00:02:14.920And so I do want to clarify for people, we're not talking about members of the Tudor family.
00:02:18.580these are people who lived in the Tudor era when you were choosing the title is that a consideration
00:02:24.060how how you're going to describe these people yeah I mean I think in the UK at least when we
00:02:29.120say the Tudors I think that is used to mean people living in the Tudor era as well as
00:02:34.320the royal family I mean some of some of the figures towards the end of the book
00:02:38.760probably spent more time being ruled by Stuarts than Tudors but Tudors certainly Tudors uh for
00:02:46.380the publishers there's a sort of more of a touchstone for sales so so that I did have one
00:02:52.800more academic review pointing out that there were quite a few stewards in there but I think all the
00:02:57.060figures in there were born I would say were born in the Tudor era at least well and that's what I'm
00:03:02.200doing for this podcast series as well I'm calling it Vulgar History Tudors and I am for myself it's
00:03:08.260like anyone who was born between the birth of the first Tudor monarch and the death of the last
00:03:12.740Tudor monarch I'm a fair game so I'm being as expansive so I think we have a similar definition
00:03:17.660so could you explain in general how the the 10 people profiled in your book how they wound up
00:03:26.000in England because there's sort of a they all have their specific ways but there's a connection to
00:03:30.420Spain often so can you explain sort of that trade route situation yeah so the 10 people in the book
00:03:37.280They're kind of emblematic of far more people that I identified in my research of sort of over 200 people of African descent in Britain between, as you say, within the Tudor era.
00:03:52.200And I stumbled there slightly because I did go up to 1640 with my PhD research.
00:03:57.920So there were definitely more Stuarts that I found after that.
00:04:01.520uh but and I identified sort of three main ways that Africans might end up in the UK and uh you
00:04:09.500know the first one were these interesting early early uh English voyages to to West Africa start
00:04:17.020in the mid-1550s uh they go well they actually get to Morocco in 1551 and then the first voyage
00:04:22.780to guinea is i think 1553 or 1554 and these voyages uh they're going to africa they're going
00:04:31.620to africa not to engage in slaving but to buy gold ivory uh melagueta pepper they're sort of
00:04:41.320trading in in those goods and they need interpreters uh you know you have hacklets
00:04:46.560principal navigations has actually got kind of bits of vocab of what words to use when you're
00:04:52.020communicating with with the local merchants um but they do um pick up a few a few young men
00:04:58.620quite often have sort of noble birth or high standing in their societies and bring them to
00:05:04.660london and teach them a bit of english and then bring them back to africa to act as interpreters
00:05:10.680uh so that's quite an interesting phenomenon but it's fairly small scale uh and then
00:05:16.160there were also africans coming to england through uh sorry you didn't did you hear that
00:05:24.400that was a noise outside uh there were also africans coming from southern europe uh particularly
00:05:30.080spain portugal and sometimes italy in the households of royals or aristocrats or merchants
00:05:36.800uh so john blank the trumpeter the tudor trumpeter at the court of henry the seventh and henry the
00:05:42.660eighth that's chapter one of the book uh we think probably came to England with Catherine of Aragon
00:05:48.060the Spanish princess when she came to marry Prince Arthur Henry VIII's older brother
00:05:52.120in 1501 and there are other examples Philip II of Spain had an African in his entourage when
00:05:58.060he came to marry Mary Tudor and yes and there are merchants like Hector Nunez from Portugal who has
00:06:06.660africans in his household later in the elizabethan period so so that's another route uh because um
00:06:14.020there were there was a much larger black population in um in spain and portugal and to some extent
00:06:20.620italy in this period because they had initiated the the enslavement of of africans uh the first
00:06:28.440enslaved africans arrived in portugal in 1444 so there's quite an established population there and
00:06:34.320they also begin trafficking enslaved Africans across the Atlantic in the 16th century and0.71
00:06:40.380so that's where we find the third way when privateers who are sort of legal pirates
00:06:45.920or somebody like Francis Drake captures Spanish or Portuguese ships at sea or raids Spanish ports
00:06:52.700in the Caribbean and captures everyone on board including enslaved Africans and brings them back
00:06:59.360to England. So that's the sort of the third way. So it all sort of kicks off with just more global0.88
00:07:06.460travel by British ships or encountering, they're going to other places where there's already either0.57
00:07:12.440they're going to Africa or they're going to places where Africans have been taken or brought
00:07:16.800due to the slave trade. But I do think it's important to note that Britain was not at this
00:07:22.160time engaging in the slave trade. They were not importing people for slavery reasons, right?
