.200 person making a business so it's like if she was profiteering from the french revolution then like
00:39:39.120 Yeah, because she had to, because this is, she needs to stay in business.
00:39:43.160 So for whatever reason, she created these death masks of French Revolution people, 0.77
00:39:47.680 which you can still see at Madame Tussauds in London in the Chamber of Horrors.
00:39:51.680 And I saw them when I was nine years old.
00:39:54.840 And you still bear the scars.
00:39:57.280 I don't know, it affected me somehow.
00:40:00.080 Yeah, just quickly.
00:40:02.080 So there were other relics, like there was a model guillotine that would eventually go on display.
00:40:07.120 you had the severed heads on the walls um and then you had a tableau of the assassination of
00:40:12.760 Jean-Paul Marat yes so we're gonna talk about that and I want to say that um that is one of
00:40:18.260 the things I remember from when I was nine years old and I went to the chamber of horrors I like
00:40:22.760 I went in there I was just like oh my god this is great and also spooky and like I'd heard of
00:40:26.720 Marie Antoinette but most of it I was just like I don't know what any of this is but I remember
00:40:30.220 the bathtub scene yes I didn't know who it was or what it was and when I started doing this season
00:40:37.100 talking about the French Revolution, I was like, I need to look up that bathtub. What was that
00:40:40.860 bathtub scene? Like, it was so impactful. That's amazing. And you're here to tell this story. So
00:40:47.120 please. Yes, here we go. So Jean-Paul Marat rose to notoriety as a journalist, really.
00:40:54.240 He was the editor of a publication called The People's Friend. So he was very much revolutionary
00:41:00.780 in his politics. And he was extremely violent in the rhetoric that he used. And he was infamous
00:41:07.120 for this. He called for decapitations. He said, you know, we cannot... He accused some of his
00:41:15.460 opponents of practicing what he called a false humanity. And it's like, listen, if we want change
00:41:21.480 to happen in France, some heads are going to have to roll. You know, that was kind of his philosophy.
00:41:25.320 He eventually becomes a politician and is elected to serve as a deputy at the National Convention. And at this point, there are two factions that we have to keep track of. The Jacobins, who are the most radical revolutionaries, and then the Girondins, who are more moderate revolutionaries.
00:41:45.480 So Marat has no party affiliation, but he allies himself with the Jacobins. So he's like the hardest of the hardcore. And even while he's serving in government, he starts to write like he basically incites rebellion against that government because he claims that there are enemies within and they're actively trying to undermine the revolution.
00:42:06.540 And I should say, too, that his base consists largely of the Saint-Coulotte. So like these workaday, ordinary Parisian folks. And he's extremely popular among them. 0.61
00:42:18.840 So eventually he leaves the National Convention. And the reason he is in a bathtub at the time of his death is because he had a debilitating skin condition that has never definitively been diagnosed.
00:42:33.740 but um whatever it was it caused him to break out in boils and they were quite unsightly and
00:42:41.200 one way that he had of kind of alleviating some of the pain that came with this was to wrap his
00:42:47.380 head in a vinegar soaked towel and also yes i'm just remembering that the bathtub guy had like a
00:42:53.420 turban on yes exactly that's what he would do and he would also do a lot of his work in the bathtub
00:42:58.980 because it kind of soothed some of the pain.
00:43:01.960 So Murat is not exactly a beloved figure
00:43:05.540 because of his incendiary rhetoric
00:43:07.920 and calls to violence and all that.
00:43:10.660 And he's particularly hated by the Girondins,
00:43:14.220 who are these moderate revolutionaries, right?
00:43:16.820 So his killer is named Charlotte Corday.
00:43:20.360 She's 24 years old at the time of the assassination.
00:43:22.460 And she comes from a minor aristocratic household,
00:43:25.680 but is actually friendly to the revolution.
00:43:28.280 and she's a Girondin and that's part of why she takes issue with Marat and she decides that he 0.98
00:43:35.080 poses such a grave threat to French society that she needs to take it upon herself to kill him
00:43:41.820 so she leaves her home goes to Paris hits up the Palais Royale I do love this part of the story
00:43:48.200 because she goes to the Palais Royale and buys a six-inch kitchen knife as well as a really
00:43:53.880 fetching hat with like a green with with some kind of green streamers or something on it and
00:44:00.760 basically so that she can look like really good while she commits murder people kind of remember
00:44:05.540 her as this green lantern style figure like speeding through the streets of paris while
00:44:11.400 hunting marat and there's like this streak of green coming from her hat so eventually she devises
00:44:17.960 a scheme to get into Marat's bathroom, where he is, she claims that she has knowledge of this
00:44:26.700 Girondin conspiracy. And she is ready to name some names, and then he can send them off to
00:44:32.160 the guillotine or do whatever he wants to do. So that's how she's able to get in. He believes her, 0.94
00:44:37.220 and he essentially invites his own killer into his home. So she stands there in front of his bathtub,
00:44:42.480 tub. She starts naming some names, and then she pounces on him and stabs him. The blow is fatal. 1.00
00:44:50.660 Soon, Murat's wife has come into the room and discovered the murder, notifies the police.
00:44:56.200 Crowds gather outside his house, already mourning, because even though Murat was seen as so dangerous,
00:45:02.200 he had this devout following. And so he was seen as a martyr because he had died kind of for the
00:45:08.820 revolution but on the other hand charlotte corday was also seen as a martyr because she of course
00:45:15.520 was tried and executed uh went to the guillotine had her portrait done in prison because you know
00:45:21.480 she's like want to preserve my image for the public um there were some people who celebrated
00:45:25.360 her and she apparently went to the guillotine with such self-possession that she awed many
00:45:31.520 onlookers they were just like oh my god like she does not regret having committed this crime
00:45:36.480 at all. And actually, one man scribbled it in his diary. It's like, for seven or eight days,
00:45:42.060 I was in love with Charlotte Corday. So she became something of like, right? Isn't it great?
00:45:46.600 She became something of a celebrity and was also seen as someone who died for a real cause. So it
00:45:51.780 was one murder and two martyrs. And now for a quick advertising break.
