Missing Witches - June 21, 2020


Acid Drag and Sexual Anarchy with Founding Member of The Legendary Cockettes, Fayette Hauser!!!

Topics
Justice!! Litha 2020 with Melissa Bekisz and Pamela Muñoz Covid Coven with WhiteFeather, Krista, Becca and Amelie

Episode Stats


Length

1 hour and 53 minutes

Words per minute

156.9

Word count

17,825

Sentence count

203

Harmful content

Misogyny

13

sentences flagged

Toxicity

28

sentences flagged

Hate speech

25

sentences flagged


Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
00:00:00.000 hello to the missing witches coven and happy new moon happy pride month today we're celebrating
00:00:08.380 by hearing from one of my absolute icons i have to be honest normally i try to keep interviews
00:00:16.180 focused but this was just me fangirling out i spoke to one of the original founding members
00:00:23.880 of legendary psychedelic late 60s drag troupe the Coquettes Fayette Hauser who has worked with
00:00:33.860 John Waters and Divine if you know the song you make me feel mighty real by Sylvester Sylvester
00:00:44.940 was one of the Coquettes so Fayette and I talked about her new book the Coquettes acid drag and
00:00:53.440 sexual anarchy her work in wearable art her work with bet midler communal living psychedelics
00:01:04.800 the occult and hippiedom and so so very much more so please join me in welcoming 0.89
00:01:12.560 one of my absolute idols fayette hauser you aren't being a proper woman therefore you must be away 0.68
00:01:23.440 a witch you must be a witch hi this is gonna take me a second i apologize for wasting this 0.99
00:01:33.560 minute of your time how are you i'm doing okay i mean i'm more busy now than i was before the
00:01:43.180 whole thing started i mean i was disappointed that i couldn't do my live events because i was
00:01:48.700 so looking forward to it you know i had so many plans um we're still talking about this the big
00:01:55.740 one in the sf public library because we there were two exhibitions planned one was at the lgbt center
00:02:03.260 here and the other one is in san francisco in the public library in the hormel center
00:02:08.860 and then uh there was a big event in the coret auditorium and it was supposed to be in may
00:02:15.820 and then we pushed it to june 17th thinking that it would be okay but now i just we've all been
00:02:22.400 talking because there's a whole team and we don't think that you know we're going to have to wait
00:02:28.020 because the library is not open or anything and they're not even if they open a little bit they're
00:02:32.520 not going to have people gathering so not the kind of spectacle that you're used to putting on for
00:02:38.700 sure exactly we were going to decorate the whole there's a gallery there and we were going to make
00:02:45.140 it look like the cockette house oh what a tragedy well i hope that it's going to be rescheduled
00:02:54.480 that's what i just keep saying like nothing is cancelled everything is saved for later
00:02:59.240 hopefully
00:03:01.260 but maybe there will be an element i wanted to bring this up anyway now seems like a good time
00:03:09.440 of mask making as wearable art do you foresee that as a future yes yes here's here's my 0.69
00:03:19.680 for those listeners who are listening fayette has made a little face on a mask out of sequins
00:03:27.120 and buttons go gentlemen so you're you're already getting into this uh aspect of wearable art
00:03:35.760 oh my god they're all decorating masks yeah i've i've got you know they keep sending them to me
00:03:41.520 i've got so many you know really my friends are fabric collectors i have a lot of wearable art
00:03:48.240 artist friends and my friend gina has uh she she collects fabric and she has this beautiful
00:03:55.840 bark cloth and linen from the 40s and 50s and right so she's making them and she just can't
00:04:01.680 make them fast enough she's selling them out like crazy before she has an etsy shop and you know
00:04:07.760 they're going up on etsy and boom out the door because they're so cool they're so cool and so
00:04:13.680 practical so what what do you think i mean that's a function of what's the function of wearable art
00:04:22.400 in say 1970 because the mainstream was so far it was so far away we were not connected we never
00:04:32.480 went to a department store you know macy's did not exist for us next this day pause gone you
00:04:41.600 know we never even watched we didn't have a tv there was nothing you know we were on a parallel
00:04:47.120 world we had our own world so of course we had to all make our own clothes everybody had a sewing
00:04:52.000 machine every commune house had a sewing machine and there were different looks you know that that
00:05:00.560 came about there was like the gypsy there was the gypsy hippie look and um so there was the glam
00:05:09.680 look i mean the glam thing came out of the glam look you know so that was that was our style of 0.88
00:05:17.200 freak was very high glam very bright colors you know as the tribes evolved like the the early
00:05:25.680 tribe was very nature very organic created the organic food movement and organic farming and
00:05:32.880 by the time we came along we were sort of the second generation that came along in the late 60s
00:05:38.320 and um 68 was kind of when that transition happened because the uh the early tribes they
00:05:47.480 all moved to the country and they created like peter coyote had a lima and it was a back to the
00:05:53.840 earth they didn't even have they only had cold water i mean you have no idea they were like
00:05:59.180 pioneers it was very but he loved the cockettes and we used to go see him at a lima because he
00:06:05.240 was into the same things we were except he was like digging in the dirt you know so they were
00:06:12.520 very and also um the wild west victoriana and american indian all of that became very prominent
00:06:21.000 in in san francisco so people were in into like buckskin vests and the fringe of course 0.54
00:06:28.280 and leather and and leather and lace that kind of thing and the girls had all long skirts and
00:06:35.240 So, but then when they were safely put away in the country, I remember one time, one night, I was at Winterland and I was totally cock it out.
00:06:46.560 And I ran into the people that I met when I first got there that were part of the family dog, the big brother family.
00:06:53.460 And one of them said, look at her.
00:06:57.480 And they were all, oh, you know, what happened to you?
00:07:01.360 You know, this kind of thing, it was really great.
00:07:03.800 and what had happened to you can you describe this look that they were reacting to remember
00:07:09.560 yeah well when we when we all finally got together in the cockette house um it was really everything
00:07:18.200 exploded and then came out the feathers and the bright colors and everything you know like fuchsia
00:07:25.800 tops. And then we went back to the fabric stores. And there was one fabric store in downtown
00:07:33.400 that really sold like gorgeous stuff. And we would go in there all the time. And I had this one
00:07:41.660 friend, his name was Gypsy Joey, and he had like a workout bag, they called it.
00:07:48.480 So I would say, well, I think I'm going to go all pink and purple in this show. And so he would go
00:07:55.580 in there and and and boost like all the pink feathers and you know um for again for our
00:08:03.540 listeners boost means steal but that was that was part of it it was like an anarchy kind of
00:08:11.220 anarchy and we only did it from corporations companies of course of course not from you know
00:08:18.280 the street we didn't shot you know we didn't pick people's pockets no it's very much like a robin
00:08:24.340 hood kind of theatrical robin hood vibe the corporate pocket thank you yeah yeah and i know
00:08:34.000 that like different communes um had different functions like there was like a food commune and
00:08:39.820 a child care commune and like if i recall correctly a mechanics yeah yeah um peter mitten who was our
00:08:48.900 piano player they all had old cars so they were constantly going to you know guys love cars and
00:08:56.740 they all want to tinker so that was the commune the tinkering you know and motorcycles god that
00:09:02.060 was huge and so you would go there and i mean that commune still existed in early burning man
00:09:09.420 so they had a camp at burning man right where you would take your bike i mean it's still really
00:09:17.120 still happening and i mean what are you going to do of course i mean the food conspiracy was the
00:09:23.520 best though because um well the coal street commune was the first to actually create a farm
00:09:30.800 in marin where they would farm i mean we didn't want anyone else to touch us we wanted to have it
00:09:37.280 all done by ourselves because we we knew what was pure and fabulous you know so yeah they they went
00:09:45.360 to marin and and organically you know created their own farm and then they would bring the
00:09:52.080 food into the city and distribute it so then this other commune evolved called and they call
00:09:57.520 themselves the food conspiracy which was such a good name and uh so we would give them it was
00:10:03.680 either you purse you know you contribute yourself either 25 a week or food stamps and they had two
00:10:11.760 deliveries and one would be all produce and one would be dairy because of course it was vegetarian
00:10:18.480 so you but you would get eggs and milk and cheese there was always like a lot of cheese
00:10:24.720 and pasta i just remember so much vegetarian lasagna all the time you know in the coquette
00:10:33.840 house we had cooks and of course we made our own bread you know that was that was a big thing in
00:10:39.760 every commune uh made their own bread it was considered sacred that you made bread kneading
00:10:46.000 the bread it was like a ritualistic thing you know and still i think still people make their
00:10:51.120 own bread i mean look at now how many how many loaves of bread and cakes and pies are you seeing
00:10:57.280 on instagram and yeast yeast being sold out in grocery stores because people are returning to
00:11:03.440 talking about his yeast thing and his sourdough showing was showing his sourdough bubbling yeast
00:11:10.740 i mean i i am i am the opposite i'm i don't even want to touch the oven i don't think my oven's
00:11:17.040 been on in 10 years really but can you talk a little bit more about that that's like as a viewer
00:11:24.720 um that sacred process of bread making okay you didn't want to get your hands dirty but what did
00:11:30.340 it what did it look like you know my head was in a different place but yeah it was it was nancy
00:11:37.220 gurley is the woman who taught me everything you know she was like i met her in colorado and i had
00:11:43.540 no intention of going to san francisco because i thought it was over because this was 68 the
00:11:48.500 summer of 68 and i thought well the summer of love is over i thought it was like an event
00:11:53.460 well that happened so uh i'm gonna go to paris you know this kind of thing and i had saved up
00:12:03.440 500 which was really good then you know travel was cheap and everybody was welcoming to young
00:12:11.900 people oh here stay here stay with us you can do whatever you want so uh but then i met nancy
00:12:18.200 girly and she she tuned me in so much months i spent months with her so by the end it was almost
00:12:27.480 like a crash course in the counterculture revolution at the time you know this here's what's
00:12:33.840 happening and it was everyday stories walking in the in the rocky mountains and it was incredible
00:12:40.280 so she when i i got to san francisco and i would visit her she would make bread and she would tell
00:12:47.660 me how what a ritual it was to to I mean she always had they always hand dyed fabric you know
00:12:55.160 everybody was getting everybody wanted cotton you know now remember polyester was happening then you
00:13:02.380 know what I mean not the John Waters film but the actual fabric yes so this is like 60s 70s polyester
00:13:10.680 was huge I mean now we can love it but then we were like n-o plastic fabric so we were all about
00:13:19.900 organic cotton and silk and you could not find it you couldn't find it really as far as garments
00:13:26.260 were concerned other than a t-shirt and even t-shirts were not pure cotton that was not
00:13:31.800 happening at all so we would find victorian clothes like victorian blouses and dye them
00:13:40.360 that's where the dyeing came in because everything victorian was either white or black so right so 0.98
00:13:47.640 these cotton peignoirs and knickers and blouses and all that kind of stuff so her favorite color