00:07:27.940right so um we know that john hawkins did initiate trafficking enslaved africans in the elizabethan
00:07:36.600period in the 1560s the early years of elizabeth the first reign and she and other courtiers
00:07:42.140actually did get involved in sponsoring those voyages as well uh it's not the first one but
00:07:47.400once that proved profitable uh they got involved in in the second one and but he he ultimately
00:07:53.840dropped it um not for any moral reasons but because it wasn't working out because england
00:08:00.040didn't have any of their own colonies at this point and he was trying to sell to spanish colonies
00:08:05.340and the spaniards weren't very happy about that and they attacked his uh fleet in in 1568 the
00:08:11.280final effort that he made uh there was a big fight and it was a disaster for him and so he stopped
00:08:18.320he stopped um trafficking africans at that point so it's this kind of
00:08:23.840So that's kind of the aberration in the broader scheme of the Tudor period where we're not trafficking Africans.
00:08:31.000Again, for economic reasons, because we don't have our own colonies, we don't need that enslaved workforce in the colonies.
00:08:37.160And that's something that develops in the 17th century in Barbados and Virginia in the early 17th century.0.68
00:33:29.280In terms of the people who you profile, well, you mentioned that, you know, Maria and who is the father of her child and stuff.
00:33:36.860So in terms of interracial relationships, I think is another interesting thing you mentioned in your book, because there's a few of the men you profile.
00:33:44.020you find he clearly married and there wasn't very many African women in England. So he probably
00:33:50.680would have married a white person. And this is sort of at the same time, you know, William
00:33:56.720Shakespeare is writing his plays. I found that interesting in your book, you kind of have several
00:34:00.640examples of dialogue from Shakespeare's plays. So in Othello, for instance, there's distrust and
00:34:06.940some people are uncomfortable with Othello and Desdemona's interracial relationship. But what
00:34:10.780you found in actual Tudor times was that wasn't that was maybe not the case for the people living
00:34:17.220then what did you find out about that yeah so the supposition of there were you know like as you say
00:34:24.380there were African men who were described as married or having children and I did suppose
00:34:31.200that their women were probably white English women but there are actual records of marriages
00:34:38.020between English people and African people in some of the parish registers as well so it definitely
00:34:43.820happened and more broadly outside of marriage there are several children of mixed parentage0.95
00:34:51.100as well that turn up in the in the baptism record so it was definitely happening and I wouldn't
00:34:56.920speculate on the identity of the dark lady but you know Shakespeare writes sonnets to a dark lady
00:35:02.920and I have no idea who that would be but he definitely had the potential to meet African
00:35:09.780women in London at the time. It's interesting just in terms of the Shakespeare plays as well
00:35:14.520because there's Othello and Titus Andronicus feature characters who he describes as Amour
00:35:19.120and I don't think either of those characters are meant to be culturally Muslim so it's kind of
00:35:24.000that's a word like you're saying black Amour is a word that was used and a lot of these
00:35:28.280African people came to England via Spain. But you talk in your book about people who are
00:35:35.460baptized as Christian. So for instance, Mary Phyllis, she came from Morocco and we know
00:35:42.320that she was baptized. So England is such a Christian country. Can you talk a bit about
00:35:48.880Mary Phyllis and her experience? Yeah, I mean, coming from Morocco,
00:35:53.400it's highly likely her family were muslim but she comes to ink to london as a child
00:36:00.380six or seven years old and so she would have had limited understanding of any religion at that
00:36:07.680point she's baptized in st bottles old gate in east london at the age of 20 in 1597 and we know
00:36:16.320a bit more about her baptism because a lot of these these parish registers tend to be one-liners
00:36:21.000and you've got a name an ethnic descriptor and not a lot else uh but but with her there was this
00:36:27.800amazing parish clerk for St Bottle of Salgate that that wrote for 40 years just sort of wrote
00:36:34.060uh a memorandum book of sort of events and happenings in the parish uh and and he writes
00:36:40.120quite a lot about this baptism because it was you know still fairly unusual we learn a bit more about
00:36:46.360her who her employer was who her previous employer was and that's quite interesting and i think it
00:36:53.620is potentially surprising that she's lived in england for so long without being baptized and
00:36:58.720so that there's clearly a different attitude with her her current employer who's a seamstress called
00:37:04.140millicent porter who actually stands as her godmother and so sort of encouraging her to learn
00:37:10.060the christian religion um but it's also potentially uh you know at the age of 20
00:37:16.360she might want to get married there are other examples of africans being baptized and then
00:37:21.800married shortly afterwards so we again we don't know but it's just one example of i think i found
00:37:28.560over 60 baptisms of africans in in the parish registers so it was it was definitely a a concerted
00:37:35.800effort. It's, you know, trying to put myself back in, in this time period and to understand what
00:37:43.760the experiences of these people were like, it's what's, you can't ever really, no one can really
00:37:48.720put yourself in that mindset, but living in the world that we live in now, especially with the
00:37:54.240way that racial understanding is right now, but like, this is what the black community is. And
00:37:59.680in Tudor England, it was very much like, these are people from Africa via often Spain.