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00:48:38.360 and we're back and madame t is well i'm picturing charlotte corday is running through with the 0.55
00:48:47.860 green ribbon and i'm picturing madame t is like there's better murder i need to make a wax work
00:48:52.480 like she's running to the crime scene that's basically it right yes that's that's the story 0.99
00:48:57.460 is that she is summoned again by the national assembly so if she refuses you know she could
00:49:02.380 be put to death or something she goes to mirage bathtub makes sketches there and then works 1.00
00:49:06.800 from them. And that's how she creates this tableau. Listeners might be familiar with a 0.93
00:49:12.980 painting by Jacques-Louis David. It's a really iconic image. It also depicts Marat dead in his
00:49:20.180 bathtub. And it's made in the same year. And Madame Tussauds claimed to have inspired the 0.75
00:49:27.040 composition of that painting with her tableau, which is a claim that it's really hard to confirm
00:49:33.360 or refute but it's it's something that she claimed but yeah so she unveils a tableau of
00:49:38.120 of the slain marat in the wax museum and people kind of go there almost on a kind of pilgrimage
00:49:43.740 to like you know view the fallen champion of the people and and all that and it's i i mean again i
00:49:51.660 have not been to the chamber of horrors since i was a child but it's back there and it that was a
00:49:55.440 memorable part of the chamber of horrors was this bathtub tableau yeah so the french revolution is
00:50:02.460 like it's happening it's there eventually she leaves france yes to go to england why did she
00:50:09.400 leave okay so this is another perfect part of the story because this is the halloween episode
00:50:14.600 so in 1802 she goes into business with this guy who has various names paul philidor paul de
00:50:21.440 philip stahl i'm just going to call him philip stahl but he was a phantasmagoria performer and
00:50:27.960 So what the phantasmagoria was briefly was an art form that revolved around an instrument called the magic lantern, which is basically a precursor to the modern day slide projector.
00:50:37.920 So the phantasmagoria was a bunch of images projected on a projection surface, like a wall, of skeletons and ghosts and other spooks.
00:50:48.900 And indeed, in Paris, toward the end of the 1790s, when things had cooled down just a little bit, they would project images of like Louis XVI and Marie Antoinette.
00:50:59.760 And they were supposed to be like ghosts, because obviously they had died earlier that decade.
00:51:05.120 But these performances were held in complete darkness, and they freaked people out.
00:51:11.080 people literally fainted in the performance venues and sometimes they would project these
00:51:17.140 images on columns of smoke so you have to imagine like seeing the projected image of a ghost on
00:51:23.800 billowing smoke would kind of give it this illusion of you know insubstantiality and it's like it's
00:51:30.760 like the late 1700s like there's not tv there's not like people like this is crazy it's crazy
00:51:39.200 And it's just such a jolt, right?
00:51:41.440 I mean, one thing that I actually love
00:51:43.660 is that, you know, today when we go to see a movie
00:51:46.500 or a play, we watch them in darkness, right?
00:51:49.140 We're used to that.
00:51:49.760 The lights go down.
00:51:50.800 That was not how things were done in the 18th century.
00:51:53.960 So if you went to see a play,
00:51:56.280 you were going to watch it by candlelight
00:51:58.040 and hundreds of candles had to be lit
00:52:00.280 by someone at that theater.
00:52:02.120 And as I mentioned, these Phantasmagoria shows
00:52:04.340 were held in complete darkness.
00:52:06.560 And that in itself just freaked people out, you know?
00:52:11.020 And then, of course, you add ghosts on that.
00:52:12.840 And it's basically, you know, a precursor to modern horror films, right?
00:52:17.620 So this is who Tussauds partners with in 1802.
00:52:22.300 And he offers to go with her to London.
00:52:25.480 And it's a really tough decision for Madame Tussauds because she's lived in Paris for
00:52:31.440 pretty much her entire life.
00:52:33.540 um her she has two young children will they both be able to go with her her mother at this point
00:52:39.760 is still around and is quite aged what will happen to her eventually she decides to leave and she
00:52:45.340 takes her older son joseph with her and leaves her younger son francis who's two behind and when she
00:52:53.340 leaves she never sees her husband or her mother again nor does she ever return to paris so she
00:53:00.580 doesn't know it when she's leaving, but she is never going back. So it's just a huge moment in
00:53:05.160 her life. And you have to imagine a decision that she would not have taken lightly. So she moves to
00:53:09.800 London and quickly learns that Philip Stahl is a total snake and a jerk. So he has made a pretty 1.00
00:53:19.260 tough bargain with her. She has to cover all the cost of her own transportation. And then on top
00:53:25.400 of that, he is entitled to 50% of all of her earnings, plus whatever he makes, right? Because
00:53:32.000 he has kind of a bankable name in London at this point. And beyond that, Tussauds does not really
00:53:38.980 know a word of English when she moves to the British capital. So she's relying on him to help
00:53:43.400 promote her waxworks, right? He does not do that. There's like not a word to spare about her wax
00:53:50.560 museum in the press. Instead, he's touting his own phantasmagoria and the automata that he was
00:53:57.540 exhibiting. And then on top of that, they open up shop in a venue called the Lyceum Theater.
00:54:04.360 He takes the ground floor and then he makes Tussauds exhibit her wares in the basement,
00:54:08.800 which I think is just like, you know, it's just not cool. It's not cool. And so life is really
00:54:14.260 hard for Madame T in the British capital. She's living in extreme isolation, can barely say
00:54:21.220 anything in English apart from please and thank you. She's homesick. Her youngest son is still
00:54:26.600 with Francois Tussauds. Her husband's business is not doing well. Then finally, she gets a big
00:54:33.900 break. And again, as you mentioned, she is nothing if not a massively astute businesswoman. She
00:54:41.840 knows. She has her thumb on the pulse of public opinion. A big cause celeb captivates London.
00:54:49.040 It's the execution of a guy named Colonel Marcus Edward Despard, who is a traitor. He was basically
00:54:57.000 found guilty of participating in a conspiracy to assassinate the king. And I go into detail about
00:55:03.620 his life story, which is absolutely fascinating on the podcast. But for now, we'll just say he
00:55:08.880 was a really interesting figure and his execution was kind of a hot topic. So she makes a figure of
00:55:15.440 him and then suddenly business booms. Everyone wants to come see what he looked like in real
00:55:21.080 life because he is just the talk of the town. Right. No, it's like what I was saying before.