00:13:55.560 was old rose so everything was old rose so when you went into her place all the tables were covered
00:14:02.180 in these fabrics and laces and and she would have the dough rising with you know old rose lace 1.00
00:14:10.220 covering the rising dough and yeah so it was it was her morning ritual was to sweep the floor 1.00
00:14:19.140 because she she did mushrooms with the you know the Michoacan Mexican women and that's who turned 0.97
00:14:26.700 her on and that's what they did they got up and they swept the floor and then they made the bread 0.65
00:14:32.200 you know so that's what she did but the bread when you make your own bread and besides you know in
00:14:40.080 the store again there was no whole well there may be there was pumpernickel in the Jewish deli but
00:14:46.420 there was no whole grain bread at the time everything was white bread i mean your mom
00:14:52.060 you know when you grow up it was all white bread sandwiches my brother loved it till the day he
00:14:56.880 died because you know he loved his childhood but you know what i'm saying but uh for us it was you
00:15:05.420 know we're making our own bread and we don't want that plastic bread yeah it was like a resistance
00:15:10.480 measure it was it was really discarding everything that was not pure actually because when you took
00:15:19.500 psychedelics it was serious you know I mean we had fun with it for sure but a psychedelic
00:15:24.980 trip was very serious and you really saw clearly what was pure and what wasn't so
00:15:32.660 um all those things came out because of that I I read somewhere that you said that there's a
00:15:41.200 mysticism to tie-dye oh god yes can you talk about that well before the cockettes uh yeah
00:15:51.180 everyone was into I don't exactly know that was happening even before I got there and I'm not 1.00
00:15:56.900 sure exactly where it emerged but very early on women that were making their clothes people that
00:16:05.460 were making clothes not just women but they they were the tie-dye was happening when i got there 0.98
00:16:10.580 but but um when nikki and harlow and i lived together this was the house before uh the cockat
00:16:17.380 house the kitchen had a great big iron cast iron thing on the stove and that was the tie-dye
00:16:26.500 bucket and it was always going and we would i mean it would start out you know you'd put some
00:16:33.140 colors in and you would start out with one thing that would be strong colors and you would add
00:16:38.820 water and keep it going until you got these pale pastel fabulous colors i remember that i got this
00:16:45.780 it was a bias cut satin gown that was off-white and mickey tie-dyed it so that it was pale orange
00:16:57.340 and and pinks and purples and i wore that to death it was it was like my magical mystical dress
00:17:06.280 you know and i mean the importance of putting clothes on you that really
00:17:11.880 um met your soul was so important um you you didn't put anything on you that wasn't meaningful
00:17:19.880 you know not so much as yeah of course there were no bras but any anything that you put on
00:17:27.080 had to have like a really really significant meaning for you um you you didn't wear anything
00:17:35.560 that was not real for you and symbolic and expressive because you were in such a
00:17:42.440 intense state of mind that was so complete that you had to express it with your clothes
00:17:48.440 and everybody did that so it was what a colorful parade is your description of the the bubbling
00:17:57.240 cauldron of amazing dyes i mean that that really does just sound like absolute witchcraft to you
00:18:03.960 yeah and did you talk about it in those terms back then like how much occult conversation was
00:18:11.400 happening oh yes oh god yes the family dog was deep into the occult and they had their own
00:18:17.800 magician named martoon and he was they were all from detroit the family dog was from detroit
00:18:24.520 And so, Martoon had long hair, it was kind of wiry, and he had a long mustache like that.
00:18:32.700 He was very much the magician, he really looked the part.
00:18:36.580 And he had a twang, I remember that, and he loved women, absolutely loved women.
00:18:41.920 And he was also a painter.
00:18:44.200 So some of the family dog lived in what we call the Russian embassy, which is the house
00:18:50.280 on Scott and Fulton.
00:18:51.520 It's 1198 Fulton.
00:18:53.300 And it's now owned by a friend of mine who's a Victorian preservationist, and it's so gorgeous.
00:18:59.260 But at the time, you know, the Victorians, they were all unpainted.
00:19:02.740 They were either peeling gray paint, peeling whitewash or raw.
00:19:09.340 I mean, the city looked so spooky because all the people wanted suburbia, just like
00:19:17.140 the six, just like my parents.
00:19:19.680 was suburbia and they wanted the ranch house and everything was what painted white and primary
00:19:26.680 colors and you know modern came a dare now thick of the mid-century so people had abandoned the
00:19:35.400 Victorians and nobody wanted to live in them and they were bulldozing them but the hippies they
00:19:40.140 started squatting in them or they were owned by people who didn't live there and they were renting 0.98
00:19:44.680 them really cheap to you know and so we would rent a whole flat for like a hundred dollars
00:19:52.440 you know it was nothing so um this was divided between 15 20 people
00:20:01.640 oh because scrumbly built lofts we had at least one loft in every room because they all had 12
00:20:06.120 to 18 foot ceilings oh no the victorians were fabulous that's another reason why it happened 0.98
00:20:11.480 in san francisco because the victorians accommodated all these hippies with an alternate
00:20:17.480 lifestyle and they were not not homeless hippies were not homeless that's a a misconception they
00:20:24.200 were not living on the street like there's now you know but they were occupying these
00:20:31.240 yeah occupied the victorians and actually saved the victorians so that now it's like the pride
00:20:38.760 of the city the painted ladies and everything so in the russian embassy which is one of the earliest
00:20:44.360 i think it's 1889 it was built and scott and fulton is a peak it's the it's really the center
00:20:53.320 of the city because fulton goes from city hall to the beach and it's a hill that goes up it's
00:20:59.960 a pretty steep hill and when you come up fulton a lot of the bike riders you can see them groaning
00:21:05.960 up the hill man it's that steep and so is scott street so scott and fulton meet at this apex
00:21:14.040 like that and um it has a tower so it's five stories with a big tower at the top that had
00:21:22.520 at that time a 365 degree view and the tower uh was square and it's a pretty big room
00:21:30.200 Um, and the man who built it, he, he was, uh, he was a German importer of chocolate or something
00:21:39.140 like that. But he also, yeah, right. He also had shipping. Now that's, you know, that's magic. I
00:21:44.560 mean, chocolate, what else, you know, so he, but he also had shipping interests. So he built the
00:21:50.820 tower, he built the house on that spot and the tower so that he could see the bay. And he had
00:21:56.040 a telescope and he could see uh the ships coming in and whether his ship had come in or not and
00:22:01.460 also marconi who developed you know the wireless he did the first wireless transmission in san
00:22:08.780 francisco in the west coast from the tower so now it has historical it has a plaque and all that
00:22:16.240 kind of stuff but in 19 it was privately owned by two different he sold it then another person then
00:22:23.400 in 1928 these Russian white Russian expatriates from the revolution bought it like crazy ex-military
00:22:32.140 really decadent people bought it and Jimmy has a drawing you know that is a drawing of the house
00:22:41.660 and it says in very lurid script the imperial Russian embassy
00:22:46.220 but there was no imperial Russia at the time anymore of course so everybody nicknamed it the
00:22:54.960 Russian embassy and it had a nightclub there's a ground floor that everybody calls it the ballroom
00:23:00.900 and that was a nightclub and upstairs was the the whorehouse right so that went on until well into
00:23:08.120 the I think through the 30s and and in the late 30s it became a boarding house for jazz musicians
00:23:14.400 So, but in the 60s, so it was kind of cut up into rooms by then, you know, walls added,
00:23:26.020 that kind of thing.
00:23:27.860 So but in the early 60s, I think it was even in 62, it became one of the earliest communes
00:23:33.720 in the city for this theater group called the Calliope Company.
00:23:37.620 And then it just became like a rotating group of communes and different people.
00:23:42.380 So when I got there in 68, the family dog was in there.
00:23:46.620 And Martoon lived in the tower, right, because he was the magician.
00:23:52.200 And I could understand why, because, I mean, I've been in that house a lot, because Jimmy's,
00:24:01.140 I always stay there now when I go there.
00:24:04.420 And if you get high enough, you can definitely see the ghost.
00:24:07.620 I'm sure, because there's a whole tarot deck that you're laying out here.
00:24:12.000 got the tower you've got the magician surely the arcana is well represented there right yeah and
00:24:21.940 at the time he was doing so the tower is very high and and has a peaked roof that uh where inside the
00:24:29.660 tower you can see the inside of the roof i mean it's just fabulous still but i mean now it's just
00:24:35.780 gorgeous so he did these paintings and they were in the corners they were tall and narrow and they
00:24:41.240 were the seven deadly sins and then he had a giant altar so uh on the the top floor of the house then
00:24:49.040 there's a little staircase that goes up to the i mean the whole house is totally magical and
00:24:54.300 everybody had altars i mean the family dog was deep they were really deep and they were way into
00:24:59.480 the magic so he had a curtain like a black satin curtain that had a white pentagram but they were
00:25:05.480 into white magic it was all about white magic so he had a white pentagram and to go up you had to
00:25:11.640 part the pentagram and go up the stairs and then the first thing you saw was this gigantic altar
00:25:17.960 that he had with i mean you know they were collectors too i mean everybody that was into
00:25:23.960 psychedelics was into symbology iconography objet you know so everybody was wildly collecting and
00:25:35.000 making altars and vignettes and you know i mean really that was huge and anybody who was who was
00:25:42.840 born into that was rebirthed into that still i mean you know we all yeah mad collectors
00:25:50.920 so but then when you there was no place to sit there was only the bed
00:25:56.920 so the altar and then the bed it was a huge bed and you you had to get on the bed
00:26:03.640 and that was yeah and so you lay on the bed and then you had this view of the entire city it was
00:26:09.800 fabulous yeah so he would summon you because i i at that point when i got to the city in 68 i was
00:26:16.440 staying on noe street with two other people that were one of them was the the family dog dealer
00:26:23.320 you know and uh her name was paula and then patty cakes and so then i you know nancy said here this
00:26:30.760 is where you're gonna live you know so so i moved in there and so one night martoon you know send
00:26:37.800 fayette over and so it's like it's like it's fabulous yeah it was great that's amazing and
00:26:50.200 such a fully functioning alternate society that was operating on a whole other level with a whole
00:26:56.840 other set of societal uh you know situations and ways of living it was yeah it was divine to say
00:27:07.860 the least and i i mean for me personally i i feel like psychedelics were like an important part of
00:27:14.840 my journey but i also hesitate to recommend psychedelics i think psychedelics is the only
00:27:23.640 thing that's going to save us thank you i'm going to let you recommend psychedelics can you get into
00:27:28.980 that a little bit more oh yeah no once you really are rebirth through psychedelics you understand
00:27:36.840 your position in the universe you understand how what your real job in the universe is to
00:27:44.640 expand the universe your responsibility is to expand the universe in a positive way
00:27:50.980 and everybody understood these things and the more journeys the psychedelic journeys everything
00:27:57.380 it was a teaching lesson so anybody and we all did it we did it together we would have to do it
00:28:03.580 two together or a group of us and we would plan it I mean it wasn't you know there there were some
