00:00:01.000Hello and welcome to For the Wild podcast. I'm Ayanna Young. Today I'm speaking with
00:00:07.140Francesca Lea Block. Magic, like art, like love, you know, it is a practice. They're
00:00:13.760all one thing to me, frankly, but it is a practice and it takes a lot of work and daily
00:00:20.320diligence to commit to them. And we're being pulled. I mean, I'm constantly being pulled
00:00:27.120the way, not just by the things I have to do to survive, but also the things that I don't have to
00:00:35.140do that somehow seduce me into thinking that I need them to survive. Francesca Lea Block, MFA,
00:00:43.900is the author of more than 25 books of fiction, nonfiction, short stories, and poetry, and has
00:00:50.520written screenplay adaptations for her work. She received the Spectrum Award, the Phoenix Award,
00:00:56.200the ALA Rainbow Award, and the 2005 Margaret A. Edwards Lifetime Achievement Award,
00:01:03.020as well as other citations from the American Library Association
00:01:07.120and from the New York Times Book Review, School Library Journal, and Publishers Weekly.
00:01:14.940Oh, Francesca, thank you so much for being with us today.
00:01:18.260I'm really looking forward to slowing down and having a really good and deep conversation with
00:01:26.820you. Thank you so much for having me. I'm really honored to be on this program.
00:01:32.680Wow. I'm honored and appreciate your time. And I just feel really drawn to your work because I
00:01:40.820feel like so much of it really delicately balances the beauties and joys of life with
00:01:46.900the absolute pain and difficulties that come along with it. So as we open up this conversation,
00:01:55.600I'd really love to hear more about how you cultivate this balance and speak honestly
00:02:00.000to our confusing human existence. It's funny. I was just thinking about this topic before
00:02:09.120this a little earlier this morning. When I drive across town, I'm going to the east side a lot
00:02:16.000more lately and every block I'm feeling one or the other of those emotions like this guy
00:02:26.120with the pink clouds is is making me want to cry and then these people living under the bridge are
00:02:33.400making me want to cry in a different way you know and it's always like that I'm feeling both of those
00:02:40.500things almost all the time and I remember having that since I was a child except during the times
00:02:47.560when I've sort of numbed out and it's become too overwhelming to feel either of those things
00:02:56.180but most of my life I think fortunately I've been able to stay in touch with that and
00:03:02.000it can be really challenging but I think really rewarding as an artist and also just as a person
00:03:08.660yeah gosh i'm thinking about so many of your book reviews and um that i read in and preparing for
00:03:17.240this conversation and also there is something that you wrote on twitter where you say you were
00:03:23.620born to make beauty in the slaughterhouse of the world you were born to toil you were born to love
00:03:29.960offer yourself up to the light of the golden eye of the sun to the silver mouth of the moon
00:03:35.380to the gods and goddesses of love loss is inevitable but do not fear it end quote
00:03:42.180oh i really love that i could really thank you so much again and i just there's so much i could
00:03:52.000ask about this quote but definitely something coming to me and please share more as it comes
00:03:57.220to you but how do we remember to center beauty in our understanding of the world i think just
00:04:05.360the consciousness to look for it because when you start looking for it it is it is everywhere
00:04:10.880at least in in many of our privileged lives but I think nature provides it always for everyone
00:04:21.660certainly and one another right our interpersonal relationships so I think just
00:04:29.340awareness around it I think as a writer it helps me I'm constantly trying to keep a record of it
00:04:37.860for the purpose of my work because I want it to be the inspiration you know I use it as inspiration
00:04:46.520but it of course also then feeds my life because I am paying attention sometimes when I
00:04:54.800it's hard to pay attention and I have the purpose of creating art it brings me back to that so I
00:05:04.000think not that you have to be an artist to do it but whatever practice whether it's taking
00:05:08.780pictures to remember whether it's keeping journals whether it's sharing with your friends
00:05:15.780you know just keeping a record as a reminder of what exists around us and certainly art too
00:05:24.640write through music i feel it through visual art i feel it through books the quote that you
00:05:33.020mentioned i was inspired by the egyptian book of the dead in this really beautiful translation
00:05:39.780which i can send you the the name uh and it was i was researching that for the novel house of hearts
00:05:49.960and then I was realizing that the Egyptian book of the dead is
00:05:54.500full of all my spiritual beliefs that I didn't even know
00:05:59.360were so specifically there and that quote is a lot from that yeah that's something
00:06:07.960something I've yet to dive into but I've had friends that have been really drawn to
00:06:13.820that book and have created entire uh practices and life ways based from it so i know it's
00:06:21.760really powerful so thank you that's now on the list uh and since it's still winter that's a
00:06:27.540really good time to get into it yeah but yeah it brings up a good point for me of
00:06:32.360how can literature give us permission to feel and experience beyond what we would normally find
00:06:40.740in the confines of our daily lives and how might this allow us to explore
00:06:45.980ourselves you know the world around us more deeply I think again because of my work I'm
00:06:55.060reading a lot to help my students to strengthen my own work I'm looking at it through the lens
00:07:03.540of craft but of course what is really amazing about these books it's often the themes and when
00:07:16.320we revisit some of the great classic books and we might think well you know how it's a classic so
00:07:23.860therefore is it really going to be relevant and then you go back and you see these these lessons
00:07:30.680in this much in these books I only in the last maybe five years I believe read Invisible Man
00:07:38.700by Ralph Ellison and I somehow missed it growing up and I thought every single one of my students
00:07:47.100needs to read and reread this it is so amazingly relevant for today and and craft wise it's
00:07:53.800perfect it's a perfect creation so I don't know if I answered your question exactly I'm just
00:08:00.360But I know that there is so much to be learned from the books that you love and also to just allow yourself to love what you love and do a deep dive into it and then to understand why so that as an artist, you can learn from it and strengthen your own work, ideally.