00:55:25.080 It's the whole sort of like there's not Instagram, there's not tabloids, there's not people want to
00:55:30.200 know like this famous person. What did they look like? Like what did they look like? Exactly. Yeah.
00:55:35.060 Yeah. And even beyond that, I would say, too, that part of it is wanting to know what they look like.
00:55:39.340 But also one of the things that I think is so interesting and creepy and slightly off-putting, but also cool about wax figures is that they almost seem alive, right?
00:55:48.240 Like wax figures offer an illusion of proximity to power or fame or wealth, or in the case of people in the Chamber of Horrors, infamy, right?
00:55:58.860 it feels like you're almost in the presence of them
00:56:01.620 because these wax figures
00:56:03.060 have this creepy, uncanny life to them.
00:56:06.060 So yeah, that's a big part of it too.
00:56:08.320 Well, and also I think I read that her mentor,
00:56:10.680 but then also Madame T herself,
00:56:12.040 like people had been doing waxworks before, 0.69
00:56:15.060 but what they were really good at was the skin tone.
00:56:17.800 Like they were able to make them look real
00:56:20.720 to an extent that they hadn't really before.
00:56:23.300 Yeah, I think I read that,
00:56:24.580 Kurt, you have like secret recipes
00:56:26.560 for all these different skin tones. 0.91
00:56:29.020 And of course he transmitted that knowledge
00:56:30.520 to his star people.
00:56:32.700 Yeah, so exactly.
00:56:33.660 So it's like you would go in and like now,
00:56:35.880 like wax museums,
00:56:37.660 what they're doing mostly in Madame Tussauds
00:56:40.100 in London right now,
00:56:41.000 like there's an ad I saw there
00:56:42.800 and it was like Amy Winehouse and Freddie Mercury
00:56:45.660 and like Harry Styles.
00:56:47.060 And I'm just like, what is this an ad for?
00:56:48.360 And they're all standing on the tube
00:56:49.440 and I'm like, oh, it's an ad for Madame Tussauds.
00:56:51.280 Oh, those are the wax works.
00:56:52.640 Like they look so real.
00:56:54.780 Yes, that is it.
00:56:55.840 that's i mean that's how you know they've pulled it off right when you mistake the wax figure for
00:57:00.800 the real live person that's the ultimate there are great um anecdotes about that in tussaud's
00:57:07.660 biography and well and then also so i mean like we're gonna you know like everyone should listen
00:57:13.020 to your podcast to get into like the full depth and the breadth of madame t's life but like this
00:57:17.880 is so she hits a bit she's doing well in england she's got like a touring exhibition um eventually
00:57:24.120 she like sets up shop in London herself part of what I've been reading about is like she did
00:57:28.980 when Napoleon died she had like she acquired some of his things so that people could come by and see
00:57:35.540 the waxwork of Napoleon but also I forget what it was you know like his sword or like whatever like
00:57:40.300 she had so she was getting she had the waxwork so people could see this famous person but also
00:57:45.820 see their stuff like she was getting into kind of like acquiring things including the clothing of
00:57:51.660 the actual people. One thing I encountered in my research for my book is that after George IV,
00:57:57.580 he had his coronation. He had this incredible long cape, this robe that trailed down behind
00:58:04.060 him when he was going down Westminster Abbey. And she bought the cloak to put on her George IV
00:58:08.420 figure. She was showing people so you could see what they look like in real life, but also what
00:58:13.400 their things look like, like these fabulous wealthy things. Yeah. I mean, to your point
00:58:18.620 about Napoleon, by the time she settled down in London toward the end of her career, she actually,
00:58:24.580 her museum held the premier collection of Napoleonic relics in the world, which is one of
00:58:31.560 these interesting facts about her museum that just knocked me over. The most famous artifact in there
00:58:36.820 was like the carriage that he had ridden in to escape at the Battle of Waterloo. And you could
00:58:41.900 sit in it, you know, if you were a visitor. No, so this is like, she was staying on top of the
00:58:47.420 pulse of what people are interested in what people like she knew like napoleon was such a big deal 0.92
00:58:51.500 like those wars went on forever but the people like whatever she paid to get that carriage she
00:58:56.440 knew that she would earn so much more of people coming to sit in the carriage yeah but so as an 0.59
00:59:02.140 example of her sort of like like she's still she's thriving she's like becoming the sort of like the
00:59:07.280 old little woman that i kind of picture because that's what her waxwork of herself looks like
00:59:11.580 yeah in his later years but you wanted to also talk i think it's a good example of these later
00:59:15.720 years and her continuing to find what people are interested in in very gruesome ways. So the Maria
00:59:23.860 Manning murder trial. Yeah. So eventually, as you mentioned, she ends up in London. She tours the
00:59:31.680 provinces for like 30 years. Both her sons come to join her. So she's running a family business.
00:59:37.520 And then she settles down in London finally in 1836. And this is when the Chamber of Horrors
00:59:44.920 becomes like one of the hottest attractions at Madame Tustos.
00:59:49.700 And she starts updating it on a regular basis.
00:59:52.940 And she hadn't done that until this point during her time in the UK,
00:59:58.520 I think partly because it was seen as kind of controversial
01:00:00.840 to unveil figures of notorious criminals.
01:00:05.060 It could be seen, you know, she could be seen to glorify them.
01:00:07.460 So in 1849, she causes a real controversy
01:00:12.860 with the unveiling of effigies
01:00:16.520 of George and Maria Manning.
01:00:19.500 So in 1849, George and Maria Manning
01:00:22.380 invite a friend of theirs, Patrick O'Connor,
01:00:24.900 over to dinner at their house in Bermondsey.
01:00:27.360 And Bermondsey was a working class neighborhood in London.
01:00:31.140 O'Connor goes missing.
01:00:32.440 A family member starts to investigate.
01:00:34.900 The house starts to smell bad.
01:00:37.020 Yeah.
01:00:37.800 Police start to close in on the Mannings.