00:28:10.180 people that were taking it every day you weren't supposed to do that I mean uh and they they kind
00:28:15.540 of went off track but um most everybody would really like today we're going to have a trip and
00:28:23.580 we're going to go to mount tam and we planned it you know and we would have all the the necessary
00:28:28.780 things that you would need you would need some tea you know you would need uh fruit you know
00:28:36.780 these are the kind of things that you were drawn to eat you didn't want to eat a hamburger for god's
00:28:41.160 No. Yeah. I mean, my feeling is that psychedelics will replace the kind of rituals that we have now that have become meaningless.
00:28:54.400 And I mean, I don't want to insult anyone, but things like confirmation, you know, in the Catholic religion, you have confirmation and you have bar mitzvahs and bat mitzvahs.
00:29:06.400 And, you know, I don't know what other, but those, those, I think will be, I think this is the only possible future because everybody needs like a, a jumpstart enlightenment here, you know?
00:29:18.700 Yeah. The coming of age ceremony will be done with psychedelics as well.
00:29:23.120 Yeah.
00:29:23.840 Psychedelics and, and, and have leaders and you would prepare for it. And then that's how you initiate the child into a proper adulthood on earth.
00:29:33.880 you know I mean here you are this is your universe now get into it that I'm sorry I just need to
00:29:41.400 repeat that this is your universe so get into it I want that on a t-shirt thank you carry on carry
00:29:48.380 on well yeah that's what I see because those kind of they're just parties and giving kids money and
00:29:56.220 all that kind of thing and and I think that's kind of what psychedelics turned into too just like
00:30:01.720 parties and you know not not the spiritual well you know the psychedelics were heavy hot and heavy
00:30:10.680 when when the cockets first formed so everybody that was in the core group of the cockets were
00:30:16.440 all psychedelicized everybody in the group had been in san francisco for at least a year
00:30:22.120 so we had all been rebirthed so the cockets was like our second incarnation you know and and as
00:30:28.280 a group we created our particular future vision you know that was glamorous and happy and fun and
00:30:37.800 and funny and expressive you know what i mean we had our own thing that was really solid but then
00:30:45.640 um by the time it ended psychedelics really had kind of gone out of style in a way but i i think
00:30:53.320 it was only it had to happen that way because psychedelics really kind of uh it was a neurological
00:31:01.800 situation where people's nerves were just too frazzled and you know they had people had taken
00:31:08.760 as much as they could and people that had really become rebirthed in a great way had either gone
00:31:14.600 to the east to eastern religions or had gone to the country or had you know like we went into the
00:31:21.160 theater space and um but people that came to san francisco after that they really got into
00:31:28.840 more of the hard drugs and you know so that was a shame that it really took that left turn
00:31:36.040 yeah because it was um i think it would have expanded a lot more and expanded in a better way
00:31:43.480 even though the individually people were writing books they were everybody was doing a serious
00:31:50.280 creative project so a lot of that carried on but then the drugs took down a lot of people which was
00:31:57.640 really bad i mean i i uh when i think of janice joplin i i really think that she was doing her
00:32:04.600 best day at house in terms of her in terms of her love really dressed her completely you know
00:32:12.520 nancy girly was her godmother and mine as well you know and many others she was true she was like
00:32:19.160 the earth mother um early icon is she still around has anyone has she written a book she
00:32:27.800 passed i wish you know i wish and at the time when we were in in colorado i at the time i
00:32:34.600 wished i had a tape recorder because she was she was uh she had a phd at an early age you know she
00:32:43.160 she was a child prodigy as far as their intellect was concerned so um you know i mean she was
00:32:51.960 when she spoke it was so mind-blowing and she would have been the one to write an incredible
00:32:59.400 book she was the first one that was into essential oils and the real that's what she was into just
00:33:06.200 before she died was you know ritualizing essential oils and there was a a place in the tenderloin
00:33:13.160 called nature's herbs and i mean i think it's the same company that's still going but it was a
00:33:19.000 little store that sold these little brown bottles uh with all these different oils in them and we
00:33:27.120 would make a journey to nature's herbs and get our essential oils and i still have some of the
00:33:32.740 bottles and they look like you know like old english you know apothecary yeah yeah apothecary
00:33:41.620 you looking and it's just fabulous yeah yeah the victorians were into that too you know that was
00:33:47.940 another reason i think why and and the whole um metaphysical movement from the late 1800s early
00:33:55.940 1900s was very much alive there was a metaphysical bookstore in san francisco that everybody went to
00:34:02.660 and it had a library you could sit there and read it yeah so it's really happening
00:34:09.620 you mentioned uh the the various spaces that were inhabited by um the you know the people
00:34:15.780 that you associated with the they farms or in your case the theater um but the coquettes took what
00:34:23.780 you were doing in the streets to the theater this was not so much like uh you you you dressed up
00:34:30.660 only on stage i mean truly though no no we were it was really important for people to be real
00:34:38.740 you know that was you know coming out of the 60s and even now i see films that were made in the
00:34:44.820 60s and it just reinforces what i even knew then when i was growing up people didn't didn't talk
00:34:50.660 about their feelings at all people people express themselves people all had a facade and you
00:34:57.700 presented this cool facade and you would um you know suggest or um intimate things nobody said
00:35:07.620 i love you outright nobody said that nobody expressed you know someone else positively
00:35:14.260 like you look so beautiful or nobody would say anything like that so and i remember feeling that
00:35:22.100 that it was so false at the time so that's one of the things when i got to san francisco and people
00:35:27.860 were real they would say what they really meant and you didn't have to do it like a translation 0.99
00:35:33.940 in your head as to what the hell was really going on instead of this facade of stupidity 0.99
00:35:40.260 so that was kind of the dawn of that and um it was also the dawn of the the self awareness 0.99
00:35:48.820 movement that came along because people were trying to discover who they really were
00:35:53.140 and not you know who their parents thought they were and you know yeah it was confusing growing
00:36:01.060 up in the 60s i'll tell you so what i i obviously have like a very highly romanticized view of you
00:36:10.600 know the cockettes and the life of the cockettes but what what was the reaction of of like the
00:36:18.760 straight people for lack of a better word when when you were in the parks when you were or were
00:36:23.400 they're just like no straight people in san francisco yeah right you could say that i mean
00:36:30.400 just about everybody that was living in san francisco either had a child or a neighbor or 0.98
00:36:36.160 somebody that was involved in it even in the slightest way so uh the third cock ass house we 0.79
00:36:44.080 lived across from the panhandle and so there's pictures of us uh on this bench in the panhandle 0.97
00:36:51.020 and you can see these two guys two black guys walking through the panhandle and they're looking
00:36:55.900 at us and laughing you know so and yeah i mean the whole city was taken up with it so it was almost
00:37:05.340 it was very much like you know paris in the 20s or even the way new york was new york in the 60s was
00:37:13.500 actually quite fabulous because it was design wise and fashion wise it was really peaking
00:37:19.900 um so you would see it on the street you'd see fantastic fashion on the street and that's the
00:37:25.300 way it was in san francisco with this whole counterculture vibe the whole um you know
00:37:31.780 ethos of the of the movement was going on everywhere i mean it was really it was thick
00:37:37.380 in the air you could cut it with a knife so you found that when people were laughing they were
00:37:42.840 more laughing with you than at you it wasn't like a mean-spirited no no yeah and there you know
00:37:49.580 people were making an effort to be positive and say positive things to to actually grow that vibe
00:37:57.280 because people realized when when you're positive when you take a positive point of view you know
00:38:03.160 you you you create something instead of tearing it down so um that was really the vibe going on
00:38:10.980 and also there was hitchhiking and here's the thing about hitchhiking because there was like
00:38:15.940 businessmen of course and people like that regular people so you'd hitchhike maybe two at a time and
00:38:22.480 you'd get in the car and they would like what what you know so then you take them
00:38:28.460 so we were into initiating people into the lifestyle and and into uh you know raising their
00:38:40.500 fashion sense or their hippie awareness you know so yeah there is some spreading the word all the
00:38:49.000 time and there are some really great minds like within the cockettes obviously but also um in
00:38:54.600 terms of your collaborations i'm just like alan ginsburg alan ginsburg loved the cockettes
00:39:00.620 first of all because they were we were all gorgeous i mean not not to say but no i mean
00:39:07.020 facts are facts you know i mean it started in the house where we were living but then afterwards to
00:39:15.340 increase the group hibiscus would go in the park harlow and hibiscus would go in the park and they
00:39:20.220 would pick out like the prettiest hippies and and if i'm not mistaken you were like a you were like
00:39:27.180 a child model is that correct yeah so ostensibly beautiful no arguments will come
00:39:34.860 so alan ginsburg yeah so alan ginsburg loved the cockat house because there were so many
00:39:42.120 beautiful boys there so i remember rumi rumi lived at one time in berkeley with
00:39:49.640 some guys some other gay guys and they couldn't get ginsburg out of the house
00:39:55.600 that sounds exactly right to me 0.98
00:39:59.860 yeah Alan come on are you gonna pay rent or what
00:40:04.240 and what about um how did you get involved with John Waters and Divine
00:40:12.320 oh well the theater where we played the palace theater was um on the weekends it was the
00:40:20.260 nocturnal dream show that Sebastian was running um and he was a cinephile and um he was showing
00:40:28.260 films every weekend and it started at midnight and it was a chinese movie theater at uh you know it
00:40:34.820 was at the end of um north beach where north beach and chinatown it was really near the bay so so it
00:40:42.580 was very much a part of chinatown too but north beach very north beach and so um i think stephen
00:40:50.020 arnold had found the theater and sebastian was part of the stephen arnold group and stephen
00:40:56.020 Arnold had made a film called messages messages and he showed it at the palace um but then he
00:41:02.740 went off to hawaii and uh sebastian kept doing it you know they named it the nocturnal dream show and
00:41:10.660 and sebastian made a deal with the manager of the theater and i mean you know he was paying
00:41:16.740 the manager of the theater so it was fine with him and miss mr chu was totally inscrutable
00:41:25.700 you know so so it drew all the hippies after winterland you know i mean that would end
00:41:32.820 and you would still be raging and you would want to go somewhere so everybody went to the to the
00:41:38.740 nocturnal dream show because it was a real safe space you would be in the theater you could take
00:41:44.100 more psychedelics you know they had it was a big old like vaudeville theater it was beautiful
00:41:51.620 had a great proscenium stage and it had a balcony i mean it i forget how many but it fit a lot of
00:41:58.020 people it was pretty big and uh so the balcony was like uh you know the sex fest upstairs if
00:42:05.940 you met somebody you would go up to the balcony and have fun you know so everybody went it was