00:38:05.800And, but in the Tudor context, it seems like what was important was your religion. Like, were you a Christian? And then eventually, are you the reformed religion or not? But also, what is your kind of status versus what is your skin color?
00:38:23.860is that that's kind of the impression i got from your book was when we were talking about you know
00:38:28.380like a servant might be might be a black person might be a white person and their salary is
00:38:32.980probably going to be the same like in a later cultural context in england you see things like
00:38:39.160anna of denmark has portraits done where a black servant is almost decorative next to her but that
00:38:46.520was kind of that was sort of moving on to the later stewart era during the tudor period it seems
00:38:52.100people i don't know can you just talk about the the context of what it meant to be a black person
00:38:57.120at that time like and how different or similar they might have been treated well i think the
00:39:01.940black groom in the portrait event of denmark so early 17th century i think he is wearing very
00:39:08.240nice clothes but i think he is painted it is a portrait you know you can see his face he looks
00:39:13.320like a real person it's not just a sort of decoration but i take your point annoyingly
00:39:18.980her household records don't survive from that period otherwise I would hope that we might be
00:39:24.360able to find out his name you never know there might still be one a letter discovered or something
00:39:29.080from from the royal court that tells us more so I think you know I wrote this book almost 10 years
00:39:36.860ago and I think my understanding of of race and racism has developed a little but I mean I'd still
00:39:45.220stand by the point that religion was one of the most important ways that people judged each other
00:39:51.500in this period. In Tuna England, if you weren't Christian and after the Reformation, if you were
00:39:56.920not a Protestant, then you did not really have full civic rights at all. And in order to in any0.84
00:40:03.100way engage in that society, you really needed to be going to church. So I think class is also
00:40:10.560another really key element uh unfortunately still going strong in in england uh of uh how people
00:40:17.800treated each other and so for example when you do have like the moroccan ambassador coming to the
00:40:24.700court of elizabeth the first he was treated with the dignity of that status um just as other
00:40:31.020diplomats might might have been treated whereas you know if you have somebody who's arrived off
00:40:36.380a privateering ship they're not going to be accorded the same respect but equally they're
00:40:42.380not necessarily as you say tend to be treated much worse than than their white um or contemporaries
00:40:48.880and uh you know like i said earlier the african merchants are seen as people that you can do
00:40:55.780business with uh and so but i think that there is a complicator in terms of sort of not what i now
00:41:02.380know about intersectionality of you know it's not one or the other it's not like just you can
00:41:08.300suffer class prejudice and racial prejudice at the same time for example but i think the
00:41:15.540understanding of race was very different at the time but i mean i suppose i so i suppose i would
00:41:19.700qualify the argument in the book by saying if you're walking down the street and you see a
00:41:25.240black person there could be a question mark in your mind as to their religious status which
00:41:29.540wouldn't be there um for a white person and similarly with class you see an african walking
00:41:36.260down a tudor london street they're not going to be a lord so so i think there is there is a slight
00:41:43.180kind of complication there but i and and i i think also the the sorts of sources that i used
00:41:51.800did not kind of bring up a lot of any real evidence i could find of racial prejudice
00:41:57.820explicitly but then that is you might not always expect to find that in a parish register
00:42:04.000yeah exactly exactly yeah i think the literature of the time is is perhaps what we should be
00:42:09.580examining in context with the reality but i suppose my argument is that whatever it says
00:42:14.640in the literature in terms of negative language around race it doesn't seem to have played out
00:42:20.180in terms of people's civic rights and you know africans were being paid wages allowed to testify
00:42:26.260in court intermarrying with the local population so it's it's it's it's in reality it seems that
00:42:34.060racial prejudice that certainly wasn't you know holding holding people back in that way and i
00:42:39.700think i think one of the key cases again i mean i my i always remember my university supervisor
00:42:45.240saying it's harder to argue from an absence but you know in the case of edward swarthy he's an
00:42:51.640african man who's a porter in rural gloucestershire for a gentleman called sir edward winter and he
00:42:57.400actually whips a white servant called john guy in the hall at white cross manor in front of you know
00:43:03.76020 people because john guy has angered his employer their employer so much that that he's punished
00:43:10.360and you know there are several testimonies to this event and none of them say oh it was awful0.94
00:43:18.080because this black guy was whipping a white guy0.93
00:43:20.060and that made it extra humiliating.0.97
00:43:21.900There's no kind of racial viewing of it.