01:00:40.960 they get the hell out of Dodge
01:00:43.260 they both flee and part ways
01:00:45.100 so the police go in
01:00:47.300 and basically discover
01:00:49.200 O'Connor's body buried
01:00:51.360 beneath the floor of the Mannings back
01:00:53.120 kitchen so this
01:00:54.840 causes this like a horrible crime
01:00:57.360 right they had defiled the kind of sacred
01:00:59.280 sphere of the home
01:01:00.780 the Victorians worshipped domesticity
01:01:03.400 right so you can just imagine that this was like
01:01:05.440 an unthinkable crime so what follows
01:01:07.480 is some really ace police
01:01:09.420 work it has to be said maria manning flees to edinburgh and then george manning flees to the
01:01:16.020 isle of jersey and the english channel the police capture both of them even though the mannings have
01:01:20.900 a you know a head start of several of several days and have covered a lot of miles they're
01:01:26.100 brought on trial um and maria manning really causes a sensation in the press she's strongly 0.99
01:01:32.720 associated with lady macbeth shakespeare's famous character because she's just so ferocious
01:01:38.800 and she's also seen as kind of masculine and domineering in ways that recalled the character
01:01:44.780 of Lady Macbeth. And she also, maybe you're going to talk about this, but she wore a shiny black 0.98
01:01:50.720 dress. Exactly. Yeah. And that became sort of like Charlotte Corday's green hat. You know,
01:01:57.740 this black shiny dress became like a real thing. Yes. So she was famous for, she looked good. She
01:02:05.280 dressed really sharply, and she appeared in court wearing black satin. So part of why this is
01:02:10.300 important is, and as I mentioned, they lived in Bermondsey, which was a working class district,
01:02:14.520 but black satin was in many ways associated with like the middle class and a sense of
01:02:21.280 respectability. So some of the classist journalists who reported on this trial
01:02:26.080 saw this as evidence of Maria Manning's trying to rise above her station, right? And if people know
01:02:33.880 the play Macbeth, they know that it's all about ambition, right? Macbeth wants to ascend the
01:02:38.480 throne as king and Lady Macbeth wants to help him get there. So there's this ambition, this desire
01:02:43.300 to rise there. And then in the case of Maria Manning, she was trying to climb the social 0.96
01:02:48.460 ladder by masquerading as like a middle-class woman. So that was part of why Victorians 1.00
01:02:54.100 associated her with the character of Lady Macbeth. So she's really ferocious. She looks 0.93
01:02:58.940 devastating and black um and in the courtroom there's this amazing sequence she does not get 0.95
01:03:05.220 a fair trial um because the only evidence really against her comes from george manning but anyway 0.87
01:03:10.880 when the guilty verdict comes down she loses her mind and stands up and just launches into a
01:03:18.240 diatribe against everyone present the judge the jury everyone and it's extremely fluid and it's
01:03:24.480 She's just in a rage, you know, and in front of her and the doc are sprigs of rue, which was this herb that was thought to like, it was basically like a public health measure.
01:03:37.420 She picks up sprigs of rue and casts them into the courtroom, just this display of pure, unalloyed contempt, very theatrical in a way, right? And everyone is just shocked by it. But they're also kind of obsessed with her because she is larger than life. They can't stop talking about her.
01:03:56.880 So they're executed. Shortly after they're executed, Tussauds does what Tussauds always did. And they actually procured the clothes that George and Maria Manning had worn in court. And then they use those clothes to dress wax figures of them at the Chamber of Horrors.
01:04:18.860 So she gets the black satin dress, basically.
01:04:21.340 Yes, yes.
01:04:23.000 It's supposedly the black satin gown
01:04:26.400 that Maria Manning actually wore.
01:04:28.480 And I did find a newspaper article
01:04:31.160 about Tussauds' plans to buy these garments.
01:04:35.300 So it seems very possible
01:04:36.740 that it actually is the real garment.
01:04:38.820 It's not something that Tussauds made up this time.
01:04:42.140 And this causes just an absolute scandal in the press,
01:04:46.500 partly because the effigy of Maria Manning was really like beautiful and she was wearing this
01:04:52.840 black satin gown. And because she was associated with a character like Lady Macbeth, which is like
01:05:00.960 the ultimate star vehicle for Shakespearean actresses, there's also this sense of glamour
01:05:06.220 that kind of went and the sense of theatrical celebrity almost that went along with the
01:05:11.400 sculpture so there's one journalist named douglas gerald who just lays into madame tussaud in the
01:05:18.180 press for kind of glamorizing um a murderer by representing her uh in the chamber of horrors
01:05:25.720 yeah and it's interesting because like madame tussaud this is what she's always done like she
01:05:30.400 she's um found what people are interested in what people would pay money to come and see in the
01:05:34.700 museum like in the first it was like well i guess this was more um her mentor but it was like the
01:05:40.640 french royal family and then it was kind of like oh no now people kind of want to see murders okay
01:05:45.920 like this is nothing new for her but yeah just the fact that it was so recent maybe or it was
01:05:52.000 yeah well and it's the same as people now like there's discussion about you know true crime
01:05:56.620 documentaries and stuff and it's like is this exploiting people is this you know it's a similar
01:06:01.280 conversation i guess but for madame too so it's like well this is what she's always done this is
01:06:04.840 nothing new she's just giving the people what they want you know and she has her mind on her money
01:06:09.420 her money on her mind it's like it's gonna sell tickets people will yeah what's funny is you had
01:06:13.880 to pay an extra six pence to go into the chamber of horrors yeah so of course she wants to keep
01:06:18.700 that updated right because she wants those those six pence well and also i think like at this point
01:06:25.440 i'm not sure what year we're in but this is like we're in the victorian era like she you know like
01:06:30.380 there's still an interest i'm sure in seeing like marie antoinette's death mask and like the bathtub
01:06:34.800 scene and stuff but like that's old news like people want to know that's people are visiting
01:06:40.280 the wax museum who weren't born when that all happened like they want things that are relevant
01:06:43.680 to them yeah well it's there's a common so there's a combination so the the the tableau is still
01:06:50.220 around in the chamber of horrors and the chamber of horrors itself is actually kind of modeled on
01:06:54.740 a courtroom at the old bailey's so all of the um criminal likenesses are in what is called the dock
01:07:01.560 so it's meant to look like a courtroom dock except it's like oversized um so there's a bit
01:07:06.460 there but so there are there are these relics of the french revolution which is part of why she
01:07:10.900 could too so could be like this isn't exploitative trash like this is historical instruction and um 0.99
01:07:17.960 look at maria manning you know so yeah there's a there's a mingling of like of of of um history
01:07:24.860 as well as current events and like you know you know basically what we would think of as true