00:42:11.460 great so i mean hibiscus had found another theater to do it but then that fell through and that's
00:42:19.140 that's a whole story that's in the book but um because he wanted so much to do it on the new
00:42:25.700 year's eve of 69 70 uh link knew who he was also living it was all scrumbly's house you know where
00:42:35.700 that was the that was the core house the original and so so link knew sebastian and so he went to
00:42:44.660 him because hibiscus was absolutely once his his theater fell through he was just upset
00:42:51.620 and inconsolable because he we were it was very close to i mean it was like a week before
00:42:58.420 something so uh link went to sebastian and said can we just jump on stage and do something we
00:43:05.460 want to announce our new effort and sebastian said absolutely no problem because on special
00:43:12.340 holidays he would he would have live entertainment as well as the films so and he was actually
00:43:18.820 looking for he only recently you know he has a piece in the book and i didn't even know this
00:43:24.660 until he wrote that piece was that he was actually looking for a group to perform at the theater
00:43:31.460 to do live performance and so he was letting anybody perform to see if something would emerge
00:43:37.620 and something did something sure happened on new year's eve and when we came out on stage and did
00:43:45.460 what we did the roof blew off you know honestly and none of us expected that we were dumbfounded
00:43:53.460 and then hibiscus of course put the record on again you know and we we went crazy and the
00:43:59.620 whole audience went nuts and so there was no turning back obviously and so our whole lives
00:44:05.060 turned around right then and there there was nothing that was clearly the god shot this is
00:44:10.140 your job so keep going you know that was we all got hit that night the big bolt you know god shot
00:44:18.320 i love that it was great and so um the theater owner had seen i think it was multiple maniacs
00:44:26.680 and wanted to book multiple maniacs that's sebastian sebastian ran the nocturnal dream
00:44:32.800 show the theater I don't even know who owned this theater but the theater manager and Sebastian had
00:44:38.160 made a deal so yeah Sebastian was always looking for avant-garde films and there was a lot I mean
00:44:44.400 he would show the French New Wave along with silent films and he showed everything and so he
00:44:50.000 was always looking for new films and so he found multiple maniacs and oh we went crazy when we saw
00:44:56.480 multiple maniacs are you kidding when they have the the you know the revival when mink is doing
00:45:03.040 the revival and divine comes in and shoots them all oh my god we went nuts when i mean i i saw it
00:45:09.820 for the first time in like you know the 2000s and it was still like i can't even imagine what it
00:45:15.520 would have been like to see it then there's no other film scene that can compare to that i mean
00:45:20.960 No, no.
00:45:21.960 Let's see what happened in that.
00:45:24.780 Imperfection.
00:45:25.780 Yeah.
00:45:26.780 Concentral imperfection, crafting, everything.
00:45:28.720 I mean, and who better, but Divine, I mean, really?
00:45:32.280 So then Sebastian went looking for John Waters and he contacted him.
00:45:40.320 So John came to San Francisco before Divine.
00:45:45.240 So John came and he lived, I think he lived for a while in San Francisco, so we all knew
00:45:49.280 John. And then it was, it wasn't until 72, the spring of 72, that Divine came. But this is before
00:45:57.840 Pink Flamingos, actually. Yeah, so Divine came. And I mean, there were other pockets of freak
00:46:06.260 theater people. There was Tomato Duplini had created the WizKids in Seattle. He had been in
00:46:12.080 early coquette shows. No, believe me, Hibiscus really was a shaman. And when he turned you on,
00:46:19.280 to your true self your magical fabulous self that it was forever you know and he really he
00:46:27.600 changed so many people's lives he was so wonderful you have no idea what a great person he was and
00:46:34.220 what a genius and it's so iconic too that he happened to be caught in that moment
00:46:40.280 a gun barrel that became this iconic photo and then unrecognizable as hibiscus
00:46:47.080 i know and even that was even before he was yeah yeah the thing with uh he he had a destiny there's
00:46:54.500 no question about it no question and he was he was born into an extremely supportive and loving
00:47:00.760 family who at who they were like a regular family and they lived in florida and but he was he was a
00:47:09.240 theater person i mean he was a reincarnated theater person from god knows when you know what i mean
00:47:15.220 And he used to say, theater is the blood in my veins.
00:47:19.620 Yeah.
00:47:20.640 I have no idea how melodramatic he was.
00:47:22.720 I loved him.
00:47:24.340 So he turned his whole family into a theater family doing children's theater.
00:47:31.240 I mean, they all were involved in the theater.
00:47:34.740 And they had just been regular.
00:47:37.000 You know what I mean?
00:47:37.720 And he did that.
00:47:39.320 And then Ellen Stewart started La Mama in the 60s.
00:47:43.860 and somehow i don't know how she knew them but she brought them from florida to new york to work
00:47:50.020 at la mama so hibiscus was working in an underground theater from early teenager you
00:47:57.060 know so he was really he knew all about underground theater and i did too because i was always in
00:48:04.260 manhattan when i was in high school i was always going to manhattan and and looking for that stuff
00:48:09.940 so i when he came to us and he explained what he wanted i knew exactly what he was talking about
00:48:16.020 so um yeah um well just going back to new york um were you did you work with andy warhol before
00:48:29.700 you were a cockat? How close? Like, what the hell, Phat? You really, I mean, great.
00:48:42.020 Well, I don't know. You know, my grandparents were artists. My grandmother was an opera singer
00:48:48.180 at the Met, and my grandfather was, he was a visual artist, and he was very successful. They
00:48:55.700 They were both really successful.
00:48:57.660 And my father, he had the soul of an artist.
00:49:00.300 And I probably would have been one
00:49:01.820 if it hadn't have been for the Depression era,
00:49:04.320 the warrior, that kind of thing.
00:49:05.760 So he was a businessman.
00:49:07.460 But my brother went into music and I went into,
00:49:10.880 I was a painter.
00:49:11.780 And my father was thrilled to death, absolutely thrilled.
00:49:15.280 My brother had singing groups.
00:49:17.980 He was into four-part harmony.
00:49:19.760 And he later, you know, it was the Manhattan Transfer,
00:49:22.320 created Manhattan Transfer.
00:49:23.540 So from high school.
00:49:24.740 Wait, wait, wait, wait, wait, what?
00:49:28.000 Oh, yeah, my brother.
00:49:31.900 Your brother was in, created Manhattan Transport.
00:49:37.920 Okay.
00:49:39.280 I'll just add another one to the incredible tapestry here.
00:49:44.000 The family.
00:49:45.920 Yeah.
00:49:46.480 He had his first four-part harmony group in high school called the Criterions,
00:49:52.240 and my dad was the manager.
00:49:54.100 then when he was in college he had a he had a trio like the Kingston Trio like a folk trio
00:50:00.980 then after that he created them there was a first incarnation of the Manhattan transfer
00:50:07.060 that was kind of a little all over the place and that lasted they had one record on capital
00:50:15.140 but then that disbanded and Tim honed the whole thing much better and he took a few years to do it.
00:50:25.540 So when we went to New York with the show, Tim was starting to form the transfer and he was at
00:50:32.900 the show every night and so he was way loved the Cockettes and John Rothermill was a very early
00:50:41.620 devotee of art deco you know and he he he was the one who turned my brother on to
00:50:48.180 the whole black and white and the art deco thing and and so that you know that's how that happened
00:50:54.660 but um anyway um so okay so so tim was four years older than me and when we were growing up he
00:51:05.860 whenever when i was in school he would be in the next level high school when i was in high school
00:51:10.020 he was in college so you know he and I were in separate worlds and you know but when he started
00:51:18.260 bringing home his college friends they were going let's take your sister you know who's who's she
00:51:24.700 they were gone I'm taking her to the beach then he was like who what you know so then all of a
00:51:34.180 sudden I was like an asset you know but then I mean we were tight we were really tight so
00:51:39.880 But then he was all of a sudden paying attention to what I was into, and I was just combing over everything that was in Manhattan.
00:51:48.800 I thought Manhattan was the absolute Mecca of the world, and there was no reason to live or be anywhere else.
00:51:56.060 Because you grew up in New Jersey, right?
00:51:58.260 Yeah, in the beach town, in the Jersey Shore.
00:52:01.920 Yeah, so Manhattan was the place to be.
00:52:04.640 Great place in the 60s.
00:52:06.360 And a lot of people from everywhere else came to the beaches there.
00:52:11.360 So, I mean, I was aware of a lot of things being in New Jersey, being in the Jersey Shore.
00:52:17.360 So, and it was just a bus ride. It was like an hour bus ride into the city.
00:52:22.360 So, there was Pratt Institute, like the oldest art school in New York, had like a Saturday high school art class.
00:52:31.920 and I already my dad had arranged like an art teacher uh this was when I was about 16. I got
00:52:38.880 my first art teacher and then she told me about the Pratt Institute and so then on Saturdays I
00:52:44.320 would take the bus into Manhattan and go to this Pratt class but the the the Pratt class was kind
00:52:50.720 of like commercial art you know wasn't wasn't so deep so uh but I really you know after the class
00:52:58.960 was like an hour or something like that and then i would roam around manhattan
00:53:03.200 which is really what i wanted to do so i i never told my parents that i wasn't going to the class
00:53:08.880 anymore so um you know so then every saturday i would go in and all week long i would comb the
00:53:18.080 papers and find out what the gallery openings were what films were going to play time square was
00:53:26.000 where all the french new wave films played they all played on time square because they were
00:53:31.280 considered racy right of course one like foreign film house in asbury and it played eight and a
00:53:40.160 half and you know it was like the catholic league of decency you did not go see that felini movie
00:53:46.320 scandal you know yeah so i had a boyfriend he said what should we do i said we're gonna go
00:53:50.960 see eight and a half you know right i didn't understand any of it when i saw it but i sure
00:53:56.080 loved it so but anyway so uh but then tim after school he he lived in manhattan so but by that
00:54:05.120 time i was in at bu in art school and so on the weekends i would go to manhattan because he had
00:54:12.880 okay so he had a roommate um who he was a model he was a male model and steve's his name was steve
00:54:22.800 and uh he so he worked for a lot of photographers he knew the photographers and there were the the
00:54:28.560 new york discos of the 60s the french discos the first one was called uh lantern d there was lantern
00:54:36.240 G and then there was on Dean and on Dean was just incredible and it was midtown on the east side it
00:54:44.800 was under the Manhattan Bridge I remember that so that's where I started to meet you know all the
00:54:50.960 the authors would go there um I met Tennessee Williams I danced with Tennessee Williams I did
00:54:59.360 the Frug. You know, so I mean it was all models, photographers and writers. That was the group
00:55:09.280 that was there. I saw the Doors there, the Rolling Stones. They were there, but they weren't playing
00:55:16.000 there. But you know, so there was Mick Jagger on the dance floor was like the size of, you know,
00:55:23.520 like half my living room was the size of the dancer. So you were crushed up against Mick Jagger.
00:55:29.360 So, yeah, so there was this, Steve Sesnick's employer had a penthouse, it was either his
00:55:41.580 agent or, it was his employer, he had a big, he was wealthy and he had a, he was friends
00:55:46.220 with Tennessee Williams, and he had a penthouse around the corner from Ondine, so after Ondine
00:55:51.700 we would all go, Lester Persky, we would go to Lester's penthouse, and all the freaks
00:55:57.600 showed up there so we're sitting around at this penthouse party it was kind of boring and the