00:08:25.480Yeah, it's almost like apprenticing with the teachers and whether it's our teachers, our elders, like folks that we respect.
00:08:37.180And I wonder where that desire or practice of apprenticeship has gone because I really think about that a lot with children I know in my community and how our education has shifted so much.
00:08:56.300and how there were times in our human history where we really practiced and apprenticed and
00:09:04.920honed skills for years and how that shaped us and our human experience and our relationships
00:09:13.300and our craft um so or our crafts so i yeah i really appreciate thinking about that that
00:09:22.120when we read we're almost taking time to be with mentors in a sense and that's really beautiful
00:09:28.760and that i love the way you're phrasing it and i think that certainly in the thorn necklace which
00:09:35.520is my memoir and craft book i talk about find a mentor is one of the principles of writing for
00:09:43.040from how to be a writer in the world for me personally and then i i talk about well i was
00:09:48.940really fortunate I have to have it in my my dad but a lot of people might not have that there
00:09:56.360and maybe a teacher but you might not have that but yes I talk about books you know it's right
00:10:02.080there in the book I've been lucky to be a teacher to have I've worked with some of my students for
00:10:09.860over 10 years and i think i not only is it really hopefully helpful to them i i find for myself
00:10:20.100it's i learned so much about the craft by teaching the craft you know and again i'm turning to the
00:10:28.500books to to deconstruct and and help demystify some of this magic that not i mean it's still
00:10:38.300magical but to try to understand how this magic is is done so i i really feel that perhaps in in
00:10:47.920this world of mentoring writers there that that model exists uh in a nice way so i i feel really
00:10:59.400fortunate to have that yeah speaking of the thorn necklace which really i think focuses
00:11:08.240on the power of creative process and the healing journey. I'm wondering about your own journey
00:11:16.400and how it's evolved in your years as a writer and what magic the written word contains for healing
00:11:22.720from varying perspectives of life. I mean, it certainly helped me profoundly. I really would
00:11:32.580say it sounds a little dramatic but I do feel it sort of saved my life or saved my sanity I mean I
00:11:38.520always went to writing as a way to help calm my anxiety understand the world connect to others
00:11:49.460as I became published it was a lot easier to actually connect to others through it
00:11:54.320and I feel extremely lucky for that and the bonds that have developed through my writing
00:12:00.200Most of my relationships actually started through someone either reading my work or a student or a friend who I share work with, went to school with, so teachers of mine.
00:12:20.760So it's been healing in so many ways, both the internal process of just getting the story down and then the more external process of sharing and connecting and hopefully helping someone else.
00:12:37.620I've had that experience, too, where people have been in really painful circumstances and have felt heard or understood through something that they've read, maybe that I've written.
00:12:50.760I read a book that I love. I think you'd really like if you have not read it called The Midnight
00:12:55.980Disease. And it's about hypergraphia. And this woman who had, she's a neurologist.