01:07:30.220 crime culture today like you said the documentaries yeah so it's just people have always been
01:07:36.020 interested in learning about this yeah um and well and also just in a pre-photography era like
01:07:43.140 all that you have in the newspapers are kind of sketches and drawings but people really want to
01:07:47.200 know but what did they look like and that's what she's providing for the people exactly oh one thing
01:07:51.960 i had to mention too because i think it's so funny at this point this is 1849 with maria manning and
01:07:57.320 madame tussauds is like 89 years old at this point
01:08:00.220 point and douglas gerald is just like railing against her it's like the height of moral 0.99
01:08:06.540 depravity she's just this granny you know i always find that funny well and that's kind of like the 0.95
01:08:12.280 the waxwork of madame tussaud i think is was it made after she died or i don't know but like it's 0.99
01:08:17.240 she's this little old lady is what you see when you see the waxwork of madame tussaud herself
01:08:21.500 yeah so she she had various um waxworks of herself throughout her career and part of that 0.98
01:08:29.460 was just um as a way of showing how good she was at wax modeling right because she was always there 0.87
01:08:36.480 to greet customers when they entered but they could also compare her to the wax model of her
01:08:42.620 and it was stunningly lifelike stunningly accurate yeah oh that's perfect yeah so it's like i look
01:08:49.320 like this and that means that this looks like that person and this looks like that person
01:08:52.780 exactly and there are all these wonderful anecdotes about people mistaking you know the
01:08:57.800 wax figure of tussauds for the real woman and yeah so well even today sometimes you see a picture
01:09:06.180 like madame tussauds unveils a new figure of you know whatever like zendaya and there's a picture
01:09:11.020 like zendaya and there's a picture of the wax figure and you can usually tell which is the
01:09:14.340 wax figure but not always not always yeah sometimes they're really good yeah just the
01:09:19.240 angle the photography yes they're they are really good sometimes they're bad but they're usually
01:09:25.480 the Tussauds ones are usually good yes um there are other wax museums but so she died shortly
01:09:31.420 after this like she so 1850 is what I'm seeing is when she died yes that's right in fact Douglas
01:09:38.420 Gerald is pretty much railing against her in the press until like her dying day yeah I think he
01:09:45.360 finally pipes down as soon as she dies and he's like okay maybe this is in bad taste yeah maybe
01:09:51.040 maybe you know like yeah but she like in terms just of name recognition like again like it's
01:09:58.360 i remember when i was a child not madame tussauds story but the day that i realized that walt disney
01:10:03.720 was a person i was like right right like that's just a name you see before movies so funny you
01:10:09.500 think that like the brand exists in isolation of someone who started the brand but yeah but that's
01:10:14.620 such a great example it's it's so it's so similar to madame tussauds because definitely there was a
01:10:19.460 point in my life where like i knew that madame tussauds was like the wax museum then i was like
01:10:24.620 oh wait really like there was there was a there was a real historical figure named madame tussauds
01:10:29.840 yeah yeah no exactly so you're gonna join me now as we um wrap this up with uh scoring her on the
01:10:38.440 scandaliciousness scale all right scandal so there are four categories we'll go through them
01:10:44.740 And so it's all like a scale of zero to 10 per category.
01:10:47.920 So the first category is scandalousness. 0.58
01:10:51.000 How scandalous was she? 0.98
01:10:53.920 How scandalous was Madame Tussauds? 0.96
01:10:55.580 I feel like she has to come in like the low to middle range in this one because and primarily because of the Chamber of Horrors. 0.95
01:11:06.120 because there were actually a lot of detractors
01:11:08.820 who considered it immoral
01:11:10.520 to represent notorious murderers in public
01:11:15.060 and then ask people to pay to see them.
01:11:17.280 So I don't know.
01:11:18.020 I would say like three or four.
01:11:22.400 Yeah, that's kind of where,
01:11:23.500 like it's tricky because there were people
01:11:24.980 who were scandalized by what she did,
01:11:26.700 but there was even more people
01:11:28.020 who paid their sixpence and went to see it.
01:11:30.460 Right, right.
01:11:31.480 The stuff she was doing culturally, 0.97
01:11:33.680 society was like on board for it in general yeah but there but there were those detractors so i
01:11:41.080 think i think a three is definitely fair three but otherwise like as a person like as a person 0.98
01:11:45.880 she was like married she had children like there was never any scandal about her personal life i
01:11:49.920 don't think yeah i mean well one thing that's interesting yeah i don't think it was it wasn't
01:11:57.040 really scandalous yeah yeah i don't know of anything too scandalous about her maybe you
01:12:01.820 could talk about like the degree to which she just lied about her biography i don't i don't know 0.89
01:12:07.980 just like all the things she made up um but i don't know if anyone was scandalized by that
01:12:12.820 i think i just kind of thought that was funny yeah the next category is her scheminess and i
01:12:19.140 and this is like not just like literal schemes like haha making a scheme but just like having
01:12:23.580 a plan having a strategy always thinking 10 steps ahead and i think this is where she's
01:12:27.900 going to get a good score because she like created this industry yeah i mean i think she has to be
01:12:33.640 i mean one thing that we didn't um get into but you know today like madame tussauds is an
01:12:40.840 international tourist destination in london right it already had that reputation in her lifetime i
01:12:46.720 mean she was like an institution by the time she died so she was just this amazing business woman
01:12:52.160 she knew exactly what people wanted and she kept giving it to them and she whenever she you know 0.96
01:12:58.460 made profit at the wax museum she turned around and invested that money right back into the wax 0.58
01:13:04.940 museum so that she can make it bigger better newer etc to keep the people coming back so i think
01:13:10.100 i don't know i don't know what a 10 is um but i feel like she she's got to be like pretty close
01:13:17.460 to attend she was she was also a woman who owned her own business at this point in history which
01:13:22.120 was very rare well i'm happy i'm happy with the tent and i think especially everything you just
01:13:26.780 said and also the part where you were talking about she came to london she was screwed over
01:13:31.280 by this phantasmagoria guy she didn't speak english she was stuck in the basement right and
01:13:35.940 she schemed her way out of that to become the person like she everything was like not everything
01:13:43.820 was against her but a lot was against her being like not speaking the language being a woman
01:13:47.780 like what are waxworks like how do you they're weird it's a niche it's always been a bit of a
01:13:53.640 niche art form but she's like she makes waxworks that everybody wants to see i mean what no exactly
01:14:00.560 and that's the thing and that's where like so custis her her mentor like he was like oh it's