00:56:02.240 door opens and in comes the warhol group and they had been in london and they had just come back
00:56:08.720 and gerard malanga walked in in this black shirt with giant polka dots on it and i thought oh my
00:56:14.080 god and they headed straight for the kitchen and so i went to the kitchen too and spent the whole
00:56:20.960 night hanging out with them so Andy Warhol he was yeah we're we're gonna do a movie um why don't you
00:56:29.920 come this was a Saturday night he was why don't you come to the factory tomorrow and you can be
00:56:35.360 in my movie and I said yeah be there so by that time I was driving and uh my dad he was really
00:56:45.360 he would let me do anything he was fabulous fabulous so i drove into manhattan drove to
00:56:52.720 the factory and i mean at that point you know i so this is i'm 17 and i had no idea what
00:57:00.880 drugs were or anything like that so uh i you know i get to the loft and andy opens the door
00:57:08.720 goes oh yeah come in and it was so to me it was so outrageous you know i was like
00:57:16.640 so it was the first loft that had the tin foil on the walls and on one side it was very long
00:57:21.920 and on one side they were doing uh they were preparing screens for a show in montreal of
00:57:28.960 those four flowers so there were all these guys screening you know on one side this whole operation
00:57:35.280 was going on and on the other side of the loft there were all these couches and all the freaks
00:57:40.820 were hanging out on these couches and carrying on screaming crazy and so so Andy gets two stools
00:57:49.020 at like one end of the loft and he said you come sit here you know he loved watching that was his
00:57:55.440 thing he was a voyeur really so he put the stools down and he goes you sit right next to me here
00:58:03.200 and you can you know ask me anything you can ask me anything about anybody here so what do you want
00:58:10.440 to know so i'm sitting there and i said well who's that and he goes that's marie menken because she
00:58:16.600 was carrying on like crazy and i said why is she carrying on like that and he goes well
00:58:23.460 she's on speed do you know what that is it's almost like a twisted sesame street
00:58:30.720 do you know what c it is letter s
00:58:35.680 and i said no and he goes well have you ever had any diet pills and i said oh yeah i have
00:58:46.120 my mom of course she was so fat phobic and she goes you know you know she was giving me the diet
00:58:51.620 pills which were so great i'd take a diet pill and paint away you know so i thought they were
00:58:58.100 great for that so i said oh yeah and he goes well that's speed so that was that but so then also uh
00:59:07.860 ronnie table was there and he was the he was the writer and he had they were doing films i mean i
00:59:13.620 think they had just done empire because the flyer they had a like a like it was like a public phone
00:59:19.860 that was next to the door and above the public phone was a flyer for empire you know empire was
00:59:26.500 just the empire state building and then the sun sets and you know the lights come on that's the
00:59:31.140 big event in empire is when the lights come on so what a concept so he said we're we're gonna do uh
00:59:40.180 the the life story of juanita castro and so that's the film that we did and ronnie tavel his idea
00:59:48.500 was that um he had the script and people you know i was raul and we we sat on marie menken was in
00:59:58.620 the front in a in a big overstuffed chair and behind her were stools and we all sat on these
01:00:05.960 stools and he would point to you and tell you what to say and so then you had to say it so it
01:00:12.040 was that underground theater concept that he was doing.
01:00:17.280 So yeah, so we did that.
01:00:23.900 So then I think a week later, he called me up
01:00:28.280 and that was my first year at BU,
01:00:30.820 you had to be in the dorm as a freshman
01:00:32.880 and then you could live elsewhere.
01:00:34.800 So that first year, so I'm in this girl's dorm
01:00:39.080 and the phone rings and it's Andy,
01:00:40.680 well hi dad this is Andy and I I'm thinking these girls don't even know who I'm talking to man
01:00:47.080 so he said are you coming back we want to shoot the film again but I couldn't I was having like
01:00:52.660 you know finals or some shit like that yeah come back anyway so yeah but he was a sweetheart
01:01:01.920 and uh my friend uh joseph freeman he was he was in high school at the time and um he
01:01:11.060 he loved andy warhol he grew up in brooklyn and he um he wanted to interview andy for the school
01:01:19.940 paper you know he was cute so he went to the factory and anybody could walk in i mean that
01:01:25.860 was the thing Andy Warhol you know he was like an underground artist it wasn't like he was uh
01:01:32.640 untouchable or anything it's quite the opposite you know if you wanted to meet him he was totally
01:01:38.460 available and he loved that he was extremely social and he would you know whatever you wanted
01:01:44.160 to do it was cool so he Joey went up there and he asked him if he could interview him for the
01:01:48.880 school paper and he did and then he became his assistant so after high school got out he would
01:01:55.760 go to Andy's house and wake him up and make sure he got to this to the factory
01:02:01.100 by like 4 30 or 5 o'clock or something and that became his job you know for
01:02:06.580 however I mean I think he's he's any took he got into Polaroids so he has a
01:02:11.820 whole collection of Polaroids and I think so he's putting them into a book
01:02:15.520 right now I was gonna say I think this is gonna be the next book and we haven't
01:02:20.000 talked about your book yet so please let's get into that it's the 50th
01:02:24.800 anniversary of the coquettes explosion and I want to get into the title a bit we know what the
01:02:31.080 coquettes is coquettes acid drag and sexual anarchy so I think we kind of covered acid drag already 0.84
01:02:38.600 tell me about sexual anarchy well uh we believed that if you loved someone then you had sex with 0.91
01:02:50.360 them and it was it was really there was like a moment in time where the door of androgyny
01:02:57.680 opened wide and and any kind of sexual experience with each other as long as you loved it as
01:03:06.240 long as it was not you were not victimizing anyone it was all consensual and it was how
01:03:13.480 you met someone you know because a lot of people you would meet someone and it would
01:03:19.040 be kind of a nonverbal exchange you know and you would you would get the vibe you know I mean all
01:03:27.880 those cliches had a base in truth so you would meet somebody you'd be really attracted to them
01:03:34.420 you would be kissing them and then you would you know what I mean and after that that's how you got
01:03:39.820 to know someone you know and after that you would see if you wanted to go further with them and find
01:03:46.100 out what they were like and actually have a deep conversation which was considered more intimate
01:03:51.100 you know what i mean getting into their mind was yes right yeah the cockat house was very much like
01:03:59.840 that and it was it was really like the sex house um because everybody that was there had had been 0.66
01:04:06.860 was totally turned on in that way and um you know the other thing was like the body consciousness
01:04:13.380 in San Francisco, it was so elevated. It wasn't like anywhere else. Nothing was hidden. Everything
01:04:20.200 was out in the open. And people were so, like the sexual consciousness was so high that it was
01:04:28.320 when I first got there, I mean, people walking down the street, they would look you square in
01:04:33.880 the eye. And, you know, it was very out there. So it was almost like when I first got there,
01:04:39.540 it was like intimidating already it was so different even in new york people it wasn't
01:04:45.060 like that even among the freaks there you know so i mean i was so into that scene in new york
01:04:53.300 but really this was like the advanced you know then it was the advanced you know class
01:05:01.620 so um yeah i mean you really people people's sexual awareness was almost the most important
01:05:08.820 thing and it dictated it definitely dictated how you dressed and um you know the interaction was
01:05:18.580 almost so prominent as far as the sexuality and so positive and welcoming you know there wasn't any
01:05:26.820 um there was no judgment i mean it was a golden moment for sure when people were not judging each
01:05:33.620 other it was very giving and loving and sharing and all of that was was so perfect um so I think
01:05:42.960 you you summed it up kind of nicely I wrote this down um people were allowed to live at the end of
01:05:50.160 their imagination yeah and you know I I thought that at the time I even thought that when I got
01:05:56.320 there i thought this is it this is we're actually living where our imagination as far as our
01:06:06.000 imaginations can go this is how it's being manifested right now and i realized that at
01:06:12.240 the time and that's why i wanted to stay i mean i never left after i got there i wasn't supposed
01:06:18.320 to stay there but you know my life totally changed and many many others that's what happened
01:06:25.840 it was so life-changing because it was so advanced in a great way i mean it truly was
01:06:33.040 you know the jefferson airplane there the first band was called the great society and that's what
01:06:37.760 it was you know it really was the great society then and everybody was participating and a lot
01:06:44.880 of people like the coquette house jesus uh everybody was naked walking around or else 0.99
01:06:50.000 you know uh with naked with accessories accessories but with your glittered penis 0.98
01:07:01.120 so um people were intimidated you know it was it was definitely people either came and jumped in 0.99
01:07:08.320 or they ran so yeah that's i think that that still happens how do you like how do we get back there
01:07:18.480 Please. What do we do? You know, I mean, because here's a quote from, this is Midnight at the Palace that Pam Tent wrote. And because this is sort of like a counterpoint to your book. This is very text heavy. There aren't a lot of pictures in it. It's a great book. And your book is more like a coffee table book.
01:07:44.760 it's like luxurious oh i saw the pictures i mean mine's mine's on the way so listeners i will do
01:07:53.080 an update when it comes but i saw a bunch of pictures from various courses of people look
01:07:59.160 gorgeous like a yeah like a coffee table book like something that you're going to want to
01:08:05.880 have out on your coffee table anyway back to pam ten so that's good stories so her book is a lot
01:08:12.680 of anecdotes from different members who remembered all all the different stories so her book is like
01:08:19.720 one side and that's why i wanted to do something else that was the visual story because there were
01:08:25.720 so many photographers that took pictures because we were so we were the first we were the pioneers
01:08:31.640 so we were photographically uh heavily covered i mean obviously like this was a subject yeah
01:08:40.680 definitely and there's more there's more so i'm looking now to doing a deluxe edition
01:08:47.560 you know a bigger book because i had to cut out 32 pages it was too big
01:08:54.280 a minute almost 400 pages so we had to cut but uh yeah i want to do a deluxe edition with a dvd
01:09:01.880 so we'll see yes i in 2002 the documentary came out oh yeah like a little bump for the sort of
01:09:10.680 know zeitgeist in terms of the cockettes and now your book is coming out but um i still i feel like
01:09:18.840 people who know the cockettes know and we're obsessed and are like oh you know like did you
01:09:24.680 see that that bit that like jalala made or you know and we get we get very into it but but then
01:09:31.080 then there's the other thing of people who've never heard of the cockhead which is mind-blowing
01:09:36.440 to me because this is like um if you're into i want to say like grace jones or or james st james
01:09:42.200 and the club kids or lady gaga um you know this is where we trace that back to in a in a very
01:09:48.680 large way so pam wrote um that new york fashion designer mark jacobs had found the inspiration
01:09:56.360 for his 2004 spring line in images of i'm quoting an obscure group of cross dressers called the
01:10:03.480 Cockettes. It's amusing to realize that some 30 years after our radical politics, sexual rebellion,
01:10:10.680 and theatrical extravagance made us the poster children for San Francisco's thrilling counterculture,