00:13:05.960She had a terrible trauma and couldn't stop writing. And later when she healed some from it,
00:13:15.780she wrote a book based on these sort of endless writings covering the pages and pages sort of
00:13:25.020ramblings in a way but it turned into this book on this science of you know this the way that
00:13:32.100writing actually changes brain chemistry and can be a source of healing they did a study on
00:13:41.240Holocaust survivors and they said that the two things that helped were right telling their story
00:13:48.860rather and massage so both things that get something out of the body in a way and I think
00:13:56.080writing is is a form of that too or has been for me I'm kind of being drawn to as we speak about
00:14:08.400healing also speak about pleasure and I really love in your books that they offer these pathways
00:14:17.280to give ourselves permission to be present and to find pleasure within our environments and our
00:14:23.100inner selves and and so I'm interested in the role of pleasure both within your books for the
00:14:28.600characters and within the act of reading and imagining itself I know that I get a lot of
00:14:37.480pleasure writing about my characters experiencing pleasure so I've always just done that for
00:14:45.740myself and hopefully that has translated I tell my students write about the things that you're
00:14:53.200obsessed with and don't worry if there's something that you think is insignificant
00:14:59.820because if you're passionate about the basmati rice the doll you know ginger i mean like it
00:15:09.480whatever it might be it it and you write about it with specificity and passion and detail
00:15:14.940the reader's going to have that visceral response and they're going to be able to derive
00:15:21.540pleasure out of it too so I really tried to to do that and when I was very young I went to
00:15:31.740hear the band X play and I remember I was you know late teens I remember watching the people
00:15:41.560move to the music and and thinking I want to write something that makes people feel viscerally
00:15:47.580the way music makes me feel because no other art form is so gets into my body it's that same way
00:15:55.180and so that's another motivation for me when I'm working it's how can I make someone else
00:16:03.660feel and not always just pleasure sometimes it is pain but feel in a visceral way what I'm feeling
00:16:12.480maybe maybe selfishly to make me feel less alone but also hopefully to give them something some
00:16:22.900kind of a gift to and then maybe they are you know if they are also writers they might think
00:16:30.680about ways to go deep into their own experience to translate it so that someone else can feel
00:16:37.340and experience that and then that of course is I think empathy starts there I yeah I really see the
00:16:48.420wisdom in this because I think when people are passionate and in love and present with what
00:16:55.280they're working on speaking to writing on I know I get drawn in I mean as soon as you started
00:17:01.440speaking about rice and doll and ginger I was like oh yeah like if somebody were really passionately
00:17:06.860writing about that I'd want to know more and it's not maybe something that I it would be my go-to
00:17:12.440if somebody said well what are your interests maybe I wouldn't right you know but if somebody
00:17:16.620were really into that I'd be like yeah right and I think there's so much beauty in that itself
00:17:21.480because in a sense it's also taken out of the capitalist model of how do we find joy or how to
00:17:30.440you know it's like finding our interest again or or I don't know if that's the way to say it
00:17:36.700But it doesn't cost us anything to feel passionately, to write passionately, to share passionately with what we're drawn to in this world.
00:17:49.040And I think that actually makes us healthier humans.
00:17:51.780It revitalizes our relationships with ourself and others.
00:17:55.600And I think it's a real and it's almost a practice of gratitude as well, because when we're focusing on what we love and what we're passionate about, we're in a creative, grateful state.
00:18:06.700yes yeah I'm not necessarily a writer but now I'm like wow I actually I'm like okay where's my
00:18:13.080journal because this seems like something that would actually uplift me throughout the day and
00:18:18.160focus my mind I was just speaking with somebody about mental hygiene and it's really easy I know
00:18:25.220for me personally to start feeding whether it's negative thoughts or anxious thoughts or
00:18:31.660Or just things that aren't necessarily reality, but I can really make them reality in my mind, and then I live by that.
00:18:41.060And one of my mentors was like, okay, Ayana, mental hygiene, you need to reel this one back in.
00:18:48.540And so again, it connects to what you're saying for me, because when we're in these practices of passion, love, gratitude, it is mental hygiene.
00:18:58.460We are cleaning up the corners of our mind and we're refocusing ourselves on on things that bring us life rather than everything else that can just seep into us so easily.
00:19:11.840You know, it's not hard now, especially with all the media and just all the emotional pain that so many of us feel.
00:19:19.420I think it's really easy to get bogged down by fears and stresses and all that stuff.
00:19:25.800So, yeah, I'm feeling very grateful to be reminded of these practices, because I think it's also empowering, like we don't need to be stuck. It's another way to like, come back to the pleasure and the beauty of life. And yeah, so thank you.
00:19:41.460Yes, thank you. No, and it's true. It's thinking about being in the flow of something, which isn't always easy to get into the flow. But when I am writing, when I am dancing, when I am listening to music, when I am teaching or talking about writing with someone else, I, walking in nature, you know, with my dogs, there's no cost to those things.