01:14:04.460 the french royal family it's whatever and then she's like you know who it's gonna be murderers
01:14:08.900 dead people like she she made that pivot that really made it so popular and it was 0.86
01:14:13.700 one of the things i remember reading in that biography was that um she made it it was one
01:14:18.760 of the first museums that was really like you were saying it's like approachable to just everybody
01:14:22.320 like it wasn't because there were museums that had in london that had been sort of like
01:14:26.440 for more highbrow people but this is like before the vna the victorian albert museum like before
01:14:32.180 there were other museums intended to like educate the lower classes like she was creating this
01:14:38.220 experience to and also just the almost the invention of that sort of true crime celebrity
01:14:46.600 thing like that's that's getting into the next category which is significance but i do think
01:14:50.440 scheminess is 10 but that's our next definitely but the significance so where would you score her 0.98
01:14:56.280 for that again i mean has to be like nine or ten because she was a wax madame tussaud was a wax 0.98
01:15:03.860 modeler in like the 19th century and now like she has given birth essentially to an
01:15:13.040 international entertainment empire like everybody knows her name she's a wax modeler and i yeah i
01:15:20.300 mean it's global the the business is global in scale and i don't know i think it you'd be hard
01:15:27.340 impressed to find many artists from the 19th century who have that kind of name recognition
01:15:33.460 today where everybody knows everybody knows who they are even if they even if they don't
01:15:38.720 realize that there was a real historical Madame Tussauds they know there's a wax museum and so
01:15:45.700 they're not surprised to learn that hey there was a wax modeler named Madame Tussauds so I would
01:15:50.020 have to go with like nine or ten I think I'm gonna go with a ten for this as well I think just she
01:15:55.380 yeah the name recognition just among like average everyday people who don't know the names of maybe
01:16:00.640 any artists but madame tussauds is just like you just kind of know that brand like walt disney
01:16:06.180 but then also just what she did to um to to popularize this sort of like celebrity culture
01:16:14.480 but also to sort of democratize it like so if you can walk up and see a wax effigy of the king
01:16:20.920 then like that takes away a bit of the grandeur of it it takes away a bit of sort of the mystery
01:16:27.000 of it and so it's sort of like flattening out class structure in some ways like just to
01:16:33.100 it's a radical thing to do in that way yeah i think she definitely deserves some credit for
01:16:39.640 that i think you know what she was doing too was like instructive and artistic you know like there's
01:16:46.880 a national portrait gallery in london we have a national portrait gallery in washington dc as
01:16:52.300 well and these are considered important cultural institutions because they show you what people
01:16:56.460 used to look like and that's something similar to what madame tussaud was doing because she had
01:17:02.120 napoleon and criminals and all that but she also had like henry the eighth and mary queen of scots
01:17:07.960 and elizabeth and you know so i think there was a historical um i do think there's an argument
01:17:13.180 to be made that she was imparting historical instruction to people as well and she had found
01:17:18.400 a really effective and interesting way to do that and it was really effective like i remember
01:17:23.020 the chamber of horrors from when i was a child and i also remember at that time it's not there
01:17:27.820 anymore but there was there was the henry the eighth and his six wives wax figures and i remember
01:17:32.560 those so strong like so and seeing them because i was like a kid who was into like henry the eighth
01:17:37.060 and his six wives um but seeing the wax figures it's a different thing to see like oh that's what
01:17:41.700 they would have looked like like it's it's interesting yeah yeah it does it helps you
01:17:45.680 imagine the past you know in in a small yet meaningful way yeah it's like a real place
01:17:50.580 like people aren't just a head and shoulders and a painting it's like oh that's a person like that's
01:17:54.480 how tall maybe they were yeah the final category is the um i call it the sexism bonus and this is
01:18:01.820 where we give bonus points so like a 10 on the sexism bonus would be like somebody who was you
01:18:08.020 know trapped by their husband in a tower for 25 years because she sneezed too loudly once okay
01:18:15.480 like how much how much did sexism hold her back and i think i don't know if it did much i'm sure
01:18:21.700 it did to some extent but i think yeah i think it's she's almost the polar opposite of the damsel
01:18:28.640 trapped in the tower for sneezing too loud um i think one thing that i did want to highlight is
01:18:34.100 that when she married Francois Tussauds, she actually negotiated a prenuptial agreement that
01:18:40.320 allowed her to retain control of her business, which was extremely uncommon for women at this
01:18:46.000 time. They were often expected to like seed all of their assets to her husband. And then once she 1.00
01:18:51.240 leaves Paris, there's actually this pretty devastating letter where she's just like,
01:18:55.640 Francois, I'm not coming home. Like, I don't want to see you again, basically. She's like,
01:18:59.860 this is my jam i'm gonna keep doing my jam and like see you again never smell you later
01:19:04.980 that kind of thing and um you know it becomes her business and she enjoys 1.00
01:19:11.040 there are not many women like her at this point in history who were the sole proprietors of a
01:19:19.240 business and not just a business but one that became so massive so yeah i don't know i don't
01:19:26.520 think she was ever held she might have had some sexism with philip stahl her business partner
01:19:31.620 that brought her to london she had a hell of a time buying her way out of that contract but
01:19:38.020 but yeah i think she she achieved what so many women could not achieve in her day so i think in
01:19:45.120 that regard maybe is is it one or can you get a zero or one what's the lowest again you could get
01:19:50.600 a zero but i'm gonna give her a one i would say one because of the the phantasmagoria guy yeah i
01:19:56.100 mean i think that's fair yeah so then this gives her a total score of 24 and i like to sort of see
01:20:03.080 you know where does that where does she put her up against other people you i know you've heard
01:20:08.740 my episode about rochelle the actress yes rochelle has a 26 oh she's a 26 wow okay mt has a 24 so
01:20:17.920 that's that's her neighborhood good i'm if if she's like hanging out with rochelle i'm more
01:20:24.060 than happy about that and actually um when this comes out the episode will have aired but i did
01:20:29.280 a rare episode about a man in history we did um a two-part about uh the marquis de lafayette
01:20:35.120 uh-huh and lafayette has a 23 so madame she's she's between lafayette and rochelle so just
01:20:41.640 like as french people yes people who are kind of cool yeah yeah that's her neighborhood that's
01:20:48.260 awesome i i'm super happy with that i mean if she's she's kicking it she's like you know having