01:10:16.440 we would be remembered merely as a fashion footnote. How do you react to that? Well, that was
01:10:23.240 really, you know, Marc Jacobs lived in San Francisco and was part of the Castro scene
01:10:30.760 in the late 70s. I don't think he ever saw a show but our visual language a version of drag that
01:10:39.640 was more expansive than just creating the other facade which was popular then. Just the gender 0.91
01:10:47.480 flipping as opposed to the gender annihilating. Well that really took hold in the Castro and so 0.91
01:10:56.120 he was a part of that scene so he knew about the cockettes and he was influenced by them and then 0.71
01:11:01.800 he became a professional uh fashion designer so when he was looking to do something radical so
01:11:09.640 he gave uh this was after the film came out like two years later he gave his whole design team
01:11:15.320 copies of the film and said watch this film and this is going to be where we're coming from
01:11:21.560 so the film really you know we there's something you know the big door that opened to all the
01:11:30.520 radical behavior really kind of shut by the time the 80s the mid 80s you know it went in a total
01:11:40.120 other direction and so people were not paying attention to what we had done and we had only
01:11:45.480 been together for three years we didn't carry on after that even though there were spin-off groups
01:11:51.240 you know like um the hot peaches there was groups in new york there was groups all over i want to
01:11:57.880 say the ramones opened for the whiz kids which was one of your sort of options oh no that was
01:12:03.800 tomato and i after that tomato formed the whiz kids in seattle and tomato and i we fell in love
01:12:10.600 the summer before we went to new york the whiz kids came to san francisco you know these groups
01:12:15.960 like the Ridiculous Theater people, the John Waters people, the WizKid people, whenever we
01:12:21.160 would travel as a group to go see each other, you know, and when they would came, when, you know,
01:12:26.460 we would go to the airport to greet them, and you know what I mean, and they had gotten in a van
01:12:31.140 and drove to San Francisco to be with us. It was, it was like this, you know, the other stars were
01:12:38.580 coming, you know, because we had our own galaxy, and there were certain groups that were in it,
01:12:45.080 and they were coming and it was a big deal so they came in the summer of 71 and tomato and i
01:12:51.860 met each other and it was like totally when you say a bolt from the blue it was bang and yeah so
01:12:59.240 we completely fell in love and had a big romance and he wanted me to come to seattle so then in 72
01:13:07.840 when the group broke up he said oh you have to come here right away so then i went and spent the
01:13:12.160 summer in Seattle and when we got towards the fall because when we were in New York even though the
01:13:18.080 opening night thing whatever but all the underground artists were really into it and
01:13:24.420 they wanted us to come back and perform in New York so tomato and I went back with link we went
01:13:30.120 to New York and we started looking for small places to play and we found a place to live we
01:13:37.280 were living in this tenement it was a city-owned building on it was off the bowery it was bowery
01:13:43.300 and second street and we had the top floor i mean it was funky as hell you know but hey you know
01:13:50.160 we were doing what we wanted we carried on we've fucking carried on so so we were looking for small
01:13:57.880 places to play and right around the corner was this bar called hillies and then all of a sudden
01:14:05.100 but it was closed and all of a sudden it had a new awning that said CBGB's and just like
01:14:10.860 they show in the film, I think Hilly must have done this every day because it was the 0.94
01:14:15.500 Bums neighborhood. It was really we and we were in another country called the Tramp, 1.00
01:14:21.940 you know what I mean? That's where the, you know, the hobos lived on the Bowery and so,
01:14:28.520 you know, and then we, you know, so Hilly was sweeping the street and that's how we
01:14:34.140 met him and he showed us the club and it had a stage it was perfect so we started doing shows
01:14:40.220 there and that's when and then the band started coming in because he was divine he really wanted
01:14:46.140 he was way into helping young culture and whatever it was was fine with him and it was a beautiful
01:14:53.740 hangout and uh welcoming to everyone so we had this show that we did called savage voodoo nuns
01:14:59.500 and and then the bands would gradually come and so and it would be not just one
01:15:09.740 play I mean there'd be like we'd go on all night when we went I think it was
01:15:16.140 one of the whiz kids Gorilla Rose had gone that afternoon to CBGB's when the
01:15:22.000 Ramones were doing a soundcheck he wanted to check out who they were and he
01:15:25.680 came back and said you're never gonna believe this group so that's how we met
01:15:29.940 the Ramones because they they opened for nuns you know yeah and you also did some
01:15:38.520 costume production for it sorry oh I immediately
01:15:44.180 bless your heart
01:15:49.700 this was before he made his rap album though right
01:15:55.300 we frequently shared we shared that's part of the sexual anarchy yeah and you also did so i just
01:16:06.120 want to illustrate for our listeners who maybe like don't know um like how heavy your hand has
01:16:11.520 been and in terms of like the the growing aesthetic of American culture I mean you were a costumer for
01:16:19.120 uh Bette Midler when she was trying to break into Las Vegas what was that experience like like early
01:16:26.320 Bette Midler this is not Beech's Bette Midler this is like bathhouse Bette Midler trying to
01:16:30.560 for the bath house yeah yeah so when we this happened when we were in new york
01:16:37.680 in 70 71 and when when the show was playing she came to the show i think my brother brought her
01:16:44.480 to the show because she was doing the same you know they were into like 20s and 30s and 40s jazz
01:16:51.920 and and the vocal groups and she was into the same kind of music and there was there was a
01:16:56.960 like a small group of musicians that were into that uh and so they all knew each other so tim
01:17:02.640 knew bet and he brought her to the cockettes show and then um he and after the cockettes show was
01:17:09.840 over um i stayed in new york for a while because it was christmas time and so you know i stayed there
01:17:16.080 uh christmas in new york that's it yeah yeah especially if you're from there it's like
01:17:22.080 untouchable yeah so i stayed there for christmas and new year's and everything
01:17:27.440 and so um i you know the group stayed at the albert hotel but a friend of mine named rose she
01:17:34.640 had a place on on perry street in the west village and she was teaching she was an art teacher at
01:17:40.400 monmouth college and she said why don't you stay in my apartment you know i'm not there i am so
01:17:46.640 john flowers and i stayed on perry street and so then when everybody went home i stayed and i was
01:17:52.480 still on perry street so tim brought her over one day and uh we became fast friends and we talked
01:17:59.440 about everything and then she said well you know she was the thing was johnny carson was mentoring
01:18:05.520 her at the time and he was bringing her on his show uh quite often and he was going to be
01:18:13.360 headlining at the sahara in vegas and he asked her to be the opening act and this was her first
01:18:20.960 really big out there thing so she was you know she said i am just i don't you know and at that
01:18:29.520 time also you have to remember there was not like tour support like that happened in the in the
01:18:36.720 record company the great record company era of tour support right i knew the cocaine right
01:18:45.520 and mega bucks they were you know showering you with everything so uh she was on her own
01:18:53.920 and she said i i need help and could you come and help me i don't know what i'm gonna wear
01:19:01.120 And can you bring some stuff?
01:19:03.840 So I said, absolutely.
01:19:09.120 You packed up a suitcase full of coquetry.
01:19:13.080 I packed up the coquette trunk.
01:19:17.060 So we went back home and we, we, we did shows after that.
01:19:23.540 We did Journey to the Center of Uranus.
01:19:26.200 And that's when Divine came and she was in that show.
01:19:29.560 and um then we did the last version of pearls after link added a third act and more songs and
01:19:37.100 everything this is pearls over shanghai right pearls over shanghai so by that time i had
01:19:43.300 completely forgot about it i told you know it's like what when this was she it was in april
01:19:52.360 that we're supposed to go so i get a phone call one day and she said hi do you remember
01:20:01.080 you're gonna come right you're still gonna come right oh wow okay yeah okay yeah you know so so
01:20:11.000 um nobody went to vegas at that time i mean not even your parents really
01:20:17.560 you know it was not it was a mob town and it was showgirls women with big hair and uh the mob and
01:20:30.280 i mean it was not someplace you went certainly not as a hippie man
01:20:35.560 so it was a big deal so the cockettes were all fan is going to bed
01:20:41.080 they're all over the moon about it so at the time uh when we got back a few of us
01:20:52.520 got a place this was in the castro um on belcher street and it was john flowers myself
01:21:01.320 wally i think daniel was there i mean you know everybody was moving in and out of places but
01:21:08.040 so it was definitely john and wally were there and i think daniel was there too
01:21:12.440 so that's where i was when i had to start getting this together
01:21:16.440 to actually go to vegas okay so um the significant feature about this is
01:21:24.280 that qualities were invented right and there was a place
01:21:30.600 around the corner from where we were living that we
01:21:34.360 that was a clinic and qualities has so many fabulous drugs was invented to get you off heroin
01:21:43.000 right but of course when they immediately when they realized that you got high then it was illegal
01:21:49.480 you know yeah the the euphoria oh no x the euphoria god forbid you should feel this
01:21:57.000 so and know it you know what I mean you're right so but meanwhile this was
01:22:03.300 when it was still legal so everybody signed up and we called it the quality
01:22:07.680 clinic but you had to sign up as a junkie you know so I mean who is going
01:22:14.900 to use your real name and and sign up and say you're an addict I mean nobody
01:22:20.620 did that so i had an alias betty carlisle betty carlisle perfect very sweet and innocent lady
01:22:31.340 i still had this like sweet face i mean i've been fooling them my entire life honey
01:22:37.260 really they all think oh she's so angelic look how cute oh my god no baby you're not up here
01:22:46.300 Yeah, yeah. So every night, it became, people would cop at the quality clinic and then come to our house for like cocktail hour and get crazy high. So that's what was going on when I'm trying to all of a sudden figure out, you know, what to do with this. And it was just impossible.
01:23:11.300 So I just put everything into the Coquette trunk and shipped it air freight to Vegas.
01:23:17.400 And this is an old steamer trunk, quite sizable, with the Coquettes spray painted on top in neon yellow.
01:23:27.920 And that got shipped off to Vegas on Delta.
01:23:32.440 You know, it still had its Delta sticker on it.
01:23:35.220 so bett tells the story that she was already there and all of a sudden she was in the lobby
01:23:43.800 and her boyfriend was one of the musicians in the band and they're standing at the desk and this 0.94
01:23:50.140 trunk comes through the lobby and they went what the fuck is that and then they go to get in the 0.67
01:23:57.160 elevator and the trunk follows them into the elevator and they get out of the elevator and 0.98
01:24:02.360 trunk follows them down the hall and goes into the room with them and then she realized what it was
01:24:10.680 so i was supposed to go there i think on thursday night i don't i can't quite remember but uh i just
01:24:19.320 you know got two stoned and completely missed every flight and then i also so i was also had
01:24:25.640 a footlocker that i brought with me that had shoes it was all shoes and i had the coquette
01:24:32.680 press was in there because by that time we were in a lot of magazines and we'd already been in new
01:24:37.160 york and i thought i'm i'm gonna be in vegas maybe we could get further you know we all wanted to go
01:24:44.520 to paris and i thought we could find somebody that can get us to paris so i brought all the