00:47:13.540but there is a letter sent out to the authorities by the privy council saying you know you please
00:47:22.480help casper van senden but that the africans could only be handed over to van senden with
00:47:27.920the consent of their masters what's really interesting is that i then found these documents
00:47:34.960in the sesal papers so robert sesal is the head of the privy council by this point and i found
00:47:41.860these petitions to settle from van senden and shirley and it essentially boils down to van
00:47:48.360senden writes to settle saying that late that original letter was no use to me i've been around
00:47:53.640the country and no one will let me take the african servants away uh so can you please get
00:48:00.200the council to issue a letter to some stronger purpose and he includes a draft of what he'd like
00:48:06.640the letter to say which is a version that's much stronger and uses some of that stronger language
00:48:11.380i was mentioning and also kind of gets away deletes the whole bit about consent and just says
00:48:18.120i want to have them but the key point is that that version was never sent out that was never
00:48:24.940promulgated it only exists in draft form and so there was never any expulsion so so it's like that
00:48:32.380draft has been read as an actual thing that was sent out by the queen but actually it was just
00:48:37.660a draft in the Cecil papers. So as far as the evidence I've found goes, there were no Africans
00:48:44.560actually taken away by Van Zandt. So it's one of these sort of red herrings. It sounds a bit
00:48:51.920complicated and the headline keeps on being reiterated. It's one of those ones where there's
00:48:57.420a fact in inverted commas that just sort of keeps on getting repeated without everyone necessarily
00:49:03.520going deep into the the archival evidence well and you mentioned you have a blog post about that
00:49:09.460so on your website which is miranda kaufman.com so people can can get more background on that
00:49:15.680there miranda so i wanted to just remind everybody that so your book black tutors the untold story
00:49:22.720is available in north america and in the uk and it's been such a successful book i think you've
00:49:29.280been chatting to people about it for 10 years now. So what a legacy. But you also have a new
00:49:35.780Ur book that we talked about before on this podcast, Erasis, Marriage, Inheritance and
00:49:40.320Caribbean Slavery. And so that's available in hardback in North America. And it's coming out
00:49:46.860this month, September in paperback in the UK, right? Yeah, that's right. Yeah. Go after you
00:49:52.420need it. Exactly. And I love, can you talk a bit about the cover, the paperback cover? Because
00:49:58.400it's a different cover from the hardcover i suppose just dialing back i don't know if you
00:50:03.260can put this in there but i i mean i think i think it's important to note that not everyone agrees
00:50:08.100with my interpretation of the lives of africans in this period and there are some other key key
00:50:14.040key uh writers on this um there's a book by mts abid called black lives in the english archives
00:50:20.040which is uh you know a key text although yeah we disagree on quite a few things uh and there's
00:50:26.520another british author called onyeka nubia who's now in two books about this period uh and he he
00:50:32.920goes in a lot of depth as well into the interpretation of those casper van senden
00:50:37.180documents uh as and there's there's there's quite a lot of work on that and yeah and i again i think
00:50:43.700on the van senden stuff i do cross-reference that in that in that blog post as well uh but i can
00:50:49.160maybe i can share the link for your for your listeners at some point i it's jumping back to
00:50:54.480your paperback question yeah with uh black tudors it wasn't published separately in north america
00:51:00.540but with heiresses i had an american publisher as well and so i'm published by pegasus in the us and
00:51:06.660and one world in the uk and so uh that it meant there were two covers for the hardback you know
00:51:13.820the american edition has quite a different cover to the uk edition your listeners can look it up
00:51:19.920But the hardback in the UK was sort of mostly black and white with a sort of pink heiress printed on top of it based on a portrait of one of the heiresses in the book, but with a plantation scene in the background in black and white.