01:20:54.620 a salon with marquis de lafayette and rochelle i think yeah living her best wax in life yeah i
01:21:01.240 don't know if she ever made a wax figure of rochelle but i can't imagine she didn't rochelle 0.88
01:21:05.140 was so famous she probably was i uh i think she was a little i don't know her exact dates
01:21:12.780 rochelle was like um 18 1820s okay then she she might have been yeah i mean yeah i do know
01:21:22.220 there was a fire in like 1845 that destroyed some of um the waxworks this is again my book
01:21:30.060 research because i was like oh i wonder what the waxwork of like carolina brunswick and her lover
01:21:34.560 looked like but like they were destroyed in that fire so no there's some and this and it was pre
01:21:39.840 photography so i'll never know what they look like alas that was where i was like if i could
01:21:44.100 get a time machine the one thing i would do is go to madame tussauds in like 1821 just to see what
01:21:51.320 those look like yeah that and the madame dubarry wax yeah the like recline the yeah the madame
01:21:57.580 dubarry waxwork where she's it's the sleeping beauty right where she's like reclining that's
01:22:02.260 right it's very oh it's you know gets everyone hot and bothered it's a little erotic yeah it's
01:22:08.000 a little erotic, but who are we dealing with here? You know, it's Madame de Berry. It's Madame de 0.99
01:22:12.480 Berry. Come on. So please tell everybody about your podcast and where they can follow you and
01:22:17.680 things like that. So people can learn more about Madame Tussauds, but also the other things you
01:22:21.340 talk about. Yeah. So again, the podcast is called The Art of Crime. You can listen to it wherever
01:22:26.820 you get your podcast, blah, blah, blah. You can follow me on Instagram. And I'm just getting ready
01:22:32.560 to start a new season which is called crimes of old new york so it's all about um crimes that
01:22:39.340 took place in new york and they're kind of more tangentially related to artists and stuff i think
01:22:45.220 there's an episode coming out this season that listeners of this show would really like it's
01:22:50.020 about may west oh i love may west yes yes i mean it doesn't get much more tits out than may west 0.96
01:22:56.120 right i mean yeah yeah i mean come on but she she went to jail for writing this play called sex 1.00
01:23:01.680 which was about a sex worker.
01:23:03.240 The whole story is just so delicious. 1.00
01:23:05.760 And Mae West is like such a personality. 0.95
01:23:08.620 So anyway, yeah.
01:23:09.980 So Art of Crime, everybody should listen.
01:23:12.160 Your whole Madame Tussauds season,
01:23:13.760 people can fill in all the blanks
01:23:14.960 that we had to jump over.
01:23:16.140 That's right.
01:23:16.900 We were scheming.
01:23:17.760 It's like, how can we make this
01:23:18.820 be like an hour, an hour and a half episode
01:23:20.900 when you've like done an entire season about her?
01:23:22.900 But I think we figured out a way.
01:23:24.440 We figured, I think we made it work.
01:23:26.540 Absolutely, yeah.
01:23:27.760 So thank you so much, Gavin,
01:23:28.900 for joining me for this special Halloween episode.
01:23:31.160 Ooh, I hope everyone is... Spines have tingled! Yes.
01:23:37.880 Thank you so much for joining me.
01:23:39.600 Yeah, thanks for having me again. It was a blast.
01:23:44.500 So a few things that I like to remind everybody of at the end of every episode.
01:23:49.860 So firstly, if you want to see the whole Scandalicious scale, I've done, I don't even know,
01:23:55.520 a hundred something episodes. And every person who we score on the scale is, I have a document
01:24:02.140 in front of me, but also you can see the whole Scandalicious Scale. If you go to vulgarhistory.com,
01:24:06.540 there's a thing that says scores. So you can see where Madame T, who she's next to on the scale 1.00
01:24:10.980 and where your faves fit in. And maybe you could find an episode to listen to if you want to see
01:24:14.660 who has the highest score or who has the lowest score or things like that. And also you can follow
01:24:19.580 me on instagram i'm at vulgar history pod i'm also increasingly present on threads which is like
01:24:25.960 taking off an interesting way at least for like history adjacent stuff um also vulgar history
01:24:32.320 pod on threads and then also you can follow me on substack which i'm also having a really nice
01:24:37.420 time if you don't know substack it's uh i guess it's kind of like a social media thing but it's
01:24:42.420 also sort of like it feels like blogs back in the day it's just people like um previous guest of
01:24:49.620 this podcast leah redmond chang is on there writing she actually just wrote a really amazing
01:24:54.120 thing about women in history and how often it's like they died in childbirth and it kind of like
01:24:58.580 you stop thinking about what that means but looking at like what does that actually mean
01:25:01.780 and what does that mean for like people's reproductive health um in this day and age
01:25:06.100 it's really good i actually put a link to that in the show notes as well because you know halloween
01:25:10.060 what's scarier than like reproductive rights being threatened by governments anyway i'm on
01:25:16.400 substack it's uh so every other week although this month i've been doing every week because of
01:25:22.180 halloween anyway and i'm i'm a fan of halloween so you go to vulgarhistory.substack.com and you
01:25:28.800 will find my newsletter there and if you subscribe to it then you will get just sent to your inbox
01:25:33.300 in your email, my every other week essays about women in history. And I don't know, it's a nice
01:25:40.300 community there. Ever since the social media landscape kind of exploded, I've been sort of
01:25:46.200 figuring out like, where can I go to like, connect with the people about the things that are
01:25:50.040 interesting to me and Substack has been one of those places. Anyway, also, just because of the
01:25:56.860 way that social media is, I really want my people who follow me and want to know what I'm up to and
01:26:02.880 want to discuss the episodes, I want you to be able to have a place to do that. And where I've
01:26:06.700 found the best place for that is on my Patreon, which you can join for free or for money. Either
01:26:12.480 way, you can keep up to date with what's going on there on the Patreon. So to do that, you go to
01:26:17.360 patreon.com slash Anne Foster writer, and you just join. And then what happens there is whenever I
01:26:22.140 post something, depending on if you're a free member, let's say, then you'll get a message
01:26:27.300 whenever I post something new. There's also a chat there that everybody can join to talk to
01:26:31.380 other members of the Tits Out Brigade. And also for all the free members, I've been posting bonus
01:26:35.440 podcasts of just updates from me. You may or may not know if you're a new listener, you may not
01:26:40.200 know. Other listeners, you very much know that all this year I've been working on writing a book
01:26:44.900 about Carolina Brunswick and I wanted to talk about it. So I've been posting some book updates
01:26:49.540 there on Patreon for free. It's called Anna's Writing a Book. They're all like 30 minute
01:26:55.480 episodes. Friend of the podcast, Alison Epstein was on one of them because I was really mad about
01:27:00.040 how much Napoleon is showing up in my book. And so Alison was there for me through that.