01:24:51.000 press and that was all in the foot locker so thursday completely missed the flight friday
01:24:57.560 and everybody was coming over at this point even more people were coming over because i was going
01:25:02.520 to you know it was so screamingly insane um and i had gotten like a barrel of koalas to take with
01:25:13.720 me under Betty Carlisle and Wally made me a hat like a big hat with you know what Wally looked
01:25:22.360 like he was he wore everything all the time so this hat was like a big sun hat that had flowers
01:25:29.560 it was wildly crazy and Daniel he rolled like three joints that were like stogies you know
01:25:36.840 you know, like cigars, these joints,
01:25:40.220 and they were stuck in the hat.
01:25:41.880 And he said, this will be fabulous.
01:25:43.840 You get to the dressing room,
01:25:45.220 you whip a joint out of your hat,
01:25:47.160 you light it up and get everybody stoned,
01:25:48.940 and that'll be your entrance.
01:25:50.300 And I said, yeah, you know, so.
01:25:54.100 So I got off on Friday and I got the last plane,
01:25:58.520 which was at 2 a.m.
01:26:00.600 And of course they give you champagne on the flight.
01:26:04.200 So I got to Vegas and it was,
01:26:06.840 what, like 3 a.m. in the morning, no one was in the airport. And, you know, I get out of the
01:26:12.920 airport and I'm on the street with my footlocker and waiting for some kind of cab or something.
01:26:17.920 And I realized I have to pee. So I totter back in. And oh, meanwhile, you know, I didn't have
01:26:25.520 any kind of straight, like whatever you want to call it, clothes at all. So I had, I had picked
01:26:32.500 what i considered the most you know moderate dress that i had was like a 1930s it was kind of gray
01:26:42.180 and white you know little chemise kind of 30s see-through dress and i thought they'll not
01:26:51.140 notice me it's moderate by cockat standards in the in the universe that you had created
01:26:58.580 so meanwhile john as i'm getting into the cab john says
01:27:02.500 fayette don't wear the hat and i'm like i want to wear the hat you know don't wear the hat
01:27:12.980 so i i taught her back into the airport and i come out of the bathroom
01:27:17.860 and the security guard just grabs my purse and i was so stoned that i didn't know what to do
01:27:24.740 and well that was illegal and he opens the purse and he pulls out that bottle and the next thing
01:27:30.980 i know i'm up in the office and they're looking at my id and it's not the same name as on the
01:27:36.680 bottle whatever betty carlisle oh bang i'm in a police car and the lights of vegas which were
01:27:45.060 not very many at the time are going in the opposite direction and i'm weeping because
01:27:52.740 when you're stoned and the picture changes drastically what else you burst into tears man
01:27:58.880 Absolutely.
01:27:59.880 So then I'm in jail.
01:28:03.420 And I got one phone call and I called Ben, he arrested me right on the airport.
01:28:09.560 We'll come get you.
01:28:10.560 It's so straight here.
01:28:11.560 It's just, we'll come get you right away, but they wouldn't let her.
01:28:15.800 So I had to stay the night.
01:28:17.720 So meanwhile, okay, so, so first I was in like a holding cell, you know, and the foot
01:28:23.540 locker is in front of the holding cell.
01:28:26.360 the cops open it up and they're they're looking i'm looking at them and they're looking at the
01:28:30.920 press and some of it there was one softcore porn magazine called adam right and there we were in
01:28:39.280 that because clay gerty has put us in everything and so they're looking at all that press and i
01:28:45.740 had like a moment of clarity what they call and i remembered the joints and i thought you know
01:28:51.020 were you still wearing the hat I'm still wearing the hat right so right so I backed into the cell
01:29:01.040 and I took the hat off and I pulled out the joints and there was like a lid in there rolled
01:29:06.420 into three joints and there was nothing else to do but I so I ate them so I ate the joint and when 0.98
01:29:14.280 they pulled me out of the cell I was like picking the so we you know because this is Mexican weed
01:29:19.880 full of stems and you know it's so funky not like now so pulling the leaves out of my teeth 0.95
01:29:27.080 and then I went to whatever the women's prison but I don't remember a thing after that I must 0.91
01:29:32.600 have just you know they threw me on a bed so then I woke up the next morning and I didn't know where
01:29:40.320 I was because I was so stoned yeah you had eaten basically like an ounce of weed on
01:29:49.640 on top of whatever ludes you had taken up to this moment and champagne oh that that's the icing on
01:29:57.900 the on the yeah a little bit of fizzle there yeah so I so I woke up it and it was this big room full
01:30:09.260 of bunk beds and I was the only one in there and I thought I had been institutionalized that I had
01:30:15.300 finally flipped out and they caught me because that happened to a lot of people you know if they
01:30:21.840 if you had gone a little too far and you were not among your own people you know if you were among
01:30:29.000 in the house or you know people would that was like the big danger then was that you would be
01:30:35.940 nabbed by the man and end up in a crazy house and you had just you know you were just on a trip but
01:30:44.120 to them you were absolutely out of it because the communes protected we
01:30:49.060 protected each other so if somebody was speechless and too zoned out then you
01:30:55.580 would bring them in and put them to bed or sit them in the corner and just you
01:30:59.800 just stay right there until you come down because you don't want to be out 0.97
01:31:04.040 there so but meanwhile here I was in fucking Vegas and I thought now I've 0.97
01:31:10.740 it's happened and I've been put in the nuthouse and I looked out the window and 0.98
01:31:15.900 there was the desert and a wedding chapel and I thought now I'm
01:31:20.940 hallucinating this is really bad so then I went out there was a room and there
01:31:27.900 were other ladies there and they're watching TV or playing checkers or
01:31:33.220 something and I sat down next to this this this like black lady and and you know I just sat there 1.00
01:31:42.140 and she said what are you in here for honey and I said oh well drugs what about you and she said
01:31:50.240 well I was with my boyfriend last night and he was gambling and he wouldn't stop and he wouldn't 0.67
01:31:56.140 stuff so i shot him and i thought oh my god i'm in here with murderers great
01:32:08.140 so but then bet came and got me yeah i mean just the sort of juxtaposition of like i'm in
01:32:13.260 here with murderers but don't worry bett midler is gonna come and bail me out of jail it's so
01:32:18.060 surreal and there was there was this guy named bill hennessy he was a makeup he was a hair stylist
01:32:26.140 and he traveled he would travel with women that were on their own I mean if
01:32:32.080 you read Joni Mitchell's biography she talks about going on gigs and she would
01:32:38.080 go all by herself and the guy that wanted to be her manager she said yeah
01:32:43.140 you can come but you got to pay for the train or whatever yourself and that's
01:32:46.960 how it was there was no like you know nobody so she had Bill Hennessey and the
01:32:53.120 of them came and bailed me out and I said you know I think I should just go right home because this
01:32:59.040 is not my town and Bill said no no let's just go have a drink and uh so we went to Caesar's palace
01:33:08.160 and sat on the barge you know and I'm looking out at Caesar's palace and the barge which was huge
01:33:15.680 but is it still there the Cleopatra's barge oh it was so cool and it would have this big prowl
01:33:23.120 you know that was a sphinx and it went way out into the casino and it would bob up and down
01:33:29.220 and it was bobbing into the showgirl's big hair like they would be standing there and this big
01:33:35.480 thing was bobbing into their hair and i thought this place is even crazier than i thought it was
01:33:41.180 my god so he said listen this is a mob town you know and we're having cocktails meanwhile
01:33:49.960 And, but also they took away my qualities. And I thought this is bad. Yeah. And so I called home,
01:33:58.840 you know, right away and said, John, you got to send me some more, but you know,
01:34:03.880 that never happened. It was too dangerous. So Bill said, you know, they just want to know who
01:34:11.400 you are. And now they know who you are. And besides you're with Johnny Carson, and he's the man. And
01:34:17.880 you can do whatever you want and you can wear what you want so by this time i'm already getting
01:34:23.400 little tips you know and had some and i thought this isn't so bad so i stayed and then bett and
01:34:31.560 i dove into the cockpit's trunk every day and we got dressed up every day pranced around the casino
01:34:39.800 and they would part for us you know and then i dressed her up even more for her show and uh she 0.54
01:34:48.920 was i would stand in the wings and watch her and she would launch herself onto the stage all by
01:34:54.280 herself she was so tiny and she occupied that entire huge space and she was incredible just 0.84
01:35:03.240 incredible i mean i knew that she was going to be a big star absolutely because she could do what no
01:35:07.960 one else could do and you know her whole thing was so avant-garde and brilliant and she was such
01:35:14.440 a great singer you know i thought wow this is gonna be fabulous so johnny carson would stand
01:35:19.560 behind me watching it and i would turn around and look at him and he was like yeah he never spoke to
01:35:26.840 me at all and uh you know i never met him not even once he was off somewhere else but anyway so we
01:35:34.040 stayed there a week and a week in Vegas is like 10 years anywhere else especially then yeah it was
01:35:42.920 pretty surreal I also one day me and the band decided you know there were um off in the desert
01:35:51.320 there were horse ranches so we thought we're gonna go horseback riding of course we're drinking
01:35:59.480 constantly so we went off to this and i didn't have anything like even remotely so i had these
01:36:06.360 zebra striped capri pants and my go-go boots my go-go boots which i adored they were from new york
01:36:15.960 and um so that's how you know we go to this horse thing and we're waiting to get on the horses and
01:36:22.440 we're sitting in the lounge and getting more drunk and then we get on the horses and of course the
01:36:26.920 horses don't want to go anywhere you know so i think i got thrown off the horse or something
01:36:33.960 in your white go-go boots
01:36:38.040 you also made wearable art for uh i want to say the rolling stones uh diana ross
01:36:45.800 yeah and i made these uh it was right when vests were coming in i think it was
01:36:53.320 probably in the early 80s or something um i wanted to have like a small wearable art
01:37:01.000 business and i didn't quite know what to do uh and my friend was doing jewelry and she said why
01:37:08.360 don't you just come to the studio and hang out and you'll think of something so i went to her studio
01:37:13.800 and she was dying beads and making these beautiful necklaces of all these bright colored beads and
01:37:21.160 things on them but just prior to that she had done uh jewelry with findings that that are brass
01:37:31.240 stamped findings of everything you can imagine from lion's heads to occult to egyptian i mean
01:37:38.040 it was just everything and so i looked at that and i thought you know that would be fantastic
01:37:44.680 all over this so then of course i went to the goodwill where else and there's here in l.a
01:37:54.760 there's uh this is already here in l.a and on there's a saint vinnie's that's the biggest one
01:38:03.560 and it's way downtown like beyond downtown and it had a room that had a lot of menswear
01:38:11.960 and I found this rack of about 20 at least 20 Victorian men's black vests I mean it was what
01:38:21.480 I was looking for now that's what I want to say that's the magic of thrift stores flea markets
01:38:28.320 you cosmically send out the message of what you want and then you find it and it appears
01:38:35.840 that has happened to me I can't even tell you how many times and I've seen it happen to my
01:38:41.040 other friends too i know i go with them to a three you know a thrift store a flea market and they'll
01:38:46.700 be looking for i know what they're looking for and there it'll be and it'll be something i've
01:38:51.360 never seen before but there it'll be just for them and my feeling is that here we are on this planet