00:51:36.960and then uh the u.s version was quite a sort of dark green color but based on which was the
00:51:43.380background of uh another a portrait of another of the heiresses an interesting woman called
00:51:48.480francis diell who was of mixed heritage from jamaica and they've cut her face out and put
00:51:54.680the plantation image where her face ought to be so your listeners will have to write in and say
00:52:00.700which one they think is more effective there was a completely sort of different vision again for
00:52:05.900the UK paperback that's coming out in September and it's it's definitely more colourful I am
00:52:10.500afraid I do I do like those colours and it's it's turquoise with yellow lettering on it
00:52:17.160and it has the same heiress Mary Ramsey as the UK edition hardback edition had but in all her
00:52:25.380glorious blue she has the beautiful blue dress it's a portrait that's now in the National Gallery
00:52:30.360in london uh and then we wanted another heiress on the other side because it's you they're kind
00:52:36.460of slightly cut in half so that you can see their outlines and half their faces and that's i think0.79
00:52:42.040meant to make them representative of more women by sort of cutting them in half uh and the other
00:52:47.800one is actually because i do have but we found portraits of all of the women in the book but
00:52:53.820they're of varying quality you know some of them are just prints some of them are um
00:52:58.360silhouettes or whatever so they're not going to work on a high glossy cover so the other heiress
00:53:05.400in the yellow dress is actually the mother of one of the heiresses um in the book although she
00:53:12.520herself was also an heiress so she's definitely an heiress and that one's actually in the frick
00:53:17.200collection in new york now so so it's a transatlantic cover and the image in the background
00:53:22.760is a plantation scene from quite a certainly a well-used and well-replicated image of a plantation
00:53:32.480in Antigua and it's quite interesting the debate around that in terms of a lot of these images were
00:53:41.680created for the enslavers and so are sort of necessarily very idealized and quite far from
00:53:50.280very far from the reality of what life was really like on these plantations uh certainly an image on
00:53:55.980the book they're probably wearing a lot more clothes than they would have done and you just
00:53:59.140have this sort of more of a bucolic image whereas actually it was more like a forced labor camp with
00:54:04.100sort of shocking brutality and horrible things going on but at the same time i wouldn't want to
00:54:11.000have wanted to put a really brutal image on the book cover because that is just sort of almost
00:54:16.060repeating that violence all over again and assaulting the viewer so yeah so was there
00:54:22.640anything else about it yeah I saw the paper cover like oh that's very different from the other just
00:54:26.960the colorful I don't I I saw you post it I'm like oh that's a nice cover and yeah I mean I'd add
00:54:34.000that I definitely don't get the final say on these things you know I definitely write right I end up
00:54:40.320writing very long a particular feedback emails whenever they send me a picture and they probably
00:54:45.020wish that I wasn't involved at all but we'll see we'll see I think it's quite eye-catching
00:54:51.420the paperback I like it I think so too and I hope that you know I think just the bright colors might
00:54:58.260just catch people's eye who maybe didn't notice a darker color of the hardcover before but everybody
00:55:02.480loves a paperback so it's it's good it's available in this new format and so can you let people know
00:55:07.460if they want to follow you and your work and just see where you're going to be appearing and things
00:55:12.580you have your website mirandakaufman.com is that the best place people can can follow up with you
00:55:17.980yeah the website is a good place to go i'm also on various forms of social media at dr miranda
00:55:24.160kaufman that's perfect and thank you so much for joining me again to talk about this i also
00:55:29.480appreciate that you mentioned the other other people writing in this area because i think it's
00:55:34.360it's always so good to read different people's point of view especially on a topic like this
00:55:37.940where there's so much unknown there's so much kind of fill in the blank or what do we think
00:55:42.360this means. So I think it's really, I'm going to be looking at those sources as well, just to kind
00:55:46.000of round out this, this emerging topic of research. So thank you so much for joining me today.