01:27:05.620 Anyway, patron.com slash Anne Foster writer. You can join for free to get all those things.
01:27:09.320 If you join for $1 or more a month, you get early ad free access to episodes of this podcast.
01:27:13.860 And if you join for $5 or more a month, you get the early ad free access. You get all the stuff
01:27:18.200 that free people get. And you also get bonus episodes of Vulgar Peace Theater, which we will
01:27:22.300 be making new episodes of hopefully later this year, hopefully calendar year 2024. Stay tuned.
01:27:28.900 The three of us, it's me, friend of the podcast, Lana Wood Johnson, friend of the podcast,
01:27:32.980 Alison Epstein.
01:27:34.020 We're all very busy at the moment, but hopefully we'll be able to get some of those recorded.
01:27:38.560 But if you haven't listened to them, there's a whole backlog of these movie discussion
01:27:42.740 podcasts where we talk about costume dramas.
01:27:46.240 And also, if you join at the $5 or more a month, you get access to our Discord, which
01:27:51.020 is kind of a more in-depth chat with different channels.
01:27:55.220 There's a channel where we can talk about the season of Survivor.
01:27:58.320 and there's a channel where people share pictures of their beautiful pets. I also post spoilers
01:28:02.620 there and just like it's a place for the Tits Up Brigade to all chit chat and get to know each 0.97
01:28:06.540 other. So anyway, that's all going on there. I also have a brand partner, Common Era Jewelry,
01:28:12.080 which is a women-owned small business that makes beautiful jewelry heirloom pieces inspired by
01:28:18.280 women from history. So there's so much overlap between what Tori, the owner, what she has chosen
01:28:24.440 to put on her pieces and what we've talked about on the podcast. She has a whole series or a
01:28:30.440 collection of pieces that are called difficult women, which are like women in history who have
01:28:35.220 been described as difficult. And I love that phrase. I love that concept that's actually on
01:28:39.700 my sub stack. I've been calling my series there, difficult women as well. So there's people there 1.00
01:28:44.700 we've talked about on the podcast. Anne Boleyn is there, Hatshepsut is there, Agrippina, Cleopatra,
01:28:51.060 Boudicca and then also women from mythology and then also sort of like talismans she's just put
01:28:56.400 out one that's about reproductive stuff from classical history anyway they're beautiful
01:29:02.840 pieces they are available in solid gold as well as in more affordable gold vermeil and vulgar
01:29:08.160 history listeners can always get 15% off your order from common era by going to commonera.com
01:29:13.760 slash vulgar or using code vulgar at checkout and if you want to get some vulgar history merchandise
01:29:19.780 we've got that too including the new amazing design so most of you are hearing this it's the
01:29:25.540 day before halloween so there might be time to like get something from the merch store to be
01:29:30.580 your halloween costume but if you wanted your halloween costume to be like the scariest thing
01:29:34.580 of all someone who writes a bad review of this podcast you can or someone about whom a person
01:29:41.220 would write a bad review i guess um friend of the podcast and one of the artists i've collaborated
01:29:45.680 with a bunch. Siobhan Gallagher made a beautiful new design that says poorly researched, which is
01:29:51.980 an insult that people like to say about me on Apple podcast reviews sometimes. So if you walk
01:29:58.280 around wearing a shirt that says poorly researched and there's like a lip print on it, it's kind of
01:30:01.940 Sabrina Carpenter coded. Anyway, that'll be scary to insults basically. So, you know, that's the
01:30:08.920 thing you could get. And also other beautiful things available at the merch store. So there's
01:30:12.820 two merch stores. I know that's a bit much, but here's, that's what's going on. If you're in the
01:30:17.320 US, go to vulgarhistory.com slash store, and that takes you to our T public store. And if you're
01:30:23.080 outside the US, the shipping is a lot better if you go to vulgarhistory.redbubble.com. And if you
01:30:29.560 want to get in touch with me, of course you can. If you have thoughts, feedback, feelings, emotions,
01:30:34.540 compliments, suggestions, you can get in touch with me by going to vulgarhistory.com, where
01:30:40.420 there's a little link there that says contact me and then, and then you'll contact me and let me
01:30:45.040 know your thoughts and feelings. And I hope everyone has like a wonderful and haunted
01:30:49.940 Halloween. If that's your vibe next week, we're still in it. We're still in this French revolutionary
01:30:56.760 era. We're going to be talking about, I don't want to be too spoilery, but I will say we're
01:31:04.120 going to be talking about another artist someone who is less commercialized than madame t but 1.00
01:31:13.340 anyway until next time my friends um keep your pants on and your tits out vulgar history is 0.98
01:31:20.540 researched written and hosted by ann foster that's me the editor is christina lumagi theme music is 0.98
01:31:27.420 by the severn duo the vulgar history show image is by deborah wong transcripts are written by
01:31:33.320 Aveline Malik. Find transcripts of recent episodes at vulgarhistory.com.
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