00:20:05.920and they are so completely consuming for me
00:22:02.760yeah i wonder there's an interview you did a sex magic podcast and you said
00:22:27.800quote the books make me aware of what I need to learn end quote and I'm wondering how does the
00:22:35.500process of reflection and refraction through storytelling alter both the listener and the
00:22:41.500storyteller nicely said so I think when I set out to write a book I don't necessarily know
00:22:48.420why I'm compelled to write it I don't start with the theme in other words and most of my students
00:22:55.220don't seem to start with the theme and when I teach a class I bring up the theme at the end
00:23:00.420and I say write down what are the things that you believe in that you when if you thought you were
00:23:06.520to die tomorrow what would you want people to know that you believed about the world and you can write
00:23:11.680them as cliches it's just for the meaning as opposed to the the way you say it although many
00:23:18.580of them say very original beautiful things and then I say is that in your book and they'll look
00:23:24.880back and oh it is or no it's not but I could put it in more so I think these books teach us
00:23:32.260or these not just books but I think art teaches us what it you know what it is at least for me I
00:23:40.600need to understand or learn when I wrote House of Cards I didn't understand that it was a I knew
00:23:47.720there was a myth that I was very drawn to the character emerged sort of full-blown in my head
00:23:55.420when one day in response to the way another book ended and that I'd written in a very tragic way
00:24:03.180and this character came to avenge that character and I had these elements I knew it was going to
00:24:10.900beset in the Salton Sea that's all I knew and I discovered the story as I went and I discovered
00:24:19.320ultimately that the story was a search for love but not as much the romantic love that's that's
00:24:28.400depicted but finding the self and putting the self back together so that was something that I
00:24:34.600had to you know wander through the desert for a long time to discover interestingly this is a
00:24:42.260little bit of a tangent but my beloved therapist of many years speaking of mentors passed away
00:24:48.040got very sick and passed away within the years a few years ago and I went I was having trouble
00:24:53.880going to see anyone else because just she was such my soul mate you know mentor and I found a woman
00:25:02.540I liked and I still wasn't sure because it was hard to attach again but she said this I was
00:25:09.400telling her about my book and or no I'm sorry I wasn't even talking about my book I was just
00:25:13.020talking about what was going on in my life at the time and she said it sounds like you're wandering
00:25:18.120in a desert like so thirsty for for this love and I started laughing I said do you know that's the
00:25:26.600book I'm writing basically you know it is that search in the desert so think synchronicity
00:25:33.940synchronicities like that also sort of validate that's another topic but um that I feel like I'm
00:25:43.560on the right path when I when I have that so anyway that goes way off topic but to your point
00:25:51.280about what was it sorry no it's good I like when the stream of consciousness takes over and we just
00:25:58.820are led by what we're being um yeah what we're being I'm sorry theme that was it yeah no I I
00:26:08.440like when that happens you we just get taken by the stream but um yeah I I want to think about
00:26:16.260the importance of magic and enchantment in a world that is rapidly attempting to create
00:26:23.440uniform experiences of reality. And I see as social media grows, it seems that we are often
00:26:32.280swapping imagination for simple stimulation. And I wonder about the long-term impacts of there being
00:26:38.980less reading, less imagination, I think less magic because of the ubiquity of social media
00:26:45.440and our phones yes and i think that's in the last few years i've been really developing a magic
00:26:52.400practice and i i haven't thought of it as specifically to counter that but i think that
00:26:57.500makes perfect sense um this is something that i do with collage and candles and water and glass
00:27:07.780and the moon and these like sort of poems drawings not for sharing as as my art but for my own
00:27:19.020spiritual practice and healing um and zero phones and zero you know posts and photos
00:27:31.200myself or whatever the stuff that we do i don't know anyway so i think that it magic like art
00:27:41.280like love you know it is a practice they're all one thing to me frankly but um it is a practice
00:27:47.900and it takes a lot of work and daily diligence to to commit to them and we're being pulled i mean
00:27:56.120And I'm constantly being pulled away, not just by the things I have to do to survive, but also the things that I don't have to do that somehow seduce me into thinking that I need them to survive.
00:28:10.320So I think it's this interest in spirituality and mysticism and magic and tarot, astrology that, you know, is partly being distributed through the internet, which is great, right?