01:38:58.500 and there is a circle of items that flow around the planet like satellites and that circle of
01:39:07.980 items is constantly in motion and you can call it you know what I mean and it will come to you
01:39:15.400 so I found these gorgeous never worn Victorian black vests and and I never found them again
01:39:24.760 actually you know they're very hard to find actually so I decorated them with these findings
01:39:30.560 you know I got this friend of mine made a drill press for me so it had a very tiny hole and I
01:39:35.760 went into these findings of all kinds and I put them all over the vests and my first customer was
01:39:44.680 Maxfield's which is this high-end designer store here in LA and so they sold them to the Rolling
01:39:53.300 Stones and I did a hat for Diana Ross and so I did berets with all the stuff on did I did I read
01:39:59.780 new kids on the block also kids on the block and uh oh what was his name he was a talk show host
01:40:06.900 arsenio hall was on time magazine wearing one right and ron wood wore one and there was a
01:40:15.220 photograph of the rolling stones and and the photographer actually sent me the picture of
01:40:20.260 the group and with ron wood wearing the vest so yeah so i rode that pony right to the end of it
01:40:28.340 Yeah, again, I mean, I just want to reiterate what I was saying before, like, how heavy your hand has been in terms of, like, the American wearable art, you know, again, from...
01:40:39.060 I don't think of that, but, yeah, I guess.
01:40:45.580 Yeah, well, I'm telling you that.
01:40:49.220 I had my own label, and I, you know, I felt like, I'm in business.
01:40:53.800 um how about how much of the authenticity cultish authenticity um of the cockheads do you think 0.93
01:41:04.620 informed um the idea of real in sylvester's big hit oh my god silly you know we call him silly
01:41:15.100 he was so dear oh my god i loved him so much uh i i daniel was my stage partner and he was living
01:41:23.840 with john rothermill on market street and for a while i stayed with him and sylvester was living
01:41:29.960 there too so i got to live with sylvester for a time and sylvester was one of the greatest people
01:41:36.240 i've ever met he was so warm and loving he was absolutely incredible and it was reggie who
01:41:43.080 discovered Sylvester because he was from LA and he would go back and forth to LA and he brought
01:41:49.040 I mean he he met Sylvester because Sylvester had a group I mean when when he came out to his family
01:41:56.420 they threw him out you know that was common that was common because it was so unusual in a family
01:42:04.800 even if you were gay first of all you didn't come out in the family but people were starting to come
01:42:10.300 out in the late 60s and early 70s they were starting to come out in their families or just
01:42:15.780 leave and come to San Francisco or you know where they could actually have a life and but Sylvester
01:42:22.020 all the singers that he admired were female vocalists like Billie Holiday and you know so
01:42:29.040 he wanted to be that and Reggie recognized that and he said well you have to come with me because
01:42:36.280 we have a group and so he brought him right to the theater and right on to the
01:42:41.500 stage and he started to sing and I mean we were not talented in that way we
01:42:46.180 were all artists but we were not as yet performers yeah that really wasn't the 0.90
01:42:54.040 point of a cock-ass show though yeah yeah so yeah when when was it Gorgie 0.89
01:42:59.820 dollar that said you know having no talent is not enough we thought yes perfect but Sylvester 0.98
01:43:08.280 really did have talent we were spellbound and Peter Minton who became a really important pianist
01:43:15.900 and he had a big band later on I mean the whole thing of what's called vintage you know there
01:43:22.380 was no word for that before but that became a big trend and we certainly were pioneers in that one
01:43:29.060 in all mediums. So Peter Minton was way into the 20s jazz music. So he was Sylvester's,
01:43:36.820 played with Sylvester. And you know, the stage when we were doing a show, it was total madness.
01:43:42.340 But when Peter would start to play a song and Sylvester would appear, the hush came over the
01:43:49.540 audience and everybody stopped what they were doing. You know, there was madness backstage as
01:43:54.180 well i mean it was crazy fabulous crazy and sylvester would sing and everyone just soaked it
01:44:00.980 up it was just so gorgeous so he was able to materialize his dream and live at the end of
01:44:07.940 his imagination on the stage and that was really the purpose of the caulquettes and i i think that
01:44:15.140 that those lyrics like you know the caulquettes weren't real they were mighty real you know and
01:44:21.940 that seems like such a perfect like uh you know encompassing that idea because once you became
01:44:28.260 incarnated as in freed freed up in the cockettes you never went back you know so he carried that
01:44:37.860 whole thing throughout his entire career and you can see footage of him when he talks about who he
01:44:43.300 is he talks about his full-on persona and that he's not hiding behind anything you know he brought
01:44:50.660 that forward in everything and uh even on these you know odd footage pops up everywhere where he's
01:44:56.900 on some tv show and there he is talking about that you know about who he is and
01:45:04.740 unashamedly and uh there wasn't anybody doing that and there's a rainbow that's appearing on
01:45:10.420 your cheek really oh but i think there's like a yeah yeah there it is like rainbow right on
01:45:19.300 it must be there's a there's a crystal in my window it must be hitting me right
01:45:25.140 so so elisa i've kept you for so long it's been so amazing but i really before i let you go
01:45:31.380 i i just need you to tell me and the next generation of freaks after me and the next
01:45:37.460 generation of freaks after them like how do we get mighty real please tell us definitely more
01:45:45.300 difficult now than it was then because we were you know we were the youth movement and we were
01:45:51.540 supported everybody was educated for one thing and we were supported in doing radical things
01:45:58.740 by the society because um it was open and then it shut down when they didn't like how radical it
01:46:07.880 became um but there's nothing more powerful than the group consciousness and whatever you seek to
01:46:16.100 do try to find a group because if you have a supportive group there's no limit to what you
01:46:22.100 can do and I've met a lot of people people that are contacting me now that
01:46:28.520 live in communes or in groups that live in factories this one guy that I did an
01:46:35.660 interview for I think it was echo magazine and this was in London and he
01:46:43.200 lives in like a big loft where this whole group of artists live and that's I
01:46:50.960 i think it's really it's even more difficult now to do anything on your own if you really want to
01:46:56.480 do something that is out there it is not supported by the people around you or even the society or
01:47:04.480 anything um find a group or create a group because we became so much more powerful as a group than
01:47:12.880 we were on an individual basis it was it was our power for sure and i think now a group consciousness
01:47:20.560 is really important because people who want to destroy us are in a very solid group and so the
01:47:31.240 people that want to create and expand the universe in a positive way need to be a solid group it's
01:47:39.040 definitely the saving grace community is the key group consciousness absolutely support yeah
01:47:48.620 loving support absolutely
01:47:50.760 let me end by saying happy fucking 75th birthday it's coming right up it's it's amazing 0.92
01:48:06.580 and that your legacy is persevering can you again tell us the name of your book 0.99
01:48:12.100 where people can get it the cockettes acid drag and sexual anarchy
01:48:18.380 1969 to 1972 and if you want a signed copy it's thecockettes.net and then I'll sign you a copy
01:48:29.520 and the UK actually it's uh it's it's 35 to the UK but it's really more expensive to other parts
01:48:39.200 of Europe but I think it's coming out in stores in Europe this month in June it'll be available
01:48:45.100 in June if you're in another country but domestically I had free shipping so
01:48:52.780 people can go to thecockets.net and can you give us your Instagram handle and
01:48:59.320 hopefully people are you know I did the Instagram and it said put your name and
01:49:05.620 I put my own name because I you know this was really when Instagram was new
01:49:09.640 And I didn't even know that you were supposed to make a funny name, so I just put my name on.
01:49:14.640 So Instagram is under my name.
01:49:16.640 Yeah, and I'll put all of these links in the show notes and a bunch more links for our listeners.
01:49:21.640 And I have a website, too. It's just under sayahouse.com.
01:49:24.640 Perfect. And I did, I think I saw the book for sale online, so...
01:49:29.640 It's over 50 booksellers have it.
01:49:35.640 uh amazon certainly barnes and noble absolutely and all these independent booksellers under uh
01:49:44.440 it's called bookshop.org is a collection a network of independent booksellers so perfect everywhere
01:49:51.800 it's everywhere and listeners get it in your house if you like lady gaga um trace that history
01:50:00.360 know what you're talking about we you gotta love the gaga um but you know i i personally believe
01:50:06.840 and uh i hope our listeners will too if not for the caucus there would be no lady gaga right
01:50:13.080 and so you know we like to learn our history around here our listeners are kind of history
01:50:18.280 buffs and this is something that if you if you don't know about the caucus you are about to know
01:50:23.880 thank you so much but this has been a dream come true talking to you i i can't even
01:50:30.140 i can't even express what an amazing thrill this is
01:50:33.980 hey anytime you want to talk you call me up
01:50:40.300 definitely keep me in your email rotation and keep us yeah and i mean i really you know the live
01:50:49.400 events i really wanted to do it but when i start to travel when things open up like a year from now
01:50:58.280 i'll let you know absolutely and you can come back on the show and hopefully you'll bring whatever
01:51:03.240 you're doing to montreal oh my god that would be great i've never been to montreal oh well we love
01:51:09.560 wearable art there's actually um i am going to put a little note in my mind and try to make the
01:51:15.960 universe come together on this because there is a wearable art small independent festival
01:51:22.120 in montreal called wiggle and like um i think the last one i was at amanda lapore was the
01:51:28.200 special guest you know so it's like i'm going to put that message out into the universe that
01:51:33.320 fayette hauser is going to bring some stuff to the wearable art festival in montreal called wiggle
01:51:38.120 and let's pray that that happens but if not keep me posted on everything you do i want to know
01:51:43.320 that sounds great yeah yeah oh it's i've seen some um amazing choreography very like avant-garde
01:51:53.000 very avant-garde some of the most amazing moving costuming
01:51:57.800 oh there's performance there too oh it is everything that you would love it
01:52:05.800 yeah as soon as you can travel you come you come see me
01:52:08.520 i will thank you again so much fayette i i wish we could talk all night but
01:52:15.200 i know it is five o'clock it's dinner time here so lunch time for you
01:52:23.120 and uh again listeners i'm gonna put everything that i think um needs to go there into the show
01:52:29.520 notes and links and articles about the coquettes and about fayette and about this amazing legacy
01:52:35.520 that you are continuing thank you so much for making this book i just i'm like drooling at
01:52:41.500 the photos i can't wait to smell it that's what people are telling me i love new book smell and
01:52:51.920 i just imagine that there's going to be so much magic in there and so much for me to learn that
01:52:56.020 i haven't already unearthed writing like i'm signing it there's one page that just has the
01:53:03.020 name in black and it's a white page so I'm signing it on that and I'm starting
01:53:06.680 to decorate those pages of course you are I'm gonna decorate the page so if you
01:53:15.320 get it from me get you're getting if you want a custom custom decorated copy of
01:53:24.960 this book amazing thank you so much man it's been an honor 0.97
01:53:33.020 You must be a witch. 0.98