00:28:27.740we have access to that in in different ways um some of my friends who who do that kind of work
00:28:33.600and reach people broadly but also to find it and away from that in a in a concrete way in real time
00:28:43.140and space yeah i guess i'm also or following this thread is it seems that reading and free thought
00:28:54.000are seen as threats to the current systems of power, which I guess really isn't anything new
00:28:59.980when thinking back in history. But, you know, now I'm thinking about so many book bans and school
00:29:05.640districts across the United States, you know, for instance. And I'm just wondering, what is it about
00:29:10.860the power of imagination and transportation that makes it so threatening to these vast systems of
00:29:17.540power? You know, I love it when my students talk a lot about trigger warnings, right? And
00:29:23.620of course I don't force anyone to read anything that makes them feel that way but I stop and I
00:29:29.660say just think about this fact these are words on a page that's all they are but they're making us
00:29:36.320feel this how potent that is you know whether you choose to read them or not whether it's too much
00:29:44.560for your mental state at the time but just the fact that these words are doing this that's
00:29:52.780Dante, that's power. So it would make sense to me that, you know, we're being distracted from
00:30:00.220some of that in order to not fight back against some of this stuff that's happening. And I think,
00:30:08.760yeah, I do notice a huge difference, less people reading, but storytelling is survival. It's how
00:30:15.380we survive ourselves, but it's also how we help others survive. You know, there's a book called
00:30:21.420Wire for Story by Lisa Cron that she just talks about the way storytelling evolved to keep us
00:30:30.380alive because when you're sitting around the campfire talking about how you escaped the
00:30:34.720dinosaur you know you're you're not just engaging somebody in in a way that takes their mind off
00:30:41.640things you're you're actually showing them how to survive that dinosaur you know that whatever it
00:30:48.920might be whatever that symbolizes now. Yeah, I want to talk more about this idea of survival.
00:30:57.140And there was, well, there's this kind of twofold. There was a quote from your recent
00:31:02.340interview in the Daily Mail where you say, quote, I think that those two things, the survival aspect
00:31:08.480and the craft aspect are actually connected. That's another thing that I teach in order to
00:31:14.100learn the message of the story in order to survive, one needs a structure that helps the
00:31:19.800reader identify with the character to go on the journey of the story and learn the message of the
00:31:24.560story, end quote. And maybe the second part to that is thinking about the value of myths and
00:31:30.680archetypes as profound messages for survival. And in that same interview, you say, quote,
00:31:37.260I feel that these stories give us a template on how to survive in the world in a way. That's why
00:31:43.020they've survived so long. Even if we don't understand why we are drawn to the story,
00:31:48.100we may still feel it resonate and give us some kind of guidance. I love them for that, end quote.
00:31:54.960So thinking about your work continuing this legacy of myth, and how do you connect it to
00:32:02.060the greater human project of survival? I think that I like those quotes because I sound much
00:32:11.240more articulate than i feel now about it um but let's let me think if i can add anything to that
00:32:18.280thank you for sharing them i think that as i said with house of hearts i didn't know why i was drawn
00:32:25.140to the particular myth um i have others too like orpheus is one persephone um i just keep going to
00:32:34.960them trying to understand why and maybe I'll never fully understand why but there is something about
00:32:44.580going into the underworld about seeking the beloved about piecing someone back together
00:32:52.460that resonates for me as a human in the world so I think just following that
00:33:01.120desire to understand ourselves and looking to these mentor stories as you kind of created
00:33:10.960that metaphor at the beginning I know for me it's just it's just an essential and I'm always trying
00:33:20.040to encourage people to follow that path and I think the craft aspect of that is just how do you
00:33:26.660make the reader care as much as you do about this story and this character so that they will
00:33:35.760also understand this message that the myth imparts so whether that is making a character
00:33:45.600gifted in a special way flawed in a certain way whether it's making sure they have a clear
00:33:52.680want or desire a strong antagonist whether it's about seeing them change which i think is really
00:33:59.660the basic of a principle of a story is how does someone change over the course of the story which
00:34:06.840is a guide for how to we do we survive change which is inevitable in our own lives yeah it's
00:34:14.860interesting because i'm like this change that's inevitable i'm thinking about the book you wrote
00:34:21.780called love in the time of global warming and i think it's interesting how you captured human
00:34:27.760emotions and setting regarding a process that we still don't even know the full ramifications of
00:34:33.400and so i think the question of inevitability and the mystery and how those two things connect
00:34:44.640because like even of course death is coming for all of us like that's inevitable but there's a
00:34:51.700great mystery of how we're going to live until that moment and similarly with climate change
00:34:59.260i think it signifies a death yeah a grand death of many different species of ecosystems of
00:35:07.140ourselves in many ways of our history and legacies but yet again we don't we see it happening and
00:35:14.380Sure, we have data and we can point to graphs, but ultimately, we don't know how it's going to unfold.
00:35:23.340And we don't know when the next natural disaster will hit or where or how severe.